“Better than losing our lives,” said Alex.
While Conrad untied Quantum's leash from a rear door handle, Paul keyed in the car-lock combination. But the door didn't open.
“Hey, Conrad. Did you change your combination?"
“No. It's still Pi to five significant figures."
“I keyed in 31415, and it doesn't work,” said Paul.
“It's 31416. Rounded."
“But you always truncated it."
“No I didn't.” Conrad reached forward and keyed in the combination. “Maybe the cave-slide shook you up more than you're letting on."
“Maybe."
The doors opened. Conrad plopped down in the driver's seat and Quantum jumped in and over him, settling himself in the front passenger seat. Paul and Alex took the back.
Conrad started the engine. Because of the van's noisy muffler, conversation was difficult.
As they drove off, Paul stared out the window and couldn't shake the feeling that he was looking at familiar scenery from unfamiliar angles.
“Well, Alex,” Conrad shouted over the muffler roar, “you've just survived your first caving trip. Did you learn anything?"
Alex laughed. “Yeah. A lot of physics."
“Oh? Like what?"
“Well,” said Alex, loudly. “In the absence of mass, space becomes undefined."
“What?” Conrad looked in the rear view window. “That's nonsense. Space becomes flat."
Alex and Paul exchanged glances.
“What do you mean?” Paul asked the image in the window.
“Einstein was convinced of it and since last week's Felixhaugen lecture, I am too.” Conrad shook his head. “Boy, that Felixhaugen is really sharp.” He locked eyes with Paul. “I saw you come late to the talk. What did you think of it?"
“What the hell are you talking about?” Paul spoke more loudly than he needed to. “And who the hell is Felixhaugen?” He stared wildly at the rear view mirror; Conrad stared back and there was no doubting the worry on his face.
“I wonder,” said Conrad, “if perhaps now you've lost your memory."
Alex leaned over and whispered into Paul's ear. “Something's wrong here. I'm scared."
“Yeah,” said Paul, softly, “maybe I'm scared, too."
Quantum jerked his head around and growled at them.
“And Quant,” said Paul, under his breath, “seems not to like cats."
Copyright © 2006 Carl Frederick
[Back to Table of Contents]
* * *
SILENCE IN FLORENCE
by Ian Creasey
"Silence in Florence” is Ian Creasey's third story for Asimov's. He tells us this piece was inspired by a newspaper article about an exhibition devoted to portraits of servants. “One seventeenth-century picture showed a woman whose job was to scour out chamberpots. In the painting, she wielded her broom in a similar style to martial portraits of dukes and generals. It reminded me of how often fiction concentrates on so-called important people, the movers and shakers of their era, while relegating servants to mere background props. I wrote this story to redress the balance, and give the chambermaid her due regard."
The chamberpots held only dust. Maria picked one up, and sniffed a faint tang of rose-water from the last time she had cleaned it—three days ago, before the visitors arrived. Did the foreigners think themselves too good to piss in a pot? How could they? Under their fancy robes, everyone had the same bodily functions. Maria had emptied the pots of princes and cardinals, ambassadors and artists; the more wine they drank, the smellier their urine became. But now—none?
Maria shrugged. If the pots were empty, she'd complete her rounds quicker. She needed to finish all these apartments while the occupants toasted the Feast of St. John the Baptist downstairs. To remove the dust, she gave the chamberpots a quick wipe with a jasmine-scented rag. Then she left the visitors’ apartment.
On her way to the next stateroom, she met her daughter scurrying down the corridor. “What is it?” she asked, no longer hoping for an answer in words. At eleven years old, her daughter had still never spoken. Maria hoped the others hadn't been teasing her again. Sometimes they would send Cristina with messages too complicated to be delivered by gestures.
Cristina tugged at her mother's apron. Maria allowed herself to be guided through the servants’ passages—the Pitti Palace had a network of cunningly hidden corridors and stairways, so that the nobles never had to meet anyone carrying a chamberpot. Soon they arrived at the artists’ quarters. So many artists spent so much time working in the Palace that Cosimo II had given them their own suite of rooms. Although it was not far from the servants’ own quarters in the basement, the artists made it clear that they considered themselves superior.
