Joe began to breathe fast, steadying his nerves. Two men. He didn’t fancy his chances much. He thought, on the whole, he’d go for the toff first. The leader. Though by the time he’d closed with him, the Zouave would have sunk his knife into his back. Take the Zouave first and the Fantômas figure would be ripping his throat out from behind. He remembered Dr Moulin’s hands in the morgue, clutching his hair, demonstrating the hold, and his skin crawled. That’s how it would happen.
No gun, he’d have to fight with his fists and feet. Then he remembered the doctor’s parting concern and his strange gift. He felt in his pocket, encountering the cold steel of the surgical instrument. Better than nothing and they wouldn’t be expecting it. These creatures only attacked the defenceless and the unready, he told himself. ‘It’s razor-sharp,’ the doctor had warned. But all Joe’s instinct was pushing him to explore, to handle his weapon. To decide – slashing or stabbing? Which would be the more effective? His safety – his life – depended on the quality of the steel implement. By the time he closed with his assailant, it would be too late to find out. Worth a cut thumb to be certain. And the quick flare of pain would jolt his senses fully awake. Tentatively he ran a thumb along the cutting blade. He repeated the gesture, more urgently, pressing his thumb down hard, the whole length of the cutting edge. And moaned in distress.
There was no edge. It was blunt. Not a scalpel. It was as much use to him as a fish knife. He held it in his hand anyway because he had nothing else. It would still glitter in the gaslight. It might fool them into thinking he was armed. And then, with a rush, with a flash of insight that came hours too late, he realized.
He could deceive no one. He was himself the fool. No mistake had been made when he was handed the useless tool. It was a stage prop. He was standing here, gaslit from both sides, at the stone prow of the island, framed up for his audience below, a modern-day Mr Punch. The only thing lacking was the cap and bells on his head and the hurdy-gurdy musical accompaniment.
Strangely, he felt a compulsion to play the part handed to him. To let them know that, however belatedly, he had worked it out. He held up the instrument before his eyes in a parody of a scene from Macbeth. ‘Is this a scalpel which I see before me?’ he mused. ‘Or could it be an earwax remover?’
He looked to the right again and saw the smile start in the masked eyes, the nod that acknowledged his moment of understanding. He looked to his left and the Zouave with panther stride began to close on him. He pushed the scalpel back into his trouser pocket, took a deep breath, put both hands on the parapet and vaulted over, leaping as far out into the void as he could manage, hoping he’d miss the built-up quayside and hit the water.
The cold of the spring surge waters knocked the breath from his body and he struggled to the surface gasping and choking. The stench of the river water was sickening. An open sewer, Bonnefoye had called it. He stared as a dead dog, bloated and disgusting, swept towards him and then bobbed away before it made contact. He struck out for the bank, glad enough to be carried by the current at an angle to the Pont Neuf, away from the two creatures on the bridge. He wasn’t a strong swimmer and his jacket was heavy with the weight of water, dragging him down. He spent a few moments treading water while he struggled out of it. Noises behind him. A gunshot rang out. He ducked under the surface and allowed himself to drift a few more yards.
They could with ease plot his course downstream, he thought, with the treacherous moon now lighting up the river like a satin ribbon. One could remain on the bridge watching for him to break surface, the other could intercept him at any point along the quay, and be there, standing waiting, while he struggled on the greasy cobbles that revetted the quayside. He would have to slip and slide and claw his way up over the green scum only to find a fresh and armed adversary looking down on him. Might as well drift straight down the centre and head for – what had Bonnefoye said – Le Havre?
And then anger took over. He’d been fooled. Completely fooled. He raged. His aggression mounted. He kicked out for the bank again. They could at least only take him one at a time now. And he wasn’t intending to go down easily. Whichever man had run down to confront him there on the quay was going to take his life at some cost. He didn’t want his body to be pulled, leaking water and bodily fluids, from the Seine miles downstream. To fight and die up there in the open air had, in a few short minutes, become his only goal.
