‘Crowther, what is it?’
He stood aside.
Trying not to think of the living woman, Harriet finally stepped forward and looked carefully at the body. There were lines around the eyes, across the forehead that Harriet recognised from her own mirror. Then she examined the skin around the throat, the uninjured wrist, the nails on that clean right hand. No bruising she could see at all. No nails broken, no sign of restraint. It was just as they had been told of Lady Martesen’s body. She thought of Kupfel’s drug. The soil in the mouth. There was unlikely to be a ready supply of soil in the temple any more than there had been a convenient method of drowning Lady Martesen in the haberdasher’s back room. Whoever had done this had brought his tools with him. So he had planned these embellished killings; he did not slice the wrist, then change his mind.
She stepped round the Countess’s head to her left side, feeling like a traveller ordered by her guidebook to examine the peculiarities of a certain effigy, and turned her attention to the injured wrist. The deep slash had let the flesh separate to expose the meat and matter below. The hand was blackened with blood. It had run from the wound and across her palm, then travelled along the fingers. Its course was easy to read. The thumb was clean. She spoke as she thought. ‘The blood on the hand suggests the heart was still in motion when the injury occurred, does it not? This is a flow, a wound in living flesh.’ She glanced up at him and Crowther nodded. ‘We had thought the lack of blood might mean these wounds to the wrists were made after death, but it cannot be so.’ She remembered what Krall had said about the place where Bertram Raben had died. That there was not enough blood. And no mention of any blood at all at the scene of the death of Herr Fink.
‘That footman talked of blood in the room where she was found. You translated the word he chose as “drops”, if I remember.’ Crowther nodded again. ‘That does not suggest the quantity of blood that would result from this wound. It must have poured out. There should have been pools of it.’ The wound must then have been inflicted, and allowed to give forth a profusion, before the victim’s mouth and nose were sealed and her heart ceased to beat. So where in the name of God was the blood?
It came to her like knowledge remembered, a simple fact she had always known, but had forgotten momentarily. She felt her own blood begin to roar in her ears, and thought of an account Crowther had given her of an execution he had attended in Germany, of people crowding round the trunk of a freshly executed criminal with their cups held high to catch the blood that flowed, outpourings of the final beats of a heart that did not yet know itself dead.
‘Oh God, Crowther. Whoever did this collected their blood.’
Turning away, she walked quickly into the darkest corner of the chapel and put her hand against the wall. For a moment she hoped she might be able to control the clenching in her stomach, but as if it wished to taunt her with a separate will, her mind filled with every incident of blood-letting she had ever seen. With the eyes of a child she saw the door to her father’s room open and the local doctor emerge cradling a bowl of bright red from his regular spring bleeding; she found herself on the red-painted orlop deck of her husband’s ship assisting the ship’s surgeon among the shattered and struggling victims of a surprise attack from privateers; she was watching blood pool on the floor of the Great Chamber at Thornleigh Hall; she was bent over her husband while her skirts soaked in his blood; she was watching some man, a bowl in his hands, patiently collecting the flow from Countess Dieth’s unmoving, pliant fingertips. She struggled for the door, wrenched it open and stepped in to the courtyard, panting hard.
Crowther watched her go, but knowing what was in her mind did not follow her at once.
‘Mrs Westerman is a clever woman,’ Krall said softly.
‘Yes, she is. And it is both her gift and her curse that what she understands, she must also feel,’ Crowther replied. ‘Whatever good we have done in the past, at moments such as this, Mr Krall, I wish to God it were not so.’
V.4
THE CONTRAST BETWEEN MITTELBACH and Oberbach was stark. Turning off the road back to Ulrichsberg seemed to drop Michaels back into another age. One would have thought this country had been crossed by warring troops only months ago rather than twenty years in the past. It seemed a land whose people had been torn from it, and not returned. Though the rising ground to the north of the track showed signs of having been cultivated in the past, the terracing was only visible as ripples in the undergrowth. A few ancient, struggling vines curled up the remains of the poles. Near Oberbach they flourished, here they were broken and wild. The first house he saw was a ghost, the door hanging off and the garden all brambles. It was like the enchanted villages in the stories his mother used to tell him and he approached the huddle of dwellings expecting a witch.