Giovanni da San Giovanni panted in short gasps as his sweat shone in the candlelight. A younger artist, holding Giovanni's arm, said, “He's getting worse. Take that to Alessandro"—he pointed to a chamberpot—"and tell the good doctor to find out what ails Giovanni. He may have taken some wine, but he is not ‘just drunk.’”
Maria realized they'd summoned her because Cristina couldn't tell the doctor whom the chamberpot belonged to. She smelled ordure under the lid. The artists could have taken the pot themselves, but that would have been beneath their dignity. Was it only in Florence that artists considered themselves almost equal to the popes and Medicis who patronized them? Maria didn't know; she had never even crossed the Arno.
On the way to Alessandro's room, Maria said a short prayer over the chamberpot. Giovanni looked as if he might need more than the doctor's aid to recover.
She let Cristina tag along, although there would be work for her somewhere in the Palace—there was always work for everyone. The girl skipped along the corridor, smiling at her mother, running her finger along the frescos until Maria took her hand. Painted angels looked on impassively, as if they didn't care what would become of Cristina when Maria passed away.
In the doctor's small room, a tub of leeches stood among untidy heaps of glassware and steel instruments. Alessandro's moustache twitched as he smiled ruefully and put the chamberpot on his table. “There should be a better way to diagnose sickness than poking around in here.” He had said this a dozen times before, but Maria still felt warmed by the words. At least he spoke to her, and treated her as a person. If she met him in the courtyard, his gaze didn't slide away into the distance.
“And how are you today?” Alessandro asked the fair-haired child poking among his scalpels and bloodletting cups.
Cristina didn't answer, but only ducked shyly behind her mother.
“No change?” he asked quietly.
Maria shook her head. Even though she couldn't afford to pay him, Alessandro had examined her daughter several times over the years. He had never been able to find out why she couldn't speak.
It was an old pain, not worth bringing up again. Maria cast around for a change of subject, and remembered the empty chamberpots in the visitors’ apartments.
“You'd find treating the foreigners more pleasant,” she said. “They produce neither piss nor stools."
Alessandro laughed. “Don't be silly. Every man produces bodily wastes. After all, what goes in must come out."
“I haven't seen any for three days,” Maria said.
“They probably go elsewhere in the Palace—the garderobes, or the outside privy. But enough talk of stools. I must get on and examine poor Giovanni's."
Maria shook her head as she left. Alessandro might talk of the outside privy, but twenty years as a chambermaid told her that no one would walk all that way from the Palace's upstairs apartments, not when they could piss in a pot in their own room.
And yet Alessandro was right. What went in, must come out. Did the foreigners even drink, or did they spurn Tuscan wine like Tuscan chamberpots?
Maria turned to her daughter. “Would you like to see the nobles at the banquet?"
Cristina nodded eagerly.
“Then come along.” Maria
knew that her silent child could be counted on not to disturb the guests.
They went via the kitchens. Standing just outside the hall, dodging the trolleys of confectionery steered by liveried footmen, Maria and Cristina looked in at the feast. The smell of roast duck and spiced wine rose to the haloed saints on the high-vaulted ceiling.
Everyone was so richly dressed, it took Maria a few moments to spot the three visitors. Yet they stood out, because even now they still hadn't removed their veils.
The plague had hit Tuscany so many times that people often wore veils when traveling, or even strolling in the city streets. But at table? It seemed an insult to the Duke, to everyone else at the banquet. Yet no one looked offended. Two of the foreigners flanked a middle-aged, bushy-bearded man whom Maria recognized as Professore Galileo Galilei, the philosopher who studied the sky with his spyglass. The group talked animatedly, pushing salt cellars and duck-bones around the table. The third visitor looked away, gazing at the richly decorated walls, full of Bible scenes painted by the finest artists of the age.
Maria saw that the foreigners neither ate nor drank. Galileo sipped wine, and ate sugared citrons. The young Duke Ferdinand and all his guests feasted with gusto. Only the three visitors let nothing past their impenetrable veils. Behind their lace, robes, and gloves, not an inch of skin could be seen. Did any flesh lurk behind the clothes, or were the visitors just hollow masks? Maria shivered.
