“This has something to do with The Sons of Melusine, doesn't it?”
Tommy nodded. “Yes, those paintings are inspired by Tristan.”
“But Tommy,” I said, “why are you going back to this type of painting? Sure it's an interesting gimmick, saying your boyfriend's a merman. But the critics didn't like your fantasy paintings. They liked the American Gothic stuff. Why would they change their minds now?”
“Two things,” Tommy said, frustrated with me. “One: a good critic doesn't dismiss entire genres. They look at technique and composition of elements and the relationship the painting establishes with this world. Two: it's not a gimmick. It's the truth, Meg. Listen to me. I'm not laughing anymore. Tristan made his parents an offer. He said he'd move somewhere unimportant and out of the way, and they could make up whatever stories about him for their friends to explain his absence if they gave him part of his inheritance now. They accepted. It's why we're here.”
I didn't know what to say, so I just stood there. Tommy ladled soup into bowls for the four of us. Dad would be coming in from the barn soon, Tristan back from the pond. Mom was still at the library and wouldn't be home till evening. This was a regular summer day. It made me feel safe, that regularity. I didn't want it to ever go away.
I saw Tristan then, trotting through the field out back, drying his hair with his pink shirt as he came. When I turned back to Tommy, he was looking out the window over the sink, watching Tristan too, his eyes watering. “You really love him, don't you?” I said.
Tommy nodded, wiping his tears away with the backs of his hands. “I do,” he said. “He's so special, like something I used to see a long time ago. Something I forgot how to see for a while.”
“Have you finished The Sons of Melusine series then?” I asked, trying to change the subject. I didn't feel sure of how to talk to Tommy right then.
“I haven't,” said Tommy. “There's one more I want to do. I was waiting for the right setting. Now we have it.”
“What do you mean?”
“I want to paint Tristan by the pond.”
“Why the pond?”
“Because,” said Tommy, returning to gaze out the window, “it's going to be a place he can be himself at totally now. He's never had that before.”
“When will you paint him?”
“Soon,” said Tommy. “But I'm going to have to ask you and Mom and Dad a favor.”
“What?”
“Not to come down to the pond while we're working.”
“Why?”
“He doesn't want anyone to know about him. I haven't told Mom and Dad. Just you. So you have to promise me two things. Don't come down to the pond, and don't tell Tristan I told you about him.”
Tristan opened the back door then. He had his shirt back on and his hair was almost dry. Pearls of water still clung to his legs. I couldn't imagine those being a tail, his feet a flipper. Surely Tommy had gone insane. “Am I late for lunch?” Tristan asked, smiling at me.
Tommy turned and beamed him a smile back. “Right on time, love,” he said, and I knew our conversation had come to an end.
I went down the lane to the barn where Dad was working, taking his lunch with me when he didn't show up to eat with us. God, I wished I could tell him how weird Tommy was being, but I'd promised not to say anything, and even if my brother was going crazy, I wouldn't go back on my word. I found Dad coming out of the barn with a pitchfork of cow manure, which he threw onto the spreader parked outside the barn. He'd take that to the back field and spread it later probably, and then I'd have to watch where I stepped for a week whenever I cut through the field to go to the pond. When I gave him his soup and sandwich, he thanked me and asked what the boys were doing. I told him they were sitting in the living room under the American Gothic portrait fiercely making out. He almost spit out his sandwich, he laughed so hard. I like making my dad laugh because he doesn't do it nearly enough. Mom's too nice, which sometimes is what kills a sense of humor in people, and Tommy always was too testing of Dad to ever get to a joking relationship with him. Me, though, I can always figure out something to shock him into a laugh.
“You're bad, Meg,” he said, after settling down. Then: “Were they really?”
I shook my head. “Nope. You were right the first time, Dad. That was a joke.” I didn't want to tell him his son had gone mad, though.
“Well I thought so, but still,” he said, taking a bite of his sandwich. “All sorts of new things to get used to these days.”
I nodded. “Are you okay with that?” I asked.
