‘Mmm … sounds interesting.’ The Commissaire focused his iron gaze on the Inspector. ‘Lucky old you!’ He called for cigars. ‘Tell me more about these Lubéron hills of yours. Rushing streams? Shady green forests full of game?’ he mused.
‘Sportsman?’ asked the Inspector.
‘You’ve seen me shoot! And I’m better with a shotgun than a pistol,’ said Jacquemin with relish.
‘Ah! I guessed as much,’ muttered the Inspector. ‘It has no charms for me, I’m afraid. Homme du peuple that I am, I wouldn’t know which way up to hold a sporting rifle. I expect they’ve got whole shooting rooms equipped with the very best game guns from London-wouldn’t you agree? Purdeys-would that be what they call them? Holland and Holland? Thought so. There’s probably wild boar running around up there. I’m just surprised these idiots haven’t taken to knocking each other off, out in the chestnut forest. Oh, yes, we get a dozen or so of those “accidents” every hunting season!’
He murmured on about the attractions and dangers to be experienced in the Provençal hills but Jacquemin was no longer listening.
‘Aristide!’ The Commissaire finally called a halt to the monologue. ‘My friend, Aristide! You have been good to me … no, no! Hundreds would have resented my presence on their patch and attempted even to foul up the case. But you-you have been efficiency itself with nothing in view but the common cause. Look-you must let me, in some small way, repay you.’ He brandished the notebook under the Inspector’s nose and in one dramatic gesture tore out the pencilled sheet. ‘I relieve you of this piece of idiocy! It’s the least I can do. I’ll attend and report back. This place is on my way north. Look-give me a car and a driver from the Brigade and we’ll set off into the hinterland. There’s bound to be a hostelry of some sort in the village-I don’t mind slumming it. I’ll poke about in the rubble, declare the destruction to be the result of a narrowly focused freak earthquake and send the driver straight back to you with a report when he’s dropped me off at the railway station in Avignon. Let me ease your burden as you have eased mine, though to this very small degree.’
The men regarded each other dewy-eyed, exclaimed with mutual delight, protested and conceded and called for cognac.
The Commissaire’s mind was already devising the wording of three telegrams. The phrases were grave and regretful: unavoidably detained … case of international concern … reciprocity of fraternal assistance an imperative … Monique (and her mother), Rachel, Adèle-they could all make what they liked of it.
The Inspector was asking himself how on earth he’d managed to pull it off so easily. Should he warn them up there at the château? No! Let the buggers find out for themselves!
Chapter Nine
At the moment the two French policemen were settling their new-found agreement and their delicious fish lunch with a brandy, Joe, in the chapel, was working hard not to throw up his rabbit stew into some available urn.
The tiny body was hanging by the neck. Dead for some days, it was already being consumed by wriggling maggots of various kinds and giving off a revolting odour. Joe took a pencil from his pocket and poked at it. It gave signs of spongy resistance and was not yet dried out. A fly buzzed bad-temperedly from the throat and Joe swatted it away in disgust. Where in hell did they come from, these lousy flesh-eaters? He answered his own question: beetles and flies in the ancient woodwork aplenty no doubt. Some might well have been carried into the building in the animal’s own fur.
And what was the significance? ‘A message’, de Pacy had hinted.
What was one dead creature dangling from a vandalized tomb trying to tell him? What had it said to de Pacy?
Joe was seized for a moment by a healthy rush of indignation and an urge to laugh at his ludicrous situation. His last case in London had involved multiple corpses, eviscerations, and disposal of limbs and heads in packing cases left at St Pancras station. It had involved the talents of the clever men who worked with test tubes, swabs, microscopes and Bunsen burners to establish blood groups and identify fingerprints. He heard himself gleefully recounting his exploits in France to his friend, Chief Inspector Ralph Cottingham, on his return to London: ‘Equipped only with a pencil, I examined the entrails of a rabbit for a clue as to who’d smashed up a statue …’ The story would grow in absurdity as he told it.
