by Sarah Bailey
Sarah Bailey is a Melbourne-based writer with a background in advertising and communications. She has two young children and currently works as a director of creative projects company Mr Smith. Over the past five years she has written a number of short stories and opinion pieces. The Dark Lake is her first novel.
The extract on page 192 from The Velveteen Rabbit, written by Margery Williams and illustrated by William Nicholson, is from the 1922 edition, published by Doubleday & Company, Inc., New York.
This is a work of fiction. Names, characters, places and incidents are products of the author’s imagination or are used fictionally. Any resemblance to actual events, locales or persons, living or dead, is entirely coincidental.
First published in 2017
Copyright © Sarah Bailey 2017
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to the Copyright Agency (Australia) under the Act.
Allen & Unwin
83 Alexander Street
Crows Nest NSW 2065
Australia
Phone: (61 2) 8425 0100
Email: [email protected]
Web: www.allenandunwin.com
Cataloguing-in-Publication details are available from the National Library of Australia
www.trove.nla.gov.au
ISBN 9781760295899
eISBN 9781925576542
Set by Midland Typesetters, Australia
Cover design: Romina Panetta
Cover photograph: Valentino Sani / Arcangel (lake); iStock (rose petals)
For my sons, Oxford and Linus, who have somehow managed to make the world feel both bigger and smaller, at exactly the same time.
These violent delights have violent ends And in their triumph die, like fire and powder, Which as they kiss consume.
William Shakespeare, Romeo and Juliet, Act II: Scene VI
CONTENTS
Now
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Chapter Thirty-three
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
Chapter Thirty-seven
Chapter Thirty-eight
Chapter Thirty-nine
Chapter Forty
Chapter Forty-one
Chapter Forty-two
Chapter Forty-three
Chapter Forty-four
Chapter Forty-five
Chapter Forty-six
Chapter Forty-seven
Chapter Forty-eight
Chapter Forty-nine
Chapter Fifty
Chapter Fifty-one
Chapter Fifty-two
Chapter Fifty-three
Chapter Fifty-four
Chapter Fifty-five
Chapter Fifty-six
Chapter Fifty-seven
Chapter Fifty-eight
Chapter Fifty-nine
Chapter Sixty
Chapter Sixty-one
Chapter Sixty-two
Chapter Sixty-three
Chapter Sixty-four
Chapter Sixty-five
Chapter Sixty-six
Chapter Sixty-seven
Chapter Sixty-eight
Chapter Sixty-nine
Chapter Seventy
Chapter Seventy-one
Chapter Seventy-two
Chapter Seventy-three
Chapter Seventy-four
Chapter Seventy-five
Chapter Seventy-six
Chapter Seventy-seven
Chapter Seventy-eight
After
Acknowledgments
now
When I think back to that summer something comes loose in my head. It’s like a marble is bouncing around in there, like my brain is a pinball machine. I try not to let it roll around for too long. If I do, I end up going funny behind the eyes and in my throat and I can’t do normal things like order coffee or tie Ben’s shoelaces. I know I should try to forget. Move on. It’s what I would tell someone else in my situation to do. Probably I should move away, leave Smithson, but starting over has never been a strength of mine. I have trouble letting go.
During the day it’s not so bad. I’ll be in the middle of doing something and then my mind wanders to her and the little ball ricochets through my head and I stop talking in the middle of a sentence, or I forget to press the accelerator when the lights go green. Still, I can usually shake it away and keep going with whatever I was doing without anyone noticing.
It’s amazing what you can keep buried when you want to.
But sometimes, late at night, I let myself think about what happened. Really think. I remember the throbbing heat. I remember the madness in my head and the fear that pulsed in my chest. And I remember Rosalind, of course. Always Rosalind. I lie flat on my back and she appears on my bedroom ceiling, playing across it like a lightless slide show. I click through the images: her in grade one with her socks pulled up high; her walking down Ayres Road towards the bus stop, backpack bobbing; her smoking a cigarette on the edges of the school oval; her drunk at Cathy Roper’s party, eyes heavy with dark liner.
Her at our debutante ball, dressed in white.
Her kissing him.
Her lying on the autopsy table with her body splayed open.
I can’t even tell anymore whether the pictures are from my memories or ones I came across during the case. After a while, everything starts to blur together. A few times I’ve got it all mixed up and Ben ends up on my bedroom ceiling, sliced open on the autopsy table. When that happens, I get up, turn on the hallway lights and go into his room to check on him.
Once it was all over I promised to make a fresh start. To stop letting the past weigh me down. But it’s been hard. Harder than I thought it would be. So much happened that summer. It lives on inside me somehow, writhing around like a living beast.
It’s weird, but in a way it’s sort of like I miss her.
I miss a lot of people.
One memory I do have that I know is real is from our final year of high school English. It was warm and the windows were open on both sides of the classroom. I can still feel the breeze that ruffled across us as Mrs Frisk roamed around the room firing questions at us. We were studying Shakespeare, Romeo and Juliet. This class was different from the English classes in earlier years. If you made it this far, you were serious. Even the boys would generally pay attention
. No one sniggered at the love scenes like they had a few years earlier.
