“The Minotaur!” exclaimed Prince Theseus and like a brave young prince as he was, he put his hand to the hilt of his sword. “What kind of a monster may that be? Is it not possible, at the risk of one's life, to slay him?”
But King Ægeus shook his venerable head, and to convince Theseus that it was quite a hopeless case, he gave him an explanation of the whole affair. It seems that in the Island of Crete there lived a certain dreadful monster, called a Minotaur, which was shaped partly like a man and partly like a bull, and was altogether such a hideous sort of a creature that it is really disagreeable to think of him. If he were suffered to exist at all, it should have been on some desert island, or in the duskiness of some deep cavern, where nobody would ever be tormented by his abominable aspect. But King Minos, who reigned over Crete, laid out a vast deal of money in building a habitation for the Minotaur, and took great care of his health and comfort, merely for mischief's sake. A few years before this time, there had been a war between the city of Athens and the island of Crete, in which the Athenians were beaten and compelled to beg for peace. No peace could they obtain, however, except on condition that they should send seven young men and seven maidens, every year, to be devoured by the pet monster of the cruel King Minos. For three years past, this grievous calamity had been borne. And the sobs, and groans, and shrieks, with which the city was now filled, were caused by the people's woe, because the fatal day had come again, when the fourteen victims were to be chosen by lot; and the old people feared lest their sons or daughters might be taken, and the youths and damsels dreaded lest they themselves might be destined to glut the ravenous maw of that detestable man-brute.
But when Theseus heard the story, he straightened himself up, so that he seemed taller than ever before; and as for his face, it was indignant, despiteful, bold, tender, and compassionate, all in one look.
“Let the people of Athens, this year, draw lots for only six young men, instead of seven,” said he. “I will myself be the seventh; and let the Minotaur devour me, if he can!”
“O my dear son,” cried King Ægeus, “why should you expose yourself to this horrible fate? You are a royal prince, and have a right to hold yourself above the destinies of common men.”
“It is because I am a prince, your son, and the rightful heir of your kingdom, that I freely take upon me the calamity of your subjects,” answered Theseus. “And you my father, being king over this people, and answerable to Heaven for their welfare, are bound to sacrifice what is dearest to you, rather than that the son or daughter of the poorest citizen should come to any harm.”
The old king shed tears, and besought Theseus not to leave him desolate in his old age, more especially as he had just begun to know the happiness of possessing a good and valiant son. Theseus, however, felt that he was in the right, and therefore would not give up his resolution. But he assured his father that he did not intend to be eaten up, unresistingly, like a sheep, and that, if the Minotaur devoured him, it should not be without a battle for his dinner. And finally, since he could not help it, King Ægeus consented to let him go. So a vessel was got ready, and rigged with black sails; and Theseus, with six other young men, and seven tender and beautiful damsels, came down to the harbor to embark. A sorrowful multitude accompanied them to the shore. There was the poor old king, too, leaning on his son's arm, and looking as if his single heart held all the grief of Athens.
Just as Prince Theseus was going on board, his father bethought himself of one last word to say.
“My beloved son,” said he, grasping the prince's hand, “you observe that the sails of this vessel are black; as indeed they ought to be, since it goes upon a voyage of sorrow and despair. Now, being weighed down with infirmities, I know not whether I can survive till the vessel shall return. But, as long as I do live, I shall creep daily to the top of yonder cliff, to watch if there be a sail upon the sea. And, dearest Theseus, if by some happy chance, you should escape the jaws of the Minotaur, then tear down those dismal sails, and hoist others that shall be bright as the sunshine. Beholding them on the horizon, myself and all the people will know that you are coming back victorious, and will welcome you with such a festal uproar as Athens never heard before.”
Theseus promised that he would do so. Then, going on board, the mariners trimmed the vessel's black sails to the wind, which blew faintly off the shore, being pretty much made up of the sighs that everybody kept pouring forth on this melancholy occasion. But by and by, when they had got fairly out to sea, there came a stiff breeze from the north-west, and drove them along as merrily over the white-capped waves as if they had been going on the most delightful errand imaginable. And though it was a sad business enough, I rather question whether fourteen young people, without any old persons to keep them in order, could continue to spend the whole time of the voyage in being miserable. There had been some few dances upon the undulating deck, I suspect, and some hearty bursts of laughter, and other such unseasonable merriment among the victims, before the high, blue mountains of Crete began to show themselves among the far-off clouds. That sight, to be sure, made them all very grave again.
Theseus stood among the sailors, gazing eagerly towards the land; although, as yet, it seemed hardly more substantial than the clouds, amidst which the mountains were looming up. Once or twice, he fancied that he saw a glare of some bright object, a long way off, flinging a gleam across the waves.
“Did you see that flash of light?” he inquired of the master of the vessel.
“No, prince; but I have seen it before,” answered the master. “It came from Talus, I suppose.”
As the breeze came fresher just then, the master was busy with trimming his sails, and had no more time to answer questions. But while the vessel flew faster and faster towards Crete, Theseus was astonished to behold a human figure, gigantic in size, which appeared to be striding, with a measured movement, along the margin of the island. It stepped from cliff to cliff, and sometimes from one headland to another, while the sea foamed and thundered on the shore beneath, and dashed its jets of spray over the giant's feet. What was still more remarkable, whenever the sun shone on this huge figure, it flickered and glimmered; its vast countenance, too, had a metallic lustre, and threw great flashes of splendor through the air. The folds of its garments, moreover, instead of waving in the wind, fell heavily over its limbs, as if woven of some kind of metal.
