The Imago Sequence

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The Imago Sequence Page 36

by Laird Barron


  I did not stir until Fulcher freed my arms. It occurred to me that the mescaline cocktail must've worn off because I wasn't feeling docile anymore. Nothing was premeditated; my mind was well below a rational state. I pawed his face—weakly, a drunken gesture, which he brushed aside. I became more insistent, got a fistful of his beard on the next half-hearted swipe, my left hand slithered behind his neck. Fulcher pried at my wrist, twisted his head. Frantic, he braced his boot against the chair and tried to push off. His back bowed and contorted.

  A ghostly spider mounted a beetle; they clinched.

  Growing stronger, more purposeful, I yanked him into my lap, and his beard ripped, but that was fine. I squeezed his throat and vertebrate popped the way it happens when you lift a heavy salmon by the tail. Stuff separates.

  Clint tried to pull Fulcher, exactly as a man will pull a comrade from quicksand. Failing, he snatched up a screwdriver and stabbed me in the ribs. No harm, my ribs were covered with a nice slab of gristle and suet. Punch a side a beef hanging from a hook and see what you get.

  A truck careened across a strange field riddled with holes. The vehicle juked and jived and nose-dived into the biggest hole of them all—

  I dropped Fulcher and staggered from the chair. Clint stabbed me in the shoulder. I laughed; it felt good. I palmed his face, clamped down with full strength. He bit me, began a thick, red stream down my arm. He choked and gargled. Bubbles foamed between my finger webs. I waltzed him on tiptoes and banged his head against a support beam. Bonk, bonk, bonk, just like the cartoons. Just like Jackson Pollack. I stopped when his facial bones sort of collapsed and sank into the general confusion of his skull.

  I fumbled with the screws of my helm, gave it up as a hopeless cause. I left the cell and wandered along the hall, trailing one hand against the rough surfaces. People met me, passed me without recognition, without interest. These people were versions of myself. I saw a younger me dressed in a tropical shirt and a girl on my arm; me in a funeral suit and a sawed-off shotgun in my hand; another me pale and bruised, a doughnut brace on my neck, hunched on crutches; still another me, gray-haired, dead drunk, wild glare fixed upon the middle distance. And others, too many others coming faster until it hurt my eyes. They flowed around me, collided, disappeared into the deep, lightless throat of the hall until all possibilities were lost.

  Weight shifted within the bowels of Thornton's Pleasure Dome. A ponderous door was flung wide and a chorus of damned cries echoed up the corridors. The muscles between my shoulder blades tightened. I picked up the pace.

  The main area was deserted but for a woman sweeping ashes from the barrel stove and a sturdy man in too-loose long johns eating dinner at a table. The woman was an automaton; she regarded me without emotion, resumed her mechanical duties. The man put aside his spoon, considering whether to challenge me. He remained undecided as I stumbled outside, bloody and birth-naked. The icy breeze plucked at my scalp, caused my wound to throb with the threat of a migraine. I was in a place far removed from such concerns.

  A better man would've set a match to the drums of diesel, blown the place to smithereens Hollywood style. No action star, I headed for the vehicles.

  Twilight cocooned the valley. The sky was smooth as opal. A crimson band pulsed at the horizon—the sun elongated to its breaking point. Clouds scudded from invisible distances, flew by at unnatural velocity.

  "Don't go," Thornton said. A whisper, a shout.

  I glanced back.

  He filled the doorway of the Quonset hut, which was tiny, was receding. His many selves had merged, yet flickered beneath his skin, ready to burst forth. His voice had relinquished its command, now waned fragile, as it traveled across the gulf to find me. "You're opening doors without any idea of where they lead. It's a waste. Sweet God, what a waste!"

  I kept walking, limping.

  "Marvin!" A hot lash of hatred and appetite throbbed from his dwindling voice. "Say hello to Teddy!" He shrank to a speck, was lost.

  A fleet of canvas-top trucks shimmered upon an island in a sea of velvet. They warped and ran with the fluidity of quicksilver, a kaleidoscope revolving around the original. I picked the closest truck and dragged myself inside. Keys dangled from the ignition. The helm was too tall for the cab; I was forced to drive with my head on my shoulder. Fresh blood seeped from the wound and obscured my vision.

  The truck bucked and crow-hopped as I clanged gears, stomped the accelerator and sent it hurtling across the rugged valley. One road multiplied, became three roads, now six. Now, I was off the road, or the road had melted. Bizarre changes were altering the scenery, toying with my feeble perception. The mountains doubled and redoubled and underwent the transformations of millennia—a range exploding forward, rounding and shortening, another backward, rearing into a toothy crown—in the span of heartbeats. It was a rough ride.

  I found the knob for the headlights in time to illuminate the sinkhole a few dozen yards ahead. A rapidly widening maw. I slammed the brakes. The cab exploded with dust and smoking rubber. There was a tin-can-under-a-boot crunch and the truck yawed, paused at the rim and toppled in, nose-first. I performed a lazy belly flop through the windshield.

