Hera turned to face me. She looked gaunt and worn—a woman who had seen too much grief. “I want to thank you, Zeke, for not telling Tishembra who filed that complaint. I wasn’t myself when I did it. I don’t even remember doing it.”
She wasn’t lying.
I stumbled over that fact. Had I gotten it wrong? Was there something more going on than a need for misguided revenge?
"When was the last time you had your defensive Makers upgraded?”
She flinched and looked away. “It’s been a while.”
I sent a DI to check the records. It had been three years. I pulled up an earlier report and cross checked the dates to be sure. She hadn’t had an upgrade since her brother’s execution. My heart rate jumped as I contemplated a new possibility. No doubt my pupils dilated, but Hera was still looking away and she didn’t see it. I sent the DI out again.
We were standing beside an open door to an unoccupied office. I ushered Hera inside. The DI came back with a new set of records even before the door was closed. At my invitation, Hera sat in the guest chair, her hands fidgeting restlessly in her lap. I perched on the edge of the desk, scanning the records, trying to stay calm, but my DI wasn’t fooled. It sensed my stress and sent the paralytic ribbon creeping down my arm and into my palm.
"Let’s talk about your brother.”
Hera’s hands froze in her lap. “My brother? You must know already. He’s dead… he died like Key.”
"You used to be a city councilor.”
"I resigned from the council.”
I nodded. “As a councilor you were required to host visitors… but you haven’t allowed a ghost in your atrium since your brother’s arrest.”
"Those things don’t matter to me anymore.”
"You also haven’t upgraded your defensive Makers, and you haven’t been scanned—”
"I’m not a criminal, Zeke. I just… I just want to do my job, and be left alone.”
"Hera? You’ve been harboring your brother’s ghost, haven’t you? And he didn’t like it, when you started seeing Key.”
The DI showed me the flush of hot and cold across her skin. “No,” she whispered. “No. He’s dead, and I wouldn’t do that.”
She was lying. “Hera, is your atrium quirked? To let your brother’s ghost take over sometimes?”
She looked away. “Wouldn’t that be illegal?”
"Giving up your body to another? Yes, it would be.”
Her hands squeezed hard against the armrests of the chair. “It was him, then? That’s what you’re saying?” She turned to look at me, despair in her eyes. “He filed the complaint against Tish?”
I nodded. “I knew it wasn’t you speaking to me that day. I think he also used you to sabotage Key’s railcar, knowing I’d have to look into it.”
"And Robin?” she asked, her knuckles whitening as she gripped the chair.
"Ask him.”
Earlier, I’d asked the DI to bring me a list of all the trained molecular designers in Nahiku, but I’d asked the wrong question. I queried it again, asking for all the designers in the past five years. This time, mine wasn’t the only name.
"Ask him for the design of the assault Maker, Hera. Robin doesn’t deserve to die.”
I crouched in front of her, my hand on hers as I looked up into her stunned eyes. It was a damned stupid position to put myself into.
He took over. It took a fraction of a second. My DI didn’t catch it, but I saw it happen. Her expression hardened and her knee came up, driving hard into my chin. As my head snapped back he launched Hera against me. At that point it didn’t matter that I outweighed her by forty percent. I was off balance and I went down with her on top of me. Her forehead cracked against my nose, breaking it.
He wasn’t trying to escape. There was no way he could. It was only blind rage that drove him. He wanted to kill me, for all the good it would do. I was a cop. I had backups. I couldn’t lose more than a few days. But he could still do some damage before he was brought down.
I felt Hera’s small hands seize my wrists. He was trying to keep me from using the ribbon arsenal, but Hera wasn’t nearly strong enough for that. I tossed her off, and not gently. The back of her head hit the floor, but she got up again almost as fast as I did and scrambled for the door.
I don’t know what he intended to do, what final vengeance he hoped for. One more murder, maybe. Tishembra and Robin were both just across the hall.
I grabbed Hera, dragged her back, and slammed her into the chair. Then I raised my hand. The DI controlled the ribbon. Fibers along its length squeezed hard, sending a fine mist across Hera’s face. It got in her eyes and in her lungs. She reared back, but then she collapsed, slumping in the chair. I wiped my bloody nose on my sleeve and waited until her head lolled against her chest. Then I sent a DI to Red Star.
