HUNTING
THE DARK IMMORTAL
MacLeod froze, feeling… yes. Another Immortal was nearby.
And he has to be aware of me, too.
He hurried around the corner, to see a tall, shadowy figure tense, head up, looking this way and that, trying to locate the enemy.
That has to be Khyan!
Just then, a second, smaller man nearly collided with Khyan, presumably apologized, then began unlocking a door. Khyan grabbed him and all but hurled his captive inside. MacLeod raced forward, reached the slammed door, and threw it open—only to be confronted by a wall of nearly total darkness.
There! The thinnest trace of light… they were moving up an elevator… heading for the roof. MacLeod took a hasty step forward and nearly fell over a body just inside the doorway: a security guard, uniform sticky with blood and throat quickly cut by Khyan.
He wasn’t going to get to the roof before Khyan.…
ALSO IN THE HIGHLANDER SERIES
HIGHLANDER: THE ELEMENT OF FIRE
HIGHLANDER: SCIMITAR
HIGHLANDER: SCOTLAND THE BRAVE
HIGHLANDER: MEASURE OF A MAN
HIGHLANDER: THE PATH
HIGHLANDER: ZEALOT
HIGHLANDER: SHADOW OF OBSESSION
Available from
WARNER ASPECT
Copyright
WARNER BOOKS EDITION
Copyright © 1998 by Warner Books, Inc.
All rights reserved.
“Highlander” is a protected trademark of Gaumont Television. © 1994 by Gaumont Television & © Davis Panzer Productions, Inc. 1985.
Aspect is a registered trademark of Warner Books, Inc.
Warner Books, Inc.
Hachette Book Group
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New York, NY 10017
Visit our website www.HachetteBookGroup.com
First eBook Edition: November 2009
ISBN: 978-0-446-56561-5
Contents
Also in the Highlander Series
Copyright
Acknowledgments
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Afterword
ACKNOWLEDGMENTS
Thanks go to: Betsy Mitchell, Editor-in-Chief of Warner Aspect, for letting me play in the HIGHLANDER world; Eleanor Wood, Agent Deluxe, for understanding why wanted to play in the HIGHLANDER world; the HIGHLANDER staff and writers, for creating the wonderfully complex character that is Methos; actor Peter Wingfield, for so beautifully bringing Methos to life; and Admiral Ahmose of Egypt’s Eighteenth Dynasty, for leaving first-hand accounts of crucial battle scenes that made this writer’s job a good deal easier.
Chapter One
New York City, Riverside Park: The Present
All night he wandered the streets of the garish, noisy is land the natives called Manhattan, not sure exactly where he was, what streets, what neighborhoods, save that he was moving ever nearer to the Great River, that which the natives named the Hudson, hunting as he had hunted for many nights.
Again and yet again, he was dazzled by the brightness of the artificial lights turning the good, proper darkness to a never-natural mockery of daylight. Again and yet again, he was stunned by the never-ending flow of traffic. So many lives crowded in together on this island, so many souls….
The hunt was hopeless.
No, and no again! He would not let himself despair. Despair was the refuge of the weak, the commoner. His brother had told him that many years ago, and he believed it, believed his brother…
His brother, whom he would find and rescue. No matter how long it took. No matter how many sacrifices must be made. (But… how long had he been hunting? There were large gaps in his memory when he must have been doing something… living somehow… yet he could not remember.)
No matter. Prior sacrifices had told him to search here within this vast city; they had brought him here, up through a tortuous route involving many false words and docu ments. But now…
There. That man, walking alone into the park caught between the river and the wild way, the West Side Highway, the man walking with music blaring and earphones blocking out sounds of the world around him: foolish, foolish. His race, his appearance meant nothing. But the man was so young, so full of careless life—perfect.
He stalked the young prey through garishly lit fields growing ever less crowded, glad of the fact because he knew the hunt must be made in private. He knew that these common lives must not know who walked in their midst, not yet.
He stalked, seeing a perfect place shrouded with trees and bushes, half hidden in shadow, a “shortcut” the young man had decided to take, no doubt confident in his youth and strength, never knowing he was being followed, never knowing that the one who followed was battle-trained and hardened.
Now.
He struck, catching the prey around the throat, cutting off any outcry. Now, now, the first part of the Triple Sacrifice, the rope looped about the neck, all but strangling the Chosen One.
Then, even as life began leaving the choking body, he performed the second ritual, his knife stabbing swiftly up to the Chosen One’s heart. Deftly avoiding the spurting blood, he let the dying sacrifice slide to the ground. The earphones had fallen free, and faint, tinny music accompanied him.
Now, yes, now for the third, the final ritual of slaying…. His blade rose, fell, severing the victim’s head with one swift blow. More blood spurted, coppery-sharp in his nostrils as he knelt by the body. His hands shaking with hope, he tore and cut aside clothing till the body lay uncovered to the night.
He forced himself to calmness, murmuring the proper prayers. But all the time he was thinking, yes, yes, this time the prayers would be granted. Knife in hand, he neatly sliced flesh open, ignoring the new reeks, warily examining organ after organ, reciting:
“Open to me, oh Light, open to me.