A dead rat floated by, brushing his face. Retching with horror, Joe trod water, waiting for it to pass, but then, on an impulse, he reached out and seized it and squashed the swollen body down inside the front of his shirt. A gassy eructation burst from the rat and Joe gagged and spluttered. Then he gritted his chattering teeth. ‘Brother Rat!’ he muttered, knowing he was on the verge of hysteria. ‘More where that came from? Let’s hope so!’ He was as prepared as he could ever be for the confrontation. He just hoped that his enemy would feel impelled, as most villains did, to explain himself. To talk. To give Joe time to get his breath back and plan his retaliation.
If he encountered the Zouave he could rely on no such reaction. His only language was Death and he would deliver it in one unanswerable word.
Taking his time, steadying his breathing, he judged the moment and made for the part of the quay where a set of slippery steps had been made for the use of the river traffic. Panting, he pulled himself together, taking the useless scalpel in his right hand.
‘Thought you’d make for this place. How are you enjoying the show, so far, Commander?’ The remembered voice purred down at him from the top of the steps.
There was the Fantômas pose again. Eyes glittered through the holes in the mask.
Joe responded in short panting phrases, one for each step as he climbed. ‘Not the best evening I’ve spent in the theatre. Never been fond of melodrama. Overacting sets my teeth on edge. Kinder not to look, really. I’ve decided to bale out at the interval.’
He’d got almost to the top. Near enough. This would do. Affecting a gulping cough, he put his left hand to his chest and seized the rat, grasping its slimy fur in his fingers. ‘I was wondering, Moulin . . .’ he began and a moment later had hurled the squashy and stinking corpse into the masked face. The man took an instinctive step back, with an exclamation of disgust, hitting out at the creature with his left hand. In an instant Joe had closed with him, pushing him off balance, a frozen but iron-hard left fist closing over the knife hand and squeezing with the fury of a madman. The zarin clanged on to the cobbles and the man looked down and sideways to find it.
A moment of inattention which cost him the sight of his left eye. Joe brought up the blunt scalpel and drove the point through the nearest hole in the mask.
A yell and a curse broke from him but he struggled on, strong right hand breaking free from Joe’s slippery clutch. He scrambled to pick up his knife. With the scalpel still sticking out of his eye socket, he rounded on Joe, screaming, beside himself with fury, knife once again clutched in his hand. With both his feeble defences used up, Joe crouched and circled, only his fists left and his cunning. He was intending to work his way around his enemy, wrong-foot him and push him into the river.
Just as he was beginning to think he stood a chance, another shot rang out. The nightmare figure was hurled backwards away from Joe by the force of the bullet tearing into his chest. A dark stain was already spreading over the white waistcoat before he collapsed on to the cobbles inches from the drop into the river.
Joe, shaking with cold and effort and shock, could only turn his head and mumble, ‘Bonnefoye? Jean-Philippe, is that you?’ into the darkness.
‘Er, no. It’s me, my boy,’ said Sir George, emerging from the shadows, Luger in hand. ‘Thought you were up to something sending me off like that. Nosy old bugger, as I keep reminding you. Not so easy to shake off. Had to investigate. Who’s your friend?’
He moved over to the body, pistol at the ready, Joe noticed.
‘Who was your friend. He’s dead. Police not very popular in these parts, I s
ee. I had to take strong action to disable the other bloke on the bridge who seemed to be taking too close an interest. Vévé, I’m assuming. He’s dead too, I’m afraid. But, Joe, who was this fool?’
George bent and tugged the mask off the dead face, carefully pulling it away from the scalpel which still projected.
‘No fool! Madman perhaps? Moulin. The doctor. The pathologist.’
‘Pathologist? Is he so short of customers he has to . . . oh, sorry, Joe. It just seems very peculiar to me. So, he’s the one who fancied himself as Set, is he? But why on earth is he got up like this? Was he on his way to a masked ball?’
‘He didn’t have time to explain. I’m just guessing this was his last commission. Someone paid to watch me die, George. But where on earth has Jean-Philippe got to? He was down in the square, whistling . . . Oh, my God! There were three of them!’
Chapter Twenty-Nine
Joe doubled over and vomited up a litre of river water before he was ready to run on unsteady legs back along the bank, up on to the bridge and then down again to the level of the small park, calling out Jean-Philippe’s name. In his exhaustion, he found that George was well able to keep stride with him. They paused by the statue of Henry IV. The dashing young monarch, Le Vert Galant, the Green Sprig himself, peered majestically down from his horse at the panting old man and the drowned rat as they battled to get their breath and take their bearings.