Cristina had grown fretful while Maria stared, and the kitchen servants began giving them both dirty looks for standing around, shirking. They had to get back to work.
Upstairs, Maria told her daughter to finish cleaning out the chamberpots from the other staterooms. Maria loitered in the corridor, waiting for the end of the feast, when the guests might return to their apartments. What kind of men neither ate nor drank, nor pissed or shat? What kind of men didn't even show their skin?
Clearly, the foreigners weren't ordinary men. And if not men, what were they? Maria thought they could only be angels. Of course angels wouldn't eat earthly food, or have earthly functions. The robes and veils concealed their divine light.
Angels! The thought was beyond wonder, beyond comprehension, like opening a lamp and finding a star inside. Yet God had uncounted angels, and the Duke's artists showed them talking to saints, walking with people. They had simply stepped from the frescos and donned cloaks.
Why would angels come to Florence? Were they judging the town for sin? Maria trembled for a moment. But then she remembered the friendly way they'd talked with Galileo, who was in trouble with the Church, and she felt they had probably not come for that.
Anyway, if they came to judge sin—why now? Every Sunday, Father Niccolo denounced the town's sinfulness and predicted damnation, as every priest had done since Savonarola's bonfire of vanities more than a hundred years ago. Maria couldn't believe that Florence today was more or less sinful than it had ever been.
No, the angels hadn't descended to punish sin. And so—perhaps they might be merciful.
Maria heard a swell of conversation from downstairs, as the hall doors opened and the guests began to disperse. “Cristina!” she called.
Cristina emerged sullenly from the opposite room. Maria saw people climbing the stairs, and she dragged her daughter behind the servants’ door, leaving it ajar to see who approached.
Veiled figures strolled down the corridor, silent as clouds. Maria took deep, shaky breaths. Could she ask a boon? Did she dare? She might annoy them—no doubt they had higher concerns. But if she didn't take this chance, she would never have another. And for the rest of her life, every time she looked at Cristina, she would remember that her own silence had sealed her daughter's.
Maria waited until the visitors neared their apartment. Then she stepped out and confronted them. She had feared she would be too terrified to speak, but holding Cristina's wrist gave her strength. “Most merciful angels,” she began. “I pray you in God's name, heal my daughter."
They stopped. Their blank, masked gazes bore into her. Maria wondered what else to say. Surely the angels, with divine wisdom, would know what ailed Cristina. And yet—if they knew all things, they wouldn't need to come down to Earth from Heaven.
The angels glanced at each other, then back to Maria, who said, “Cristina is mute. She hasn't spoken or cried since she was born. Life's hard enough for servants, but for a girl who can't speak to complain of a beating, or of worse things.... What will happen to her when I'm gone?"
One of the angels spoke in a voice resonant as bells. “Can she not write messages?"
Maria bowed her head, stifling her resentment at this mockery. “How can servants ever learn to read? Such luxuries are beyond our means."
The angels huddled together, and spoke rapidly with a rasping buzz. Maria had heard a dozen languages spoken in the Palace, but this sounded like none of them. Perhaps it was Hebrew, or a purer language spoken only by dead souls in Heaven.
But did people argue in Heaven? Maria couldn't understand what they said, but from the speed and vehemence of the words, she felt sure the angels disagreed among themselves.
Cristina grabbed Maria's arm. Maria looked down and saw her daughter's pained expression. She released her tense grip on Cristina's wrist, revealing red wheals in the flesh where her fingers had gouged. Cristina hadn't, of course, cried out with the hurt.
Finally, a red-robed angel—not the one who had recommended writing messages—said, “We will examine the girl. But you must wait here."
“Thank you,” said Maria, bowing again. As she sketched the sign of the cross, her heart skipped in exultation. She touched Cristina's cheek for a long moment, then said, “Go with them, my darling. And be brave."
The angels took Cristina into their room. Maria sat down outside to wait and pray. Time slid by, as slowly as embers dimming into ash. She wondered what Cristina would see, and whether she would ever be able to tell it.
