by H. H. Munro
The MacGregor boys learned how to play poker-patience; after all, they could afford to.
THE BACKGROUND
“That woman’s art-jargon tires me,” said Clovis to his journalist friend. “She’s so fond of talking of certain pictures as ‘growing on one,’ as though they were a sort of fungus.”
“That reminds me,” said the journalist, “of the story of Henri Deplis. Have I ever told it you?”
Clovis shook his head.
“Henri Deplis was by birth a native of the Grand Duchy of Luxemburg. On maturer reflection he became a commercial traveller. His business activities frequently took him beyond the limits of the Grand Duchy, and he was stopping in a small town of Northern Italy when news reached him from home that a legacy from a distant and deceased relative had fallen to his share.
“It was not a large legacy, even from the modest standpoint of Henri Deplis, but it impelled him towards some seemingly harmless extravagances. In particular it led him to patronize local art as represented by the tattoo-needles of Signor Andreas Pincini. Signor Pincini was, perhaps, the most brilliant master of tattoo craft that Italy had ever known, but his circumstances were decidedly impoverished, and for the sum of six hundred francs he gladly undertook to cover his client’s back, from the collar-bone down to the waistline, with a glowing representation of the Fall of Icarus. The design, when finally developed, was a slight disappointment to Monsieur Deplis, who had suspected Icarus of being a fortress taken by Wallenstein in the Thirty Years’ War, but he was more than satisfied with the execution of the work, which was acclaimed by all who had the privilege of seeing it as Pincini’s masterpiece.
“It was his greatest effort, and his last. Without even waiting to be paid, the illustrious craftsman departed this life, and was buried under an ornate tombstone, whose winged cherubs would have afforded singularly little scope for the exercise of his favourite art. There remained, however, the widow Pincini, to whom the six hundred francs were due. And thereupon arose the great crisis in the life of Henri Deplis, traveller of commerce. The legacy, under the stress of numerous little calls on its substance, had dwindled to very insignificant proportions, and when a pressing wine bill and sundry other current accounts had been paid, there remained little more than 430 francs to offer to the widow. The lady was properly indignant, not wholly, as she volubly explained, on account of the suggested writing-off of 170 francs, but also at the attempt to depreciate the value of her late husband’s acknowledged masterpiece. In a week’s time Deplis was obliged to reduce his offer to 405 francs, which circumstance fanned the widow’s indignation into a fury. She cancelled the sale of the work of art, and a few days later Deplis learned with a sense of consternation that she had presented it to the municipality of Bergamo, which had gratefully accepted it. He left the neighbourhood as unobtrusively as possible, and was genuinely relieved when his business commands took him to Rome, where he hoped his identity and that of the famous picture might be lost sight of.
“But he bore on his back the burden of the dead man’s genius. On presenting himself one day in the steaming corridor of a vapour bath, he was at once hustled back into his clothes by the proprietor, who was a North Italian, and who emphatically refused to allow the celebrated Fall of Icarus to be publicly on view without the permission of the municipality of Bergamo. Public interest and official vigilance increased as the matter became more widely known, and Deplis was unable to take a simple dip in the sea or river on the hottest afternoon unless clothed up to the collarbone in a substantial bathing garment. Later on the authorities of Bergamo, conceived the idea that salt water might be injurious to the masterpiece, and a perpetual injunction was obtained which debarred the muchly harassed commercial traveller from sea bathing under any circumstances. Altogether, he was fervently thankful when his firm of employers found him a new range of activities in the neighbourhood of Bordeaux. His thankfulness, however, ceased abruptly at the Franco-Italian frontier. An imposing array of official force barred his departure, and he was sternly reminded of the stringent law which forbids the exportation of Italian works of art.
“A diplomatic parley ensued between the Luxemburgian and Italian Governments, and at one time the European situation became overcast with the possibilities of trouble. But the Italian Government stood firm; it declined to concern itself in the least with the fortunes or even the existence of Henri Deplis, commercial traveller, but was immovable in its decision that the Fall of Icarus (by the late Pincini, Andreas) at present the property of the municipality of Bergamo, should not leave the country.
