Respectable Trade

Home > Other > Respectable Trade > Page 48
Respectable Trade Page 48

by Gregory, Philippa


  The other great success story of this year is at the remote village of Njawarra, in the far north of the country. It took us nearly all day to drive to it, going almost cross-country on roads that are nothing more than sandy tracks. The farmers were aware that their lands were getting drier and their yields poorer. On their own initiative, they agreed that they should form an agricultural college and try to improve their farming. A few years ago, they asked us for a well. That was just the start of it. With our well at the center of their fields, they applied to the Canadian and European governments for aid. They now have a residential building for visiting trainees, a seed bank, a center for alternative technology, tutors, a restaurant, an orchard, a vegetable plot, an explosion of projects, and enthusiasm that is rolling out across the country—all based on our first little well.

  Since my last visit to The Gambia, just before Christmas 2004, we have started a whole program of new wells, and I am determined that this project will go on. It has directly fed thousands of schoolchildren and taught them methods of farming that will make them and their own children safer from hunger in the future. I have seen how the benefits of one well can transform adult farming projects, too—the women’s rice field and the Njawarra agricultural college are major sources of change in this poor country. I foresee that we will continue to invest in schools and well-organized groups.

  I do ask you to contribute anything that you can readily afford to Gardens for The Gambia. The country is the poorest in Africa (excluding those damaged by war), and the people work tremendously hard and effectively with the little help they get. The climate is getting drier, and the Sahara Desert is encroaching. Any sum of money you wish to donate will go direct to The Gambia; I take no administration fees in this country. Your donation will make a tremendous amount of difference to people who really deserve a chance. If you can help at all, I thank you very, very much.

  Philippa Gregory

  Checks or postal money orders should be sent to:

  Gardens for The Gambia

  P.O. Box 165

  Carlton in Cleveland

  Middlesbrough TS9 7WX

  England

  Gardens for The Gambia is applying for charitable status in the UK and is a registered charity and nongovernmental organization in The Gambia. In an official survey, it is the biggest donor of wells for primary schools in the country.

  All donations will be acknowledged. Please look at my Web site, www.PhilippaGregory.com, for future news. There is a special section about Gardens for The Gambia.

  A TOUCHSTONE READING GROUP GUIDE

  A Respectable Trade

  INTRODUCTION

  The devastating consequences of the slave trade in eighteenth-century Bristol, England, are explored through the powerful but forbidden attraction of well-born Frances Scott and her Yoruban slave Mehuru. Bristol in 1787 is booming, from its shipping docks to its elegant new houses. Josiah Cole, a small dockside trader, is prepared to gamble everything to join the big players of the city. But he needs ready cash and a well-connected wife.

  A marriage to Frances Scott is a mutually convenient solution. Trading her social contacts for Josiah’s protection, Frances enters the world of Bristol merchants and finds her life and fortune depend on the respectable trade of sugar, rum, and slaves.

  Into her new world comes Mehuru, once a priest in the ancient African kingdom of Yoruba. From the opposite ends of the earth, despite the enmity of slavery, Mehuru and Frances confront each other and their needs for love and liberty.

  QUESTIONS & TOPICS FOR DISCUSSION

  1. What is Mehuru’s role in his African tribe? To what extent do his gift of prophecy and his linguistic abilities enable him to endure the hardships of the middle passage and his enslavement in England?

  2. “We can never leave the trade. It is the only thing we know.” How do Sarah Cole’s attitudes about the trade and the risk involved in her family’s shipping business compare with those of her brother, Josiah? To what extent do Sarah’s views prevent her from welcoming her sister-in-law, Frances, into the family?

  3. Before Frances meets the slaves she is to instruct in English, she says: “I have taught children, but they were human children. I wouldn’t know how to teach niggers.” Based on the statements made by slaves, their owners, and abolitionists, describe the range of racial views held by the inhabitants of eighteenth-century Bristol.

  4. Why do Frances and Josiah allow Sir Charles Fairley to rape one of the female slaves? What do they have to lose by refusing his request? What do they have to gain by looking the other way while he commits his sexual assault?

  5. Why does Josiah wish to ally himself with the Scott family through his marriage to Frances? What does such an alliance represent to the society figures of Bristol? To what extent are Josiah’s naïveté and unchecked ambition responsible for his being cheated by fellow members of the Merchant Venturers?

  6. Why does Mehuru’s involvement in the abolitionist movement threaten Frances? To what extent does Mehuru qualify as a radical in his efforts to gain his freedom from his owners? Why didn’t he try to escape during one of his nighttime expeditions to the coffeehouse?

