We have Wilberforce. Has agreed to meet Fourier at 11.30. Be there!
Joe telephoned to congratulate Bonnefoye on his speed of performance.
‘Not difficult! He was at the third hotel on our list. Having breakfast. Confirms he was at the theatre that night and says he’ll be pleased to be of help. I’ll see you both at Staircase A?’
Joe, freshly bathed, shirted and suited, met Bonnefoye at the entrance to police headquarters and waited with him for Jennings’ taxi to drop him off. The man stepping out was easily identified by his English overcoat, bowler hat and rolled umbrella. Bonnefoye suppressed a snort of laughter at the image of propriety the man presented as Joe stepped forward to enquire: ‘Mr Wilberforce Jennings, I presume? How do you do, sir. Commander Sandilands of Scotland Yard liaising with the Police Judiciaire. May I introduce my colleague, Inspector Bonnefoye?’
Jennings relaxed on hearing Joe’s suave voice and shook hands with each man.
‘This is to do with the killing at the theatre, night before last, eh? What? Not sure I can be of much help. I know people always say they saw nothing but, in this case, it’s absolutely true! I saw nothing of the killing, that is!’
Joe allowed him to chatter on nervously as they crossed the courtyard. These forbidding surroundings would give anyone the jitters – even a man fortified by a bowler and a brolly. At the door to Staircase A, he turned to Jennings, reassurance in his voice. ‘Don’t be alarmed, sir. Just a few questions to be put to you by the French Chief Inspector in charge of the case. He’s obliged to cover all bases, you understand? Explore all avenues.’
Jennings nodded vigorously to indicate he understood this calming drivel.
‘Many people are being interviewed – one of them may have seen something he was not aware that he had seen. Just answer the questions carefully. I will be on hand to translate.’
Chairs, Joe noted, had been provided in Fourier’s office. The files and papers were aligned in rows. After introductions all round, he and Bonnefoye settled in a group with Jennings between them, facing Fourier and a sergeant who was taking notes at his elbow.
‘I say! However did you know I was there? Clever of you to find me! I shall have to hope my wife is less vigilant than the French police, eh? What? I read about this sorry affair in the papers. Fellow Englishman knifed to death, they’re saying. And that’s the extent of my knowledge, I’m afraid. I’ve never met the dead fellow. I was in the stalls. Thought you might like to see my ticket stub.’
Fourier looked carefully at the number on the ticket. He took a pencil and a sheet of paper and in a few quick strokes sketched out a floor plan of the theatre. He placed it on the desk in front of Jennings. ‘Can you confirm you were sitting where I have marked an X?’
‘Yes. You’ve got it exactly!’ said Jennings. ‘I say – you know your way about, Chief Inspector! A regular yourself at the Folies, are you then?’
Joe didn’t attempt a translation.
‘I now add two boxes,’ said Fourier, supplying them. ‘Take my pencil and mark in the box where you understand the murder to have taken place.’
Jennings obliged.
‘Well done! Quite correct! Box B.’ Fourier’s attempt at bonhomie was unconvincing. ‘Now, tell us who and what you observed in that box.’
Jennings’ account was disappointing. He was quite obviously doing his best but his best was not pleasing Fourier. An unknown man (dark-haired), an unknown girl (fair-haired), had been noted before the lights went out and again when the lights came on again in the interval. Between and after those times – nothing of interest.
‘Of course, had one only known, one would have . . .’ Jennings burbled. ‘Tell you what, though! Why don’t you ask the chap opposite? May I?’ He took the pencil again and marked Box A. ‘Now, if you can find me, I’m jolly certain you can find him. He had a perfect view of the deceased. And he knew him,’ he announced.
‘And I understand the witness in Box A was known to you also?’ said Fourier with mild interest.
‘I say! This is impressive! Yes, he is known to me. Only seen him once or twice since we were at school together – reunions and so on – but there’s no mistaking that nose. Jardine. It was George Jardine. I’ll bet my boots. Something important in India, I believe. Showing off as usual. In the Royal Box. But where else? Wouldn’t find him rubbing shoulders with hoi polloi in the stalls.’
‘And you think he was acquainted with the man opposite?’