I’d need help extracting the data from her quirked atrium, and combing through it for the assault Maker’s design file.
It took a few days, but Robin was recovered. When he gets cranky at night he still tells Tishembra she’s “wrong,” but he’s only three. Soon he won’t remember what she was like before, while I pretend it doesn’t matter to me.
Tishembra knows that isn’t true. She complains the laws are too strict, that citizens should be free to make their own choices. Me, I’m just happy Glory Mina let me stay on as Nahiku’s watch officer. Glory likes reminding me how lucky I am to have the position. I like to remind her that I’ve finally turned into the uncompromising jackboot she always knew I could be.
Don’t get me wrong. I wanted to help Hera, but she’d been harboring a fugitive for three years. There was nothing I could do for her, but I won’t let anyone else in this city step over the line. I don’t want to sit through another execution.
Nahiku isn’t quite bankrupt yet. Glory assessed a minimal fine for Hera’s transgression, laying most of the fault on the police since we’d failed to hunt down all ghosts of a condemned criminal. So the city won’t be sold off, and Tishembra will have to wait to get free.
I don’t think she minds too much.
Here. Now. This is enough. I only wonder: Can we make it last?
Fade to White
Catherynne M. Valente
Catherynne M. Valente [www.catherynnemvalente.com] is the New York Times bestselling author of over a dozen works of fiction and poetry, including Palimpsest, the “Orphan’s Tales” series, Deathless, and the crowd-funded phenomenon The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. She is the winner of the Andre Norton Award, the Tiptree Award, the Mythopoeic Award, the Rhysling Award, and the Million Writers Award, and has been nominated for the Hugo, Locus, Spectrum, and World Fantasy awards, and was a finalist for the Pushcart Prize. Her most recent novel, The Girl Who Fell Beneath Fairyland and Led the Revels There, is a Time magazine book of the year. She lives on an island off the coast of Maine with her partner, two dogs, and an enormous cat.
Fight the Communist Threat in Your Own Backyard!
ZOOM IN on a bright-eyed Betty in a crisp green dress, maybe pick up the shade of the spinach in the lower left frame. [Note to Art Dept: Good morning, Stone! Try to stay awake through the next meeting, please. I think we can get more patriotic with the dress. Star-Spangled Sweetheart, steamset hair the color of good American corn, that sort of thing. Stick to a red, white, and blue palette.] She’s holding up a resplendent head of cabbage the size of a pre-war watermelon. Her bicep bulges as she balances the weight of this New Vegetable, grown in a Victory Brand Capsule Garden. [Note to Art Dept: Is cabbage the most healthful vegetable? Carrots really pop, and root vegetables emphasize the safety of Synthasoil generated by Victory Brand Capsules.]
Betty looks INTO THE CAMERA and says: Just because the war is over doesn’t mean your Victory Garden has to be! The vigilant wife knows that every garden planted is a munitions plant in the War Fight Struggle Against Communism. Just one Victory Brand Capsule and a dash of fresh Hi-Uranium Mighty Water can provide an average yard’s wor
th of safe, rich, synthetic soil—and the seeds are included! STOCK FOOTAGE of scientists: beakers, white coats, etc. Our boys in the lab have developed a wide range of hardy, modern seeds from pre-war heirloom collections to produce the Vegetables of the Future. [Note to Copy: Do not mention pre-war seedstock.] Just look at this beautiful New Cabbage. Efficient, bountiful, and only three weeks from planting to table. [Note to Copy: Again with the cabbage? You know who eats a lot of cabbage, Stone? Russians. Give her a big old zucchini. Long as a man’s arm. Have her hold it in her lap so the head rests on her tits.]
