The Totem

Home > Literature > The Totem > Page 6
The Totem Page 6

by David Morrell


  But there were other ways, those who said that Kesey had been wrong, that with a good thing going he'd been foolish to be so in sight. Better to do it on the sly, keep things quiet, keep them truly out of sight. Like the commune, some were saying. That had been a good idea. The trouble was that Kesey ventured out. He had been his own undoing. Better find a place where no one went, stay there, do your thing. Well, they did it, and where they chose to do it was near Potter's Field, Wyoming. All it took was one rich kid whose parents had both died. He'd been with Kesey. He had seen the trouble that was coming, and he'd split. Twenty-one, he had complete control of all the money he'd inherited. He'd found a spot where no one ever went, fifty acres of thick timber in the mountains far across the valley from the town. He had bought it, paid the taxes for ten years, set up buildings, and moved in. It wasn't just a place for freaking out. He had notions of a kind of ideal way of life. Those who marched against the Vietnam war but felt they weren't accomplishing anything, those who tried to change society from within the system but found that the politicians they worked for betrayed them, these and others like them he would welcome to his arms. The new republic. Free love, free food, and free spirit. Everything was on his tab. Not an orgy, not the kind of free love everyone was thinking of. But something else. Simple freedom that permitted love, love in any form, physical, emotional, as long as no one would be harmed, the kind of freedom those who were attracted to him hadn't seen before. First there were the freaks, imitation Pranksters, some who had indeed been Pranksters. Then there were the drop-outs, those who couldn't stand things anymore, who couldn't even bear to watch the television news. Queers and junkies, cowards, troublemakers, traitors and more, that was how the straight world saw them, but in Quiller's fifty acres, they were just themselves. Quiller, twenty-one and rich and leader of his version of a country. Photographs of him were not at all what a conservative would expect. No long hair and beard and ragged jeans. No beads, guru shirts, or Captain Marvel costume. Quiller looked just as straight as those who spoke against him. Short hair reminiscent of the fifties, sideburns even with the middle of his ears, fair-skinned to begin with so his clean face looked like it was always shaved. He wore custom-tailored shirts and designer slacks and hand-sewn patent-leather shoes. Tall and thin. No, that didn't quite describe him. Tall was far too relative. He stood six-foot-eight, a star in basketball in college, but that still did not convey his seeming height. Think of what he weighed. One hundred and sixty, sometimes less, just sinew, bone, and muscle, running ten miles in the morning and another ten at night. He looked as if someone had put him on a rack and stretched him, long legs, long arms, neck and body, stark thin hips and chest and waist. His face was in proportion, high and narrow, slight jaw, small lips, thin nose. Mostly what you noticed were his eyes, though. Even in the photographs. Bright and clear and gleaming, almost piercing. In color photos, they were blue.

  Some who were against him said his eyes were bright like that because of all the speed and acid he was popping. Others, more inclined toward him, maintained that they were bright like that because he was so god-damned smart, his I.Q. close to genius, up there near one hundred and eighty.

  All that Dunlap had already checked on, going through old Newsworld files back in New York at his office. There were photographs of Quiller talking to reporters, of the conference that he had called, using all the power of his wealth, to tell them what he planned. Reporters had been glad to come, promised champagne, pheasant under glass, and caviar, eager too to find another Kesey. They had written many stories based on Kesey. Now they hoped to write a lot more like them based on Quiller, disappointed when they saw how straight he seemed. Quiller had them writing soon enough, however. First he told them how disgusted he was that he couldn't get attention without bribing them to come, how he hoped the caviar would choke them and remind them of the sickness in the country. He explained his views about the nation, and he told them to go out and spread the word. They, of course, refused. Some were standing up to leave. But he had something yet in store for them. "The Exodus," he called it. Two months further on, July 4, Independence Day, he would free his people from their bondage. Starting out from San Francisco, he would lead a caravan of misfits, malcontents, and dispossessed from City Hall at nine a.m. and take them to the promised land. He told reporters of the fifty acres, told them what he planned to do there, told them of the kind of ideal life he hoped to lead. Because he couldn't change the nature of the world, he would turn his back on it and make his own. No hate, no wars, no repression. Only peace and mutual respect and harmony. He invited all the reporters in the room to join him. Mostly, though, he let them in on what amounted to a newsman's holiday. Two months from now, they'd have stories all right, more than they could handle, visions of those photogenic hippies, traffic jams and confrontations, Day-Glo buses, vans and motorcycles, God knows what all, heading down the road. Local color and events. That was it: events. This had the feel of something major. Quiller got what he had wanted. They went out and spread the word.

  It was a media-created happening. Later, many would maintain that nothing would have taken place if reporters had been silent. But the media said that it would happen, and of course it did. Five thousand freaks of all descriptions, half as many vehicles. It wasn't just a traffic jam. It amounted almost to a riot, police attacking the freaks, claiming the assembly was unlawful, dragging hippies off. Quiller put a stop to that. He'd used his money there as well, buying various permits from officials.

