by Various
Mary Beth, he decided. He had to call someone with a camera, someone who could write a decent story. He dialed Mary Beth, got her answering machine, and hung up, dialed it again. At the fifth call her voice came on. "Who the hell is this, and do you know that it's three in the fucking morning?"
"Eddie Delacort. Mary Beth, get up, get over here, my place, and bring your camera."
"Fat Eddie? What the hell—"
"Right now, and bring plenty of film." He hung up.
A few seconds later his phone rang; he took it off the hook and laid it down on the table. While he waited for Mary Beth, he surveyed the room. The house was small, with two bedrooms, one that he used for an office, on the far side of the living room. In the living room there were two easy chairs covered with fine, dark green leather, no couch, a couple of tables, and many bookshelves, all filled. A long cabinet held his sound equipment, a stereo, hundreds of albums. Everything was neat, arranged for a large man to move about easily, nothing extraneous anywhere. Underfoot was another Navaho rug. He knew the back door was securely locked; the bedroom windows were closed, screens in place. Through the living room was the only way the kid on his bed could get out, and he knew she would not get past him if she woke up and tried to make a run. He nodded, then moved his two easy chairs so that they faced the bedroom; he pulled an end table between them, got another glass, and brought the bottle of bourbon. He sat down to wait for Mary Beth, brooding over the girl in his bed. From time to time the blanket shook hard; a slight movement that was nearly constant suggested that she had not yet warmed up. His other blanket was under her, and he had no intention of touching her again in order to get to it.
Mary Beth arrived as furious as he had expected. She was his age, about forty, graying, with suspicious blue eyes and no makeup. He had never seen her with lipstick on, or jewelry of any kind except for a watch, or in a skirt or dress. That night she was in jeans and a sweatshirt and a bright red hooded raincoat that brought the rainstorm inside as she entered, cursing him. He noted with satisfaction that she had her camera gear. She cursed him expertly as she yanked off her raincoat and was still calling him names when he finally put his hand over her mouth and took her by the shoulder, propelled her toward the bedroom door.
"Shut up and look," he muttered. She was stronger than he had realized and now twisted out of his grasp and swung a fist at him. Then she faced the bedroom. She looked, then turned back to him red-faced and sputtering. "You . . . you got me out . . . a floozy in your bed. . . . So you really do know what that thing you've got is used for! And you want pictures! Jesus God!"
"Shut up!"
This time she did. She peered at his face for a second, turned and looked again, took a step forward, then another. He knew her reaction was to his expression, not the lump on the bed. Nothing of that girl was visible, just the unquiet blanket and a bit of darkness that was not hair but should have been. He stayed at Mary Beth's side, and his caution was communicated to her; she was as quiet now as he was.
At the bed he reached out and gently pulled back the blanket. One of her hands clutched it spasmodically. The hand had four apparently boneless fingers, long and tapered, very pale. Mary Beth exhaled too long, and neither of them moved for what seemed minutes. Finally she reached out and touched the darkness at the girl's shoulder, touched her arm, then her face. Abruptly she pulled back her hand. The girl on the bed was shivering harder than ever, in a tighter ball that hid the many folds of skin at her groin.
"It's cold," Mary Beth whispered.
"Yeah." He put the blanket back over the girl.
Mary Beth went to the other side of the bed, squeezed between it and the wall and carefully pulled the bedspread and blanket free, and put them over the girl also. Eddie took Mary Beth's arm, and they backed out of the bedroom. She sank into one of the chairs he had arranged and automatically held out her hand for the drink he was pouring.
"My God," Mary Beth said softly after taking a large swallow, "what is it? Where did it come from?"
He told her as much as he knew, and they regarded the sleeping figure. He thought the shivering had subsided, but maybe she was just too weak to move so many covers.
"You keep saying it's a she." Mary Beth said. "You know that thing isn't human, don't you?"
Reluctantly he described the rest of the girl, and this time Mary Beth finished her drink. She glanced at her camera bag but made no motion toward it yet. "It's our story," she said. "We can't let them have it until we're ready. Okay?"
