In this manner I went all through the cabin, hitting everybody as hard a lash as I could, and laying the whole blame on the infernal Englishman. At length I caught the eyes of my own image in the looking-glass, where a number of the party were likewise reflected, and among them the Englishman, who at that moment was intently observing myself.
*****
The crimson curtain being let down between the ladies and gentlemen, the cabin became a bedchamber for twenty persons, who were laid on shelves one above another. For a long time our various incommodities kept us all awake except five or six, who were accustomed to sleep nightly amid the uproar of their own snoring, and had little to dread from any other species of disturbance. It is a curious fact that these snorers had been the most quiet people in the boat while awake, and became peace-breakers only when others cease to be so, breathing tumult out of their repose. Would it were possible to affix a wind-instrument to the nose, and thus make melody of a snore, so that a sleeping lover might serenade his mistress or a congregation snore a psalm-tune! Other, though fainter, sounds than these contributed to my restlessness. My head was close to the crimson curtain, — the sexual division of the boat, — behind which I continually heard whispers and stealthy footsteps; the noise of a comb laid on the table or a slipper dropped on the floor; the twang, like a broken harp-string, caused by loosening a tight belt; the rustling of a gown in its descent; and the unlacing of a pair of stays. My ear seemed to have the properties of an eye; a visible image pestered my fancy in the darkness; the curtain was withdrawn between me and the Western lady, who yet disrobed herself without a blush.
Finally all was hushed in that quarter. Still I was more broad awake than through the whole preceding day, and felt a feverish impulse to toss my limbs miles apart and appease the unquietness of mind by that of matter. Forgetting that my berth was hardly so wide as a coffin, I turned suddenly over and fell like an avalanche on the floor, to the disturbance of the whole community of sleepers. As there were no bones broken, I blessed the accident and went on deck. A lantern was burning at each end of the boat, and one of the crew was stationed at the bows, keeping watch, as mariners do on the ocean. Though the rain had ceased, the sky was all one cloud, and the darkness so intense that there seemed to be no world except the little space on which our lanterns glimmered. Yet it was an impressive scene.
We were traversing the “long level,” a dead flat between Utica and Syracuse, where the canal has not rise or fall enough to require a lock for nearly seventy miles. There can hardly be a more dismal tract of country. The forest which covers it, consisting chiefly of white-cedar, black-ash, and other trees that live in excessive moisture, is now decayed and death-struck by the partial draining of the swamp into the great ditch of the canal. Sometimes, indeed, our lights were reflected from pools of stagnant water which stretched far in among the trunks of the trees, beneath dense masses of dark foliage. But generally the tall stems and intermingled branches were naked, and brought into strong relief amid the surrounding gloom by the whiteness of their decay. Often we beheld the prostrate form of some old sylvan giant which had fallen and crushed down smaller trees under its immense ruin. In spots where destruction had been riotous, the lanterns showed perhaps a hundred trunks, erect, half overthrown, extended along the ground, resting on their shattered limbs or tossing them desperately into the darkness, but all of one ashy white, all naked together, in desolate confusion. Thus growing out of the night as we drew nigh, and vanishing as we glided on, based on obscurity, and overhung and bounded by it, the scene was ghostlike, — the very land of unsubstantial things, whither dreams might betake themselves when they quit the slumberer's brain.
My fancy found another emblem. The wild nature of America had been driven to this desert-place by the encroachments of civilized man. And even here, where the savage queen was throned on the ruins of her empire, did we penetrate, a vulgar and worldly throng, intruding on her latest solitude. In other lands decay sits among fallen palaces; but here her home is in the forests.
Looking ahead, I discerned a distant light, announcing the approach of another boat, which soon passed us, and proved to be a rusty old scow, — just such a craft as the “Flying Dutchman” would navigate on the canal. Perhaps it was that celebrated personage himself whom I imperfectly distinguished at the helm in a glazed cap and rough great-coat, with a pipe in his mouth, leaving the fumes of tobacco a hundred yards behind. Shortly after our boatman blew a horn, sending a long and melancholy note through the forest avenue, as a signal for some watcher in the wilderness to be ready with a change of horses. We had proceeded a mile or two with our fresh team when the tow-rope got entangled in a fallen branch on the edge of the canal, and caused a momentary delay, during which I went to examine the phosphoric light of an old tree a little within the forest. It was not the first delusive radiance that I had followed.
