Poltz, Kim, and Maggie Malone. “Golden Paintbrushes.” Newsweek, Oct. 15, 1984.
Riding, Alan. “Art Fraud’s New Trick: Add Fakes to Archive.” New York Times, June 19, 1996.
Rubin, Gareth. “I Could Still Dupe the Art World with My Forgeries But I’d Never Risk Going Back to the Hell of Jail.” The Express on Sunday (London), Mar. 30, 2003.
Selling, Lowell. “The Psychiatric Aspects of the Pathological Liar.” The Nervous Child 1, (1942).
Serafin, Amy. “Believe It or Not.” Art & Auction 30 (2007).
Shaw, Adrian. “Conman Gets 6 Years for Pounds 1 Million Art Racket.” The Mirror, Feb. 16, 1999.
Smith, Roberta. “Rituals of Consumption.” Art in America 76, no. 5 (May 1988).
Spiegler, Marc. “The Giacometti Legacy: A Struggle for Control.” ARTNews 103, no. 9 (October 2004).
Tooze, Steve. “How I Forged My Career as a Con Artist.” The Mirror, Oct. 7, 2000.
Walker, Richard. “The New Grand Acquisitors.” ARTNews 84 (September 1985).
Wallis, Stephen. “Dubuffet Fakes Make Foundation Target.” Art & Auction 21, no. 18 (June 1-15, 1999).
Wood, Joe. “Pounds 1 M of Art Made With Mud, Salt and a Hoover Bag.” Daily Record (Glasgow), Feb. 13, 1999.
Zemel, Carol. “What Becomes a Legend.” Art in America 76, no. 7 (1988).
BOOKS
Burnham, Sophy. The Art Crowd. New York: D. McKay, 1973.
Checkland, Sarah Jane. Ben Nicholson: The Vicious Circles of His Life & Art. London: John Murray, 2000.
Clifford, Irving. Fake! The Story of Elmyr de Hory—The Greatest Art Forger of Our Time. New York: McGraw-Hill, 1969.
Cole, Lyn. Contemporary Legacies: An Incomplete History of the ICA 1947-1990, unpublished.
Dolnick, Edward. The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece. New York: HarperCollins, 2005.
Dutton, Denis, ed. The Forger’s Art: Forgery and the Philosophy of Art. Berkeley: University of California Press, 1983.
Dutton, Denis. “Authenticity in Art.” In The Oxford Handbook of Aesthetics, edited by Jerrold Levinson. New York: Oxford University Press, 2003; found at denisdutton.com/essays.htm.
———. “Art Hoaxes” and “Han van Meegeren.” Encyclopedia of Hoaxes, edited by Gordon Stein. Detroit: Gale Research, 1993; found at denisdutton.com/essays.htm.
Ford, Charles. Lies!, Lies!!, Lies!!!: The Psychology of Deceit. Arlington, VA: American Psychiatric Publishing, 1999.
Gibson, Ian. The Shameful Life of Salvador Dalí. New York: W.W. Norton, 1998.
Godley, John. Master Art Forger: The Story of Han van Meegeren. New York: Wilfred Funk, 1951.
Goodrich, David. Art Fakes in America. New York: Viking, 1973.
Hayden-Guest, Anthony. True Colors: The Real Life of the Art World. New York: Atlantic Monthly Press, 1998.
Haywood, Ian. Faking It: Art and the Politics of Forgery. New York: St. Martin’s Press, 1987.
Hebborn, Eric. The Art Forgery’s Handbook. New York: Overlook Press, 1997.
———. Drawn to Trouble: Confessions of a Master Forger. New York: Random House, 1993.
Hoving, Thomas. False Impressions: The Hunt for Big-Time Art Fakes. New York: Simon and Schuster, 1997.
Jones, Mark, ed. Why Fakes Matter: Essays on Problems of Authenticity. Published for the Trustees of the British Museum. London: British Museum Press, 1992.
Jones, Mark, ed., with Paul Craddock and Nicolas Barker. Fake? The Art of Deception. Berkeley: University of California Press, 1990.
Keating, Tom, Frank Norman, and Geraldine Norman. The Fake’s Progress: Tom Keating’s Story. London: Hutchinson, 1977.
Lacey, Robert. Sotheby’s: Bidding for Class. London: Little Brown, 1998.
Lord, James. Mythic Giacometti. New York: Farrar Straus Giroux, 2004.
———. Giacometti: A Biography. New York: Farrar Straus Giroux, 1983.
Magnusson, Magnus. Fakers, Forgers & Phoneys: Famous Scams and Scamps. Edinburgh: Mainstream Publishing, 2006.
Mason, Christopher. The Art of the Steal: Inside the Sotheby’s-Christie’s Auction House Scandal. New York: Berkley Books, 2005.
Mellor, David, ed. Fifty Years of the Future: A Chronicle of the Institute of Contemporary Arts. London: Institute of Contemporary Arts, 1998.
Moss, Norman. The Pleasures of Deception. London: Chatto & Wirdus, 1977.
Polsky, Richard. I Bought Andy Warhol. New York: Bloomsbury, 2005.