“Can't not be,” he said. “Not an option.”
“Who says?”
“I need no authority figure on that,” said Dad. “You have a child and, no matter what, you love them. That's just how it is.”
“That's not how it is for everyone, Dad.”
“Well thank the dear Lord I'm not everyone,” he said. “Why would you want to live like that, with all those conditions on love?”
I didn't know what to say. He'd shocked me into silence the way I could always shock him into laughter. We had that effect on each other, like yin and yang. My dad's a good guy, likes the simpler life, seems pretty normal. He wears Allis Chalmers tractor hats and flannel shirts and jeans. He likes oatmeal and meatloaf and macaroni and cheese. Then he opens his mouth and turns into the Buddha. I swear to God, he'll do it when you're least expecting it. I don't know sometimes whether he's like me and Tommy, hiding something different about himself but just has all these years of experience to make himself blend in. Like maybe he's an angel beneath that sun-browned, beginning-to-wrinkle human skin. “Do you really feel that way?” I asked. “It's one thing to say that, but is it that easy to truly feel that way?”
“Well it's not what you'd call easy, Meg. But it's what's right. Most of the time doing what's right is more difficult than doing what's wrong.”
He handed me his bowl and plate after he finished, and asked if I'd take a look at Buttercup. Apparently she'd been looking pretty down. So I set the dishes on the seat of the tractor and went into the barn to visit my old girl, my cow Buttercup, who I've had since I was a little girl. She was my present on my fourth birthday. I'd found her with her mother in a patch of buttercups and spent the summer with her, sleeping with her in the fields, playing with her, training her as if she were a dog. By the time she was a year old, she'd even let me ride her like a horse. We were the talk of the town, and Dad even had me ride her into the ring at the county fair's Best of Show. Normally she would have been butchered by now—no cow lasted as long as Buttercup had on Dad's farm—but I had saved her each time it ever came into Dad's head to let her go. He never had to say anything. I could see his thoughts as clear as if they were stones beneath a clear stream of water, I could take them and break them or change them if I needed. The way I'd changed Tommy's mind the day he left for New York, making him turn back and leave me alone by the pond. It was a stupid thing, really, whatever it was, this thing I could do with my will. Here I could change people's minds, but I used it to make people I loved go away with hard feelings and to prolong the life of a cow.
Dad was right. She wasn't looking good, the old girl. She was thirteen and had had a calf every summer for a good ten years. I looked at her now and saw how selfish I'd been to make him keep her. She was down on the ground in her stall, legs folded under her, like a queen stretched out on a litter, her eyes half-closed, her lashes long and pretty as a woman's. “Old girl,” I said. “How you doing?” She looked up at me, chewing her cud, and smiled. Yes, cows can smile. I can't stand it that people can't see this. Cats can smile, dogs can smile, cows can too. It just takes time and you have to really pay attention to notice. You can't look for a human smile; it's not the same. You have to be able to see an animal for itself before it'll let you see its smile. Buttercup's smile was warm, but fleeting. She looked exhausted from the effort of greeting me.
I patted her down and brushed her a bit and gave her some ground molasses to lick o
ut of my hand. I liked the feel of the rough stubble on her tongue as it swept across my palm. Sometimes I thought if not psychology, maybe veterinary medicine would be the thing for me. I'd have to get used to death, though. I'd have to be okay with helping an animal die. Looking at Buttercup, I knew I didn't have that in me. If only I could use my will on myself as well as it worked on others.
When I left the barn, Dad was up on the seat of the tractor, holding his dishes, which he handed me again. “Off to spread this load,” he said, starting the tractor after he spoke. He didn't have to say anymore about Buttercup. He knew I'd seen what he meant. I'd have to let her go someday, I knew. I'd have to work on that, though. I just wasn't ready.
