The Weird: A Compendium of Strange and Dark Stories

by Jeff Vandermeer; Ann Vandermeer

  George leapt forward, caught the child, felt a momentary flare of hope, and then they both were hurtling forward and the pier was gone.

  They plummeted toward the ocean, through a blackness defined by an inhuman sound, a sound that must have been the first sound God heard when He woke at the dawn of eternity.

  And even as he fell, George felt the child wiggle in his arms. His arms encircled Melissa’s waist, felt bare flesh. Had he looked skyward, he would have seen the nightgown, a pink ghost shape, sailing toward the moon.

  But George Hume’s eyes saw, instead, the waiting ocean and under it, a shape, a moving network of cold, uncanny machinery, and whether it was a living thing of immense size, or a city, or a machine, was irrelevant. He knew only that it was ancient beyond any land-born thing.

  Still clutching the child he collided with the hard, cold back of the sea.

  George Hume had been raised in close proximity to the ocean. He had learned to swim almost as soon as he had learned to walk. The cold might kill him, would almost certainly kill him if he did not reach shore quickly – but that he did. During the swim toward shore he lost Melissa and in that moment he understood not to turn back, not to seek the child.

  He could not tell anyone how he knew a change had been irretrievably wrought and that there was no returning the girl to land. It was not something you could communicate – any more than you could communicate the dreadful ancient quality of the machinery under the sea.

  Nonetheless, George knew the moment Melissa was lost to him. It was a precise and memorable moment. It was the moment the child had wriggled, with strange new, sinewy strength, flicked her tail and slid effortlessly from his grasp.

  The Delicate

  Jeffrey Ford

  Jeffrey Ford (1955–) is an American writer whose fiction combines elements of traditional fantasy or magic realism with surrealism and horror. He studied with the novelist John Gardner at Binghamton University and he currently teaches at Brookdale Community College in New Jersey. His work has received and been nominated for many awards, including the World Fantasy Award, the International Horror Guild Award, the Edgar Allen Poe Award, the Hugo Award, and the Nebula Award. Although his fiction comes at the weird sideways, some of his stories, like ‘The Delicate’ (1994), enter weird territory with complete abandon. It’s a short, sharp shock of the grotesque.

  The Delicate is pale, limbs pipe-cleaner thin, with a head as shiny hard as beetle-back. Violent, in utero skull tectonics have led to a precipice of brow, a compression of matter past the point of truth. His eyes are crow eyes, and his ear holes winding tunnels to nowhere.

  He comes in the latter days of afternoon, through blowing snow, dressed in black, while Schubert’s ‘Eighth’ plays magically in the background. He comes to suck the breath out of passing fancies and to treat the infirm of mind, the particularly annoying, to a long sleep.

  ‘In order to take the waters,’ as he explains it, he comes to a resort town on the edge of reason. Beyond it, the wilderness stretches north to the frozen pole. God has never drawn breath there – the domain of bat-winged demons whose skin is the ringed wood of oak trees. These creatures fly out of the forest at night to snatch up children, their little legs kicking to the moon. To live in Absentia is to live with a soul that is liquid lead.

  Perhaps it is the manner in which he holds his cigarette or maybe his distinguished apparel that immediately ingratiates him to both the guests and staff of the Hotel Providence. At his request, they call him Harding Jarvis and marvel at his grace and facility with foreign language. Though his face is more a cow skull than a thing of flesh, no one seems to notice except the woman who cleans his rooms. She knows him by his aroma – roses over bad meat. When he knows she knows, he wheezes into his wine glass.

  No matter who Carlotta confesses her fears to, they brush her off, saying, ‘Herr Jarvis? Not possible. My dear, you are disturbed.’ She makes it a point never to enter his rooms when they are occupied. Sleep to her is death, say the toothpicks holding open her eyes. She lasts only three days before she sits down and closes them. To sleep is warm and beautiful, but the chair she sits in is at the foot of Herr Jarvis’s bed. There is so much dirt on the floor – four ounces of fly meat on every windowsill.