Radnoti, Sandor. The Fake: Forgery and Its Place in Art. Translated by Ervin Dunai. Lanham, MD: Rowman & Littlefield, 1999.
Savage, George. Forgeries, Fakes, and Reproductions: A Handbook for the Collector. London: Barrie and Rockliff, 1963.
Schuller, Sepp. Forgers, Dealers, Experts: Strange Chapters in the History of Art. Translated by James Cleugh. New York: Putnam, 1960.
Sotheby’s. The Collection of Jean-Yves Mock. London: Sotheby’s, 2005.
Spencer, Ronald, ed. The Expert Versus the Object: Judging Fakes and False Attributions in the Visual Arts. New York: Oxford University Press, 2004.
Sylvester, David. Looking at Giacometti. New York: Henry Holt, 1994.
Watson, Peter. From Manet to Manhattan: The Rise of the Modern Art Market. New York: Random House, 1992.
———. Sotheby’s: The Insider Story. New York: Random House, 1997.
Wright, Christopher. The Art of the Forger. New York: Dodd, Mead, 1984.
INDEX
Addison, Paul
Aegean (Nicholson fake), provenance fabrications for
Airtech Systems
Allivane
Alloway, Lawrence
Antiques Roadshow
archives
attempt to restore integrity of
chain of ownership and
derivation of term
Hanover
ICA
security increased at
Tate Gallery
archivists, role of
arrests of Drewe
Drewe’s response to
release of Drewe following
search of house during
second interrogation following
art
branding of
crime. See art crime
fakes and forgeries. See fakes and forgeries
as investment
Art and Antiques Squad
Drewe investigation of
non-Drewe cases of
post-Drewe downsizing of
understasffing of
Art Beat
Art Carabinieri
art crime
efforts to combat
fakes and forgeries. See fakes and forgeries
in London
profitability of
Art Forger’s Handbook (Hebborn)
Art Loss Register
art market
bubble
London
Art Research Associates
Atget, Eugène
Atomic Energy Authority
Auden, W. H.
Avanti Galleries
Balthus
Barndance (Nicholson fake)
Barrington-Drew, Kathleen Beryl
lawsuit against Goudsmid of
Bartos, Armand, Jr.
Drewe and
Drewe investigation and
Palmer and
professional background of
Standing Nude, 1955 and
Bataille, Georges
Baumeister fakes
Beauvoir, Simone de
Belgravia Police Station
Belman, Clive
Aegean sale by
arrest of
complicity of
Drewe and, relationship between
family of
Nahum and
Nicholson fakes and
professional background of
Sutherland fakes and
Benjamin, Walter
Benwell, Nicky
Berenson, Bernard
Berg
er, Danny
Bissières fakes and
Drewe and, first meeting
Drewe and, relationship between
Drewe investigation and
garage of
initial provenance problems of
Le Corbusiers fakes and
starts as art runner
Tate Gallery archives and
Berkeley, Stuart
Bernal, J. D.
Bevan, John
Bissières, Roger fakes of. See Bissières fakes
Bissières fakes
Berger and
Composition 1958
Mibus and
Tate Gallery and
“Black Museum”
Blake, Peter
Blake, William
Boggs, J. S. G.
Booth, Jennifer
Drewe and
Giacometti fakes and
Palmer and
Searle and
Botticelli, Sandro
Bowness, Alan
Braques fakes
Brausen, Erica
Bredius, Abraham
British Council
British Journal of Psychiatry
British Museum
British Rail
Brixton Prison
Campbell, Duncan
Canaletto
Carroll, Terry
ICA archives and
Catch, John
Catch-22 (bar)
Cézanne, Paul
Chappie, Limehouse
Chelmwood, Viscount
Christ at Emmaus (Vermeer fake)
Christensen, Jan
Christie’s
Dubuffet fakes and
Mexican and
reputation of
Standing Nude, 1955 and
Sutherland fakes and
Cockcroft, Richard
Cockett, Basil Alfred Richard
Cockett, Bernard
Cockett, John, Drewe’s use of name
“Cockett” recommendation letter
Cole, Lyn
Collecting: An Unruly Passion (Muensterberger)
Composition 1958 (Bissières fake)
Conan Doyle, Arthur
Confidence-Man, The (Melville)
con men
famous
Higgs’s dislike of
pride of
techniques of
term coined
Conqueror paper
Copley, William
Corbusier, Le fakes of. See Le Corbusier fakes
Corot, Jean-Baptiste-Camille
Cour de Rohan
Couwenberg, Patrick
Coverdale, Robin
Craig, Barbara
Craske, Adam
Curtis, Tony
Dadd, Richard
Daily Mirror
Daily Telegraph
dealers and runners
credulity of
tactics of
Demara, Ferdinand
de Staël fakes
Mibus and
provenance fabrications for
Deux Figures (Giacometti fake)
Diary of an Art Dealer
Drew, Jane
Drewe, Atarah
Drewe, John
appearance and manner of
arrests of. See arrests of Drewe
arrival in Golders Green
attempts to blame others
Bartos and
Belman and
Berger and, first meeting
Berger and, relationship between
Booth and
Carroll and
Carroll and, first meeting
childhood of
“Cockett” recommendation letter of
collaborators with, search for
correspondence with Giacometti Association
denial of charges
de Staël fakes and
disappearances of
Drew and
earnings of
equipment of, exhibition of
as father
fire at 19 Lowfield Road and
Fox-Pitt and, relationship between
Giacometti fakes and
Goudsmid and, breakup of
Goudsmid and, relationship between
guns of
Harris and
Higgs and
Hill and
ICA archives and
illnesses faked by
imprisonment of
intellectual interests of
investigations of. See investigations of Drewe
lawyer of
length of scam
Macaroni case and
McAlister and
mental state of
Mibus and
mother and
motivations of
Myatt and, break between
Myatt and, first meeting
Myatt and, relationship between
Nahum and
Nicholson fakes and
number of works passed off
office space of
official records on
as pack rat
paint aging techniques of
paper trail of
as pathological liar
personal fabrications of
personal life of
post-jail life of
provenance forgeries of . See also “Exhibition of Paintings, Sculpture and Stage Designs . . .”