Let me see truth, let me see truly.
Let me see—”
Nothing! There was nothing to be read in the size or shape of the organs, not the slightest hint of an omen to be had! The sacrifice had failed once more!
Staggering to his feet, dimly aware of the tinny music continuing, incongruously cheerful, he stumbled blindly away, wiping his hands clean on a scrap of cloth. He must not be found with the sacrifice, he knew that much, or even leave the cloth behind, not in this strange, strange city where such things as sacrifices were not allowed and clues could be taken from a mere drop of blood.
He must not be taken. He would not let himself be cast into captivity like some hopeless slave!
Hopeless. As soon as he was at a safe distance, away from the park and its too-bright lights, hidden in the shadows of an alleyway, he sank once more to his knees. Of course the ritual had not worked. He was no priest or sorcerer!
Burying his face in his hands, he huddled there, weeping for his lost, lost brother.
But this was not safe, either. Predators prowled this city, those who hunted any weakness, predators who just might chance on the one true way of slaying. He
could not die before his goal was reached, could not lose his soul until his brother’s soul was freed.
So be it. The sacrifice had not worked because it was not meant to work. The gods had not forsaken him; they merely tested him, as they had done and done and done—
He must not question. He must try again, closer this time to the water, the sacred, flowing water…. He would try again, and yet again, as often as he must. There were endless victims to be found in this teeming New York City. And at last, at last, he vowed, he would succeed.
Determined anew, he sheathed his blade and set out into the night.
Chapter Two
New York City, Midtown Manhattan:
The Present
Duncan MacLeod, in perfect New York style in his casual black blazer, white shirt, and black trousers, his dark hair caught back in a neatly groomed ponytail, stood on the northeast corner of Fifth Avenue and Seventy-first Street on this sunny May morning, ignoring the never-ending roar of traffic and enjoying the new day’s warmth. It had only just turned ten o’clock; he had a few minutes to spare. With not a sign or feel of danger anywhere, MacLeod smiled and allowed himself the luxury of a few peaceful moments of just playing tourist. Why not? He’d come to New York to check out an important estate sale, had even found a handsome mid-nineteenth century writing desk almost worth the inflated price. But today he was free to answer an invitation.
On the far side of Fifth Avenue, Central Park was lush with spring greenery and noisy with school groups on their way to visit the Children’s Zoo a few blocks south. He was standing on the more commercial side of the avenue, with row after row of expensive offices and apartment houses. The Branson Collection, there on the south side of Seventy-first Street, was a charming anachronism, a Victorian mansion full of the stone eccentricities of the period and masquerading as an eighteenth-century Italian villa complete with central garden.
MacLeod could remember the building from an earlier era. Edmund Branson, shipping magnate, had held many a glittering party in that mansion a hundred years ago. Gaslight had glowed from the marble walls back then—no new-fangled electricity to spoil the effect, thank you very much—and there had been the soft rustle of satin gowns and murmurings of pleasant conversation. Outside, the only sounds of traffic had been the clopping of horses’ hooves and the roll of carriage wheels.
The unromantic blat of a bus horn shook him back to the present. New York, MacLeod thought with a wry smile, had never been a city for any Immortal seeking stability. It didn’t merely change every century; it redesigned itself every few years!
He crossed Seventy-first Street, dodging a taxi and a group of giggling, admiring teenage girls, and entered through the ornately carved stone doorway of what was now not a magnate’s home but a small museum still owned by the family, as well as the site of the Branson Foundation offices.
He stopped in the small, marble-walled lobby, getting his bearings. The space had definitely been rearranged yet again. To one side was a mahogany desk labeled INFORMATION, staffed by an earnest young man who was probably an art student, and beside it was the predictable rack of postcards. But beyond that, three corridors, one of them still with the fresh paint scent, led off into the building.
Before he could ask for directions, a shrill voice called, “Duncan? Duncan MacLeod? It is you!”
A balding, scrawny little man was scurrying toward him down one of the older hallways, grinning widely, and after a second memory triggered the right name.
Amazing. Even after a decade or so, Professor Albert Maxwell still looked exactly like one of those small, friendly, nervous little terriers that are never still for a moment.
“Professor Maxwell,” MacLeod said solemnly.
The professor was clutching a newspaper and several manila folders in his arms. After a moment of awkwardly shuffling items, he managed to get a hand free, and MacLeod, fighting not to laugh, shook it.
Maxwell didn’t let go. “Welcome to the Branson Collection!” Shake. “So glad you could make it!” Shake, shake. “It’s been… how long since we’ve seen each other?” Shake. “Ten years?”
MacLeod gently pulled his hand free. “Something like that.”
Staring up at him, Maxwell tsked. “Amazing, simply amazing. You don’t look a day older, while I…” He ran a hand self-consciously through his thinning hair. “How do you do it?”
“Clean living,” MacLeod told him dryly.
Maxwell laughed. “Good genetics, too, I’d say, yes, and all that nice, clean Pacific Northwest air.”
