'And she wasn't much of a help?'
A snort. 'But he called her from the Hall anyway. And then after she predictably flipped out and couldn't get anything done, she called me.'
'What did she try to do?'
A calm had gradually settled over her. Hands had come to rest in her lap, shapely legs were crossed at the ankles. There was no sign of her usual cheerfulness, but her confidence was returning. The topic was awful, but she had facts to convey. 'He's in heroin withdrawal, Diz. He needs to be medicated.' She broke off and decided she'd said enough about that. 'Anyway, Mom lost her credibility with the police in about ten seconds, accusing everybody of trying to kill her son, the poor lost little boy.' She paused again, sighed heavily. 'But he does need to get into a detox situation soon.'
Hardy matched her tone – matter-of-fact. 'They have programs in place for that. As soon as they book him-'
But she was shaking her head. 'The police are saying Cole is only drunk and they're not through with him.'
'So you're saying he wasn't drunk?'
'Probably that too.' She impatiently brushed some flaxen hair from her forehead. 'But if he was desperate enough to mug somebody, he was after cash for heroin. That means probably he was already into withdrawal, drinking to kill the pain with alcohol until he could score.'
A silence settled. Finally, Hardy laced his fingers in his lap. He had heard enough to know he really didn't want to be involved in this. He liked Jeff, liked Dorothy, saw them socially three or four times a year. And now Dorothy wanted to hire him to defend the man who'd killed one of his colleagues. And though he'd been successful in his three previous murder trials, though he'd gotten himself a reputation, this time Hardy wasn't interested.
He'd known, liked and admired Elaine Wager. He had no desire to help her killer. There were other lawyers who could live with defending Dorothy's brother a lot more easily than he could. And they were welcome to do it. But the longer they talked, the more he would give her the impression of tacit acceptance. In spite of that, he couldn't resist the next question. 'So what do you want me to do, Dorothy?'
'He needs to get into detox and I don't know the channels. I need somebody they'll listen to, who knows how to talk down there.' Her eyes were telling him that she didn't like it any more than he did. But it was family duty. Her heartland values wouldn't let her shirk it.
Hardy told himself he wasn't agreeing to defend Elaine's killer. He'd see what he could do to get a suspect into detox. He was helping a friend, that was all, another heartland value that he couldn't shirk. It wasn't going to go beyond that.
Hardy figured he could get the fastest results by going directly to the head of homicide, who happened to be his best friend. On the fourth floor of the Hall of Justice, he exited the world's slowest elevator and was looking at Sarah Evans, a homicide inspector who was married to one of David Freeman's associates. He and Frannie would occasionally socialize with Sarah and Graham. He considered her a friend, and usually she greeted him warmly. But today her look was guarded.
'If you're here to see the lieutenant, maybe you want to come back another day.'
'Less than his usual bubbly self, is he?'
She just shook her head, said, 'Good luck. I warned you,' and pushed by him into the elevator.
So he was wondering as he walked the long hallway down to the homicide detail. This was a spacious, open area with grimy windows all along the back wall. The twelve inspectors in the unit had their desks here, most of them face to face with those of their partners. The usual bureaucratic detritus cluttered up the workspace – green and gray metal files, a water cooler, a coffee machine that from the look of it might have been Joe DiMaggio's original Mr Coffee. There was also the working stoplight, which added a certain tone.
To Hardy's right as he entered the detail were three doors. The two on either end led to interrogation rooms; the one in the middle to the audio-visual controls room. To his left, the lieutenant's office was a hundred square foot rectangle that some architectural wizard had carved out as an obvious afterthought. Glitsky's door stopped him dead.
For many years, there had been no door to Glitsky's office. Finally, three years back, after months of trying to cajole the bureaucracy into buying a door, Glitsky had had enough. He came in himself on a weekend and hung one he'd bought with his own money.
Thereby admitting that he cared about it.
Big mistake.