pub friends of
real jobs of
real name of
Redfern and
release of
remarriage of
researchers of
St. Philip’s Priory and
second interrogation of
Sperr and
stepfather of
Stoakes and
Stoakes and, break between
Sutherland fakes and
Swiss bank account of
Tate Gallery and
time served by
trial of. See trial of Drewe, Myatt, and Stoakes
Drewe, Nadav
droit moral
Dubuffet, Jean
catalogue raisonné of
Dubuffet fakes
ICA and
provenance fabrications for
Dubuffet Foundation
Dufy, Raoul
Dunne, Raymond
Dutton, Denis
Ecrits (Palmer)
Eliot, T. S.
Ellis, Dick
arrest of Drewe and Volpe by
Fox-Pitt and
Searle and
Ellis, Joseph
Ellis-Jones, David
European Court of Human Rights
evidence against Drewe
“Exhibition of Paintings, Sculpture and Stage Designs . . .”
original of
fakes and forgeries
American credulity and
dealers’ credulity and
exposure of
Myatt’s. See Myatt, John
necessity of
number of
through history
tricks used in
Fake’s Progress, The (Keating)
Fake? The Art of Deception
Femme Nue (Le Corbusier fake)
F for Fake
Findlay, Wally
fire at 19 Lowfield Road
Drewe and
Goudsmid and
Fish, Wendy
Fisher & Sperr
Footless Woman. See Standing Nude , 1954
Fowler, Norman
Fox-Pitt, Sarah, xii
Drewe and, relationship between
Ellis and
reputation of
Fuller, Buckminster
Furguson, Arthur
Gainsborough, Thomas
Galerie de Seine
gallerists
Gallery Maeght
Gallery One
Gardiner, Margaret
Genuine Fakes
Ghirlandaio, Domenico
Giacometti, Alberto
appearance and manner of
Braus
en and
catalogue raisonné of
fakes of. See Giacometti fakes
lack of record keeping by
Giacometti, Annette
death of
will of
Giacometti, Diego
Giacometti Association
Drewe’s correspondence with
legal battles of
Giacometti fakes
Bartos and
Booth and
Deux Figures
Drewe and
Drewe investigation and
non-Myatt
Palmer’s investigation of
provenance fabrications for. See also “Exhibition of Paintings, Sculpture and Stage Designs . . .”
Sotheby’s and
Standing Man and Tree. See Standing Man and Tree
Standing Nude, 1954. See Standing Nude, 1954
Standing Nude, 1955. See Standing Nude, 1955
Standing Nude, 1956. See Standing Nude, 1956
Sylvester’s suspicions of
Giacometti Foundation
Gibson, Thomas
Gigi
Gimpel, Rene Nicholson fakes and
Gimpel Fils Gallery
Gleizes fakes
Gogh, Vincent van
Golden Bough (Turner)
Golders Green
Göring, Hermann
Goudsmid, Batsheva
appearance and manner of
army experience of
Barrington-Drew’s lawsuit against
Catch and
Drewe and, breakup of
Drewe and, legal battles between
Drewe and, relationship between
Drewe investigation and
Drewe’s fakes and
familial role of
financial role of
fire at 19 Lowfield Road and
Higgs and
Konigsberg and
post-Drewe life of
purported mental illness of
Searle and
trial of Drewe and
Great Imposter, The (Curtis)
Greco, el
Gregory, E. C.
Guardian
Guggenheim, Peggy
Guggenheim Museum
Hamilton, Richard
Hanover catalog
Hanover Gallery
archives of
photo albums
Haring, Keith
Harris, Peter
Harrison, Rex
Hebborn, Eric
Hepworth, Barbara
Higgs, Richard
dislike of con men
Drewe and
Goudsmid and
investigation of Drewe
professional experience of
Hill, Charley
Hockney, David
Hogarth, William
Hory, Elmyr de
Houghton, Beth
Hoving, Thomas
Hughes, Robert
Institute of Contemporary Arts (ICA)
Provenance Page 30