“The excitement died down in time, but the unfortunate Deplis, who was of a constitutionally retiring disposition, found himself a few months later, once more the storm-centre of a furious controversy. A certain German art expert, who had obtained from the municipality of Bergamo permission to inspect the famous masterpiece, declared it to be a spurious Pincini, probably the work of some pupil whom he had employed in his declining years. The evidence of Deplis on the subject was obviously worthless, as he had been under the influence of the customary narcotics during the long process of pricking in the design. The editor of an Italian art journal refuted the contentions of the German expert and undertook to prove that his private life did not conform to any modern standard of decency. The whole of Italy and Germany were drawn into the dispute, and the rest of Europe was soon involved in the quarrel. There were stormy scenes in the Spanish Parliament, and the University of Copenhagen bestowed a gold medal on the German expert (afterwards sending a commission to examine his proofs on the spot), while two Polish schoolboys in Paris committed suicide to show what they thought of the matter.
“Meanwhile, the unhappy human background fared no better than before, and it was not surprising that he drifted into the ranks of Italian anarchists. Four times at least he was escorted to the frontier as a dangerous and undesirable foreigner, but he was always brought back as the Fall of Icarus (attributed to Pincini, Andreas, early Twentieth Century). And then one day, at an anarchist congress at Genoa, a fellow-worker, in the heat of debate, broke a phial full of corrosive liquid over his back. The red shirt that he was wearing mitigated the effects, but the Icarus was ruined beyond recognition. His assailant was severely reprimanded for assaulting a fellow-anarchist and received seven years’ imprisonment for defacing a national art treasure. As soon as he was able to leave the hospital Henri Deplis was put across the frontier as an undesirable alien.
“In the quieter streets of Paris, especially in the neighbourhood of the Ministry of Fine Arts, you may sometimes meet a depressed, anxious-looking man, who, if you pass him the time of day, will answer you with a slight Luxemburgian accent. He nurses the illusion that he is one of the lost arms of the Venus de Milo, and hopes that the French Government may be persuaded to buy him. On all other subjects I believe he is tolerably sane.”
HERMANN THE IRASCIBLE—A STORY OF THE GREAT WEEP
It was in the second decade of the twentieth century, after the Great Plague had devastated England, that Hermann the Irascible, nicknamed also the Wise, sat on the British throne. The Mortal Sickness had swept away the entire Royal Family, unto the third and fourth generations, and thus it came to pass that Hermann the Fourteenth of Saxe-Drachsen-Wachtelstein, who had stood thirtieth in the order of succession, found himself one day ruler of the British dominions within and beyond the seas. He was one of the unexpected things that happen in politics, and he happened with great thoroughness. In many ways he was the most progressive monarch who had sat on an important throne; before people knew where they were, they were somewhere else. Even his Ministers, progressive though they were by tradition, found it difficult to keep pace with his legislative suggestions.
“As a matter of fact,” admitted the Prime Minister, “we are hampered by these votes-for-women creatures; they disturb our meetings throughout the country, and they try to turn Downing Street into a sort of political picnic-ground.”
“They must be dealt with,” said
Hermann.
“Dealt with,” said the Prime Minister; “exactly, just so; but how?”
“I will draft you a Bill,” said the King, sitting down at his typewriting machine, “enacting that women shall vote at all future elections. Shall vote, you observe; or, to put it plainer, must. Voting will remain optional, as before, for male electors; but every woman between the ages of twenty-one and seventy will be obliged to vote, not only at elections for Parliament, county councils, district boards, parish councils, and municipalities, but for coroners, school inspectors, churchwardens, curators of museums, sanitary authorities, police-court interpreters, swimming-bath instructors, contractors, choir-masters, market superintendents, art-school teachers, cathedral vergers, and other local functionaries whose names I will add as they occur to me. All these offices will become elective, and failure to vote at any election falling within her area of residence will involve the female elector in a penalty of £10. Absence, unsupported by an adequate medical certificate, will not be accepted as an excuse. Pass this Bill through the two Houses of Parliament and bring it to me for signature the day after to-morrow.”
