by Lorrie Moore
And now something white and large was rushing at him, and because he’d sat all day with his father’s ghost, he understood this was a ghost too, and looked up at it, calm and ready. The lights from the house shined at its back, and it had a golden glow around it. But the figure stopped just before him, and he saw, with a startle, that it was his wife, that the glow was her frizzy gray hair catching the light, and he knew then that she must have come back early, that she was reaching a hand out to him, putting her soft palm on his cheek, and she was saying something forever lost to him, but he knew by the way she was smiling that she was scolding him. He stepped closer to her and put his head in the crook of her neck. He breathed his inadequacy out there, breathed in her love and the grease of her travels and knew he had been lucky; that he had escaped the hungry darkness, once more.
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About the Editors
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin–Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the Irish Times International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, A Gate at the Stairs, was short-listed for the 2010 Orange Prize for fiction and for the PEN/Faulkner Award, and her most recent story collection, Bark, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of The Best American Short Stories since 2007. She is the author of the novels The Birthdays and The Daylight Marriage.