‘Oh, yes. Undoubtedly. They were talking to each other.’
Fourier stirred uneasily. ‘Across the width of the theatre, sir? Talking?’ His strong witness was showing signs of cracking. He looked to Joe to correct his interpretation but Joe shook his head.
‘“Communicating”, I ought perhaps to have said. Exchanging messages. Just the sort of showy-off Boy Scout stuff Jardine would have indulged in. He always enjoyed an audience, you know. Incapable of fastening his shoelaces without turning round to acknowledge the plaudits of the crowd.’
Joe summarized this and added, ‘Fourier, may I?’
Fourier spread his hands, amused to delegate.
‘Would you mind, Jennings, demonstrating the form this communication took?’
‘Certainly. As the lights were being lowered . . .’ Jennings got to his feet and went to stand, back to the wall, looking down at an imagined audience. His face froze in a parody of George’s lordly style. ‘He put on his white gloves . . .’
On went the gloves.
‘And then he did this sort of tick-tack nonsense with his hands.’
The hands flashed rhythmically, fingers stabbed, thumbs were extended.
‘You’d have thought he was leading the Black and White Minstrels in the show at the end of the pier. People were beginning to think he was the first act.’
‘And did the man opposite take any notice? Did he reply?’
‘Yes. Same sort of thing but a shorter response and he wasn’t wearing gloves so it wasn’t so obvious. I thought, at that moment, it was a game. Yes, I was sure it was a game. He was laughing, joining in the fun.’
‘You thought?’ asked Joe, picking up the tense.
‘Yes. Changed my mind when I saw the last gesture though!’
‘Describe it,’ said Fourier.
‘He did this,’ said Jennings.
Face twisted into a threatening mask, he gave a flourish of the hand and trailed the forefinger slowly across his throat.
No one spoke. The sergeant stopped writing. Fourier turned to him and advised: ‘Sergeant, why don’t you put down – “The suspect was observed at this point to make a life-threatening gesture announcing his intention of cutting the victim’s throat.”?’
The sergeant noted it down.
Jennings knew enough French to take alarm at the twist Fourier had put on his words. ‘Look here! That’s a bit strong, don’t you know! Sandilands, put him right! I wasn’t implying that . . . Oh, Good Lord! He wasn’t in my House but I didn’t come here to drop old Jardine in the quagmire . . .’
‘Did you not?’ drawled Joe. ‘Well, you’ve made a very good fist of it. But before we ask you to check and sign your statement, just tell us, will you – what was the reaction of the second man playing this game? Did he appear alarmed? Did he seem menaced by Jardine’s gesture?’
‘Well, no. Not at all. Most odd. He laughed. Damn near slapped his thigh, he thought it was so funny.’
* * *
When Jennings had been thanked and escorted from the premises by the sergeant, Fourier turned to Joe and Bonnefoye with a pitying smile. ‘The case firms up, it seems,’ he said. ‘And unless you two are about to produce some late entrant like a jack-in-the-box to surprise me . . .’ He left a pause long enough to annoy the younger men. ‘No? Well, there is one more amusing little excursion I’ve laid on for you.’
He gestured to his sketch of the theatre layout. ‘Forget the audience. What no one else seems to have observed is that there were a hundred or so other poten
tial witnesses and all much closer to the scene of the murder at the moment of the murder. The cast! Lined up for the finale, their eyes would have been on their audience. They say that Miss Baker herself is always acutely aware of the reactions of the crowd before her and responds to their mood. Dark, of course, out there, I should imagine. Up to you to see how much you can make out. How close the boxes are to the stage. Which performer was standing underneath.
‘I’ve arranged with the man in charge – Derval’s his name, Paul Derval – for you to be given an hour to scrounge around before the matinée performance this afternoon. I guaranteed you wouldn’t get in anyone’s way. He’ll send someone to open up for you if you present yourselves at the stage door. That’s about it . . . Jardine behaving himself, is he?’
He started to collect up his papers. As they reached the door he said: ‘Oh, I fixed a ten-minute interview for you with Mademoiselle Baker. Thought you’d make a better impression on her than I would. She wants to help, apparently. Tender-hearted girl – keeps a menagerie of fluffy animals in her dressing room backstage, I’m told. She was upset to hear some admirer had bled to death while she was singing her heart out a few metres away. See what you can do.