From the very outset the Compulsory Female Franchise produced little or no elation even in circles which had been loudest in demanding the vote. The bulk of the women of the country had been indifferent or hostile to the franchise agitation, and the most fanatical Suffragettes began to wonder what they had found so attractive in the prospect of putting ballot-papers into a box. In the country districts the task of carrying out the provisions of the new Act was irksome enough; in the towns and cities it became an incubus. There seemed no end to the elections. Laundresses and seamstresses had to hurry away from their work to vote, often for a candidate whose name they hadn’t heard before, and whom they selected at haphazard; female clerks and waitresses got up extra early to get their voting done before starting off to their places of business. Society women found their arrangements impeded and upset by the continual necessity for attending the polling stations, and week-end parties and summer holidays became gradually a masculine luxury. As for Cairo and the Riviera, they were possible only for genuine invalids or people of enormous wealth, for the accumulation of £10 fines during a prolonged absence was a contingency that even ordinarily wealthy folk could hardly afford to risk.
It was not wonderful that the female disfranchisement agitation became a formidable movement. The No-Votes-for-Women League numbered its feminine adherents by the million; its colours, citron and old Dutch-madder, were flaunted everywhere, and its battle hymn, “We don’t want to Vote,” became a popular refrain. As the Government showed no signs of being impressed by peaceful persuasion, more violent methods came into vogue. Meetings were disturbed, Ministers were mobbed, policemen were bitten, and ordinary prison fare rejected, and on the eve of the anniversary of Trafalgar women bound themselves in tiers up the entire length of the Nelson column so that its customary floral decoration had to be abandoned. Still the Government obstinately adhered to its conviction that women ought to have the vote.
Then, as a last resort, some woman wit hit upon an expedient which it was strange that no one had thought of before. The Great Weep was organized. Relays of women, ten thousand at a time, wept continuously in the public places of the Metropolis. They wept in railway stations, in tubes and omnibuses, in the National Gallery, at the Army and Navy Stores, in St. James’s Park, at ballad concerts, at Prince’s and in the Burlington Arcade. The hitherto unbroken success of the brilliant farcical comedy “Henry’s Rabbit” was imperilled by the presence of drearily weeping women in stalls and circle and gallery, and one of the brightest divorce cases that had been tried for many years was robbed of much of its sparkle by the lachrymose behaviour of a section of the audience.
“What are we to do?” asked the Prime Minister, whose cook had wept into all the breakfast dishes and whose nursemaid had gone out, crying quietly and miserably, to take the children for a walk in the Park.
“There is a time for everything,” said the King; “there is a time to yield. Pass a measure through the two Houses depriving women of the right to vote, and bring it to me for the Royal assent the day after to-morrow.”
As the Minister withdrew, Hermann the Irascible, who was also nicknamed the Wise, gave a profound chuckle.
“There are more ways of killing a cat than by choking it with cream,” he quoted, “but I’m not sure,” he added, “that it’s not the best way.”
THE UNREST-CURE
On the rack in the railway carriage immediately opposite Clovis was a solidly wrought travelling-bag, with a carefully written label, on which was inscribed, “J. P. Huddle, The Warren, Tilfield, near Slowborough.” Immediately below the rack sat the human embodiment of the label, a solid, sedate individual, sedately dressed, sedately conversational. Even without his conversation (which was addressed to a friend seated by his side, and touched chiefly on such topics as the backwardness of Roman hyacinths and the prevalence of measles at the Rectory), one could have gauged fairly accurately the temperament and mental outlook of the travelling bag’s owner. But he seemed unwilling to leave anything to the imagination of a casual observer, and his talk grew presently personal and introspective.
