Eisner, Michael. Work in Progress: Risking Failure, Surviving Success. New York: Hype-rion, 1999.
Emery, Fred. Watergate. New York: Touchstone, 1995.
Evans, Nicholas. The Horse Whisperer. New York: Dell, 1995.
Evans, Robert. The Kid Stays in the Picture. New York: Hyperion, 1994.
Farrow, Mia. What Falls Away. New York: Doubleday, 1997.
Fisher, Vardis. Mountain Man: A Novel of Male and Female in the Early American West. Boise, Idaho: Opal Laurel Holmes, 1972.
Fitzgerald, F. Scott. The Great Gatsby. Edited and with an introduction by Matthew J. Bruccoli. New York: Scribners, 1991.
Fonda, Jane. My Life So Far. New York: Random House, 2005.
Foote, Horton. Collected Plays. Vol. 2. Hanover, N.H.: Smith and Kraus, 1996.
Fraser-Cavassoni, Natasha. Sam Spiegel. New York: Simon & Schuster, 2003.
Friedenberg, Richard. “A River Runs Through It.” Unpublished screenplay based on the novella by Norman Maclean. Sundance archive.
Friedenberg, Richard, and Robert Redford. A River Runs Through It: Bringing a Classic to the Screen. Livingston, Mont.: Clark City Press, 1992.
Gabel, Shainee, and Kristin Hahn. Anthem: An American Road Story. New York: Avon, 1997.
Gelb, Arthur, and Barbara Gelb. O’Neill. With an introduction by Brooks Atkinson. New York: Harper and Brothers, 1962.
Goldman, William. Adventures in the Screen Trade. New York: Warner, 1983.
———. Butch Cassidy and the Sundance Kid: The Screenplay. New York: Dell, 1969.
———. The Season: A Candid Look at Broadway. New York: Harcourt, Brace and World, 1969.
Goldman, William, and George Roy Hill. The Great Waldo Pepper: The Screenplay. New York: Dell, 1975.
Gomery, Douglas. The Hollywood Studio System: A History. London: British Film Institute, 2008.
Goodwin, Richard N. Remembering America: A Voice from the Sixties. New York: Little Brown, 1988.
Gore, Al. Earth in the Balance: Forging a New Common Purpose. London: Earthscan, 1992.
Graham, Katharine. Personal History. New York: Random House, 1998.
Greene, Ray. Hollywood Migraine: The Inside Story of a Decade in Film. Dublin: Merlin, 2000.
Griffiths, Trevor R., and Carole Woodis. Theatre Guide. London: Bloomsbury, 1988.
Grobel, Lawrence. Conversations with Marlon Brando. London: Bloomsbury, 1991.
Guest, Judith. Ordinary People. New York: Viking, 1976.
Hall, Oakley. The Downhill Racers. New York: Viking Press, 1963.
Halliwell, Leslie, and Philip Purser. Halliwell’s Television Companion. London: Granada, 1982.
Hansen, Frantz Leander. The Aristocratic Universe of Karen Blixen: Destiny and the Denial of Fate. Brighton: Sussex Academic Press, 2003.
Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. London: Penguin, 2009.
Harris, Warren G. Natalie and R.J.: Hollywood’s Star-Crossed Lovers. New York: Doubleday, 1988.
Harrison, William, and W. D. Richter. Brubaker. A novelization by William Harrison. New York: Ballantine, 1980.
Hathaway, J. Bourge, and Robert Alan Clayton. Quiet Pride: Ageless Wisdom of the American West. Hillsboro, Ore.: First Glance Books, 1992.
Haynes, Williams. Stonington Chronology, 1649–1976. Chester, Conn.: Pequot Press/ Stonington Historical Society, 1976.
Hemingway, Ernest. A Farewell to Arms. With an introduction by Robert Penn Warren. New York: Charles Scribner’s Sons, 1929.
Hershberger, Mary. Jane Fonda’s War: A Political Biography of an Antiwar Icon. New York: New Press, 2005.
Hietala, Thomas R. Manifest Design: American Exceptionalism and Empire. Ithaca, N.Y.: Cornell University Press, 2003.