  7. “Only a free man can give his friendship. If you wish us to be friends I have to be free. Anything else is slavish devotion—it means nothing.” Why does Frances wait until her death to set Mehuru free? What would his freedom represent to her in her lifetime?

  8. “Maybe one day there will be a world where a man and a woman like us might love each other, d’you think?” Is the romance that develops between Mehuru and Frances challenged more by their different social stations as slave and owner or their different racial backgrounds? To what extent is the “forbidden fruit” aspect of their love responsible for the undeniable intensity?

  9. Why does Frances Cole conceal her pregnancy from Mehuru and choose to reveal the baby’s paternity to her physician and her slave Elizabeth? Why do you think Philippa Gregory chose to end the novel at such a dramatic moment?

  10. To what extent do you see the end of A Respectable Trade as a tragedy? In what ways does it represent a victory for Mehuru? How did this ending affect your appreciation of the story as a whole, and what kind of future do you envision for the interracial son born to Frances and Mehuru?

  A CONVERSATION WITH PHILIPPA GREGORY

  In A Respectable Trade, you convey the horrific conditions endured by Mehuru and others on slave ships voyaging from Africa. What kind of research did you do to write so authoritatively about the eighteenth-century slave trade?

  I started with the very many powerful histories of the slave trade, reading most of the key works, then I went to the public library at Bristol and read accounts and even saw the financial books of the slave traders. I became very interested in the development and prosperity of Bristol and Clifton—the story of the Hot Well is based on history.

  Many of your historical novels have examined the kind of status anxiety Frances and Josiah Cole experience as newcomers to Bristol society. What attracts you to this theme?

  The eighteenth century (and the Tudor period) is one of great change and opportunity. Status, and the representation of status, becomes absolutely key to people who are living (and trying to rise) in a rapidly changing world. The opportunities are tremendous for them, but the dangers loom very great.

  What do you think accounts for the inability of English traders like Sarah and Josiah to recognize the inherent evil of slavery?

  To start with it was something which just was not questioned; the role of working people in society in Elizabethan England was so poor that the status of the slave was not very different. As the slave trade developed there were all sorts of justifications made for the business, from a claim that Africans were not human, to the “Christian” argument that it was better that they should be enslaved and converted than left in paganism. Finally there was the last-ditch argument that slavery was justified by the wealth it would bring to Christians who would make good use of it. By the time th
at Josiah and Sarah are entering the business, the men and women of conscience are engaged in the abolition movement, and the more clever entrepreneurs have foretold the end of the legal trade and are getting out. But as we know, many traders stayed in till the very end, and some of them traded illegally—after the abolition of the slave trade. For them it must simply have been a matter of greed. By 1790 nobody could have thought that slave trade was anything but terribly cruel.

  What enables Mehuru to overcome his contempt for his owners and fall in love with Frances?

  I think his character is always exceptional. He has spiritual gifts which enable him to see beyond his own immediate circumstances. He understands that Frances is unfree in her society, and he pities her. I think he is also sympathetic for what he sees as her physical frailty and contradictions. He is also quite proud of his maleness; even though she is absolutely his owner and has complete power over her, he is able to think himself her equal, if not her superior.

  You adapted A Respectable Trade into a four-part television program that aired on the BBC. What were some of the challenges you encountered in adapting your novel for the medium of television? Should we expect to see your other novels on the big or small screen?

  My novel The Other Boleyn Girl is now in production as a major film starring Natalie Portman and Scarlett Johansson, and I am working as consultant on the film but I doubt I will personally adapt another book. I find the process of writing a novel so very satisfactory that I don’t really like to convert it into another art form. Also—I have to admit that I am a real solo operator—I like to work alone and see my imagination coming to life on the page.

  A Respectable Trade ends with Frances’s death in childbirth and her granting Mehuru his freedom. Throughout the novel, Frances says that everything she has belongs to her husband, Josiah. Why would Mehuru’s freedom from enslavement be assured through Frances’s will?

  The Cole slaves—like most slaves brought to England—won their freedom by their own courage and ability. They simply ran away. Frances’s will is her wish for her husband and sister-in-law: that they take the goods they admired so much, that they give up slavery, and that the slaves are freed. Technically, Frances can own no property of her own under eighteenth-century marriage laws, so the slaves are Josiah’s property. He would have to catch them first, and the history of slaves in England is that they were often successful in getting away, and indeed, often successful at protecting their freedom in the English courts, which were ambiguous about their status.

  Do you have a favorite story of star-crossed lovers? If so, did it inspire any part(s) of A Respectable Trade?