He remembered with a flash of guilt the statement he’d been provoked into making after lunch. ‘They start with small animals … work their way up to children and weaker members of society’ or some such guff he’d spouted.
And here was stage one, as predicted.
Or was it? Might it be no more than just-a message? De Pacy had clearly interpreted it as such. Joe couldn’t leave the chapel and meet the steward’s quizzical eye still unaware.
He stared on at the pathetic form willing it to speak. Hanging up in pairs outside a game butcher’s shop, he’d have admired rabbits. He’d have known just which ones to choose. Served up to him in a dish with one of Madame Dalbert’s wonderful sauces, he’d have scoffed the lot and dabbed up the juices with a hunk of bread. And complimented the cook. So why was he finding this one little corpse so sinister?
Sinister. There flashed into his mind a woodcut he’d studied with horror when he was a boy. He’d no idea what his age had been at the time but he had certainly been too young to be exposed to such a graphic image. Not exposed exactly! His own cunning and curiosity had led him to the discovery and he’d never confided it to anyone. Left alone with a head cold while on holiday with his London uncles one day, he’d gone along to the library to entertain himself and had straightaway headed for the section his uncles had banned him from approaching. He knew where the key was and in minutes had unlocked the bookcase and wedged the library door in case Simmons should come and thoughtfully offer him a glass of honey and lemon.
And there they were, to be pored over at his leisure: German, French and Italian publications with copious illustrations of naked ladies. And just the kind he liked. Large-breasted, long-legged beauties, sometimes goddesses, always smiling a welcome. He had imagined himself a Paris, Prince of Troy, in possession of a golden apple and, in order to give his illicit scrutiny a more acceptable motive, decided he was going to be the ultimate judge, making, in a classically acceptable manner, the award to the one who he decided was the most lovely. He unwrapped a disc of Sharpe’s Toffee, popped it into his mouth and smoothed out the shiny gold wrapper. He folded it with his thumbnail into the shape of a crown and decided he’d leave it, as his prize, marking the page of the winner. So far Botticelli’s Roman goddess Flora was in the lead. She had all her clothes on but he liked her naughty face. She looked straight out at him from the book, golden and lovely and about to tell him a joke or throw him a flower. But, strangely, he could never remember who had received the Sandilands Prize for Pulchritude.
It had been a drawing of the most revolting woman he had ever set eyes on that had stayed with him over the years. Lucky it didn’t ruin him for life, he sometimes thought.
The book had been an Italian publication. Heavy red leather and gold lettering. The pages had a rich waxy feel to them as he turned them slowly. Italian beauties of the thirteenth century onwards had delighted him one after the other, until he came upon her. ‘Luxuria’ was her name. A drawing by Pisanello from the fifteenth century. She had everything that ought to have been alluring: youth, a smile, a distant expression of satisfied pleasure, an abundance of golden hair that waved its way like a cloak right down to her bottom. Her only jewellery was a chain about her left ankle. But she was skinny. Her flesh was wasted and her elbow bones poked through the skin. Her knee caps were prominent as was a bone on her right buttock. Joe had turned the book this way and that, using all his scant knowledge of female anatomy to decide huffily that the artist had never seen a naked woman before. Surely? Women didn’t have bones in that place. And the breasts? A pair of small Scottish baps too widely spaced. The belly was all wrong too. Distended. The poor lady clearly had some kind of disease
. He’d seen sheep out on the hill with the same symptoms.
Before turning on in disgust his eye had been caught by the animal crouching at Luxuria’s right foot.
The painter reinstated himself somewhat in Joe’s estimation by the quality of his portrayal of the rabbit. Joe knew about rabbits. He’d shot, skinned and jointed many a one ready for the pot and appreciated them in all their forms. So what was this witch-like hag doing alongside a perfectly drawn rabbit? Curiosity always won through with Joe and, sighing, he went to fetch an Italian dictionary to decipher the script that accompanied the strange picture. Half an hour later he had it.