Hillman, James. The Soul’s Code: In Search of Character and Calling. New York: Warner, 1997.
Hilms, Michele. The Television History Book. London: British Film Institute, 2008.
Hoffman, Basil. Acting: And How to Be Good at It. With an introduction by Sydney Pollack. Los Angeles: Ingenuity Press, 2006.
Horton, Andrew. The Films of George Roy Hill. Rev. ed. With a foreword by Paul Newman. Jefferson, N.C.: McFarland, 2005.
Hughes, Robert. Culture of Complaint: The Fraying of America. New York: Oxford, 1993.
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. Rev. ed. New York: New York University Press, 2008.
Johnstone, Iain. The Arnhem Report: A Bridge Too Far. London: Star, 1977.
———. Dustin Hoffman. London: Hippocrene Books, 1984.
———. Tom Cruise: All the World’s a Stage. London: Hodder and Stoughton, 2007.
Kael, Pauline. I Lost It at the Movies. London: Marion Boyars, 1994.
Krisel, Marcella. The Sound of Symbols. Self-published, 1974.
LaGravenese, Richard. “The Horse Whisperer.” Unpublished screenplay based on the novel by Nicholas Evans. Sundance archive.
Lambert, Gavin. Inside Daisy Clover. London: Serpent’s Tail, 1996.
———. Natalie Wood. New York: Back Stage Books, 2005.
Larner, Jeremy. Nobody Knows: Reflections on the McCarthy Campaign of 1968. Ontario: Macmillan, 1970.
Laurents, Arthur. Original Story By: A Memoir of Broadway and Hollywood. New York: Alfred A. Knopf, 2000.
———. The Way We Were. New York: Harper and Row, 1972.
Lawton, Harry. Tell Them Willie Boy Is Here. New York: Award, 1970. First published in 1960 as Willie Boy: A Desert Manhunt by Paisano Press.
Leon, Michèle. Sydney Pollack. Paris: Pygmalion, 1991.
Leonelli, Elisha. Robert Redford and the American West. Philadelphia: Xlibris, 2007.
Leven, Jeremy. “The Legend of Bagger Vance.” Unpublished screenplay based on the novel by Steven Pressfield. Sundance archive.
Levine, Carole. Provoking Democracy: Why We Need the Arts. Malden, Mass.: Wiley-Blackwell, 2007.
Litwak, Mark. Reel Power: The Struggle for Influence and Success in the New Hollywood. New York: Morrow, 1986.
Lumet, Sidney. Making Movies. New York: Vintage, 1996.
Maclean, Norman. A River Runs Through It. Chicago: University of Chicago Press, 1976.
Mair, George. The Barry Diller Story: The Life and Times of America’s Greatest Entertainment Mogul. New York: Wiley, 1997.
Malamud, Bernard. The Natural. New York: Avon, 1980.
Mamet, David. Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Film Business. New York: Simon & Schuster, 2008.
Martin, James Kirby, Randy Roberts, Steven Mintz, Linda O. McMurry and James Jones, eds. America and Its People. New York: HarperCollins College, 1993.
McDowall, Roddy. Double Exposure. New York: Delacorte, 1966.
McKay, David. American Politics and Society. Oxford: Blackwell, 1995.
McPherson, Robert S. Navajo Land, Navajo Culture: The Utah Experience in the Twentieth Century. Norman: University of Oklahoma Press, 2003.
Meyer, Janet L. Sydney Pollack: A Critical Filmography. Jefferson, N.C.: McFarland, 2008.
Miller, Henry. The Colossus of Maroussi. London: Secker and Warburg, 1942.
Monanco, James. American Film Now: The People, the Power, the Money, the Movies. New York: New American Library, 1979.
Moore, Mary Tyler. After All. New York: Putnam, 1995.
Morgan, Ted. Reds: McCarthyism in Twentieth-Century America. New York: Random House, 2003.
Murton, Thomas O. The Dilemma of Prison Reform. New York: Irvington, 1982.
Murton, Thomas O., and Joe Hyams. Accomplices to the Crime: The Arkansas Prison Scandal. New York: Grove Press, 1969.