Rose always sat up the front, her back ruler-straight from years of ballet, her thick caramel hair spilling down it like a wave. I always sat near the door on the other side of the room. I could look at her from there. Watch her perfect movements.
‘What do you think Shakespeare is getting at when he declares that “these violent delights have violent ends”?’ Mrs Frisk’s forehead beaded with sweat as she stalked around the edges of the room, stepping in and out of sun puddles.
‘Well, it’s foreboding, isn’t it?’ offered Kevin Whitby. ‘You know they’re doomed from the start. Shakespeare wants you to know that. He loved a good warning to set the scene. These days he’d be writing shit-hot anti-drug ads.’
Soft laughter bubbled up from the class.
‘It’s a warning, sure, but I don’t think he’s saying they should stop.’
Everyone paused, caught in the honey of Rose’s voice. Even Mrs Frisk stopped pacing.
Rose leaned forward over her notebook. ‘I mean, Shakespeare goes on to say, “And in their triumph die, like fire and powder. Which as they kiss consume.” So he’s basically saying everything has consequences. He’s not necessarily saying it’s not worth it. I think he’s suggesting that sometimes things are worth doing anyway.’
Mrs Frisk nodded enthusiastically. ‘Rose makes an important point. Shakespeare was big on consequences. All of his plays circle around characters who weigh up the odds and choose to behave in a certain way based on their assessments.’
‘They didn’t make great choices for the most part,’ said Kevin. ‘They all had pretty bad judgment.’
‘I disagree.’ Rose looked at Kevin in a way that was hard to categorise as either friendly or annoyed. ‘Romeo and Juliet were all-in right from the start, even though they knew it probably wasn’t going to end well.’ She smiled at Mrs Frisk. ‘I think that kind of conviction is admirable. Plus, it’s possible that the happiness they felt in their short time together outweighed any other happiness they’d have felt if they lived their whole lives apart.’ She shrugged delicately. ‘But who knows. Those are just my thoughts.’
I think about that day often. The fresh fragrant air pouring through the windows as we debated the story of the two young lovers. Rose lit by the sun, her beautiful face giving nothing away. Her elegant hands diligently making notes, her writing perfect compared to my own crude scrawl. Even back then, she was a mystery that I wanted to solve.
There were a few minutes when I was alone with her in the autopsy room. I felt wild. Absent. Before I could stop myself I was leaning close to her, telling her everything. The words draining out of me as she lay there. Her long damp hair hanging off the back of the steel table. Glassy eyes fixed blindly on the ceiling. She was still so beautiful, even in death.
Our secrets circled madly around the bright white room that morning. Rocking back and forth on my heels as I stood next to her, I knew how far in I was again, how comprehensively her death could undo me. I looked at Rosalind Ryan properly for the last time before breathing deeply, readying myself, letting her pull me back into her world, and I sank down, further and further, until I was completely, utterly under.
Chapter One
Saturday, 12 December, 7.18 am
Connor Marsh jogs steadily around the east side of Sonny Lake. He throws a quick glance at his watch. He is making great time and it feels good being out of the house and running in the fresh air. The kids were crazy this morning; they’d woken at six and were still bouncing off the walls when he left the house an hour later. The place is way too small for two little kids, especially boys, he thinks. And Mia was in such a foul mood. He can’t believe that she had a go at him about the fishing trip next weekend. He hasn’t been away in ages and has been taking the boys to footy or soccer every Saturday morning for over two years now. Connor grimaces, frustrated at how unreasonable she can be.
His feet pound along the dusty track, making an even beat. One, two, one, two. Connor often finds himself counting when he is trying not to think too much about running. His legs burn more than they used to and his ankle hasn’t been the same since he fell off the ladder at work a few years back. Still, he is fitter than most guys his age. And he has a full head of hair. Lots to be grateful for.
The day starts to wake in earnest. Connor catches glimpses of the sun through the messy tips of the gums. Another scorcher is on the way. Birds trill from their lookouts and the wispy haze of sleep across the lake is starting to clear. Connor sighs. He’s taking the kids to a fifth birthday party at ten, followed by a seven-year-old’s birthday party this afternoon. Weekends sure are different these days. He would give almost anything to crack open a beer and watch the cricket in peace.
Connor steps heavily on a stick. It flicks up and scratches along his shin.
‘Shit.’ He stumbles before regaining his balance. The cut stings as it breaks into a thin red line. He slows his jogging, panting. He won’t bother doing another lap now; he needs to head back home anyway to help get the kids ready for their party marathon. Walking, he places his hands on his hips as his heartbeat calms, breathing jaggedly from his mouth.
