“Hester,” said the clergyman, “farewell!”
“Shall we not meet again?” whispered she, bending her face down
close to his. “Shall we not spend our immortal life together?
Surely, surely, we have ransomed one another, with all this woe!
Thou lookest far into eternity, with those bright dying eyes!
Then tell me what thou seest!”
“Hush, Hester — hush!” said he, with tremulous solemnity. “The law we broke! — the sin here awfully revealed! — let these alone be in thy thoughts! I fear! I fear! It may be, that, when we forgot our God — when we violated our reverence each for the other's soul — it was thenceforth vain to hope that we could meet hereafter, in an everlasting and pure reunion. God knows; and He is merciful! He hath proved his mercy, most of all, in my afflictions. By giving me this burning torture to bear upon my breast! By sending yonder dark and terrible old man, to keep the torture always at red-heat! By bringing me hither, to die this death of triumphant ignominy before the people! Had either of these agonies been wanting, I had been lost for ever! Praised be His name! His will be done! Farewell!”
That final word came forth with the minister's expiring breath. The multitude, silent till then, broke out in a strange, deep voice of awe and wonder, which could not as yet find utterance, save in this murmur that rolled so heavily after the departed spirit.
XXIV. CONCLUSION
After many days, when time sufficed for the people to arrange their thoughts in reference to the foregoing scene, there was more than one account of what had been witnessed on the scaffold.
Most of the spectators testified to having seen, on the breast of the unhappy minister, a SCARLET LETTER — the very semblance of that worn by Hester Prynne — imprinted in the flesh. As regarded its origin there were various explanations, all of which must necessarily have been conjectural. Some affirmed that the Reverend Mr. Dimmesdale, on the very day when Hester Prynne first wore her ignominious badge, had begun a course of penance — which he afterwards, in so many futile methods, followed out — by inflicting a hideous torture on himself. Others contended that the stigma had not been produced until a long time subsequent, when old Roger Chillingworth, being a potent necromancer, had caused it to appear, through the agency of magic and poisonous drugs. Others, again and those best able to appreciate the minister's peculiar sensibility, and the wonderful operation of his spirit upon the body — whispered their belief, that the awful symbol was the effect of the ever-active tooth of remorse, gnawing from the inmost heart outwardly, and at last manifesting Heaven's dreadful judgment by the visible presence of the letter. The reader may choose among these theories. We have thrown all the light we could acquire upon the portent, and would gladly, now that it has done its office, erase its deep print out of our own brain, where long meditation has fixed it in very undesirable distinctness.
It is singular, nevertheless, that certain persons, who were spectators of the whole scene, and professed never once to have removed their eyes from the Reverend Mr. Dimmesdale, denied that there was any mark whatever on his breast, more than on a new-born infant's. Neither, by their report, had his dying words acknowledged, nor even remotely implied, any — the slightest — connexion on his part, with the guilt for which Hester Prynne had so long worn the scarlet letter. According to these highly-respectable witnesses, the minister, conscious that he was dying — conscious, also, that the reverence of the multitude placed him already among saints and angels — had desired, by yielding up his breath in the arms of that fallen woman, to express to the world how utterly nugatory is the choicest of man's own righteousness. After exhausting life in his efforts for mankind's spiritual good, he had made the manner of his death a parable, in order to impress on his admirers the mighty and mournful lesson, that, in the view of Infinite Purity, we are sinners all alike. It was to teach them, that the holiest amongst us has but attained so far above his fellows as to discern more clearly the Mercy which looks down, and repudiate more utterly the phantom of human merit, which would look aspiringly upward. Without disputing a truth so momentous, we must be allowed to consider this version of Mr. Dimmesdale's story as only an instance of that stubborn fidelity with which a man's friends — and especially a clergyman's — will sometimes uphold his character, when proofs, clear as the mid-day sunshine on the scarlet letter, establish him a false and sin-stained creature of the dust.
The authority which we have chiefly followed — a manuscript of old date, drawn up from the verbal testimony of individuals, some of whom had known Hester Prynne, while others had heard the tale from contemporary witnesses fully confirms the view taken in the foregoing pages. Among many morals which press upon us from the poor minister's miserable experience, we put only this into a sentence: — ”Be true! Be true! Be true! Show freely to the world, if not your worst, yet some trait whereby the worst may be inferred!”
Nothing was more remarkable than the change which took place, almost immediately after Mr. Dimmesdale's death, in the appearance and demeanour of the old man known as Roger Chillingworth. All his strength and energy — all his vital and intellectual force — seemed at once to desert him, insomuch that he positively withered up, shrivelled away and almost vanished from mortal sight, like an uprooted weed that lies wilting in the sun. This unhappy man had made the very principle of his life to consist in the pursuit and systematic exercise of revenge; and when, by its completest triumph consummation that evil principle was left with no further material to support it — when, in short, there was no more Devil's work on earth for him to do, it only remained for the unhumanised mortal to betake himself whither his master would find him tasks enough, and pay him his wages duly. But, to all these shadowy beings, so long our near acquaintances — as well Roger Chillingworth as his companions we would fain be merciful. It is a curious subject of observation and inquiry, whether hatred and love be not the same thing at bottom. Each, in its utmost development, supposes a high degree of intimacy and heart-knowledge; each renders one individual dependent for the food of his affections and spiritual fife upon another: each leaves the passionate lover, or the no less passionate hater, forlorn and desolate by the withdrawal of his subject. Philosophically considered, therefore, the two passions seem essentially the same, except that one happens to be seen in a celestial radiance, and the other in a dusky and lurid glow. In the spiritual world, the old physician and the minister — mutual victims as they have been — may, unawares, have found their earthly stock of hatred and antipathy transmuted into golden love.