Nash, Alanna. Golden Girl: The Story of Jessica Savitch. New York: Dutton, 1988.
Newman, Paul, and A. E. Hotchner. In Pursuit of the Common Good: Twenty-five Years of Improving the World, One Bottle of Salad Dressing at a Time. New York: Doubleday, 2005.
Nibley, Hugh W. Brigham Young on the Environment. Provo, Utah: FARMS, 1972.
Nic
hols, John. A Fragile Beauty. Salt Lake City: Peregrine Smith Books, 1987.
———. The Milagro Beanfield War. New York: Ballantine, 1976.
Nichols, John, and David Ward. “The Milagro Beanfield War.” Unpublished screenplay based on the novel by John Nichols. Sundance archive.
Nickens, Christopher, and Karen Swenson. The Films of Barbra Streisand. New York: Citadel Press, 2000.
O’Brien, Daniel. Paul Newman. London: Faber and Faber, 2004.
Olsen, Larry Dean. Outdoor Survival Skills. With a foreword by Robert Redford. Provo, Utah: Brigham Young University Press, 1974.
Owings, Margaret Wentworth. Voice from the Sea. With an introduction by Jane Goodall. Monterey, Calif.: Monterey Bay Aquarium Press, 1998.
Page, Suzanne, with Jake Page. A Celebration of Being: Photographs of the Hopi and Navajo. With an introduction by Robert Redford. Flagstaff, Ariz.: Northland, 1989.
Pfaff, Eugene E., Jr., and Mark Emerson. Meryl Streep: A Critical Biography. Jefferson, N.C.: McFarland, 1987.
Pfeiffer, Bruce Brooks. Frank Lloyd Wright: Taliesin West. New York: ADA Editions, 2002.
Pipkin, Turn, and Marshall Frech, eds. Barton Springs Eternal: The Soul of a City. Austin, Tex.: Softshoe, 1993.
Pirsig, Robert M. Lila: An Inquiry into Morals. London: Black Swan, 1992.
———. Zen and the Art of Motorcycle Maintenance. London: Bodley Head, 1974.
Postman, Neil. Amusing Ourselves to Death. London: Heinemann, 1985.
Pressfield, Steven. The Legend of Bagger Vance: A Novel of Golf and the Game of Life. New York: Morrow, 1995.
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Redford, Robert. The Outlaw Trail: A Journey Through Time. New York: Grosset and Dunlap, 1978.
———. “Search for Common Ground.” Harvard Business Review (May–June 1987): 108.
Rhode, Eric. A History of the Cinema: From Its Origins to 1970. London: Penguin, 1976.
Ritchie, Michael. Please Stand By: A Prehistory of Television. New York: Overlook Press, 1995.
Rose, Frank. The Agency. New York: Harper Business, 1995.
Rosenberg, Norman L., and Emily S. Rosenberg, In Our Times: America Since World War II. Englewood Cliffs, N.J.: Prentice Hall, 1976.
Rossen, Carol. Counterpunch. New York: Dutton, 1988.
Sahl, Mort. Heartland. New York: Harcourt Brace Jovanovich, 1976.
Salter, James. Burning the Days: Recollection. New York: Random House, 1997.
Sander, Gordon F. Serling: The Rise and Twilight of Television’s Last Angry Man. New York: Dutton, 1992.
Santopietro, Tom. The Importance of Being Barbra: The Brilliant, Tumultuous Career of Barbra Streisand. New York: Thomas Dunne Books, 2006.
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Saunders, Dave. Direct Cinema: Observational Documentary and the Politics of the Sixties. New York: Wallflower Press, 2007.
Schatz, Thomas. The Genius of the System: Hollywood Filmmaking in the Studio Era. New York: Pantheon, 1989.
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Schlossmacher, Heidrun M. “Reinventing the Past: The Films Directed by Robert Redford.” Master’s thesis, Rutgers, The State University of New Jersey–Newark, 1998. By permission of Sundance archive.
Simon, Neil. Rewrites: A Memoir. New York: Simon & Schuster, 1998.