‘There was a third man on the loose. One of the wolves. Got away during the raid. I heard Jean-Philippe whistling down here on this side. We’ll split up and search.’
‘No we won’t,’ said George firmly. ‘You stay by me. I’m not losing sight of you again. No telling what you’ll get up to. Fancy dress balls . . . midnight swimming parties . . . some fellows live for pleasure alone,’ he muttered, checking his pistol. ‘Six left. Should do it. And in the dark I don’t want to put one of them into you by mistake. Eyes not what they were, you know.’
Back to back, they quartered the ground, working their way out towards the pointed tip of the park.
They found them under a willow tree.
Bonnefoye had had no time to draw his revolver, his hands were empty, thrown out one on either side of his body. The handle of a zarin gleamed in the half-light, sticking out of his back.
George groaned. ‘Ambushed. Taken from behind.’ He expressed his grief and rage, cursing in a torrent of Pushtu.
Joe was on his knees, feeling for any sign of life. ‘George, do shut up! He’s trying to speak! He’s alive . . . just. It’s all right, old man. We’re here. Look, try to stay still. You’ve been stabbed . . . I expect you noticed . . . yes. What we’ll do, if you can bear it, is leave the blade where it is – it’s actually stopping the blood from flowing. We’ll summon up a stretcher party and get you to the hospital . . . it’s only a step or two away.’
He bent his ear to the chill mouth which was barely able to move, yet determined to convey something. ‘What’s that? Oh, yes, you got him. Or someone got him . . . The wolf. He’s lying here right beside you.’ Joe glanced down. ‘Shot through the back of the head. Small calibre bullet, I’d say. .22? But well placed. Not you, I take it? No? Ah, there’s a puzzle . . . Sorry, what did you say? . . . Yes. I’ll send George in a taxi to tell her. I’ll stay by you . . . What day? It’s Monday, old fruit . . . We’ve just had what we call in England a long weekend.’
He was grateful for the soldierly presence of Sir George, still covering the pathways with his Luger. Gently, Joe removed Bonnefoye’s police revolver from its holster and held it at the ready. But he knew the flourish was in vain. The wolf’s killer had made off into the night and was a mile away by now.
The next three days gurgled their way down life’s plughole, barely distinguishable from each other by Joe. A day of sickness and shivering, spent in Bonnefoye’s room in the rue Mouffetard, being Amélie’s replacement son while her own boy was in hospital, passed like a bad dream. He remembered the bowls of chicken soup, the cool hands on his forehead, George’s gruff voice from the doorway: ‘Just back from the hospital. Thought you’d like to hear – the lad’s going to be all right. Blade went in at an angle – the thought is that the attacker was disturbed before he could place his blow more accurately. No vital organs damaged but he lost a lot of blood. He’s on his feet already and clamouring to come home.’
The day after, which must have been a Wednesday, he spent in Fourier’s office making statements, colluding in the fabrication of various pieces of subterfuge. Nodding in agreement as the Commissaire outlined the dashing attack of the Brigade Criminelle officer (trained and directed by Fourier himself) who had gone in against great odds to the rescue (from an attack by a gang of Apaches) of two theatregoers, one a visiting tourist, his companion a Parisian and a distinguished doctor. Sadly, the latter had succumbed to a bullet fired by one of the gang, the former was lucky to survive being hurled into the river by his assailants.
This lively scene was, as they spoke, being worked up by an artist into a cover for Le Petit Journal. Under Fourier’s direction, of course, he reassured them. These creatures were attacking in the very heart of the city now! But thanks to the bravery of the aforementioned police officer, two had been shot dead and would trouble the peace of the city island no more. Patrols on the Square du Vert Galant had been doubled.
‘Seems to be paying off, Fourier,’ said Joe. ‘Though I’d have preferred on the whole not to be summoned down to the river on a wild-goose chase on Monday night.’