The tree lay along the ground, and was wholly converted into a mass of diseased splendor, which threw a ghastliness around. Being full of conceits that night, I called it a frigid fire, a funeral light, illumining decay and death, an emblem of fame that gleams around the dead man without warming him, or of genius when it owes its brilliancy to moral rottenness, and was thinking that such ghostlike torches were just fit to light up this dead forest or to blaze coldly in tombs, when, starting from my abstraction, I looked up the canal. I recollected myself, and discovered the lanterns glimmering far away.
“Boat ahoy!” shouted I, making a trumpet of my closed fists.
Though the cry must have rung for miles along that hollow passage of the woods, it produced no effect. These packet-boats make up for their snail-like pace by never loitering day nor night, especially for those who have paid their fare. Indeed, the captain had an interest in getting rid of me; for I was his creditor for a breakfast.
“They are gone, Heaven be praised!” ejaculated I; “for I cannot possibly overtake them. Here am I, on the 'long level,' at midnight, with the comfortable prospect of a walk to Syracuse, where my baggage will be left. And now to find a house or shed wherein to pass the night.” So thinking aloud, I took a flambeau from the old tree, burning, but consuming not, to light my steps withal, and, like a jack-o'-the-lantern, set out on my midnight tour.
THE OLD APPLE DEALER
The lover of the moral picturesque may sometimes find what he, seeks in a character which is nevertheless of too negative a description to be seized upon and represented to the imaginative vision by word-painting. As an instance, I remember an old man who carries on a little trade of gingerbread and apples at the depot of one of our railroads. While awaiting the departure of the cars, my observation, flitting to and fro among the livelier characteristics of the scene, has often settled insensibly upon this almost hueless object. Thus, unconsciously to myself and unsuspected by him, I have studied the old apple-dealer until he has become a naturalized citizen of my inner world. How little would he imagine — poor, neglected, friendless, unappreciated, and with little that demands appreciation — that the mental eye of an utter stranger has so often reverted to his figure! Many a noble form, many a beautiful face, has flitted before me and vanished like a shadow. It is a strange witchcraft whereby this faded and featureless old apple-dealer has gained a settlement in my memory.
He is a small man, with gray hair and gray stubble beard, and is invariably clad in a shabby surtout of snuff-color, closely buttoned, and half concealing a pair of gray pantaloons; the whole dress, though clean and entire, being evidently flimsy with much wear. His face, thin, withered, furrowed, and with features which even age has failed to render impressive, has a frost-bitten aspect. It is a moral frost which no physical warmth or comfortableness could counteract. The summer sunshine may fling its white heat upon him or the good fire of the depot room may slake him the focus of its blaze on a winter's day; but all in vain; for still the old roan looks as if he were in a frosty atmosphere, with scarcely warmth enough to keep life in the region about his heart. It is a patient, long-sufferi
ng, quiet, hopeless, shivering aspect. He is not desperate, — that, though its etymology implies no more, would be too positive an expression, — but merely devoid of hope. As all his past life, probably, offers no spots of brightness to his memory, so he takes his present poverty and discomfort as entirely a matter of course! he thinks it the definition of existence, so far as himself is concerned, to be poor, cold, and uncomfortable. It may be added, that time has not thrown dignity as a mantle over the old man's figure: there is nothing venerable about him: you pity him without a scruple.
He sits on a bench in the depot room; and before him, on the floor, are deposited two baskets of a capacity to contain his whole stock in trade. Across from one basket to the other extends a board, on which is displayed a plate of cakes and gingerbread, some russet and red-cheeked apples, and a box containing variegated sticks of candy, together with that delectable condiment known by children as Gibraltar rock, neatly done up in white paper. There is likewise a half-peck measure of cracked walnuts and two or three tin half-pints or gills filled with the nut-kernels, ready for purchasers.