Leaving this discussion apart, we have a matter of business to communicate to the reader. At old Roger Chillingworth's decease, (which took place within the year), and by his last will and testament, of which Governor Bellingham and the Reverend Mr. Wilson were executors, he bequeathed a very considerable amount of property, both here and in England to little Pearl, the daughter of Hester Prynne.
So Pearl — the elf child — the demon offspring, as some people up to that epoch persisted in considering her — became the richest heiress of her day in the New World. Not improbably this circumstance wrought a very material change in the public estimation; and had the mother and child remained here, little Pearl at a marriageable period of life might have mingled her wild blood with the lineage of the devoutest Puritan among them all. But, in no long time after the physician's death, the wearer of the scarlet letter disappeared, and Pearl along with her. For many years, though a vague report would now and then find its way across the sea — like a shapeless piece of driftwood tossed ashore with the initials of a name upon it — yet no tidings of them unquestionably authentic were received. The story of the scarlet letter grew into a legend. Its spell, however, was still potent, and kept the scaffold awful where the poor minister had died, and likewise the cottage by the sea-shore where Hester Prynne had dwelt. Near this latter spot, one afternoon some children were at play, when they beheld a tall woman in a gray robe approach the cottage-door. In all those year
s it had never once been opened; but either she unlocked it or the decaying wood and iron yielded to her hand, or she glided shadow-like through these impediments — and, at all events, went in.
On the threshold she paused — turned partly round — for perchance the idea of entering alone and all so changed, the home of so intense a former life, was more dreary and desolate than even she could bear. But her hesitation was only for an instant, though long enough to display a scarlet letter on her breast.
And Hester Prynne had returned, and taken up her long-forsaken shame! But where was little Pearl? If still alive she must now have been in the flush and bloom of early womanhood. None knew — nor ever learned with the fulness of perfect certainty — whether the elf-child had gone thus untimely to a maiden grave; or whether her wild, rich nature had been softened and subdued and made capable of a woman's gentle happiness. But through the remainder of Hester's life there were indications that the recluse of the scarlet letter was the object of love and interest with some inhabitant of another land. Letters came, with armorial seals upon them, though of bearings unknown to English heraldry. In the cottage there were articles of comfort and luxury such as Hester never cared to use, but which only wealth could have purchased and affection have imagined for her. There were trifles too, little ornaments, beautiful tokens of a continual remembrance, that must have been wrought by delicate fingers at the impulse of a fond heart. And once Hester was seen embroidering a baby-garment with such a lavish richness of golden fancy as would have raised a public tumult had any infant thus apparelled, been shown to our sober-hued community.
In fine, the gossips of that day believed — and Mr. Surveyor Pue, who made investigations a century later, believed — and one of his recent successors in office, moreover, faithfully believes — that Pearl was not only alive, but married, and happy, and mindful of her mother; and that she would most joyfully have entertained that sad and lonely mother at her fireside.
But there was a more real life for Hester Prynne, here, in New England, than in that unknown region where Pearl had found a home. Here had been her sin; here, her sorrow; and here was yet to be her penitence. She had returned, therefore, and resumed — of her own free will, for not the sternest magistrate of that iron period would have imposed it — resumed the symbol of which we have related so dark a tale. Never afterwards did it quit her bosom. But, in the lapse of the toilsome, thoughtful, and self-devoted years that made up Hester's life, the scarlet letter ceased to be a stigma which attracted the world's scorn and bitterness, and became a type of something to be sorrowed over, and looked upon with awe, yet with reverence too. And, as Hester Prynne had no selfish ends, nor lived in any measure for her own profit and enjoyment, people brought all their sorrows and perplexities, and besought her counsel, as one who had herself gone through a mighty trouble. Women, more especially — in the continually recurring trials of wounded, wasted, wronged, misplaced, or erring and sinful passion — or with the dreary burden of a heart unyielded, because unvalued and unsought came to Hester's cottage, demanding why they were so wretched, and what the remedy! Hester comforted and counselled them, as best she might. She assured them, too, of her firm belief that, at some brighter period, when the world should have grown ripe for it, in Heaven's own time, a new truth would be revealed, in order to establish the whole relation between man and woman on a surer ground of mutual happiness. Earlier in life, Hester had vainly imagined that she herself might be the destined prophetess, but had long since recognised the impossibility that any mission of divine and mysterious truth should be confided to a woman stained with sin, bowed down with shame, or even burdened with a life-long sorrow. The angel and apostle of the coming revelation must be a woman, indeed, but lofty, pure, and beautiful, and wise; moreover, not through dusky grief, but the ethereal medium of joy; and showing how sacred love should make us happy, by the truest test of a life successful to such an end.