The lady Luxuria was in fact Lust. One of the Vices. She was shown reclining in the manner of Venus but this was a parody. (A trip to the English dictionary eventually cleared up this notion.) So-a ‘no better than she ought to be’ lady. The commentator obligingly explained that her skeletal state was due to an overindulgence in the pleasures of the flesh. Joe decided to remain mystified by this. He was more intrigued to learn that the rabbit was known to be a ‘harlot’s familiar’. On account of its ‘mating proclivities’. Joe took a guess at that one. Well, he understood that in fairy stories cats were the familiars of witches so the rabbit must play the same role for harlot women.
Poor creature. Round, sleek and furry, it would have made a beautiful pet. Unfair to give it to a bony frightening woman like the one in the picture. He decided suddenly that he was feeling hot and thirsty. A drink of honey and lemon would be very welcome. He’d replaced everything in order, locked up, removed the wedge, placed The Swiss Family Robinson open on the library table and rung for Simmons.
Joe peered more closely at the dead animal. How dead? No sign of blood on the corpse or surrounding area. The man who’d brought it here had not, evidently, wanted to leave a messy trail to mark his passage. There was no sign that it had been killed on the spot. Broken neck? Most likely. Killed elsewhere and brought in, then strung up. He wondered whether there was any significance in the positioning of the string. Of course there was. The creature had been put to dangle over the words et Alienora uxor sua. The rabbit, the familiar of the whore. A comment on a woman so long dead? Why?
At least he’d have views to exchange with de Pacy when he returned. Even though what he had to say was largely unintelligible.
Joe looked up, suddenly uncomfortable. He didn’t believe that emotions could leave an imprint on a scene beyond the dispersal time of sweat and other bodily fluids. He wasn’t quite certain, in spite of all the evidence he’d gathered to the contrary, that Evil with a capital E existed. But he knew that if anyone had asked him at that moment to give an opinion he’d have said: ‘This is a bloody oppressive place. Not good. There’s something ancient and wicked here that the sanctity of centuries has done nothing to dispel. And it’s chasing me out.’
The hairs on the back of his neck told him he was being watched. He stood up sharply, right hand going instinctively to the waistband where he usually carried his service revolver. Everywhere hidey-holes met his eye. Flounces of velvet drapery, carved wood ornament, pews and cupboards, even a confessional with a half-curtain pulled across. Places enough to hide a battalion. And then he saw the innocent cause of his concern. Innocent? Perhaps not entirely!
He exchanged glares with a trident-wielding devil that seemed to be taking an interest in him. Carved in dark wood and dulled by the candle-soot of ages, he was still clearly playing a robust part in a representation of the final judgement on the west wall. And keeping the visitor under surveillance. Joe gave him a cynical salute and left the chapel.
Chapter Ten
Château du Diable, Tuesday
The morning began too early for Joe.
He lay still for a few moments collecting his thoughts and wondering where on earth he was. The lingering taste in his mouth of Havana cigars and the certainty that he’d drunk rather too much of ‘the true, the blushful Hippocrene, with beaded bubbles winking at the brim’, the night before brought back the memory.
Keats! He blamed the poet Keats for his condition. Now there was a minstrel who could stir up emotions and loosen inhibitions in a few superbly chosen words.
Joe considered Orlando Joliffe jointly charged. Just as the earthernware jugs of wine had been brought in at dinner, Orlando had risen to his feet, made a toast and given the company a verse of ‘Ode to a Nightingale’. It ought to have been embarrassing. There should have been shuffling of feet and surreptitious glances exchanged. But the combination of Keats’ sublime words and Orlando’s confident light baritone swept all before them:
‘O for a draught of vintage that hath been
Cool’d a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance and Provençal song, and sunburnt mirth!’
Wine poured from a jug with a generous hand into clay beakers of antique design couldn’t possibly do much damage. This morning Joe discovered his mistake. It had been a pure incitement to drunkenness!
Clattering feet, banging doors and rattling water cisterns were followed a moment later by a peremptory tap on his door. The dashing figure of Nathan Jacoby entered at once, bearing a disarming grin and a cup of tea. Earl Grey by the scent.