Such are the small commodities with which our old friend comes daily before the world, ministering to its petty needs and little freaks of appetite, and seeking thence the solid subsistence — so far as he may subsist of his life.
A slight observer would speak of the old man's quietude; but, on closer scrutiny, you discover that there is a continual unrest within him, which somewhat resembles the fluttering action of the nerves in a corpse from which life has recently departed. Though he never exhibits any violent action, and, indeed, might appear to be sitting quite still, yet you perceive, when his minuter peculiarities begin to be detected, that he is always making some little movement or other. He looks anxiously at his plate of cakes or pyramid of apples and slightly alters their arrangement, with an evident idea that a great deal depends on their being disposed exactly thus and so. Then for a moment he gazes out of the window; then he shivers quietly and folds his arms across his breast, as if to draw himself closer within himself, and thus keep a flicker of warmth in his lonesome heart. Now he turns again to his merchandise of cakes, apples, and candy, and discovers that this cake or that apple, or yonder stick of red and white candy, has somehow got out of its proper position. And is there not a walnut-kernel too many or too few in one of those small tin measures? Again the whole arrangement appears to be settled to his mind; but, in the course of a minute or two, there will assuredly be something to set right. At times, by an indescribable shadow upon his features, too quiet, however, to be noticed until you are familiar with his ordinary aspect, the expression of frostbitten, patient despondency becomes very touching. It seems as if just at that instant the suspicion occurred to him that, in his chill decline of life, earning scanty bread by selling cakes, apples, and candy, he is a very miserable old fellow.
But, if he thinks so, it is a mistake. He can never suffer the extreme of misery, because the tone of his whole being is too much subdued for him to feel anything acutely.
Occasionally one of the passengers, to while away a tedious interval, approaches the old man, inspects the articles upon his board, and even peeps curiously into the two baskets. Another, striding to and fro along the room, throws a look at the apples and gingerbread at every turn. A third, it may be of a more sensitive and delicate texture of being, glances shyly thitherward, cautious not to excite expectations of a purchaser while yet undetermined whether to buy. But there appears to be no need of such a scrupulous regard to our old friend's feelings. True, he is conscious of the remote possibility to sell a cake or an apple; but innumerable disappointments have rendered him so far a philosopher, that, even if the purchased article should be returned, he will consider it altogether in the ordinary train of events. He speaks to none, and makes no sign of offering his wares to the public: not that he is deterred by pride, but by the certain conviction that such demonstrations would not increase his custom. Besides, this activity in business would require an energy that never could have been a characteristic of his almost passive disposition even in youth. Whenever an actual customer customer appears the old man looks up with a patient eye: if the price and the article are approved, he is ready to make change; otherwise his eyelids droop again sadly enough, but with no heavier despondency than before. He shivers, perhaps folds his lean arms around his lean body, and resumes the life-long, frozen patience in which consists his strength.
Once in a while a school-boy comes hastily up, places cent or two upon the board, and takes up a cake, or stick of candy, or a measure of walnuts, or an apple as red-checked as himself. There are no words as to price, that being as well known to the buyer as to the seller. The old apple-dealer never speaks an unnecessary word not that he is sullen and morose; but there is none of the cheeriness and briskness in him that stirs up people to talk.
Not seldom he is greeted by some old neighbor, a man well to do in the world, who makes a civil, patronizing observation about the weather; and then, by way of performing a charitable deed, begins to chaffer for an apple. Our friend presumes not on any past acquaintance; he makes the briefest possible response to all general remarks, and shrinks quietly into himself again. After every diminution of his stock he takes care to produce from the basket another cake, another stick of candy, another apple, or another measure of walnuts, to supply the place of the article sold. Two or three attempts — or, perchance, half a dozen — are requisite before the board can be rearranged to his satisfaction. If he have received a silver coin, he waits till the purchaser is out of sight, then examines it closely, and tries to bend it with his finger and thumb: finally he puts it into his waistcoat-pocket with seemingly a gentle sigh. This sigh, so faint as to be hardly perceptible, and not expressive of any definite emotion, is the accompaniment and conclusion of all his actions. It is the symbol of the chillness and torpid melancholy of his old age, which only make themselves felt sensibly when his repose is slightly disturbed.