  He returns unexpectedly from an afternoon of playing whist with Madame Fesh of the colorful muff, Barlin the local logomancer, and Meme Haspin, taxidermist to the landed gentry, and discovers Carlotta asleep in the chair. With little pomp and less circumstance, he sucks the life out of her. The process is long and painful, and he doesn’t spare her a minute of it. After hanging her withered corpse, like a wrinkled garment bag of flesh, on a peg in the closet, he sits down to smoke his clay pipe. Before long, he moves to the writing desk, where he takes up his pen and records the essence of the maid he has just ingested. The first phrase to crawl out onto paper is, ‘Insouciance is the engine of regret,’ and from there it is a smooth plunge into lyrical facility.

  At first he thought it was the crab soufflé he had had for lunch, but then realized, too late, that something in Carlotta’s blood was causing a strange transformation in him. With a popping of bone, a stretch of incisors, a whisper growth of fur and the shrinking of skin, he stoops to become a dog. His last oath is excremental before his words give way to growling.

  The inhabitants of Absentia mention to each other the clever little hound that now wanders the streets looking for scraps. One boy tells how he heard it cry human, and the men who mine Mount Alfarabi are amused when the beast tries to have its way with a lady’s shinbone outside the beer hall. Meanwhile, everybody who is anybody is seeking out Harding Jarvis for a ride in the car, a game of tennis, a cocktail party.

  Pharsalus, the hunter, comes in from the wilderness with furs to sell and wild turkey feathers in his hat. With the money he makes, he goes directly to the beer hall and drinks many mugs. He tells those he hasn’t seen in three seasons about the demon he shot and about the beautiful paradise surrounded by hundreds of miles of ice. For proof of the demon, he displays a pair of gnarled horns which he pulled like teeth, with a pair of pliers, from the forehead of the creature. As for paradise, he offers only a shrug.

  The days of Night fall while Pharsalus is drinking. When he steps out of the beer hall, there is a brisk wind and winter chill. He stares up at the ice-bright stars and remembers tracking white apes at twilight. They moved like ghosts among the giant pines. They died with a cough of steam and a trickle of blood.

  When his memory clears, Pharsalus notices a dog sitting in the street in front of him. Because the first hours of Night each year give him a desire to speak to something other than only the earth and wind, he decides to adopt the mutt as a hunting dog. Using scraps of dried caribou, he lures his new companion out of town and into the uncharted wilderness.

  Night in the forest is either stone silence and falling snow or the sound of something dying. Demons fly out of the trees without warning, and Pharsalus is always ready with his gun. When they jump him from behind, he uses his long, curved knife and engages them in hand-to-hand combat. The dog helps in the kill. As the demons’ mauled bodies expire at his feet, he questions them about the path to the Earthly Paradise. Some of the dying offer clues, but most go quietly, their barbed tails thrashing the snow. Pharsalus writes whatever they tell him in a little notebook and then pulls their horns out with a pair of pliers.

  In spring, the hunter and dog traverse a pass that leads over the mountains. The sudden return of the days of Morning brings light that blinds. In those mountains there exist hundreds of small caves formed long ago in the Ice Age. Each year, he hunts them for snapping yellow back and artifacts left behind by the ancients who had once inhabited them.

  In one cave, the hunter discovers the frozen corpse of a man, sitting on a large stone at a table hewn from rock. Icicles hang from the man’s nose and frost glazes his eyes. From the worm-eaten journal laying open in front of the dead man, Pharsalus learns of his father’s search for him. The hunter pu
ts his arms around the dog and cries.

  In one entry in his father’s journal, the old man describes his love affair with a woman who lives at the bottom of a lake. Her skin is blue and her hair so long it turns into sea grass and trailing vines. He descends from his mountain perch every night to meet her on the shore of her lake.

  They sit beneath a tall dune, the wind blowing around them. Above, stars smash into stars. He tells her how fifteen years earlier he left home to search for his son who had become a hunter in the wilderness. As he kisses her, he hears the immensity of paradise singing across the water to him.