‘Ah, yes. Clever devils! Some bugger diverted the two agents on duty down there. And rang directly through to my office, someone knowing my number, leaving a message so official-sounding my sergeant passed it straight on. Moulin. He knows . . . knew the numbers, knew the tones that get attention. Probably expected to catch you while you were still up here sitting in front of me.’
He frowned and fiddled with his pen. ‘I can make this sound convincing enough, Sandilands, for general consumption, I mean, on paper. But I can’t make any sense of it –’ he gestured to his head – ‘up here. What in hell did the stupid bugger think he was doing? Clever man. Reliable. Thorough. My best.’
‘Well placed to cover up a whole crime wave of his own creation?’ Joe suggested. ‘You’ll never know now.’
‘And who’s going to take his place? Good Lord! He’s down there on the slab as we speak! I haven’t been to see him yet . . . I don’t suppose . . .? No?’
‘Who’s going to perform the pathology on the pathologist?’
Fourier burst out laughing. ‘Quis medicabitur ipsum medicum?’ he said, surprisingly. He rose to his feet to show Joe to the door.
‘And I’ll add a second thought on similar lines,’ said Joe cheerfully. ‘Who will police the policeman? I’ll tell you – I will!’
In a moment his foot had come out to trip up the Commissaire and his hand simultaneously pushed him hard between the shoulder blades. Fourier’s head banged against the corner of his desk as he went down and he swore in pain and confusion.
‘Bad luck,’ said Joe. ‘You really ought to have that rug tacked down, Fourier. There was a loose end there somewhere, I think.’
‘Poor old thing! You look jolly peaky still,’ said Heather Watkins, pouring out a cup of tea for Joe at Fauchon’s. ‘But I can’t understand why that woman would do such a thing . . . I mean . . . Well, I can just about see why she would undertake . . . um . . . the profession she undertook . . .’ Heather blushed and hunted about for the milk jug. ‘But how could she have let herself be led into a life of crime by that appalling villain?’
‘I think what she gave me and Bonnefoye was a true bill. Ninety per cent of it. The client who insinuated himself into her establishment probably had some strong hold over her . . . blackmail . . . contrived involvement in one of his early excursions . . . I think he took over her life like a cancer, eating it away. He was using her girls as agents in his schemes. Alice was left only nominally in charge and beginning to realize she was hersel
f replaceable. Good liars tell the truth as far as they possibly can and slip in one big falsehood. She told us truthfully what happened – just gave us the wrong name. Picked an entirely innocent Englishman, knowing he would be able to talk his way out of it – and anyway, Jack Pollock was safe enough behind the walls of the Embassy. The worst thing that could have happened to him in the event of an enquiry was a rap on the knuckles from Her Excellency! And a suspension from opera escort duties. But I believe Alice was truly alarmed by the sadistic nature of the man she found herself tied to. By his complete ruthlessness. It defies explanation, Heather! A professional man, clever, sharp, kind to me when in role. And the other side of him, dark, greedy and murderous.’
‘But why? I know men murder others for the satisfaction, even enjoyment it can bring them.’ She shuddered. ‘But his victims were not known to him in a personal way. Where was the satisfaction in that?’
‘I think he was a bit mad. Working in that place – it would send any man off the rails. And I believe he sensed this was happening to him. He made an effort to keep the stone walls, dripping with sorrow, at bay. It didn’t work. The corpses kept piling up and he kept on slicing and carving and witnessing the very worst man can do to man.’
‘He lost his sensitivity? Like a knife losing its edge?’
‘I think so. He had been a sensitive man. He enjoyed the theatre and the opera – he had posters and programmes all over his room and, Heather, the strangest thing – I’d noticed a photograph on his desk. A pretty dark girl. Her face was vaguely familiar. I checked his room yesterday – I went to return a book he lent me . . .’ Joe’s turn to shudder. ‘I thought it might be his girlfriend. I asked one of the assistants if they knew who she was. They looked a bit shifty, I thought, but one of them spoke up. “Don’t you know her, sir? That’s Gaby Laforêt. The music hall star. Nuts about her, he was! Went to every show. Used to joke that one day when he’d made his fortune he’d . . . Well, we all need our fantasies, working in a dump like this, don’t we?”’
Folly Du Jour Page 28