BACK to Betty, walking through cornstalks like pine trees. And that’s not all. With a little help from your friends at Victory, you can feed your family and play an important role in the defense of the nation. Betty leans down to show us big, leafy plants growing in her Synthasoil. [Note to Casting: make sure we get a busty girl, so we see a little cleavage when she bends over. We’re hawking fertility here. Hers, ours.] Here’s a tip: Plant our patented Liberty Spinach at regular intervals. Let your little green helpers go to work leeching useful isotopes and residual radioactivity from rain, groundwater, just about anything! [Note to Copy: Stone, you can’t be serious. Leeching? That sounds dreadful. Reaping. Don’t make me do your job for you.] Turn in your crop at Victory Depots for Harvest Dollars redeemable at a variety of participating local establishments! [Note to Project Manager: Can’t we get some soda fountains or something to throw us a few bucks for ad placement here? Missed opportunity! And couldn’t we do a regular feature with the “tips” to move other products, make Betty into a trusted household name—but not Betty. Call her something that starts with T, Tammy? Tina? Theresa?]
Betty smiles. The camera pulls out to show her surrounded by a garden in full bloom and three [Note to Art Dept: Four minimum] kids in overalls carrying baskets of huge, shiny New Vegetables. The sun is coming up behind her. The slogan scrolls up in red, white, and blue type as she says:
A free and fertile tomorrow. Brought to you by Victory.
Fade to white.
The Hydrodynamic Front
More than anything in the world, Martin wanted to be a Husband when he grew up.
Sure, he had longed for other things when he was young and silly—to be a milkman, a uranium prospector, an astronaut. But his fifteenth birthday was zooming up with alarming speed, and becoming an astronaut now struck him as an impossibly, almost obscenely trivial goal. Martin no longer drew pictures of the moon in his notebooks or begged his mother to order the whiz-bang home enrichment kit from the tantalizing back pages of Popular Mechanics. His neat yellow pencils still kept up near-constant flight passes over the pale blue lines of composition books, but what Martin drew now were babies. In cradles and out, girls with bows in their bonnets and boys with rattles shaped like rockets, newborns and toddlers. He drew pictures of little kids running through clean, tall grass, reading books with straw in their mouths, hanging out of trees like rosy-cheeked fruit. He sketched during history, math, civics: twin girls sitting at a table gazing up with big eyes at their Father, who kept his hat on while he carved a holiday Brussels sprout the size of a dog. Triplet boys wrestling on a pristine, uncontaminated beach. In Martin’s notebooks, everyone had twins and triplets.
Once, alone in his room at night, he had allowed himself to draw quadruplets. His hand quivered with the richness and wonder of those four perfect graphite faces asleep in their four identical bassinets.
Whenever Martin drew babies they were laughing and smiling. He could not bear the thought of an unhappy child. He had never been one, he was pretty sure. His older brother Henry had. He still cried and shut himself up in Father’s workshop for days, which Martin would never do because it was very rude. But then, Henry was born before the war. He probably had a lot to cry about. Still, on the rare occasion that Henry made a cameo appearance in Martin’s gallery of joyful babies, he was always grinning. Always holding a son of his own. Martin considered those drawings a kind of sympathetic magic. Make Henry happy—watch his face at dinner and imagine what it would look like if he cracked a joke. Catch him off guard, snorting, which was as close as Henry ever got to laughing, at some pratfall on The Mr. Griffith Show. Make Henry happy in a notebook and he’ll be happy in real life. Put a baby in his arms and he won’t have to go to the Front in the fall.
Once, and only once, Martin had tried this magic on himself. With very careful strokes and the best shading he’d ever managed, he had drawn himself in a beautiful gray suit, with a professional grade shine on his shoes and a strong angle to his hat. He drew a briefcase in his own hand. He tried to imagine what his face would look like when it filled out, got square-jawed and handsome the way a man’s face should be. How he would style his hair when he became a Husband. Whether he would grow a beard. Painstakingly, he drew a double Windsor knot in his future tie, which Martin considered the most masculine and elite knot.
And finally, barely able to breathe with longing, he outlined the long, gorgeous arc of a baby’s carriage, the graceful fall of a lace curtain so that the penciled child wouldn’t get sunburned, big wheels capable of a smoothness that bordered on the ineffable. He put the carriage-handle into his own firm hand. It took Martin two hours to turn himself into a Husband. When the spell was finished, he spritzed the drawing with some of his mother’s hairspray so that it wouldn’t smudge and folded it up flat and small. He kept it in his shirt pocket. Some days, he could feel the drawing move with his heart. And when Father hugged him, the paper would crinkle pleasantly between them, like a whispered promise.