Immediately Glitsky's prize door became an untapped bonanza for any psychologist who might want to study the effects of stress on otherwise normal people whose job it became to investigate murders. After the first impressive flurry of graffiti and property damage in the weekend after he'd hung it, Glitsky had made it a point of honor to refrain from comment or reaction no matter what his people did to it. And they did plenty.
Eventually the door had become a living testament to something profound and not particularly flattering about San Francisco's homicide detail. A large poster of Bozo the Clown with the international 'NO' symbol commanded the center of it, but that was among the first, and the mildest, of desecrations. By the last time Hardy had come up here a few weeks before, there hadn't been a pristine inch left. Burn marks, spitballs, chewed gum, three bullet holes, assorted bumper stickers, picture ads for prostitutes, photos of murder suspects from ancient cases.
The homicide inspectors thought it was a funny, running gag. Glitsky didn't see it that way, but he wasn't going to whine about it. There were other approaches.
One night he had come down to the Hall on a late call and happened to arrive as one of his inspectors, Carl Griffin – now deceased – was adding some graphic flourishes to a wanted poster someone else had tacked to the door. Griffin had been engaged in his artwork and hadn't heard Glitsky come up behind him, didn't hear a thing even as Glitsky whacked him on the head with his sap, knocking him senseless for several minutes.
Glitsky thought that was funny.
Even funnier because Griffin could never say anything about it without appearing to be an idiot. But somehow the word had gotten out. And the stakes had been raised.
Now Hardy stared. The door was flat white. He could still smell the paint. And it was closed – a rarity during the working day. Struck by the stunning blankness, Hardy whistled softly and looked out over the open room. At least casually acquainted with most of the homicide inspectors, he recognized Marcel Lanier, who was seated at his desk, a pencil poised over some paper.
The inspector was looking back at him. He shook his head and spoke with a quiet authority. 'I wouldn't.'
'Somebody with him?'
'No.'
'When did this happen?' The door.
A shrug. 'He came in after lunch with a bucket and a roller. Took him ten minutes.'
'Is he all right?'
A shrug. It wasn't for a sergeant to say.
Hardy thought about it. Two warnings from two solid professionals. The smart move would be perhaps to skip it for now, pick a better time.
But he'd just driven down from his office, paid to park, come all the way up for this personal visit with his best friend. It was the end of the day, anyway. Whatever it was, Abe would deal with it. Maybe Hardy could even help. Besides, he was tired of well-meaning gatekeepers trying to keep him from people he needed to see. First Phyllis with David Freeman. Now Sarah Evans and Marcel Lanier with Glitsky.
'I think I'll just see how he's doing,' he said. 'No guts, no glory.'
He knocked on the post next to the shocking white door and heard the familiar growl of a response. 'It's open.' Inside, Hardy's first reaction was to reach for the light switch, but Glitsky spoke again. 'Leave it.' The room wasn't exactly dark, but with the overheads off and the shades drawn on both windows, it wasn't exactly light either. 'You want to get the door.'
Hardy did as instructed. 'I couldn't read a damn thing in this light. I don't know how you do it. It's got to be tough on the eyes.'
'What do you want, Diz?'
Hardy fou
nd the wooden chair opposite the desk and lowered himself into it. 'Nice door. I love the color.'
No answer.
'What's going on, Abe?'
'Nothing.'
'You all right?' After a lengthy silence, Hardy said, 'You want to talk about it?'
'There's nothing to talk about.' Glitsky's chair scraped. He pushed himself back from his desk and leaned into the wall behind him on the chair's back legs.
Hardy's eyes were adjusting. He gave it another try. 'It's after five o'clock. You feel like a drink?'
'I don't drink.'
'Really? Since when?' Hardy had only been Glitsky's pal for twenty-five years. 'Sometimes it's not the worst idea in the world.'
Glitsky came forward in his chair, clasped his hands on the desk before him. When he spoke, his voice had softened. 'I'm trying to work something out, all right? Meanwhile, what can I help you with?'
There was nothing to be gained from pushing Glitsky's issue, whatever it was, so Hardy drew a breath and started. 'You've got a guy across the way there, Cole Burgess-'
'Yeah. Elaine Wager's killer.'