“I don’t know how it is,” he told his friend, “I’m not much over forty, but I seem to have settled down into a deep groove of elderly middle-age. My sister shows the same tendency. We like everything to be exactly in its accustomed place; we like things to happen exactly at their appointed times; we like everything to be usual, orderly, punctual, methodical, to a hair’s breadth, to a minute. It distresses and upsets us if it is not so. For instance, to take a very trifling matter, a thrush has built its nest year after year in the catkin-tree on the lawn; this year, for no obvious reason, it is building in the ivy on the garden wall. We have said very little about it, but I think we both feel that the change is unnecessary, and just a little irritating.”
“Perhaps,” said the friend, “it is a different thrush.”
“We have suspected that,” said J. P. Huddle, “and I think it gives us even more cause for annoyance. We don’t feel that we want a change of thrush at our time of life; and yet, as I have said, we have scarcely reached an age when these things should make themselves seriously felt.”
“What you want,” said the friend, “is an Unrest-cure.”
“An Unrest-cure? I’ve never heard of such a thing.”
“You’ve heard of Rest-cures for people who’ve broken down under stress of too much worry and strenuous living; well, you’re suffering from overmuch repose and placidity, and you need the opposite kind of treatment.”
“But where would one go for such a thing?”
“Well, you might stand as an Orange candidate for Kilkenny, or do a course of district visiting in one of the Apache quarters of Paris, or give lectures in Berlin to prove that most of Wagner’s music was written by Gambetta; and there’s always the interior of Morocco to travel in. But, to be really effective, the Unrest-cure ought to be tried in the home. How you would do it I haven’t the faintest idea.”
It was at this point in the conversation that Clovis became galvanized into alert attention. After all, his two days’ visit to an elderly relative at Slowborough did not promise much excitement. Before the train had stopped he had decorated his sinister shirt-cuff with the inscription, “J. P. Huddle, The Warren, Tilfield, near Slowborough.”
* * * *
Two mornings later Mr. Huddle broke in on his sister’s privacy as she sat reading Country Life in the morning room. It was her day and hour and place for reading Country Life, and the intrusion was absolutely irregular; but he bore in his hand a telegram, and in that household telegrams were recognized as happening by the hand of God. This particular telegram partook of the nature of a thunderbolt. “Bishop examining confirmation class in neighbourhood unable stay rectory on account measles invokes your hospitality sending secretary arrange.”
“I scarcely know the Bishop; I’ve only spoken to hi
m once,” exclaimed J. P. Huddle, with the exculpating air of one who realizes too late the indiscretion of speaking to strange Bishops. Miss Huddle was the first to rally; she disliked thunderbolts as fervently as her brother did, but the womanly instinct in her told her that thunderbolts must be fed.
“We can curry the cold duck,” she said. It was not the appointed day for curry, but the little orange envelope involved a certain departure from rule and custom. Her brother said nothing, but his eyes thanked her for being brave.
“A young gentleman to see you,” announced the parlour-maid.
“The secretary!” murmured the Huddles in unison; they instantly stiffened into a demeanour which proclaimed that, though they held all strangers to be guilty, they were willing to hear anything they might have to say in their defence. The young gentleman, who came into the room with a certain elegant haughtiness, was not at all Huddle’s idea of a bishop’s secretary; he had not supposed that the episcopal establishment could have afforded such an expensively upholstered article when there were so many other claims on its resources. The face was fleetingly familiar; if he had bestowed more attention on the fellow-traveller sitting opposite him in the railway carriage two days before he might have recognized Clovis in his present visitor.
“You are the Bishop’s secretary?” asked Huddle, becoming consciously deferential.
“His confidential secretary,” answered Clovis. “You may call me Stanislaus; my other name doesn’t matter. The Bishop and Colonel Alberti may be here to lunch. I shall be here in any case.”