A duck flies low across the water, wings outstretched. Rubbish dots the edges of the lake. Chip packets and Coke bottles are held hostage by the rocks and submerged branches. The heat has caused the lake to creep away from its banks. Tree roots are exposed like electric wires. Connor’s eyes scan the water. He really should come running here more often; get back into a routine. He can remember training here for athletics years ago, doing laps around the track before school, the burn in his thighs. He notices the gaping eye of the stormwater drain, pitch black against the glare as it disappears into the clay wall of the lake. A little further along, Connor notices something caught at the water’s edge; it appears to be made from some kind of fabric. He squints and realises he is looking at hair swirling out past a line of reeds. His feet lock to the ground. It looks like human hair, a woman’s blonde hair. His heartbeat picks up again. His limbs feel hollow. Two steps forward confirm it is indeed a woman face down in the lake. Bare white arms are visible every time the water ripples and long-stemmed red roses bob across the top of her watery grave.
A cluster of swans watches Connor from under the old wooden bridge. One of the birds lets out a low, haunting cry.
He drops to his knees and worries for a moment that he will be sick. His breathing slows and then quickens again. He looks back at the body and then jerks his gaze away. Barely thinking, he dials triple zero and thrusts his phone against his ear.
Chapter Two
Saturday, 12 December, 7.51 am
I stand in the shower with my head against the wall as blood oozes out of me. I had guessed I was about six weeks along but hadn’t been sure exactly. I wonder if my denial has made this happen; my complete lack of acceptance. My sheer desperation for it not to be real. The blood mixes with the water before it disappears down the drain and I squeeze my eyes shut and wish I was a little girl again, tucked up in bed, my mother’s soft pout of a kiss pressing against my forehead.
God, I miss her.
Scott left early this morning to beat the traffic. He’s secured a couple of weeks’ concreting work on a large housing development just north of Paxton, a town about thirty k’s east of Smithson. Ben is at my dad’s; he slept there last night because of our early starts. Dad will be getting jumped on about now. Ben is always so cuddly in the mornings.
I can hear my phone ringing but I don’t move. The cool tiles feel firm and reassuring against my skin as I spread my palms out on either side of my face. Trying to focus. Trying to feel normal. After a few minutes I lift my head. My vision takes a while to adjust. My guts ache, the pain settling in low and deep.
I’m exhausted. I feel separate to my body. To my mind.
I know I should probably go to the hospital but I also know that I probably won’t.
The bathroom is misty with steam. The bl
eeding seems to have slowed. I wash myself carefully and turn off the tap. The pipes shudder through the walls. I step out of the shower and pull a dark grey towel around me. I look at the mirror but I am just a blur in the fog. In the bedroom, I throw the covers across the bed and kick a slipper underneath it, stopping for a moment and leaning forward to catch my breath as sharp pain runs through me again. I dress quickly, lining my pants with a pad before pulling on black jeans, a plain grey t-shirt, low black boots. The temperature is climbing steadily and the leftover heat from yesterday still lingers unpleasantly in the house. I pour a glass of water and throw back a couple of Nurofen. Then, staring at the wall, I think about the day of loose ends in front of me: paperwork, a few reports to follow up, a cold case Jonesy has asked me to review. I picture my small desk in the middle of the station’s main room and wish that I had an office. My mobile rings again as I am towel-drying my hair: it’s Felix, and I look at his name on my phone and think a million things.
‘Yep, hi.’ I keep my voice light. ‘I’m on my way. I’m just about to walk out the door.’
‘Go straight to the lake, Gem,’ he says, and I love the way his accent curls around my name.
I try to understand what he’s saying. ‘Why? What’s happened?’
‘A body’s been found. It’s a teacher from Smithson. A Rosalind Ryan.’
The room turns upside down. I sit heavily on the bed as I clutch at my throat, forcing myself to breathe. Felix keeps talking, oblivious. ‘She used to be a student there too, apparently. Your age. You probably knew her.’
Set in between a burst of mountain ranges, Smithson is a little oasis of greenery in the middle of endless fawn-coloured acres of Aussie farmland. Smithson is known for ‘catching the rain’ that runs from the mountains, which is ironic as it’s the surrounding farms that actually need it. It’s changed a lot over the past decade. Carling Enterprises, a major cannery business, built a manufacturing plant on the outskirts of the town in the late nineties, just as I was finishing school. The large silver structure already looks grossly out of date but is nevertheless a hive of activity. It milks the surrounding area dry, sucking the fruit from the trees and yanking the vegetables from the ground, and in return spits out over ten million cans of tinned fruit and vegetables every year. This productivity has slowly but steadily grown Smithson from a modest population of just under fifteen thousand to one of almost thirty thousand. Factory workers, truck drivers, engineers, food scientists, marketing people: new faces are everywhere. Suddenly, Smithson, the Noah’s Ark town that had always proudly boasted two of everything, multiplied. There are five bakeries now, and that’s just in the town centre. Someone told me that Carling does this all over the world: bases itself in regional areas where the land is cheap and permits are easy to come by, and implants its business into a community, completely changing the landscape and the culture. In fairness, Smithson probably needed a bit of a kick in the arse, but it can be unsettling watching the giant trucks descend on our little world, the roads groaning under their weight, the smoke streaming out behind them.