Sinyard, Neil. Jack Clayton. Manchester: Manchester University Press, 2000.
Smith, Lori. Party in a Box: The Story of the Sundance Film Festival. Salt Lake City: Gibbs Smith, 1999.
Soderbergh, Steven. Steven Soderbergh: Interviews. Edited by Anthony Kaufman. Conversations with Filmmakers Series. Jackson: University Press of Mississippi, 2002.
Spada, James. The Films of Robert Redford. Secaucus, N.J.: Citadel Press, 1984.
Spoto, Donald. Camerado: Hollywood and the American Man. New York: New American Library, 1978.
Stegner, Wallace. Mormon Country. Lincoln, Neb.: Bison, 1981.
———. A Sense of Place. Read by the author. Minocqua, Wisc.: NorthWord Audio Press, 1986.
Stephanson, Anders. Manifest Destiny: American Expansion and the Empire of Right. New York: Hill and Wang, 1996.
Stern, Stewart. No Tricks in My Pockets: Paul Newman Directs. New York: Grove Weidenfeld, 1989.
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Thorp, Raymond W., and Robert Bunker. Crow Killer: The Saga of Liver-Eating Johnson. Bloomington: Indiana University Press, 1958.
Thurman, Judith. Isak Dinesen: The Life of a Storyteller. New York: St. Martin’s Press, 1982.
Tichler, Rosemarie, and Barry Jay Kaplan. Actors at Work. With a foreword by Mike Nichols. New York: Faber and Faber/Farrar, Straus and Giroux, 2007.
Trzebinski, Errol. Silence Will Speak: A Study of the Life of Denys Finch Hatton and His Relationship with Karen Blixen. Chicago: University of Chicago Press, 1985.
Turner, Geoffrey. Indians of North America. New York: Sterling, 1992.
Udall, Stewart L. The Quiet Crisis. New York: Holt, Rinehart and Winston, 1965.
Watson, Steven. The Birth of the Beat Generation. With an afterword by Robert Creeley. New York: Pantheon, 1998.
Woodward, Bob. The Secret Man: The Story of Deep Throat. New York: Simon & Schuster, 2006.
Woodward, Bob, and Carl Bernstein. All the President’s Men. 2nd ed. New York: Simon & Schuster, 1994.
———. The Final Days. New York: Simon & Schuster, 2005.
Zuckerman, Andrew. Wisdom: 50 Unique and Original Portraits. New York: Abrams, 2008.
Filmography
Films as Actor and/or Director
War Hunt (United Artists, 1962)
Directed by Denis Sanders. Produced by Terry Sanders. Coproducers: Denis Sanders and Noel Black. Written by Stanford Whitore. Music: Bud Shank. Cinematography: Ted D. McCord. Editor: John Hoffman. Art director: Edgar Lansbury. Production company: T-D Enterprises.
With John Saxon, Sydney Pollack, Charles Aidman, Tommy Matsude, Gavin MacLeod, Anthony Ray, Tom Skerritt, William Challee, Nancy Hseuh and Robert Redford (as Private Roy Loomis).
Situation Hopeless … but Not Serious (Paramount, 1965)
Directed by Gottfried Reinhardt. Produced by Gottfried Reinhardt. Assistant producer: Jose De Villaverde. Written by Jan Lustig and Silvia Reinhardt. Based on the novel The Hiding Place by Robert Shaw. Music: Harold Byrne. Cinematography: Kurt Hasse. Editor: Walter Boos. Art directors: Werner Achmann, Herbert Strabel and Rolf Zehetbauer. Production company: Castle Productions.
With Alec Guinness, Mike Connors, Paul Dahlke, Frank Wolff, Mady Rahl, Anita Höfer, Elisabeth von Molo and Robert Redford (as Captain Hank Wilson).
Inside Daisy Clover (Warner Bros., 1965)
Directed by Robert Mulligan. Produced by Alan J. Pakula. Written by Gavin Lambert. Based on his novel. Music: André Previn. Cinematography: Charles Lang. Editor: Aaron Stell. Production designer: Robert Clatworthy. Costumers: Edith Head (for Natalie Wood) and Bill Thomas. Production company: Warner Bros.