"Yeah. There's a lot to consider before we do anything."
Silently they considered. He refilled their glasses, and they sat watching the sleeping creature on his bed. When the lump flattened out a bit, Mary Beth went in and lifted the covers and examined her, but she did not touch her again. She returned to her chair very pale and sipped bourbon. Outside the wind moaned, but the howling had subsided, and the rain was no longer a driving presence against the front of the house, the side that faced the sea.
From time to time one or the other made a brief suggestion.
"Not radio," Eddie said.
"Right," Mary Beth said. She was a stringer for NPR.
"Not newsprint," she said later.
Eddie was a stringer for AP. He nodded.
"It could be dangerous when it wakes up," she said.
"I know. Six rows of alligator teeth, or poison fangs, or mind rays."
She giggled. "Maybe right now there's a hidden camera taking in all this. Remember that old TV show?"
"Maybe they sent her to test us, our reaction to them."
Mary Beth sat up straight. "My God, more of them?"
"No species can have only one member," he said very seriously. "A counterproductive trait." He realized that he was quite drunk. "Coffee," he said and pulled himself out of the chair, made his way unsteadily to the kitchen.
When he had the coffee ready, and tuna sandwiches, and sliced onions and tomatoes, he found Mary Beth leaning against the bedroom door, contemplating the girl.
"Maybe it's dying," she said in a low voice. "We can't just let it die, Eddie."
"We won't," he said. "Let's eat something. It's almost daylight."
She followed him to the kitchen and looked around it. "I've never been in your house before. You realize that? All the years I've known you, I've never been invited here before."
"Five years," he said.
"That's what I mean. All those years. It's a nice house. It looks like your house should look, you know?"
He glanced around the kitchen. Just a kitchen—stove, refrigerator, table, counters. There were books on the counter and piled on the table. He pushed the pile to one side and put down plates. Mary Beth lifted one and turned it over. Russet-colored, gracefully shaped pottery. from North Carolina, signed by Sara. She nodded, as if in confirmation. "You picked out every single item individually, didn't you?"
"Sure. I have to live with the stuff."
"What are you doing here, Eddie'? Why here?"
"The end of the world, you mean? I like it."
"Well, I want the hell out. You've been out and chose to be here. I choose to be out. That thing on your bed will get me out."
From the University of Indiana to a small paper in Evanston, on to Philadelphia, New York. He felt he had been out plenty, and now he simply wanted a place where people lived in individual houses and chose the pottery they drank their coffee from. Six
years ago he had left New York, on vacation, he had said, and he had come to the end of the world and stayed.
"Why haven't you gone already?" he asked Mary Beth.
She smiled her crooked smile. "I was married, you know that? To a fisherman. That's what girls on the coast do, marry fishermen or lumbermen or policemen. Me, Miss Original No-Talent herself. Married, playing house forever. He's out there somewhere. Went out one day and never came home again. So I got a job with the paper, this and that. Only one thing could be worse than staying here at the end of the world, and that's being i
n the world broke. Not my style."
She finished her sandwich and coffee and now seemed too restless to sit still. She went to the window over the sink and gazed out. The light was gray. "You don't belong here any more than I do. What happened? Some woman tell you to get lost? Couldn't get the job you wanted? Some young slim punk worm in front of you? You're dodging just like me."
All the above, he thought silently, and said, "Look, I've been thinking. I can't go to the office without raising suspicion, in case anyone's looking for her, I mean. I haven't been in the office before one or two in the afternoon for more than five years. But you can. See if anything's come over the wires, if there's a search on, if there was a wreck of any sort. You know. If the FBI's nosing around, or the military. Anything at all." Mary Beth rejoined him at the table and poured more coffee, her restlessness gone, an intent look on her face. Her business face, he thought.
"Okay. First some pictures, though. And we'll have to have a story about my car. It's been out front all night," she added crisply. "So, if anyone brings it up, I'll have to say I keep you company now and then. Okay?"