The next day I went back to the pond only to find Tristan and Tommy already there. Tommy had a radio playing classical music on the dock beside him while he sketched something in his notebook. Tristan swam towards him, then pulled his torso up and out by holding onto the dock so he could lean in and kiss Tommy before letting go and sinking back down. I tried to see if there were scales at his waistline, but he was too quick. “Hey!” Tommy shouted. “You dripped all over my sketch you wretched whale! What do you think this is? Sea World?”
I laughed, but Tommy and Tristan both looked over at me, eyes wide, mouths open, shocked to see me there. “Meg!” Tristan said from the pond, waving his hand. “How long have you been there? We didn't hear you.”
“Only a minute,” I said, stepping onto the dock, moving Tommy's radio over before spreading out my towel to lie next to him. “You should really know not to mess with him when he's working,” I added. “Tommy is a perfectionist, you know.”
“Which is why I do it,” Tristan laughed. “Someone needs to keep him honest. Nothing can be perfect, right Tommy?”
“Close to perfect, though,” Tommy said.
“What are you working on?” I asked, and immediately he flipped the page over and started sketching something new.
“Doesn't matter,” he said, his pencil pulling gray and black lines into existence on the page. “Tristan ruined it.”
“I had to kiss you,” Tristan said, swimming closer to us.
“You always have to kiss me,” Tommy said.
“Well, yes,” said Tristan. “Can you blame me?”
I rolled my eyes and opened my book.
“Meg,” Tommy said a few minutes later, after Tristan had swum away, disappearing into the depths of the pond and appearing on the other side, smiling brilliantly. “Remember how I said I'd need you and Mom and Dad to do me that favor?”
“Yeah.”
“I'm going to start work tomorrow, so no more coming up on us without warning like that, okay?”
I put my book down and looked at him. He was serious. No joke was going to follow this gravely intoned request. “Okay,” I said, feeling a little stung. I didn't like it when Tommy took that tone with me and meant it.
I finished my book within the hour and got up to leave. Tommy looked up as I bent to pick up my towel and I could see his mouth opening to say something, a reminder, or worse: a plea for me to believe what he'd said about Tristan the day before. So I locked eyes with him and took hold of that thought before it became speech. It wriggled fiercely, trying to escape the grasp of my will, flipping back and forth like a fish pulled out of its stream. But I won. I squeezed it between my will's fingers, and Tommy turned back to sketching without another word.
The things that are wrong with me are many. I try not to let them be the things people see in me, though. I try to make them invisible, or to make them seem natural, or else I stuff them up in that dark spot on my ceiling and will them into non-existence. This doesn't usually work for very long. They come back, they always come back, whatever they are, if it's something really a part of me and not just a passing mood. No amount of willing can change those things. Like my inability to let go of Buttercup, my anger with the people of this town, my frustration with my parents’ kindness to a world that doesn't deserve them, my annoyance with my brother's light-stepped movement through life. I hate that everything we love has to die, I despise narrow thinking, I resent the unfairness of the world and the unfairness that I can't feel at home in it like it seems others can. All I have is my will, this sharp piece of material inside me, stronger than metal, that everything I encounter breaks itself upon.
Mom once told me it was my gift, not to discount it. I'd had a fit of anger with the school board and the town that day. They'd fired one of my teachers for not teaching creationism alongside evolution, and somehow thought this was completely legal. And no one seemed outraged but me. I wrote a letter to the newspaper declaring the whole affair an obstruction to teacher's freedoms, but it seemed that everyone—kids at school and their parents—just accepted it until a year later the courts told us it was unacceptable.
I cried and tore apart my room one day that year. I hated being in school after they did that to Mr. Turney. When Mom heard me tearing my posters off the walls, smashing my unicorns and horses, she burst into my room and threw her arms around me and held me until my will quieted again. Later, when we were sitting on my bed, me leaning against her while she combed her fingers through my hair, she said, “Meg, don't be afraid of what you can do. That letter you wrote, it was wonderful. Don't feel bad because no one else said anything. You made a strong statement. People were talking about it at church last week. They think people can't hear, or perhaps they mean for them to hear. Anyway, I'm proud of you for speaking out against what your heart tells you isn't right. That's your gift, sweetie. If you hadn't noticed, not everyone is blessed with such a strong, beautiful will.”