No witch. Instead he saw chained to the flogging post in the mean village square a boy, not more than ten years old. A woman was crouching by his side, weeping and trying to wash the child’s wounds. The punishment was fresh; across the boy’s back Michaels could see the open wounds of whip blows. Six of them, and deep enough to scar. The boy was unconscious, his weight hanging from his wrists. The manacles looked too large for him. He was like a child in his father’s coat.
Michaels dismounted and led his horse to one of the buildings. There were two men standing outside with pint pots in their hands. They were watching the woman trying to support the child’s weight so the manacles would cut into her son no more, their faces blank.
‘What’s the offence?’ Michaels said quietly.
The man nearest turned and looked him up and down. He was shorter than Michaels by a head and his shape reminded Michaels of the snowmen his children had made in the churchyard that winter. They had lined the path to the church door, annoying the vicar and amusing the gentry. He had beaten them for the impertinence, but not hard. The snowman removed his pipe from his mouth and spat on the ground.
‘Whelp was caught stealing.’
‘Will no one help her?’
‘And risk a whipping themselves? No fear. Let her look to him. He is to be let down at dusk anyhow.’ Michaels looked up; the sun was not yet near its heights.
‘What did he steal?’
‘Water from the river, maybe. Headman asked the widow to keep house for him, but she’s too proud to fulfil all her duties.’
The other man laughed quietly to himself, then caught the expression on Michaels’s face and stopped.
‘What’s your business here?’ the first man asked.
‘Looking for someone. Woman, perhaps came through here two year ago, maybe stopped near here a while. Black hair, she wore down.’
‘She ain’t here no more. Never saw anyone like her.’ His answer was a bit quick and Michaels saw the other man’s eyes flick right and left.
‘Is that so? Who does the whipping?’
The man nodded towards the forge. Michaels set a coin on the table. ‘See that someone feeds and waters my horse.’
He stood for a while considering the woman and child. To intervene might prevent him making any further search for Beatrice. He remembered his offer to Mrs Westerman to kill Manzerotti and disappear into the forests and make his own way home. He thought of his wife and children in Hartswood. He didn’t want to make the life of Mr and Mrs Clode more difficult, but he couldn’t unsee this, and there’d be no real point in going home at all if he couldn’t look his family in the eye. He realised in truth the decision had been made before he even started to think on it. He crossed the square and walked into the smithy the man had nodded at. He found hammer and chisel on the work-bench and turned to go, when a shout stopped him.
‘What the hell do you think you’re playing at?’ A man his own height and wider by some margin came lumbering out of the back of the building, pulling his breeches closed. A young thin-looking woman followed him, smoothing her skirt. She slipped past Michaels and turned the corner without looking back. Michaels considered the man. His head was shaven and there were veins
pulsing round his neck. His flab hung in bags at his waist, but his shoulders were broad, his arms long and his hands heavy-looking. Again Michaels thought of his mother’s fairytales.
‘Just borrowing these,’ he said, and walked out of the house. He heard the man shouting behind him. He sounded confused. Michaels lifted the hammer and chisel as he walked; he saw the woman’s face, frightened and tear-streaked. She held up a hand as if to ward him away, but before she could move further he placed the chisel on the chain and struck it. It split apart and the ends ran free of the ringbolt with a satisfying clatter. The woman took the boy’s falling weight and Michaels heard the child groan. He had just enough time to turn and duck under the hammer blow aimed at his head. The blacksmith staggered.
Michaels stepped away from him, and the blacksmith charged again. Michaels waited, then again danced away from the blow. The blacksmith was panting.
‘There now, you’re just wearing yourself out, fella,’ Michaels said. ‘Not used to hitting people who ain’t been tied up first, are you?’