He nodded and thought without bitterness that that would give them a laugh at Connally's Tavern. That reminded him of Truman Cox. "They'll get around to him eventually, and he might remember seeing her. Of course, he assumed it was the Boland girl. But they'll know we saw someone."
Mary Beth shrugged. "So you saw the Boland girl and got to thinking about her and her trade and gave me a call. No problem."
He looked at her curiously. "You really don't care if they start that scuttlebutt around town about you and me?"
"Eddie," she said almost too sweetly, "I'd admit to fucking a pig if it would get me the hell out of here. I'll go on home for a shower, and by then maybe it'll be time to get on my horse and go to the office. But first some pictures."
At the bedroom door he asked in a hushed voice, "Can you get them without using the flash? That might send her into shock or something."
She gave him a dark look. "Will you for Christ's sake stop calling it a her!" She scowled at the figure on the bed. "Let's bring in a lamp, at least. You know I have to uncover it."
He knew. He brought in a floor lamp, turned on the bedside light, and watched Mary Beth go to work. She was a good photographer, and in this instance she had an immobile subject; she could use time exposures. She took a roll of film and started a second one, then drew back. The girl on the bed was shivering hard again, drawing up her legs, curling into a tight ball.
"Okay. I'll finish in daylight, maybe when she's awake."
Mary Beth was right, Eddie had to admit; the creature was not a girl, not even a female probably. She was elongated, without any angles anywhere, no elbows or sharp knees or jutting hipbones. Just a smooth long body without breasts, without a navel, without genitalia. And with that dark growth that started high on her head and went down the backs of her arms, covered her back entirely. Like a mantle, he thought, and was repelled by the idea. Her skin was not human, either. It was pale with yellow rather than pink undertones. She obviously was very cold; the yellow was fading to a grayish hue. Tentatively he touched her arm. It felt wrong, not yielding the way human flesh covered with skin should yield. It felt like cool silk over something firmer than human flesh.
Mary Beth replaced the covers, and they backed from the room as the creature shivered. "Jesus," Mary Beth whispered. "You'd think it would have warmed up by now. This place is like an oven, and all those covers." A shudder passed through her.
In the living room again, Mary Beth began to fiddle with her camera. She took out the second roll of film and held both rolls in She left the doorway and swept past him on her way to the kitchen. "Okay, he doesn't believe me, but he knows it's some
indecision. "If anyone's nosing around, and if they learn that you might have seen it, and that we've been together, they might snitch my film. Where's a good place to stash it?"
He took the film rolls and she shook her head. "Don't tell me. Just keep it safe." She looked at her watch. "I won't be back until ten or later. I'll find out what I can, make a couple of calls. Keep an eye on it. See you later."
He watched her pull on her red raincoat and went to the porch with her, where he stood until she was in her car and out of sight. Daylight had come; the rain had ended, although the sky was still overcast and low. The fir trees in his front yard glistened and shook off water with the slightest breeze. The wind had turned into no more than that, a slight breeze. The air was not very cold, and it felt good after the heat inside. It smelled good, of leaf mold and sea and earth and fish and fir trees. . . . He took several deep breaths and then went back in. The house really was like an oven, he thought, momentarily refreshed by the .cool morning and now once again feeling logy. Why didn't she warm up? He stood in the doorway to the bedroom and looked at the huddled figure. Why didn't she warm up?
He thought of victims of hypothermia; the first step, he had read, was to get their temperature back up to normal, any way possible. Hot water bottle? He didn't own one. Hot bath? He stood over the girl and shook his head slightly. Water might be toxic to her. And that was the problem; she was an alien with unknown needs, unknown dangers. And she was freezing.
With reluctance he touched her arm, still cool in spite of all the covering over her. Like a hothouse plant, he thought then, brought into a frigid climate, destined to die of cold. Moving slowly, with even greater reluctance than before, he began to pull off his trousers, his shirt, and when he was down to undershirt and shorts, he gently shifted the sleeping girl and lay down beside her, drew her to the warmth of his body.