The French ambassador walked down the corridor, and found Maria slumped by the wall. “These servants grow cheekier by the day,” he said to his friend. He kicked Maria hard in the buttock with his fashionably pointed shoe. “Get up, you lazy slattern!"
Her trance broken, Maria looked up at the French nobleman. Whatever he saw in her eyes made him hurry to the stairs, almost tripping over the broken end of his shoe.
Maria gazed at the angels’ apartment, wishing she knew what was happening to Cristina. She noticed white light shining through the crack at the bottom of the door, a light brighter than any oil lamp or log fire. The radiance of Heaven!
She pressed her ear to the door, but could hear nothing through the thick wood. The light dimmed.
The door opened, and Maria almost fell through it. One of the angels came out with Cristina, who looked pale and frightened. “We've done the best we can,” the resonant voice said. “But don't let the sick crowd our door. We've already done more than we're permitted, and we're leaving tonight.” Before Maria could utter any thanks or praise, the veiled figure slipped back inside.
Maria hugged her daughter, and saw a small red mark on Cristina's neck. “Are you all right?” she asked. “Can you speak?"
Cristina opened her mouth. After a few moments, a faint croak emerged from the back of her throat.
“It's a miracle!” Maria dropped to her knees, and pushed Cristina down too. “Oh Lord, we thank you for the gift of your angels."
Maria hoped that Cristina would join her prayer. Her first words should be ones of praise. But Cristina didn't speak. Instead, she made a drinking sign.
Water. They hastened downstairs. After the girl had drunk two cups of water, Maria asked again. “Can you speak?"
Cristina opened her jaw wide. Maria saw the muscles in her neck tense as she strained to make a sound. A squeak burst forth, as harsh as the scrape of a rusted hinge.
It was enough. “Hush now,” Maria told her daughter for the first time. “You should rest. Perhaps some honeyed wine, if there's any left from the banquet."
/> She realized there'd be no sudden gift of tongues. Cristina would have to learn to babble like a babe before she could talk in words. But even this painful squeak sounded as precious as if Cristina had called her “Mama."
Maria gave her daughter a drink of warm sweet wine, and put her to bed. Then she left the cramped servants’ quarters in the Palace basement. No matter what angels might visit, no matter what miracles might occur, she still had work to do. Too many people had seen her slacking today.
She frowned. Cristina had finished the upstairs apartments. What else needed doing? Maria remembered her visit to Dottore Alessandro. She'd have to go back and retrieve Giovanni's chamberpot. The doctor scrutinized so many samples that chamberpots kept accumulating in his room, and people shouted at her for losing them.
And she could tell the doctor about Cristina's marvelous miracle.
She rushed to Alessandro's room, where the eager words spilled out of her like water from the new fountains.
The doctor had been using a spyglass to examine a small brown turd. He gave her an exasperated look and said, “Angels? The artists paint angels all the time. They need something to fill the sky."
“No!” Maria flapped her arm in frustration. “Real angels—here, in the Palace. They cured Cristina!"
Alessandro stood up, his eyes wide with amazement. “Cristina can talk?"
Maria hesitated. “She hasn't said any words. But she made a noise. She squeaked!"
“Angels made your daughter squeak?” The doctor sighed. “Maria, you have to face the truth. If your daughter hasn't spoken in eleven years, she's never going to. Now take this damned chamberpot and tell Giovanni to lay off the wine."
He thrust the pot toward her. Maria threw it to the floor, where it smashed into a dozen pieces and splattered ordure over their feet.
“You're just jealous because you could never heal her. You never heal anyone! Poking around in shit—God knows people look down on me for cleaning it, but what about you? Look at yourself !"
She braced herself for a blow, but Alessandro only sat down and wiped his shoes. “I know we don't heal as many as we should,” he said in a tired voice. “The plague reminds us often enough. I'd poke through a whole cesspit if I could find a cure at the bottom. But because we fail, people turn to angels and toads, spells and dreams.” He shook his head.
Asimov's SF, September 2006 Page 15