'Alleged killer, as we say in the defense biz.'
'Are you defending him?'
'No.'
'I hope not.'
'And I'm not here to spring her killer.'
'OK. Then what's this about?'
Hardy calmly and briefly stated the reason for his visit, his connection to Cole's sister Dorothy, the rest of it. 'His sister's worried that he slipped through the cracks when they brought him in and the paramedics never got around to diagnosing him as a heroin user. Anyway, the point is he's got to get into detox pronto or he's going to have a bad week.'
'Really? That would be sad.'
'Well, anyway-'
'He was drunk, Diz. We've had him up here since last night, mostly puking his guts. We're still talking to him.'
'Yeah, but now it's been what? Eighteen hours? He might still be hungover, but he's dry. All I'm saying is we know he's a junkie. He's got to get in a program.'
But Glitsky was shaking his head. 'No. I'm not buying into that scam.'
'What scam?'
'Couple of days on the county in a nice soft hospital bed. That's not happening. He was drunk, that's all.'
This was not the response Hardy expected. Abe was a due process freak – he played by the rules. Maybe, Hardy thought, it was the other thing, the dark room, whatever else was eating him. He started to debate. 'C'mon, Abe, how can you know?'
Glitsky slammed his palm flat on his desk, raised his voice. 'He was drunk! That's all he was, all right? We Mirandized him, he's talking, we'll book him when we're through. You hear me? Just leave this one.'
Stupefied, Hardy sat back in his chair. 'What's going on, Abe?' he asked quietly. 'I can't just leave it. You know that.'
'He killed Elaine.'
'OK. And we hope he burns in hell for it. But his sister told me he was probably already in withdrawal this morning. He's got to get some treatment.'
Glitsky remained unmoved. 'When they process him in, they'll give him the standard tests. If it's heroin, they'll know soon enough.'
'When will that happen?'
A shrug. 'When we're done here.'
Hardy took that in. 'You mind if I ask what he's doing here right now?'
'Answering questions.' Glitsky came forward in his chair. 'And FYI, he waived an attorney. Though maybe if he'd known it was you…'
'He doesn't know me.' Hardy sat back, shifted angrily in his chair. 'You're sweating him, aren't you?' He glanced toward the door, came back to the lieutenant. 'If you were sitting where I am, Abe, you'd tell me something was wrong here. That I wasn't doing my job right. This isn't how it's supposed to happen.'
Glitsky's face was a slab. He said nothing.
Hardy sighed. 'Have you videotaped a confession?'
A crisp nod. 'I believe we're in the process of doing that very thing.'
Hardy's blood was running now. He spoke carefully. 'So if I'm moving ahead and getting him processed into a program, you're telling me I've got to go around you, is that it? Maybe a judge? Get a writ?'
Glitsky stared over his desk. 'You do what you've got to do.'
'I intend to.' Hardy paused. 'I hope you know what you're doing.'
'It's possible.' The lieutenant looked through him. Talk to you.'
The visit was over.
Glitsky's conscience was a mangy dog gnawing at his insides.
After Hardy left, he remained sitting behind the desk in the dim confines of his office for over an hour, until the quality of the light shifted. Outside, it had come to dusk.
He rose, went to his door, opened it, and looked out into the homicide detail. The workday had ended, but the door to the interrogation room was still closed. He heard voices behind it. Ridley still had Elaine's killer in there.
He surveyed the detail. The old school clock over the water cooler said it was six fifteen. Wearing headphones, head down over his desk, Marcel Lanier moved his lips and jabbed corrections with his pencil as he ran his interview tape and proofed it against what the transcriber had typed. Paul Thieu, who already knew everything anyway, had his nose in a book with what looked like Cyrillic script on the jacket – he was working a Russian mafia-related homicide and Glitsky thought he probably wanted to conquer the language before the case got too far along.
Neither of the inspectors looked up.
Nobody had messed yet with his door, either.