  And they started away, Quiller at the lead in a bright red classic 1959 Corvette, heading across the country. They went through Nevada and then Utah, others joining in along the way, a five-mile caravan of cars and trucks and bikes and buses, straight or twisted, some plain, others Day-Gloed, orange and green and purple, every color you could think of. It was something else, they said. It was also Quiller's last cooperation with reporters. He had broken his first rule-don't let people know what you're doing. He'd been forced to. Without newsmen, he had no publicity. But now he had no need for them, and he ignored them all along the way. He reached Wyoming, moving close to home. He crossed the rangeland, worked up through the mountains, crossed more rangeland, then more mountains. Then he reached the valley, coming through the western pass, never getting close to town, simply heading north within the valley until he reached the loggers' road and going up, and that was where the story ended. No reporter ever saw the compound. Lord knows, many tried. Quiller, though, was adamant. Echoing a famous Kesey slogan that a person's either on or off the bus, he said that newsmen too were free to join. The catch was, they would have to stay. 'You're either in or out of the compound. There's no in-between." Many newsmen tried to fake it, but he wouldn't have them. He wouldn't accept a lot of freaks who'd come with him as well. He wanted only those who sensed a mission. Those who wanted nothing but parties he ordered to leave. There were thugs he had hired who took care of forcing them to leave and many of the chosen who took care of forcing them as well. At last he had a thousand. Then he cut them down to half, and all the gates were closed.

  From all accounts, there wasn't much to see, regardless: just an open space within the trees, wooden buildings set out into streets and sections, not like houses, more like barracks, just as if this were the Army. That had turned a lot of people off, helping to thin the ranks. The place itself was far off in the forest. Quiller hadn't bought land near the highway. He had bought it away up in the mountains, also buying a strip of land to get to it. That was why you couldn't see the compound. Walking up the loggers' road, you came to where a gate was closed and members of the commune watched it. You could work across and come in from the side. That took several hours, though. The woods were thick and slashed with ravines. But the borders there were guarded too, and anyway the woods were still so thick you couldn't see the commune. For a picture of it, you would have to walk right to the forest's edge, and someone surely would have spotted you. There were rumors that one man had gone there, been discovered, had hi
s camera taken from him, and been chased. But no one ever found the man to talk to him, and no one ever knew.

  And anyway, so what? The story by then wasn't at the compound. It was in the town. All the freaks who'd been rejected or had lost their interest showed up in Potter's Field. That was when the trouble started, when the town rejected all those crazy perverts, wouldn't sell them food or even gasoline, and called in the state police to have them sent away. There were fights and broken windows, shattered heads, Day-Gloed buildings, litter, obscene gestures, and a lot of dope. It was two weeks that the town wished hadn't been. In the end, the freaks were all evicted, but the town looked on the compound as the cause of all the trouble. Indeed the town drew no distinction between Quiller's people and those others, and it wouldn't sell the compound food.

  Dunlap knew that from the files in New York too. He had seen the photos of the San Francisco riot, policemen dragging hippies off, kicking, swinging clubs and pushing, a great mass of pained and twisted faces, bodies trampled underfoot-photos that reminded him of others like them from the previous decade, especially the march on the Pentagon and the Chicago Democratic convention. He had read about the sudden permits that came through, suspecting that Quiller could have had them sooner but that Quiller held off until he made a point, binding all those people to him. Dunlap saw photos of the Corvette heading out of San Francisco, the long procession following; of locals by the road who even in still pictures seemed to shake their heads and turn and frown and ask each other what the hell was going on. State patrol cars waiting for a traffic violation. Restaurants that wouldn't serve them. By the time they got to Utah, the photos began to seem ordinary. Editors enlivened them, juxtaposing Brigham Young, the Mormon trek, and Quiller's ragged motorcade. The point was obvious, Day-Gloed buses against covered wagons, this new trek a parody of what had once been dignified and meaningful. Even layouts like that soon lost their effectiveness, however, so that by the time the column reached Wyoming, there was little new to show. Oh, sure, there were the mountains and the valley, the road up to the compound, and the gate. But all those pictures didn't have much drama to them. Editors rejected them in favor of what was happening in town.

  As near as Dunlap could remember from the photos he had studied in New York, there didn't seem much difference between how the town had looked back then and what it looked like now. A few new buildings maybe, and of course the slogans had been erased from the walls, but really nothing much was changed. The same wide central street, the same two-story buildings that went straight down on both sides, their clapboard walls painted white. A pocket of tradition. Continuity. The place had likely looked the same back in the fifties too. Dunlap had seen pictures of the confrontation in the town, beaded hippies face-to-face with stern-eyed men in cowboy hats, state policemen standing by patrol cars waiting for trouble; fights and local people jeering; flying stones and bottles, broken windows, tents and garbage through the park-and more fights, further confrontations, each day worse than the one before until the roundup in the park, patrol cars all around it while the troopers went in from all sides and pushed the hippies toward the center, county buses waiting for them, those on foot at least, others forced to start their cars and trucks and vans and get the hell out from the town. The state police cars stayed with them right through the town and valley, up the pass, and only left them when they reached the other side. There were some who, stubborn, came back, but they didn't last long, forced to leave again, and then that part of everything was over. The story idled.