‘We may be getting closer to that headline,’ he added with a chuckle they left.
Chapter Eighteen
‘Some time to kill before our two o’clock tryst in the avenue Montaigne.’ Joe emerged with relief into the sunshine. ‘The theatre’s not all that far from my hotel . . . Why don’t I take you to lunch there first – Pollock assures me the cuisine is excellent. And I think we’ve earned it! But first – a short walk. What is it about this place –’ he stabbed a thumb backwards over his shoulder – ‘that makes me want to burst out and run ten miles in the fresh air?’
‘Fourier?’ grunted Bonnefoye. ‘Medieval architecture . . . medieval mind? Know what you mean, though. Which direction do you want to take? I’ll gladly trot alongside.’
‘Let’s cross over into the Tuileries, cut through the gardens and make for the place Vendôme.’
‘Why would we want to do that?’
‘Off the place Vendôme, running north towards the Opéra, we’ll find the rue de la Paix. Not a street I’ve frequented much. Wall to wall with modistes, I’m told.’
He took Francine’s scrap of blue fabric from his inside pocket. ‘Well, you never know. This is from the House of Cresson, according to Mademoiselle Raissac. It’s a lead we ought to follow up. It may take us to the beauty who showed a clean pair of heels before the show ended. Think of it as Cinderella’s slipper, shall we?’
‘Not we, Sandilands. They would be instantly suspicious of two men arriving with a strange enquiry.’ He looked at Joe then tweaked the sample from his fingers. ‘I’ll deal with this. You can loiter outside, window shopping. I suggest the jeweller’s. That’s safe enough. You’re choosing a ring for your girlfriend.’
It took a considerable amount of confidence to put on a routine such as Bonnefoye was demonstrating, Joe thought, in this smartest, most exclusive of streets. There were men to be seen entering the salons but they followed, dragging their heels, in the slipstream of their smartly dressed wives. Their role was clear: parked in a little gilt chair, they were required to smile and admire everything they were shown until, finally catching a nod and a wink from the vendeuse, they would come to a decision and pull out their wallets. The solo flight Bonnefoye was contemplating was daring. Professional, well-disciplined and having the sole aim of charming large sums of money from rich and fashionable women, the elegant assistants Joe caught glimpses of through the windows were truly daunting. They moved about with the easy arrogance of priestesses tending some vital flame.
Bonnefoye looked smart enough – he wore his good clothes well – but he would be entering hostile territory. He watched the young Inspector’s reflection in a shop window opposite the gold and black façade of Maison Cresson as he straightened his tie, tilted his straw boater to a less rakish angle and strolled inside, humming an air from Così fan tutte.
He was in there a very long time, Joe thought suspiciously. He saw Bonnefoye emerge finally, scribbling on a page of his little black book. He slipped it away into his breast pocket. Joe sighed. An address had been added to his list. But whose?
‘Another success, Inspector?’ he asked. ‘How did you manage it?’
‘Two successes!’ Bonnefoye gave a parody of his best slanting Ronald Coleman smile to indicate method. ‘But the one that concerns you, my friend, is the identification of the fabric. It wasn’t easy. Sacrifices had to be made! There’s a good café just around the corner. Why don’t we walk on and have our second coffee of the day?’
They moved off out of the sight lines of the salon.
‘A charming girl greeted me . . . Delphine . . . I told her I was desperate. I wished to buy something special for my mother – for her birthday. And the trouble with rich spoiled old ladies . . . I was quite certain Mademoiselle Delphine would understand . . . was that they had everything. I had noted (sensitive son that I am!) on a recent visit to the theatre that she had been very taken with a certain evening cape being worn by a blonde young lady. I produced the swatch at this point. A dear friend of mine – the Comtesse de Beaufort – had advised me that such a garment might be found at the Maison Cresson.’
‘A moment, Bonnefoye . . . the Countess? You’ve lost me! Who’s this? Does she exist?’