  There are some very poignant stories of interracial love in the history of slavery in England, and some of them were successful marriages which account for the disappearance of color from these early enslaved immigrants whose children were half white and then three-quarters white, and so on. I have met a farmer in northeast England whose grandfather, five generations ago, was an African slave, and he is white skinned and blue eyed and was amazed to learn of his family history. I suppose what makes the story of Frances and Mehuru so very tragic for me is that if they had been in slightly different circumstances they might have become lovers and husband and wife. What divides them is pride, and Frances’s desire for gentility and fear of poverty, just as much as color.

  Do you have plans to write historical fiction set in countries other than England?

  I am very tempted by the history of other countries, but I am very conscious of how difficult it is to enter the mind-set of another culture. Also, the intensity of the research I like to do before writing a novel does mean that a whole new area is a bit daunting. Having said that, in Virgin Earth, I really enjoyed researching the history of early America and the Powhatan people, and in The Queen’s Fool I did a lot of research into Jewish history. The Constant Princess opens in Spain in 1490.

  What is your connection to the children of Sika village in Gambia, to whom you dedicated A Respectable Trade?

  I visited Sika when I was researching A Respectable Trade, and went to look at the slave forts along the river Gambia. I paid for a well to be dug in their vegetable garden, which now waters an orchard of citrus and walnut trees and a garden of vegetables which they eat at lunchtime. After the success of this well I founded a small charity with the then headmaster of Sika Primary School called Gardens for The Gambia, and we have dug to date more than sixty wells in schools and community gardens. We depend entirely on the generosity of people who hear of the project and send funds to me. And you can log onto my website, philippagregory.com, to see pictures of the gardens.

  ENHANCE YOUR BOOK CLUB

  1. To read more about the complicated history of the African slave trade and its sweeping international consequences, visit http://en.wikipedia.org/wiki/African_slave_trade

  2. Visit http://www.eyewitnesstohistory.com/slaveship.htm to read more about the inhumane conditions on slave ships of the kind Mehuru endures in A Respectable Trade.

  3. Would you like to know more about Bristol, where A Respectable Trade is set? Visit http://www.10best.com/Bristol/locationDetails.html#cityfacts to learn ten little-known facts about one of England’s most fascinating cities.

  PHILIPPA GREGORY is the New York Times bestselling author of several books, including The Other Boleyn Girl and The Boleyn Inheritance. A writer and broadcaster for radio and television, she lives in England. She welcomes visitors and messages at her website, www.philippagregory.com.

  A TOUCH STONE BOOK

  Published by Simon & Schuster New York

  Cover design by Cherlynne Li

  Cover photograph by Jeff Cottenden

  Author photograph by Sven Arnstein

  Register online at www.SimonandSchuster.com for more

  information on this and other great books.

  By the same author

  The Cousins’ War

  The Lady of the Rivers

  The White Queen

  The Red Queen

  The Kingmaker’s Daughter

  History

  The Women of the Cousins’ War:

  The Duchess, the Queen, and the King’s Mother

  The Tudor Court Novels

  The Constant Princess

  The Other Boleyn Girl

  The Boleyn Inheritance

  The Queen’s Fool

  The Virgin’s Lover

  The Other Queen

  Historical Novels

  The Wise Woman

  Fallen Skies

  A Respectable Trade

  Earthly Joys

  Virgin Earth

  The Wideacre Trilogy

  Wideacre

  The Favored Child

  Meridon

  We hope you enjoyed reading this Simon & Schuster eBook.

  * * *

  Sign up for our newsletter and receive special offers, access to bonus content, and info on the latest new releases and other great eBooks from Simon & Schuster.

  CLICK HERE TO SIGN UP

  or visit us online to sign up at

  eBookNews.SimonandSchuster.com

  TOUCHSTONE

  Rockefeller Center

  1230 Avenue of the Americas

  New York, NY 10020

  www.SimonandSchuster.com

  This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

  Copyright © 1995 by Philippa Gregory Ltd. All rights reserved, including the right of reproduction in whole or in part in any form.

  First Touchstone Edition 2007

  Originally published in Great Britain in 1995 by HarperCollins UK

  TOUCHSTONE and colophon are registered trademarks of Simon & Schuster, Inc.

  Designed by Jamie Kerner-Scott

  Library of Congress Cataloging-in-Publication Data

  Gregory, Philippa.


  A respectable trade / Philippa Gregory.—1st Touchstone ed.

  p. cm.

  “A Touchstone book.”

  1. Africans—England—Fiction. 2. Bristol (England)—Fiction.

  3. Married women—Fiction. 4. Slave trade—Fiction. 5. Slaves—

  Fiction. I. Title.

  PR6057.R386R47 2007

  823’.914—dc22 2006050089

  ISBN-13: 978-0-7432-7254-4

  ISBN-10: 0-7432-7254-4

 

 

 


‹ Prev