In reply, the blacksmith dropped the hammer and charged at him head down, but this time he was ready for Michaels’s dodge and twisted enough to grab him round the waist. Michaels went down, but managed to squirm out from under the blacksmith’s falling body and scramble to his feet. The blacksmith’s left hand shot out, caught Michaels on the ankle and pulled him down again. Michaels kicked out hard with his right leg, bringing his heel down on the blacksmith’s face, and felt the nose break. The man roared with pain and let go of his ankle. Michaels threw himself across his back, got his arm around the man’s throat and pulled. The blacksmith’s arms paddled in the dirt and his eyes bulged.
‘Which arm do you use for your whipping?’ Michaels spoke through clenched teeth.
‘Get him off me, you bastards! Get him off!’
‘No one’s coming, fella.’
‘I’ll kill every bastard one of you for this! Fuck you all, fuck you all to hell!’
There were people watching from all sides now, silent, expressionless.
‘Which arm?’ Michaels punched him sharply in the kidneys so the blacksmith yelled and writhed.
‘Left! Left, you motherfucking son of a bitch.’
Michaels paused for a second, remembering the hammer blow. ‘Nice try.’ He stood and dragged him through the dirt to the stone steps leading up to the flogging post, then knelt on his back and yanked the blacksmith’s right arm out so the forearm rested between the two lowest raises. The blacksmith yelled out again but Michaels drove down with his open palm and felt the bone snap. The blacksmith screamed. Michaels stood, spat onto the dirt and watched for a moment. Then knocked some of the dust off his coat and turned to go.
‘Murderer …’ the blacksmith managed. Michaels paused.
‘What’s that, fella?’
‘You heard.’ The words came out between sharp pants. The blacksmith’s face was yellowish-white, like milk on the turn.
‘Bollocks. It’s a clean break. You’ll mend.’
‘You’ve murdered me, I tell you! If you go now, they’ll kill me,’ he hissed.
Michaels looked about him. A couple of sour-looking youths had emerged from the buildings around them to watch the fun. One had a shovel in his hand. His face was pinched and he carried his head forward and his shoulders high. There was a glittering in the air and Michaels knew the taste of it. Normally when a fight was done, tension fell away, it was the same lightness that came after a thunderstorm. This air, this sense of heaviness, meant violence to come. He cursed under his breath and crouched down. The blacksmith’s cheek was pressed into the dirt, the fat of his face forcing his right eye closed.
‘You got any friends here willing to shelter you?’
His left eye glittered with hope and he spoke quickly, his words flickered with spit and fear. ‘The pastor’s – Pastor Huber … His house is down the track past the forge.’
Michaels looked at him. The man was worth nothing, and to take him would rob the growing crowd of its revenge for all the beatings he’d given out. He thought of his wife again, remembering an argument they had had about some business in Hartswood. ‘You’re not God, Michaels!’ she had said.
‘We’re going now.’ He got the man’s good arm over his shoulder and hauled him up, thanking God he hadn’t broken the bastard’s legs. He felt the crowd watching him, jealous, angry, but it was leaderless now. If one man had stepped forward and claimed the blacksmith, the rest would have followed, but no one did. ‘We don’t run, we don’t dawdle,’ Michaels said, and taking as much weight as he could, half-dragged the blacksmith from the square.
V.5
AFTER SOME MINUTES BREATHING in the fresh air, Harriet found that Crowther had joined her. He stood a few feet away from her, leaning on the head of his cane and watching. It was typical of him, she thought, to remain at hand, but not approach her too solicitously. Rather he waited until she had recovered enough to speak. At last she lifted her head and looked about her. It was still early. The entrance to the Lady’s Chapel lay in a small enclosed courtyard, high-walled and hardly overlooked. There were a number of neat piles of workmen’s tools and a stone bench against one wall. Its plainness was a relief in comparison to the rest of the palace, and the slight chill in the air was welcome. The two men guarding the chapel doors kept their eyes on the empty air in front of their noses.