So said Hester Prynne, and glanced her sad eyes downward at the scarlet letter. And, after many, many years, a new grave was delved, near an old and sunken one, in that burial-ground beside which King's Chapel has since been built. It was near that old and sunken grave, yet with a space between, as if the dust of the two sleepers had no right to mingle. Yet one tomb-stone served for both. All around, there were monuments carved with armorial bearings; and on this simple slab of slate — as the curious investigator may still discern, and perplex himself with the purport — there appeared the semblance of an engraved escutcheon. It bore a device, a herald's wording of which may serve for a motto and brief description of our now concluded legend; so sombre is it, and relieved only by one ever-glowing point of light gloomier than the shadow: —
“ON A FIELD, SABLE, THE LETTER A, GULES”
THE HOUSE OF THE SEVEN GABLES
This gothic novel was first published in 1851. It explores themes of guilt, retribution, and atonement in a New England family, as well as featuring elements of the supernatural. The story was inspired by a gabled house in Salem belonging to Hawthorne's cousin Susanna Ingersoll and by those of Hawthorne's ancestors who played a part in the Salem Witch Trials of 1692. The novel was well received upon publication and later had a strong influence on the work of H. P. Lovecraft.
The house of the title is a gloomy New England mansion, haunted from its foundation by fraudulent dealings, accusations of witchcraft, and sudden death. The current resident, the dignified but desperately poor Hepzibah Pyncheon, opens a shop in a side room to support her brother Clifford, who is about to leave prison after serving thirty years for murder.
Hawthorne, near the time of publication
CONTENTS
INTRODUCTORY NOTE.
PREFACE.
I The Old Pyncheon Family
II The Little Shop-Window
III The First Customer
IV A Day Behind the Counter
V May and November
VI Maule's Well
VII The Guest
VIII The Pyncheon of To-day
IX Clifford and Phoebe
X The Pyncheon Garden
XI The Arched Window
XII The Daguerreotypist
XIII Alice Pyncheon
XIV Phoebe's Good-Bye
XV The Scowl and Smile
XVI Clifford's Chamber
XVII The Flight of Two Owls
XVIII Governor Pyncheon
XIX Alice's Posies
XX The Flower of Eden
XXI The Departure
1940 movie adaptation
The real-life House of Seven Gables
INTRODUCTORY NOTE.
THE HOUSE OF THE SEVEN GABLES.
IN September of the year during the February of which Hawthorne had completed “The Scarlet Letter,” he began “The House of the Seven Gables.” Meanwhile, he had removed from Salem to Lenox, in Berkshire County, Massachusetts, where he occupied with his family a small red wooden house, still standing at the date of this edition, near the Stockbridge Bowl.
“I sha'n't have the new story ready by November,” he explained to his publisher, on the 1st of October, “for I am never good for anything in the literary way till after the first autumnal frost, which has somewhat such an effect on my imagination that it does on the foliage here about me-multiplying and brightening its hues.” But by vigorous application he was able to complete the new work about the middle of the January following.
Since research has disclosed the manner in which the romance is interwoven with incidents from the history of the Hawthorne family, “The House of the Seven Gables” has acquired an interest apart from that by which it first appealed to the public. John Hathorne (as the name was then spelled), the great-grandfather of Nathaniel Hawthorne, was a magistrate at Salem in the latter part of the seventeenth century, and officiated at the famous trials for witchcraft held there. It is of record that he used peculiar severity towards a certain woman who was among the accused; and the husband of this woman prophesied that God would take revenge upon his wife'
s persecutors. This circumstance doubtless furnished a hint for that piece of tradition in the book which represents a Pyncheon of a former generation as having persecuted one Maule, who declared that God would give his enemy “blood to drink.” It became a conviction with the Hawthorne family that a curse had been pronounced upon its members, which continued in force in the time of the romancer; a conviction perhaps derived from the recorded prophecy of the injured woman's husband, just mentioned; and, here again, we have a correspondence with Maule's malediction in the story. Furthermore, there occurs in the “American Note-Books” (August 27, 1837), a reminiscence of the author's family, to the following effect. Philip English, a character well-known in early Salem annals, was among those who suffered from John Hathorne's magisterial harshness, and he maintained in consequence a lasting feud with the old Puritan official. But at his death English left daughters, one of whom is said to have married the son of Justice John Hathorne, whom English had declared he would never forgive. It is scarcely necessary to point out how clearly this foreshadows the final union of those hereditary foes, the Pyncheons and Maules, through the marriage of Phoebe and Holgrave. The romance, however, describes the Maules as possessing some of the traits known to have been characteristic of the Hawthornes: for example, “so long as any of the race were to be found, they had been marked out from other men — not strikingly, nor as with a sharp line, but with an effect that was felt rather than spoken of — by an hereditary characteristic of reserve.” Thus, while the general suggestion of the Hawthorne line and its fortunes was followed in the romance, the Pyncheons taking the place of the author's family, certain distinguishing marks of the Hawthornes were assigned to the imaginary Maule posterity.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 38