‘I come in peace!’ he announced. ‘Seven o’clock! Rise and shine! Orlando said this would be guaranteed to get your motor started. Urgh! Can you really drink this? I’ll put it on the night stand. There’s coffee brewing downstairs if you’re interested. Fresh bread’s come up from the village. All available in the refectory.’
He made his way over to the small high window and flung the shutters open, blinding Joe with daylight and a stream of fresh morning air. ‘Come and take a look at this!’
Joe shrugged into his dressing gown and wandered over. He breathed in gratefully, enjoying the sound of a late cockerel crowing away in the distance and the sight of the hills rolling in a myriad of green interlocking spurs towards the horizon. ‘Earth hath not anything to show more fair …’ he commented and found that he meant it.
‘Look, I’m going out with my camera today with young Frederick, one of the painters-the fresco bloke. We’ve hired a car. Plenty of space for you if you’d care to come along.’
‘Ah, yes. I introduced myself. I went to watch him at work after lunch yesterday. Good-looking young bloke from London … preparing to express himself on several square metres of damp plaster. Intimidating! At which end do you start?’
‘A dying art, he tells me. There’s only a handful of artists in Europe who know how to do it. I can paint a bit,’ Nathan admitted, ‘… the only reason some of the company are prepared to put up with me … but I’d never have the dash and sheer courage to embark on something like that. He’s twisted my arm to take him out to the Val des Fées. Silly name for a spectacular sight. Outcrops of ochre-iron-stained rock and soil … colours ranging from creamy white to darkest blood red. Rather eerie and hellish to my mind … But it seems to have a fascination for young Fred. Back home we’d call it Death Creek or Bushwacker’s Gulch or something like that. Here it’s called the Valley of the Fairies! The village houses are mostly painted with the ochre they extract and-you might guess-painters go wild for the colours. The Mont Sainte Victoire at sunset-well, you just have to express it in the local pigments, don’t you? Young Fred had the idea to chip bits off the rocks himself, pound and grind and prepare his own paints. Mmm … He ends up buying them ready prepared by Messrs Mathieu in the village droguerie like everyone else!’
‘And uses them to wonderful effect! He showed me his sketchbook. I saw some terrific ideas for the finished painting. Expressing scenes from local history in colours straight out of the ground-it has a certain appeal. Though I can’t immediately see what financial allure it might have for the lord? Fixed to the wall as it is-it must remain quite unsellable.’
‘Even the lord makes his personal choices. There are several items I know of that’ll never see the light of day outside this château. We’re never
given the tour of his own private collection but it’s rumoured that he has one. Must be worth a fortune-he’s been collecting for years. Look-why don’t you come with us to the ochre valley? We’re starting out straight after breakfast.’
Joe cheerfully told him he could resist the fairy charms for the moment. Duty called him to stay at home and get to know some of the other inhabitants.
‘Thought you’d say that. But I also came to say-remember I have a camera. One or two in fact. For different uses. Not just for pleasure and art. And one of their uses is recording evidence, you know. The Ermanox will be perfect for the job. I was wondering if I might sneak into the chapel under a corner of your blanket permission to rove about. How about it? Shall we make a foray together into the forbidden chapel and take some shots of the depredations? If you think it’s worth it? Word is that you went in there yesterday …’
‘I was wondering how to ask!’ said Joe. ‘I found nothing very sinister, I’m afraid, but a record would be a useful thing to have.’
‘That’s great! Look-the light will have gone by the time I get back from the fairy realms … morning light is much better and that place has sensational east windows. How about an early start tomorrow morning, Wednesday, before the Inspector gets himself up here from Marseille? Present him with a fait accompli?’
‘And yourself with an unusual photographic opportunity?’
Nat grinned. ‘The thought had crossed my mind.’
‘You’re on!’ said Joe. ‘I’ll look forward to it.’
Left alone, he stood at the window sipping his tea and reviewing his day.
‘The lord sees that their everyday needs are catered for,’ Estelle had told him.
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