He closed it behind him and pushed in the lock. Flicking on the light, he got in his chair and pulled out his junk drawer, lifted out Elaine's picture. He couldn't look at it for long. He realized that his daughter wouldn't exactly be proud of how he'd handled things so far. But he'd told himself, when he'd given Ridley his marching orders, that this was an instance of bad things happening to bad people. Karma.
Now he was trying to sell himself on the idea that it wasn't as though he'd been actively complicit in torture, but it wasn't easy. Though it truly had been Glitsky's intention to 'sweat' the young man in the interrogation room, this might be cruel but it wasn't unusual – homicide inspectors did it frequently. Under the stressful conditions in that closed-up space, a suspect occasionally would waive his rights to an attorney, or tell a story that he later wished he hadn't. Once in a while, as in Burgess's case, he would even confess under conditions that might not qualify as legally coercive.
But now he realized that it had gone on long enough. He'd better go and tell Ridley to end the interrogation, get the suspect in the system. Burgess had killed Elaine. There was no doubt about that, and it was important that no screw-up create a hole he could slither through.
He stood, grabbed his leather jacket, opened his door again. If Ridley had gotten the impression because of Abe's obvious hostility to Burgess that the suspect should be sweated beyond human endurance, Glitsky would have to try and correct that. There was an important difference, he knew, between wishing pain and suffering on someone and making him experience it.
It was called civilization.
3
Sharron Pratt, the District Attorney of the City and County of San Francisco, sipped a pre-prandial new-fangled cocktail concocted from gin and chocolate liqueur and served in a tall, blue martini glass. Perched on a high stool at one of the financial district's power restaurants, Sharron cut an elegant figure in her tailored blue suit. She wore her hair shoulder-length and made no effort to hide the gray that had once lightly peppered and now dominated it. Lightly made up – a touch of mascara and a subtle shade of lip gloss – she was very easy to look at. Rimless bifocal eyeglasses added a few years to her true age of forty-four, but behind them, green-flecked eyes sparkled youthfully. Her wide mouth animated her face, the plane of her cheeks was well-defined, her skin smooth. Even with the added gray and the no-nonsense glasses, she was a woman who'd come into herself as she'd aged, and was now far more handsome than she'd been a decade before.
But internally, she suffered fr
om a great discontent. Since the upset victory resulting in her election three years before, Sharron Pratt had suffered a steady decline in popularity. Now, with her chance for re-election coming up in November, she had eight months to recoup the eleven points which the latest poll told her she had lost.
'I don't understand how this has happened, Gabe. I really don't.'
Gabriel Torrey, her Chief Assistant DA and political mentor, was methodically breaking apart the pistachios from the bowl on the bar, gathering the nuts onto his napkin. When he'd accumulated somewhere between eight and a dozen, he would pop them into his mouth, washing them down with non-alcoholic beer.
Torrey had no trouble understanding what had happened to Sharron Pratt's fans. Conveying it to her was the difficult part.
He shrugged, cracked a nut, keeping a casual tone. 'Crime's up, Sharron. Convictions are down. That's the short answer. People are tired of it.'
'I'm tired of it too, Gabe.' Pratt leaned forward on her stool, moved a hand onto his sleeve. 'But the damn police are so hostile and we can't seem to get any coverage… What?'
Torrey was shaking his head. 'People are impatient with the excuses, too, Sharron. It's been three years. People are thinking that if you haven't been able to fix things in that time, you're not going to.' He'd only cracked two shells, but he threw the nuts into his mouth early. 'I'm sorry to be the bearer of bad news here, but the agenda you got elected on last time just hasn't played in the real world.'
'It would, though. If everyone would just get behind it.'
Torrey knew he had to answer with a great deal of care. This woman might be his bedmate at widely-spaced intervals when the stars were aligned just right, but every day she was, after all, his boss. Traditionally she did not warm to philosophical argument.
She'd worked the legal trenches in San Francisco for years – social worker, public defender, lawyer for various civil rights coalitions – and she knew what played in this town. Her election had confirmed that the people were behind her. They were ready for a change. No more white guys prosecuting minorities. It was going to be a new age.
The Hearing Page 3