  I didn't lose consciousness, unfortunately. I bounced and bones cracked along old fault lines. Eventually I stopped with a terrific jolt; a feather mattress dropped on a cavern floor. At least the truck didn't come down on top of me—it had lodged in a bottleneck. Its engine shrieked momentarily, sputtered and died. I stared up at the rapidly dulling headlights, as bits of sensation returned to my extremities. Ages passed. When I finally managed to gain my knees, the world was in darkness. What was broken? Ribs, definitely. A sprained knee that swelled as I breathed. Possibly a bone in my back had snapped; insufficient to immobilize me, yet neither could I straighten fully. Cuts on my face and hands. The pain was minor, and that worried me. Why not worse? I had landed in deep, spongy moss, was nearly buried from the impact. It sucked at me as I clambered to solid footing.

  The darkness wasn't complete. Aqueous light leaked from slimy surfaces, the low ceiling of sweating rock. As my vision adjusted I saw moss claimed everything. Stinking moss filled crevices and fissures, was habitat of beetles and other things. Sloppy from the eternal drip of water, it squelched between my toes, sucked my ankles. This was a relatively small cave, with a single chimney jammed by the crashed truck. This wasn't a mine shaft; my animal self was positive about that. Nor did it require much heavy thinking to conclude that climbing out of there was impossible. I couldn't raise my left arm above waist level. A single note from the panpipe came faintly. From below. A voice may have murmured my name—I was gasping too loudly and it did not repeat.

  A fissure split the rear of the cave, a cramped tunnel descended. Mastering my instincts, I followed it down. The cool air warmed, was soon moist as a panting mouth. Pungent odors clogged my nostrils, watered my eyes. Gradually, the passage widened, opening into a larger area, a cavern of great dimensions. The light strengthened, or my eyes got better, because pieces of the cavern joined as Mrs. Chin's photos had joined. And I beheld Imago.

  Here was the threshold of the Beginning and End.

  The roof was invisible but for the tips of gargantuan stalactites, all else shrouded. Moss, more moss, a garden, a forest of moss. But was it moss? I doubted that. Moss didn't quiver where it met flesh, didn't contract as a muscle contracts.

  The walls glistened; they glowed not unlike the glow which seeped from Thornton's skin. Shadows of the world dwelt in the walls. Those most familiar to me rose from the depths like champagne bubbles. I passed Teddy's yacht near the surface, its lines quite clean despite being encased. Further along, a seaplane was suspended on high, partially obscured by gloom. It hung, fossilized, an inverted crucifix. There were faces, a frieze of ghastly spectators massed in the tiers of an amphitheater. I averted my gaze, afraid of who I might see pithed in the bell jar. Deeper, inside folds of rock that was not rock, were glimpses of Things to Come. Houses, onion domes and turrets, utop
ian skylines, the graceful arcs of bridges, rainforests and jagged mountains. And deeper, deeper yet, solar systems of pregnant globes of smothered dirt and vine, and charred stars in endless procession.

  I caught myself humming The Doors' "This Is the End." I stood upon a shattered slope, weeping and laughing, and humming the song of death. Thinking probably the same thoughts any lesser primate does when confronted with apocalyptic forces. To these I added, Damn you, anyway, Jacob! You can shove this favor in your big, flabby ass! And, I wonder if Carol is feeding the fish?

  Before me lay the cavern's boundary; another translucent wall. This area was subtly different, it bulged with murky reefs of dubious matter—I conjured the image of coiled organs, the calcified ganglia of some Biblical colossus. Dead roots snaked from an abyss to end abysses—a primordial sea from which all life had been egurgitated. My ears popped with a sudden pressure change. I detected movement.

  I tried to run, but my legs were unresponsive, as if they had fallen asleep, and the moss shifted beneath my nerveless feet, dumped me on my backside. I flailed down the slope, which I realized was a funnel, or a trough. This occurred with excruciating slowness, but it was impossible to halt my weight once it got moving. Wherever my skin made contact with the moss I lost sensation. This was because the moss that was not moss stung with tiny barbs, stung me as a jellyfish stings. My legs, my back, right hand, then left, until everything from the neck down was anesthetized.

  At the bottom, by some trick of geometry, I pitched forward to lie spread eagle against the curve of the wall. The rock softened, was vaguely gelatinous. I began to sink. Despite my numbed state, it was cold compared to the rank jungle of a cavern. Frigid.

  As I sank, I thought, Not a wall, a membrane. Engulfed in amber jelly, tremendous pressure built upon my body, flattened my features. Wrenching my head to free it from imminent suffocation, to scream as an animal screams, dying alone in the wilderness, I saw a blossom of fire in the near distance. An abrupt blue-white flare that seemed to expand forever, then shrink into itself. I opened my mouth, opened my mouth—

  The second flash was far smaller, far more remote. It faded swiftly.

  I don't know if there was a third.

  THE END

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  Table of Contents

  OLD VIRGINIA

  SHIVA, OPEN YOUR EYE

  PROCESSION OF THE BLACK SLOTH

  BULLDOZER

  PROBOSCIS

  HALLUCIGENIA

  PARALLAX

  THE ROYAL ZOO IS CLOSED

  THE IMAGO SEQUENCE

 

 

 


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