Crowther saw her lift her head, and nodding towards the bench, he crossed the space between them and offered his arm. She took it and let herself be guided. As soon as they had taken their seat he reached into his coat-pocket and produced a document, much decorated with ribbon and seals.
‘What is that?’
‘The order for Daniel’s release.’
‘Krall gave it to you?’
‘He procured it while we had our coffee and had it in his coat all the time. I feel as if it is a reward for having spotted the trickery in the placing of the body.’
She took it from him and traced with her fingertip the impression of the seal of Maulberg. ‘How strange. We came all this distance to obtain this. I should feel elated, should I not?’
He began to twist his cane between his palms. ‘We came to save Daniel, yes. But we also came to know the truth. To find out what has happened.’
‘Where is Krall?’
‘He has gone to fetch my knives for me.’
‘Did he say anything to you about this mysterious chamber?’
‘He seems to think it was a place for confidential meetings. That is his speculation, at any rate. He asks us to let him interrogate Major Auwerk himself.’ She nodded. ‘It seems we were not the Countess’s first visitors, Mrs Westerman. The Duke came and sat vigil with her as dawn came up.’
Harriet sighed deeply. ‘I will never know what is meant here, and what is true. Do you trust Krall?’
Crowther shook his head. ‘I don’t think I trust anything I see here. My instinct is to think Krall honest and well-meaning, but that is my prejudice. I see the show and fakery of the court and do not like it. Therefore when I see Krall looking ill at ease amongst it in his old coat, I am disposed to like him. There is no logic in it. Do you trust him, Mrs Westerman?’
She smiled slightly. ‘You put faith in my instinct, Crowther? I have learned to my cost it is not so accurate as I would like, but my feelings are as yours on the subject.’
She pulled one of the ribbons on the release order through her fingers. She could hear the usual shouts and orders coming from the other courtyards now. The palace was waking.
‘Have you ever seen anything like this murder, Crowther?’ she said at last.
‘No, Mrs Westerman. I imagine few people have.’
‘I cannot help remembering what you told us of Kupfel’s drug. I wish he had not told you about the continued suffering of those rendered passive by it.’
‘May I suggest you do not dwell on the subject? Whatever hell they passed through, their sufferings are over now.’
She did n
ot reply at once, then: ‘Why does he want their blood, Crowther? I had been almost seduced by Graves’s talk of revolutionary Freemasons into thinking these killings had some sort of political intention behind them, then the blood and that symbol. This is some manner of ritual.’
‘Freemasonry is all ritual, in my opinion. It makes the members feel they are more than some ordinary drinking society, but this is a step beyond anything I have heard imputed to any branch of Masonry I know of. No mention of collecting blood, or smothering people with earth.’
‘A pity. It would have made life rather more simple.’ She sat forward and put her chin in her hand, tapping Daniel’s release order against her skirt. ‘The elements. We have three of the four: water, earth – fire, possibly, if Warburg is another victim – what of air?’
‘It is a very easy thing to smother a person who is incapacitated. Close the mouth, pinch the nose. In the absence of any other of the four elements at the death of Fink and Raben, I would suggest that this insanity could say they were killed by air, or rather, the lack of it.’
‘It has a rather twisted logic to it.’ She stared at the flagstones in front of her. ‘Why do people perform rituals? Make sacrifices?’
‘To gain some advantage, some blessing from the gods.’
‘I read a rather colourful account of instances of human sacrifice in my father’s library,’ she said. ‘Peoples who were in the habit of killing prisoners or their own kin for success in wars or some such.’
He smiled. ‘I am surprised your father let you read such things.’
‘Oh, I was forbidden to do so. But he often forgot to lock his study door. Crowther, if these are sacrifices, these victims with rank and position, I feel that whoever is offering them must be asking for a very great favour from his gods. And there is another matter,’ she went on. ‘If we are right, and the blood is being removed from the place of killing …’
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