Static Overpressure
The day of Sylvie’s Presentation broke with a dawn beyond red, beyond blood or fire. She lay in her spotless white and narrow bed, quite awake, gazing at the colors through her Sentinel Gamma Glass window—lower rates of corneal and cellular damage than their leading competitors, guaranteed. Today, the sky could only remind Sylvie of birth. The screaming scarlet folds of clouds, the sun’s crowning head. Sylvie knew it was the hot ash that made every sunrise and sunset into a torture of magenta and violet and crimson, the superheated cloud vapor that never cooled. She winced as though red could hurt her—which of course it could. Everything could.
Sylvie had devoted a considerable amount of time to imagining how this day would go. She did not worry and she was not afraid, but it had always sat there in her future, unmovable, a mountain she could not get through or around. There would be tests, for intelligence, for loyalty, for genetic defects, for temperament, for fertility, which wasn’t usually a problem for women but better safe than sorry. Better safe than assign a Husband to a woman as barren as California. There would be a medical examination so invasive it came all the way around to no big deal. When a doctor can get that far inside you, into your blood, your chromosomes, your potentiality and all your possible futures, what difference could her white gloved fingers on your cervix make?
None of that pricked up her concern. The tests were nothing. Sylvie prided herself on being realistic about her qualities. First among these was her intellect; like her mother Hannah she could cut glass with the diamond of her mind. Second was her silence. Sylvie had discovered when she was quite small that adults were discomfited by silence. It brought them running. And when she was angry, upset, when the world offended her, Sylvie could draw down a coil of silence all around her, showing no feeling at all, until whoever had affronted her grew so uncomfortable that they would beg forgiveness just to end the ordeal. There was no third, not really. She was what her mother’s friends called striking, but never pretty. Narrow frame, small breasts, short and dark. Nothing in her matched up with the fashionable Midwestern fertility goddess floor-model. And she heard what they did not say, also—that she was not pretty because there was something off in her features, a ghost in her cheekbones, her height, her straight, flat hair.
Sylvie gave up on the fantasy of sliding back into sleep. She flicked on the radio by her bed: Brylcreem Makes a Man a Husband! announced a tinny woman’s voice, followed by a che
erful blare of brass and the morning’s reading from the Book of Pseudo-Matthew. Sylvie preferred Luke. She opened her closet as though today’s clothes had not been chosen for years, hanging on the wooden rod behind all the others, waiting for her to grow into them. She pulled out the dress and draped it over her bed. It lay there like another girl. Someone who looked just like her but had already moved through the hours of the day and come out on the other side. The red sky turned the deep neckline into a gash.
She was not ready for it yet.
Sylvie washed her body with the milled soap provided by Spotless Corp. Bright as a pearl, wrapped in white muslin and a golden ribbon. It smelled strongly of rose and mint and, underneath, a blue chemical tang. The friendly folks at Spotless also supplied hair rinse, cold cream, and talcum for her special day. All the bottles and cakes smelled like that, like growing things piled on top of something biting, corrosive. The basket had arrived last month with a bow and a dainty card attached congratulating her. Until now it had loomed in her room like a Christmas tree, counting down. Now Sylvie pulled the regimented colors and fragrances out and applied them precisely, correctly, according to directions. An oyster-pink shade called The Blossoming of the Rod on her fingernails, which may not be cut short. A soft peach called Penance on her eyes, which may not be lined. Pressed powder (The Visitation of the Dove) should be liberally applied, but only the merest breath of blush (Parable of the Good Harlot) is permitted. Sylvie pressed a rosy champagne stain (Armistice) onto her lips with a forefinger. Hair must be natural and worn long—no steamsetting or straightening allowed. Everyone broke that rule, though. Who could tell a natural curl from a roller these days? Sylvie combed her black hair out and clipped it back with the flowers assigned to her county this year—snowdrops for hope and consolation. Great bright thornless roses as red as the sky for love at first sight, for passion and lust.
The Best Science Fiction and Fantasy of the Year, Volume 7 Page 73