The house temperature by then was close to eighty-five, much too warm for a man with all the fat that Eddie had on his body; she felt good next to him, cooling, even soothing. For a time she made no response to his presence, but gradually her shivering lessened, and she seemed to change subtly, lose her rigidity; her legs curved to make contact with his legs; her torso shifted, relaxed, flowed into the shape of his body; one of her arms moved over his chest, her hand at his shoulder, her other arm bent and fitted itself against him. Her cool cheek pressed against the pillows of flesh over his ribs. Carefully he wrapped his arms about her and drew her closer. He dozed, came awake with a start, dozed again. At nine he woke up completely and began to disengage himself. She made a soft sound, like a child in protest, and he stroked her arm and whispered nonsense. At last he was untangled from her arms and legs and stood up and pulled on his clothes again. The next time he looked at the girl, her eyes were open, and he felt entranced momentarily. Large, round, golden eyes, like pools of molten gold, unblinking, inhuman. He took a step away from her.
"Can you talk?"
There was no response. Her eyes closed again and she drew the covers high up onto her face, buried her head in them.
Wearily Eddie went to the kitchen and poured coffee. It was hot and tasted like tar. He emptied the coffee maker and started a fresh brew. Soon Mary Beth would return and they would make the plans that had gone nowhere during the night. He felt more tired than he could remember and thought ruefully of what it was really like to be forty-two and a hundred pounds overweight and miss a night's sleep.
"You look like hell," Mary Beth said in greeting at ten. She looked fine, excited, a flush on her cheeks, her eyes sparkling. "Is it okay? Has it moved? Come awake yet?" She charged past him and stood in the doorway to the bedroom. "Good. I got hold of Homer Carpenter, over in Portland. He's coming over with a video camera around two or three. I didn't tell him what we have, but I had to tell him something to get him over. I said we have a coelacanth."
Eddie stared at her. "He's coming over for that? I don't believe it..”
She left the doorway and swept past him on her way to the kitchen. “Okay, he doesn’t believe me, but he knows it’s something big, something hot, or I wouldn't have called him. He knows me that well, anyway."
Eddie thought about it for a second or two, then shrugged. "What else did you find out?"<
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Mary Beth got coffee and held the cup in both hands, surveying him over the top of it. "Boy oh boy, Eddie! I don't know who knows what, or what it is they know, but there's a hunt on. They're saying some guys escaped from the pen over at Salem, but that's bull. Roadblocks and everything. I don't think they're telling anyone anything yet. The poor cops out there don't know what the hell they're supposed to be looking for, just anything suspicious, until the proper authorities get here."
"Here? They know she's here?"
"Not here here. But somewhere on the coast. They're closing in from north and south. And that's why Homer decided to get his ass over here, too,"
Eddie remembered the stories that had appeared on the wire services over the past few weeks about an erratic comet that was being tracked. Stuart Winkle, the publisher and editor in chief, had not chosen to print them, but Eddie had seen them. And more recently the story about a possible burnout in space of a Soviet capsule. Nothing to worry about, no radiation, but there might be bright lights in the skies, the stories had said. Right, he thought.
Mary Beth was at the bedroom door again, sipping her coffee. "I'll owe you for this, Eddie. No way can I pay for what you're giving me." He made a growly noise, and she turned to regard him, suddenly very serious.
"Maybe there is something," she said softly. "A little piece of the truth. You know you're-not the most popular man in town, Eddie. You're always doing little things for people, and yet, do they like you for it, Eddie? Do they?"
"Let's not do any psychoanalysis right now," he said coldly. "Later."
She shook her head. "Later I won't be around. Remember?" Her voice took on a mocking tone. "Why do you suppose you don't get treated better? Why no one comes to visit? Or invites you to the clambakes, except for office parties, anyway? It's all those little things you keep doing, Eddie. Overdoing maybe. And you won't let anyone pay you back for anything. You turn everyone into a poor relation, Eddie, and they begin to resent it."