  Pharsalus dreams every night of the only beast he has any desire to hunt. It is a creature he has never actually seen, with many jumbled attributes – scales, fur, talons, fangs, feathers beneath and around the hide and hair. Every night it comes vividly to him and fills him with longing to hunt it. In the dream, he always hears it flying. There is a struggle and it bites him, like a snake, in the heel. He always awakens wondering if the bird part is rooster. But since he has gotten the dog, it has become more and more difficult to envision the dream kill.

  In their wandering, the hunter and companion stumble upon a beautiful garden locked in ice. At the last second the Delicate steps out of the sloughed skin of the mutt to take the hunter by the throat. Lips meet lips and breath begins leaving, begins arriving. When the hunter is blind in one eye and his left rib cage shattered by the internal pressure, he summons those years of the kill and thrusts his hunting knife into the thorax of the Delicate. Streams of agony intermingle and separate out into fields of bright color. With a simple cracking noise the monster pushes a bony finger through the hunter’s chest and turns off his heart.

  But the Delicate is dying from his wound. He stumbles through the wilderness clutching his oozing side with a slim, sharp hand. He kneels and prays to heaven but nothing happens. The memories of other lifetimes swirl in his memory with an anguished forgetting of paradise. He cries for the loss of his delicate form, his exo-skeleton now a crystal meteor. If only he could change into a dog, he thinks, as life leaves him in a cascade of steam. With little conviction, he sucks it back up as it goes. In no time, he’s good as new.

  Back in the town of Absentia, in the very room of the Hotel Providence where he took Carlotta, he’s now taking them two at a time. The empty husks of life pile up like fresh-cut bales of tobacco in his closet. Men catch their wives sneaking to his door. Wives catch their husbands at some shadowy rendezvous with him, and he takes them both as quick as you please. He takes the contessa from behind as she leans over to adjust her corset. Her piles of hair almost save her, but, in the end, she is as easy to draw the life out of as is Master Cley, or the mayor, or Madam Silwort, or the Grossdig Twins.

  Someone notices the population of the town dwindling at an alarming rate and wires for the government to send troops, before the Delicate can snip the telegraph line with his incisors. When the army arrives and surrounds the town, he is huffing, as if taking snuff, the last few morsels of Mrs. Fleacox. He realizes too late that she has long since gone bad as a soft melon even though she keeps right on talking till the end. Her pointless words infect him with flexis midocarsis, and he slowly begins to disintegrate. In his final hour, he stands upon the balcony of the mayor’s house, staring out over the wilderness, playing the violin until his fingers turn to salt and the instrument falls to the floor.

  The soldiers break into Absentia, machine guns blurting out death, air cover dropping flames as if the clouds were on fire. They find the Delicate – a sorry, prodigious pile of cigarette ash. Mrs. Fleacox is lost between life and death, and they call for a specialist to administer the needle to the base of her spine. They collect the creature into a plastic bag and freeze-dry him. His remains are taken to Spire City in the Sunbelt where they are stored for the edification of future generations. The funding never comes through to study the crumbs of the Delicate, so he lies in a bag on a shelf and waits.

  The Man in the Black Suit

  Stephen King

  Stephen King (1947–) is one of the most influential post-World War II American writers of horror and weird fiction. His books have sold over three hundred and fifty million copies. Early classics that established King’s reputation include Salem’s Lot (1975), The Shining (1977), The Stand (1978), and The Dark Tower: The Gunslinger (1982). King has noted Richard Matheson, H.P. Lovecraft, and Shirley Jackson as among his many influences. He received the Medal of Distinguished Contribution to American Letters from the National Book Foundation in 2003. Other awards include the Hugo Award, O. Henry Award, and World Fantasy Award. ‘The Man in the Black Suit’ is a beautifully written and terrifying tale of an encounter with the weird.

  I am now a very old man and this is something which happened to me when I was very young – only nine years old. It was 1914, the summer after my brother Dan died in the west field and three years before America got into World War I. I’ve never told anyone about what happened at the fork in the stream that day, and I never will…at least not with my mouth. I’ve decided to write it down, though, in this book which I will leave on the table beside my bed. I can’t write long, because my hands shake so these days and I have next to no strength, but I don’t think it will take long.