With Natalie Wood, Christopher Plummer, Robert Redford (as Wade Lewis), Roddy McDowall, Ruth Gordon, Katharine Bard, Peter Helm, Betty Harford, John Hale, Harold Gould, Ottola Nesmith and Edna Holland.
The Chase (Columbia, 1966)
Directed by Arthur Penn. Produced by Sam Spiegel. Written by Horton Foote and Lillian Hellman. Based on the play by Horton Foote. Music: John Barry. Cine
matography: Joseph LaShelle and Robert Surtees (uncredited). Editor: Gene Milford. Production designer: Richard Day. Costumer: Donfeld. Production company: Horizon Films/Lone Star.
With Marlon Brando, Jane Fonda, Robert Redford (as Charlie “Bubber” Reeves), E. G. Marshall, Angie Dickinson, Janice Rule, Miriam Hopkins, Martha Hyer, Richard Bradford, Robert Duvall, James Fox, Diana Hyland, Henry Hill, Jocelyn Brando, Katherine Walsh, Lori Martin, Marc Seaton, Paul Williams, Malcolm Atterbury, Nydia Westman, Joel Fluellen, Steve Ihnat, Maurice Manson, Bruce Cabot, Steve Whittaker, Pamela Curran and Ken Renard.
This Property Is Condemned (Paramount, 1966)
Directed by Sydney Pollack. Produced by Ray Stark and John Houseman. Written by Tennessee Williams, Francis Ford Coppola, Fred Coe, Edith R. Sommer and David Rayfiel. Music: Kenyon Hopkins. Cinematography: James Wong Howe. Editor: Adrienne Fazan. Production designer: Stephen B. Grimes. Costumer: Edith Head. Production company: Seven Arts.
With Natalie Wood, Robert Redford (as Owen Legate), Charles Bronson, Kate Reid, Mary Badham, Alan Baxter, Robert Blake, Dabney Coleman, John Harding, Ray Hemphill, Brett Pearson, Jon Provost, Robert Random, Quintin Sondergaard, Mike Steen, Bruce Watson, Ralph Roberts and Nick Stuart.
Barefoot in the Park (Paramount, 1967)
Directed by Gene Saks. Produced by Hal B. Wallis. Executive producer: Joseph H. Hazen. Associate producer: Paul Nathan. Written by Neil Simon. Based on his play. Music: Neal Hefti. Cinematography: Joseph LaShelle. Editor: William A. Lyon. Art directors: Hal Pereira and Walter H. Tyler. Costumer: Edith Head. Production company: Nancy Enterprises Inc.
With Robert Redford (as Paul Bratter), Jane Fonda, Charles Boyer, Mildred Natwick, Herb Edelman, Mabel Albertson, Fritz Feld, James Stone, Ted Hartley, Billie Bird, Paul E. Burns, John Indrisano and Doris Roberts.
Tell Them Willie Boy Is Here (Universal, 1969)
Directed by Abraham Polonsky. Produced by Jennings Lang and Philip A. Waxman. Written by Abraham Polonsky. Based on the book by Harry Lawton. Music: Dave Grusin. Cinematography: Conrad Hall. Editor: Melvin Shapiro. Art directors: Henry Bumstead and Alexander Golitzen. Costumer: Edith Head. Production company: Universal.
With Robert Redford (as Deputy Sheriff Christopher “Coop” Cooper), Katharine Ross, Robert Blake, Susan Clark, Barry Sullivan, John Vernon, Charles Aidman, Charles McGraw, Shelly Novack, Robert Lipton, Lloyd Gough, Ned Romero, John Wheeler, Erik Holland, Garry Walberg, Jerry Velasco, George Tyne, Lee de Broux, Wayne Sutherlin, Jerome Raphael, Lou Frizzell, Mikel Angel, Johnny Coons, Everett Creach, John Daheim, Robert Dulaine, Kenneth Holzman, John Hudkins, Spencer Lyons, Steve Shemayne and Stanley Torres.
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