It made me feel a little better, hearing that, but I couldn't also tell her how I'd used it for wrong things too: to make Tommy leave for New York without knowing I was okay, to make Dad keep Buttercup beyond the time he should have, to keep people far away so I wouldn't have to like or love them. I'd used my will to keep the world at bay, and that was my secret: that I didn't really care for this life I'd been given, that I couldn't stop myself from being angry at the whole fact of it, life, that the more things I loved, the worse it would be because I'd lose all those things in the end. So Buttercup sits in the barn, her legs barely strong enough for her to stand on, because of me not being able to let go. So Tommy turned back and left because I couldn't bear to say goodbye. So I didn't have any close friends because I didn't want to have to lose anymore than I already had to lose in my family.
My will was my gift, she said. So why did it feel like such a curse to me?
When Mom came home later that evening, I sat in the kitchen and had a cup of tea with her. She always wanted tea straight away after she came home. She said it calmed her, helped her ease out of her day at the library and back into life at home. “How are Tommy and Tristan adjusting?” she asked me after a few sips, and I shrugged.
“They seem to be doing fine, but Tommy's being weird and a little mean.”
“How so?” Mom wanted to know.
“Just telling me to leave them alone while he works and he told me some weird things about Tristan and his family too. I don't know. It all seems so impossible.”
“Don't underestimate people's ability to do harm to each other,” Mom interrupted. “Even those that say they love you.”
I knew she was making this reference based on the story Tommy had told her and Dad about Tristan's family disowning him because he was gay, so I shook my head. “I understand that, Mom,” I said. “There's something else too.” I didn't know how to tell her what Tommy had told me, though. I'd promised to keep it between him and me. So I settled for saying, “Tristan doesn't seem the type who would want to live out here away from all the things he could enjoy in the city.”
“Perhaps that's all grown old for him,” Mom said. “People change. Look at you, off to school in a month or so. Between the time you leave and the first time you come home again, you'll have become someone different, and I won't have had a chance to watch you change.” She started tearin
g up. “All your changes all these years, the Lord's let me share them all with you and now I'm going to have to let you go and change into someone without me around to make sure you're safe.”
“Oh Mom,” I said. “Don't cry.”
“No, no,” she said. “I want to cry.” She wiped her cheeks with the backs of her hands, smiling. “I just want to say, Meg, don't be so hard on other people. Or yourself. It's hard enough as it is, being in this world. Don't judge so harshly. Don't stop yourself from seeing other people's humanity because they don't fit into your scheme of the world.”
I blinked a lot, then picked up my mug of tea and sipped it. I didn't know how to respond. Mom usually never says anything critical of us, and though she said it nicely, I knew she was worried for me. For her to say something like that, I knew I needed to put down my shield and sword and take a look around instead of fighting. But wasn't fighting the thing I was good at?
“I'm sorry, Mom,” I said.
“Don't be sorry, dear. Be happy. Find the thing that makes you happy and enjoy it, like your brother is doing.”
“You mean his painting?” I said.
“No,” said Mom. “I mean Tristan.”
One day towards the end of my senior year, our English teacher Miss Portwood told us that many of our lives were about to become much wider. That we'd soon have to begin mapping a world for ourselves outside of the first seventeen years of our lives. It struck me, hearing her say that, comparing the years of our lives to a map of the world. If I had a map of seventeen, of the years I'd lived so far, it would be small and plain, outlining the contours of my town with a few landmarks on it like Marrow's Ravine and town square, the schools, the pond, our fields and the barn and the home we live in. It would be on crisp, fresh paper, because I haven't traveled very far, and stuck to the routes I know best. There would be nothing but waves and waves of ocean surrounding my map of my hometown. In the ocean I'd draw those sea beasts you find on old maps of the world, and above them I'd write the words “There Be Dragons.”
Nebula Awards Showcase 2012 Page 10