  Later, someone may find what I have written. That seems likely to me, as it is pretty much human nature to look in a book marked DIARY after its owner has passed along. So yes – my words will probably be read. A better question is whether or not anyone will believe them. Almost certainly not, but that doesn’t matter. It’s not belief I’m interested in but freedom. Writing can give that, I’ve found. For twenty years I wrote a column called ‘Long Ago and Far Away’ for the Castle Rock Call, and I know that sometimes it works that way – what you write down sometimes leaves you forever, like old photographs left in the bright sun, fading to nothing but white.

  I pray for that sort of release.

  A man in his nineties should be well past the terrors of childhood, but as my infirmities slowly creep up on me, like waves licking closer and closer to some indifferently built castle of sand, that terrible face grows clearer and clearer in my mind’s eye. It glows like a dark star in the constellations of my childhood. What I might have done yesterday, who I might have seen here in my room at the nursing home, what I might have said to them or they to me…those things are gone, but the face of the man in the black suit grows ever clearer, ever closer, and I remember every word he said. I don’t want to think of him but I can’t help it, and sometimes at night my old heart beats so hard and so fast I think it will tear itself right clear of my chest. So I uncap my fountain pen and force my trembling old hand to write this pointless anecdote in the diary one of my great-grandchildren – I can’t remember her name for sure, at least not right now, but I know it starts with an S – gave to me last Christmas, and which I have never written in until now. Now I will write in it. I will write the story of how I met the man in the black suit on the bank of Castle Stream one afternoon in the summer of 1914.

  The town of Motton was a different world in those days – more different than I could ever tell you. That was a world without airplanes droning overhead, a world almost without cars and trucks, a world where the skies were not cut into lanes and slices by overhead power lines.

  There was not a single paved road in the whole town, and the business district consisted of nothing but Corson’s General Store, Thut’s Livery & Hardware, the Methodist Church at Christ’s Corner, the school, the town hall, and Harry’s Restaurant half a mile down from there, which my mother called, with unfailing disdain, ‘the liquor house.’

  Mostly, though, the difference was in how people lived – how apart they were.

  I’m not sure people born after the middle of the twentieth century could quite credit that, although they might say they could, to be polite to old folks like me. There were no phones in western Maine back then, for one thing. The first one wouldn’t be installed for another five years, and by the time there
was one in our house, I was nineteen and going to college at the University of Maine in Orono.

  But that is only the root of the thing. There was no doctor closer than Casco, and no more than a dozen houses in what you would call town. There were no neighborhoods (I’m not even sure we knew the word, although we had a verb – neighboring – that described church functions and barn dances), and open fields were the exception rather than the rule. Out of town the houses were farms that stood far apart from each other, and from December until middle March we mostly hunkered down in the little pockets of stove warmth we called families. We hunkered and listened to the wind in the chimney and hoped no one would get sick or break a leg or get a headful of bad ideas, like the farmer over in Castle Rock who had chopped up his wife and kids three winters before and then said in court that the ghosts made him do it. In those days before the Great War, most of Motton was woods and bog, dark long places full of moose and mosquitoes, snakes and secrets. In those days there were ghosts everywhere.

  This thing I’m telling about happened on a Saturday. My father gave me a whole list of chores to do, including some that would have been Dan’s, if he’d still been alive. He was my only brother, and he’d died of being stung by a bee. A year had gone by, and still my mother wouldn’t hear that. She said it was something else, had to have been, that no one ever died of being stung by a bee. When Mama Sweet, the oldest lady in the Methodist Ladies’ Aid, tried to tell her – at the church supper the previous winter, this was – that the same thing had happened to her favorite uncle back in ’73, my mother clapped her hands over her ears, got up, and walked out of the church basement. She’d never been back since, either, and nothing my father could say to her would change her mind. She claimed she was done with church, and that if she ever had to see Helen Robichaud again (that was Mama Sweet’s real name), she would slap her eyes out. She wouldn’t be able to help herself, she said.