  There was nothing doing. Newsmen and photographers soon left. Potter's Field was by itself again, except for Quiller and the compound.

  So much for the files that Dunlap had gone through in New York. Parsons had been right, of course. The press had sided with the hippies. Civil rights and freedom of expression, not to mention that the hippies were the underdogs. All the same, Dunlap couldn't blame the town. It really hadn't been prepared for several thousand strung-out, West-coast freaks descending on them. There was just too little understanding. It didn't matter anyhow. That wasn't what he'd come for, although he'd have to note it for perspective in his story. What he wanted was the story of what happened next, the story no one else had covered, the subtle many-year changes that when isolated didn't have much drama but when put together and compressed might make a dramatic point.

  Quiller and the compound, what went on up there behind those sentries and that gate? Dunlap was guessing that the new republic failed, all that wealth and innocence not good enough to make a difference. Lofty ideals compromised, gold turned into lead. Not that Quiller's ideals had been very deep or complicated. Regardless of the I.Q. they had come from, they were mostly well-phrased slogans. Sure, there was the paradox of using wealth to make a way of life that didn't need it. There was, too, the paradox of Quiller, straight and clean-cut, leading all those hippies, his classic Corvette at the head of all those music-blaring buses. Nonetheless, for all that Dunlap knew, Quiller had just made himself look straight so he could use the system to create his enterprise. The only way to know that was to talk to Quiller, and as much as Dunlap was aware, no one from the outside had heard news of Quiller since he'd closed the gates and gone back in the wood-enshrouded compound back in 1970. It was almost twenty-three years ago exactly. Parsons had been right. Next month, the middle of July, would be about the time the trouble had reached its worst within the town. Dunlap guessed that if the compound went to hell, its members simply drifted off, Quiller with them, so dejected no one wished to talk about it. Could be Quiller lost his wealth and disappeared, no longer powerful, only disillusioned and anonymous. Could be. All the same, you'd think that someone would have told.

  Well, the only way to know was to do the research, get the facts, and get out of here. Dunlap sat before a microfilm machine. He was in the newspaper's basement, in a small room at the far end of a corridor. His coat was on a chair, the only light the one that glowed from the microfilm machine. It was pleasant down here in the half-dark, cool and faintly soothing, even with the sound of a fan that blew air past the film to keep the reading light in there from burning through it. He had asked the man in charge down here to give him all the reels for summer, 1970. Actually he'd been surprised that Parsons had the Gazette's morgue on microfilm. Most town papers like this just had issues put in storage, destroying many when they needed room. Parsons, though, was up on things. Dunlap hated reading microfilm. All the same, he was impressed.

  He sat there, fooling with a reel, adjusting it. He turned the reel until he got an image on the screen before him, centered it, and started reading. What he wanted was some aspect of the story that the files he'd read had not included. Some small detail that would tell him what had happened in the compound while the troubles in the town upstaged it. For a time, the microfilm before him and the files he'd read in New York were the same. Different writers handled them. There were different slants, one in favor of the town and one against it, but the information was the same. Then he came across an item that he'd never seen before. The cars and trucks and vans that went up in the compound. Quiller had them sold. Some he sent down to the local dealers, trading at a loss for cash. Then the trouble in the town intensified so much that angry dealers wouldn't any longer trade with him, and emissaries from the compound had to leave the valley for the dealers in the nearest other towns. Emissaries. That was it. Quiller wasn't ever with them. What was more, the emissaries wouldn't ever mention what was going on up there. That was no surprise, of course, although Dunlap thought that it was subtle. Good religious precepts. Swear your followers to secrecy; have them give up all unnecessary worldly goods. The money they earned from the sale would have been nothing when compared to Quiller's wealth, but this way they were adding to the enterprise, giving, not just taking. The thing that puzzled Dunlap, however, was the sports car. In all the local items that described the way they traded all their vehicles for cash, there wasn't any mention of the classic red Corvette. Even back in 1970, a 1959 Corvette
was special. Chevrolet had switched designs, and many buyers felt the earlier was better. Surely some reporter would have made a note if it were sold. Dunlap told himself that, when he had the time, he'd have to call the other papers in the area. In the meanwhile, though, and on a chance, he scanned the used-car advertisements on the microfilm. He knew that, if a dealer had his hands on that Corvette, he'd surely want to advertise. There wasn't any mention, though.

  Dunlap looked ahead for several weeks, and still there wasn't any mention. He would have to check the other newspapers, of course. But could it be, was it possible that Quiller had ordered his members to sell their vehicles and, while they did it, had kept his own? What the hell was going on?

 

‹ Prev