But then the professor stopped short, blinking. “Ah. It’s a bit late now, but I, uh, never did get a chance to offer face-to-face condolences….”
An unexpected pang of grief stabbed through MacLeod, still surprisingly sharp after all this time since Tessa’s death. “Thank you.”
But Professor Maxwell wasn’t quite ready to let the subject drop. “So terrible, what happens today: random violence, I mean, drug crimes, madmen—Look at this!” He brandished the newspaper almost accusingly in MacLeod’s face. “Another of those so-called cult killings, and right here in New York! We do not have serial killers in New York!”
Of course not, MacLeod thought wryly. And that series of serial beheadings back in… ah… 1985 was just a minor incident.
MacLeod had heard about the most recent killings; given the media’s enthusiasm for gore, it had been impossible not to hear about the killings. All had taken place along the Hudson, most in Riverside Park, which had given the media a convenient handle: the West Side Slayer. That the bodies had all been beheaded had given MacLeod a moment’s start, but they’d also been carefully disemboweled and laid out according to a definite plan. Not necessarily the work of an Immortal, then. Just as probably a mortal lunatic.
“Random violence,” he reminded Maxwell wearily, “is nothing new. Neither, unfortunately, are ritual killings.”
“True enough, true enough. ‘The more things change,’ and all that.”
“Indeed,” MacLeod said wryly.
“Which brings us to the Hyksos, those, ah, charming folks, and of course you’ve come to see the Hyksos Exhibition! So nice that you should be in town just now.”
“So kind of you to invite me!”
“Yes, well, I thought you’d appreciate it, knowledgeable man that you are. Follow me.”
As they walked down the newly painted corridor, passing neatly framed floral prints and charts, their footsteps ringing on smooth stone, Maxwell continued, glancing up from time to time at MacLeod as though making sure he was listening, “Quite a coup for us, the Branson Collection, getting this show when no less a museum than the Metropolitan wanted it. But it was our parent foundation that did the engineering work for the Egyptian government—you know that, I think—yes, and uncovered most of the antiquities in the process, so…”
His triumphant sweep of an arm took in the banner proclaiming over an archway: THE HYKSOS: CONQUERORS OF EGYPT. True enough, MacLeod thought, even if their conquest had taken place almost three millennia ago and had lasted less than a hundred years. He smiled inwardly. As Darius might have put it: a mere blink of time!
“Building looks different, doesn’t it?” Professor Maxwell crowed. “We put in improved lighting in the last two years, and redivided some of the exhibit halls. Quite a few changes since your first visit, eh?”
If only you knew!
A severe woman in a severely cut business suit hurried up to Professor Maxwell, dipping her head in impatient courtesy to MacLeod, then whispering in Maxwell’s ear. He gave MacLeod a stricken glance. “I completely forgot. I’m supposed to be making a conference call just about now. With Management. Would you mind very much…?”
MacLeod solemnly assured the professor that he was quite capable of seeing and, yes, understanding the exhibit all by himself.
“I’ll rejoin you later,” Maxwell assured him. “We can, as they say nowadays, do lunch. Yes? Splendid!”
Waving Maxwell away with a grin, Mac
Leod roved the small, circular gallery. Now he knew exactly where he was. This, if his memory was correct, had been Edmund Branson’s music room, an imitation of a Roman rotunda, complete with paintings of rather overblown pseudo-Classical deities on the curved ceiling high overhead… yes. They were still there, nicely restored and still opulently ugly. The narrow balcony still rimmed that ceiling, too, intended to make a cleaning crew’s job easier. MacLeod had once pointed out to Edmund Branson that it would also make any prospective burglars’ job easier, too, but had been ignored. Now, electronic alarms or no, the balcony remained.
Amazing that Amanda never discovered it in some nocturnal visit, he thought.
He turned his attention resolutely back to the exhibit. It was nicely mounted, considering the annoying lack of data and some very old-fashioned, wood-framed, glass-box cases: good maps and concise, clearly worded labels explaining the political situation in Egypt circa 1600 B.C. to a lay audience. Not too much was known about the Hyksos, save that they had come out of Palestine but weren’t of Hebrew stock, had conquered, then lost Egypt, and had then faded back into obscurity. But the lack of information didn’t make them any less interesting for—
MacLeod came abruptly alert, aware in every sense of the sudden blazing presence of another Immortal, a quick protest shooting through his mind, Not here, not in an art gallery—all these precious, fragile things!
But then MacLeod relaxed as he recognized the lean figure so casually comfortable in loose gray sweater and jeans stepping out from behind an exhibit case.
“Fancy meeting you here,” Methos said coolly. The narrow, sharply planed face had already fallen into its usual enigmatic mask, though humor glinted in his eyes. “Business or pleasure?”
MacLeod shrugged noncommittally. “A bit of both. And you?”
“Oh, I just wanted to see if there was anything here I recognized.” Methos being Methos, it was impossible to tell if he was joking. “Not,” he added, glancing at a case full of bronze arrowheads, “that the Hyksos were people anyone would want to claim as acquaintances.”
The Captive Soul Page 1