Our man of gingerbread and apples is not a specimen of the “needy man who has seen better days.” Doubtless there have been better and brighter days in the far-off time of his youth; but none with so much sunshine of prosperity in them that the chill, the depression, the narrowness of means, in his declining years, can have come upon him by surprise. His life has all been of a piece. His subdued and nerveless boyhood prefigured his abortive prime, which likewise contained within itself the prophecy and image of his lean and torpid age. He was perhaps a mechanic, who never came to be a master in his craft, or a petty tradesman, rubbing onward between passably to do and poverty. Possibly he may look back to some brilliant epoch of his career when there were a hundred or two of dollars to his credit in the Savings Bank. Such must have been the extent of his better fortune, — his little measure of this world's triumphs, — all that he has known of success. A meek, downcast, humble, uncomplaining creature, he probably has never felt himself entitled to more than so much of the gifts of Providence. Is it not still something that he has never held out his hand for charity, nor has yet been driven to that sad home and household of Earth's forlorn and broken-spirited children, the almshouse? He cherishes no quarrel, therefore, with his destiny, nor with the Author of it. All is as it should be.
If, indeed, he have been bereaved of a son, a bold, energetic, vigorous young man, on whom the father's feeble nature leaned as on a staff of strength, in that case he may have felt a bitterness that could not otherwise have been generated in his heart. But methinks the joy of possessing such a son and the agony of losing him would have developed the old man's moral and intellectual nature to a much greater degree than we now find it. Intense grief appears to be as much out of keeping with his life as fervid happiness.
To confess the truth, it is not the easiest matter in the world to define and individualize a character like this which we are now handling. The portrait must be so generally negative that the most delicate pencil is likely to spoil it by introducing some too positive tint. Every touch must be kept
down, or else you destroy the subdued tone which is absolutely essential to the whole effect. Perhaps more may be done by contrast than by direct description. For this purpose I make use of another cake and candy merchant, who, likewise infests the railroad depot. This latter worthy is a very smart and well-dressed boy of ten years old or thereabouts, who skips briskly hither and thither, addressing the passengers in a pert voice, yet with somewhat of good breeding in his tone and pronunciation. Now he has caught my eye, and skips across the room with a pretty pertness, which I should like to correct with a box on the ear. “Any cake, sir? any candy?”
No, none for me, my lad. I did but glance at your brisk figure in order to catch a reflected light and throw it upon your old rival yonder.
Again, in order to invest my conception of the old man with a more decided sense of reality, I look at him in the very moment of intensest bustle, on the arrival of the cars. The shriek of the engine as it rushes into the car-house is the utterance of the steam fiend, whom man has subdued by magic spells and compels to serve as a beast of burden. He has skimmed rivers in his headlong rush, dashed through forests, plunged into the hearts of mountains, and glanced from the city to the desert-place, and again to a far-off city, with a meteoric progress, seen and out of sight, while his reverberating roar still fills the ear. The travellers swarm forth from the cars. All are full of the momentum which they have caught from their mode of conveyance. It seems as if the whole world, both morally and physically, were detached from its old standfasts and set in rapid motion. And, in the midst of this terrible activity, there sits the old man of gingerbread, so subdued, so hopeless, so without a stake in life, and yet not positively miserable, — there he sits, the forlorn old creature, one chill and sombre day after another, gathering scanty coppers for his cakes, apples, and candy, — there sits the old apple-dealer, in his threadbare suit of snuff-color and gray and his grizzly stubble heard. See! he folds his lean arms around his lean figure with that quiet sigh and that scarcely perceptible shiver which are the tokens of his inward state. I have him now. He and the steam fiend are each other's antipodes; the latter is the type of all that go ahead, and the old man the representative of that melancholy class who by some sad witchcraft are doomed never to share in the world's exulting progress. Thus the contrast between mankind and this desolate brother becomes picturesque, and even sublime.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 298