‘Of course. And I know the lady to be a devoted patron of this establishment – Cresson labels right down to her silk knickers! I arrested her husband two months ago for beating a manservant nearly to death. The Countess was duly grateful for the brute’s temporary removal from the family home. And the suggestion of intimacy with a valued customer impressed Delphine. She was very helpful. She identified your scrap – though claims the stuff they use to be of better quality. Twice the weight and a richer dye, apparently. She remembered the garment for a very particular reason. They had designed and sold no fewer than four as a job lot, a highly unusual procedure, and all in the same size and fabric. The capes had been commissioned by a certain customer with whom they do a good deal of business. To reproduce a copy for my mother, it would be only polite to seek permission, of course.’
‘Understandable. The thought of five examples of a designer piece out and about in Paris would horrify your Delphine. Suppose the ladies all chose to wear it at the same occasion? The reputation of the House for exclusivity would be ruined! Have you noticed, Bonnefoye, that we men all try to look alike, toe the fashion line, cringe at the thought of looking different, but a woman would die rather than be seen in the same get-up as one of her friends?’
‘Exactly! So why on earth would they want so many cloaks? Not kitting out a nunnery, do you suppose?’
Bonnefoye produced his book again and flipped it open. ‘Delphine was very happy to undertake the negotiations on my behalf. I’m certain she didn’t take me for an haute couture pirate or anything of that nature but, all the same, the training prevailed. No address was forthcoming, I’m afraid.’ He grimaced. ‘And I even went to the length of ordering one of those things. There on the spot! I heard myself selecting twilight blue silk. Grosgrain. Lined with pigeon’s-breast grey.’
‘Shantung?’
‘Of course. Have you any idea of the cost? A month’s pay! But I thought I ought to underline the urgency. Birthday next Thursday, I said. It seemed to work!’
‘That – or the appeal in your spaniel’s eyes, liquid with filial affection?’ said Joe.
‘We have a saying – A good son makes a good husband. Perhaps that’s what Delphine was thinking? But whatever it was, it did the trick. She swayed over to the telephone and asked for a number. I memorized it.’
They settled at a café table outside on the terrace and ordered coffee.
‘The temptation,’ said Joe, ‘of course, is to nip straight inside and use their phone. See who answers . . . but . . .’
‘We could do that. I have ways of tri
cking identities out of people who answer their telephones. Ordinary, innocent people, still slightly bemused by the new device on their hall tables. I wouldn’t expect any success if we’re dealing with a criminal organization. And if I mumbled, “Sorry, wrong number,” or “Phone company – just checking,” and cut the connection, it might alert them.’
‘I don’t want to be boring,’ Joe began tentatively, ‘but in London –’
‘And here in Paris!’ said Bonnefoye. ‘We have the same facility. It’s not so exciting as establishing a direct contact with a suspected villain but I’m about to go inside and ring up a department on the fourth floor at the Quai. They hold reverse listings of all the numbers in Paris.’ He took out his book again. ‘Won’t be a moment.’
Joe was drinking his second cup of coffee before Bonnefoye emerged again. In silence he passed the notebook across the table to Joe.
‘Ah! I think we might have been expecting this,’ said Joe, smiling with satisfaction. ‘Let me teach you another London expression, mate: Gotcha!’
Vincent Viviani strode smartly down the avenue Montaigne towards the Pont de l’Alma. He was glad that his schedule had led him back to this part of Paris. He’d make time in his day to go and have a look at his favourite bridge over the Seine. Not being a theatre-goer, there was little to bring him to this increasingly smart area. Like everyone else passing by, he gave a swift, unemphatic glance at the three-storey, art nouveau façade of the Théâtre des Champs-Élysées. Overblown, sweet-toothed, but perfect for its purpose, he supposed. Offering rich men the chance of parting with large sums of money for the privilege of gawping at acres of jiggling, gyrating female flesh – of all colours now, it seemed. He flicked an interested eye sideways, following the two men on the opposite side of the road. They ducked into the alley that led to the side door of the theatre. Stage-door Johnnies? Yes, they looked the part. At least the boater was a good attempt. Vincent wasn’t sure the grey felt would open many doors.
Folly Du Jour Page 19