The nigher the vessel came, the more Theseus wondered what this immense giant could be and whether it actually had life or no. For though it walked, and made other lifelike motions, there yet was a kind of jerk in its gait, which, together with its brazen aspect, caused the young prince to suspect that it was no true giant, but only a wonderful piece of machinery. The figure looked all the more terrible because it carried an enormous brass club on its shoulder.
“What is this wonder?” Theseus asked of the master of the vessel, who was now at leisure to answer him.
“It is Talus, the man of Brass,” said the master.
“And is he a live giant, or a brazen image?” asked Theseus.
“That, truly,” replied the master, “is the point which has always perplexed me. Some say, indeed, that this Talus was hammered out for King Minos by Vulcan himself, the skilfulest of all workers in metal. But who ever saw a brazen image that had sense enough to walk round an island three times a day, as this giant walks round the Island of Crete, challenging every vessel that comes nigh the shore? And, on the other hand, what living thing, unless his sinews were made of brass, would not be weary of marching eighteen hundred miles in the twenty-four hours, as Talus does, without ever sitting down to rest? He is a puzzler, take him how you will.”
Still the vessel went bounding onward; and now Theseus could hear the brazen clangor of the giant's footsteps, as he trod heavily upon the sea-beaten rocks, some of which were seen to crack and crumble into the foamy waves beneath his weight. As they approached the entrance of the port, the giant straddled clear across it, with a foot firmly planted on e
ach headland, and uplifting his club to such a height that its butt-end was hidden in a cloud, he stood in that formidable posture, with the sun gleaming all over his metallic surface. There seemed nothing else to be expected but that, the next moment, he would fetch his great club down, slam bang, and smash the vessel into a thousand pieces, without heeding how many innocent people he might destroy; for there is seldom any mercy in a giant, you know, and quite as little in a piece of brass clockwork. But just when Theseus and his companions thought the blow was coming, the brazen lips unclosed themselves, and the figure spoke.
“Whence come you, strangers?”
And when the ringing voice ceased, there was just such a reverberation as you may have heard within a great church bell, for a moment or two after the stroke of the hammer.
“From Athens!” shouted the master in reply.
“On what errand?” thundered the Man of Brass.
And he whirled his club aloft more threateningly than ever, as if he were about to smite them with a thunderstroke right amidships, because Athens, so little while ago, had been at war with Crete.
“We bring the seven youths and the seven maidens,” answered the master, “to be devoured by the Minotaur!”
“Pass!” cried the brazen giant.
That one loud word rolled all about the sky, while again there was a booming reverberation within the figure's breast. The vessel glided between the headlands of the port, and the giant resumed his march. In a few moments, this wondrous sentinel was far away, flashing in the distant sunshine, and revolving with immense strides around the Island of Crete, as it was his never-ceasing task to do.
No sooner had they entered the harbor than a party of the guards of King Minos came down to the water side, and took charge of the fourteen young men and damsels. Surrounded by these armed warriors, Prince Theseus and his companions were led to the king's palace, and ushered into his presence. Now, Minos was a stern and pitiless king. If the figure that guarded Crete was made of brass, then the monarch, who ruled over it, might be thought to have a still harder metal in his breast, and might have been called a man of iron. He bent his shaggy brows upon the poor Athenian victims. Any other mortal, beholding their fresh and tender beauty, and their innocent looks, would have felt himself sitting on thorns until he had made every soul of them happy, by bidding them go free as the summer wind. But this immitigable Minos cared only to examine whether they were plump enough to satisfy the Minotaur's appetite. For my part, I wish he himself had been the only victim; and the monster would have found him a pretty tough one.
One after another, King Minos called these pale, frightened youths and sobbing maidens to his footstool, gave them each a poke in the ribs with his scepter, (to try whether they were in good flesh or no,) and dismissed them with a nod to his guards. But when his eyes rested on Theseus, the king looked at him more attentively, because his face was calm and brave.
“Young man,” asked he, with his stern voice, “are you not appalled at the certainty of being devoured by this terrible Minotaur?”
“I have offered my life in a good cause,” answered Theseus, “and therefore I give it freely and gladly. But thou, King Minos, art thou not thyself appalled, who, year after year, hast perpetrated this dreadful wrong, by giving seven innocent youths and as many maidens to be devoured by a monster? Dost thou not tremble, wicked king, to turn thine eyes inward on thine own heart? Sitting there on thy golden throne, and in thy robes of majesty, I tell thee to thy face, King Minos, thou art a more hideous monster than the Minotaur himself!”
“Aha! do you think me so?” cried the king, laughing in his cruel way. “To-morrow, at breakfast time, you shall have an opportunity of judging which is the greater monster, the Minotaur or the king! Take them away, guards; and let this free-spoken youth be the Minotaur's first morsel!”
Near the king's throne (though I had no time to tell you so before) stood his daughter, Ariadne. She was a beautiful and tender-hearted maiden, and looked at these poor doomed captives with very different feelings from those of the ironbreasted King Minos. She really wept, indeed, at the idea of how much human happiness would be needlessly thrown away, by giving so many young people, in the first bloom and rose blossom of their lives, to be eaten up by a creature who, no doubt, would have preferred a fat ox, or even a large pig, to the plumpest of them. And when she beheld the brave, spirited figure of Prince Theseus bearing himself so calmly in his terrible peril, she grew a hundred times more pitiful than before. As the guards were taking him away, she flung herself at the king's feet, and besought him to set all the captives free, and especially this one young man.
“Peace, foolish girl!” answered King Minos. “What hast thou to do with an affair like this? It is a matter of state policy, and therefore quite beyond thy weak comprehension. Go water thy flowers, and think no more of these Athenian caitiffs, whom the Minotaur shall as certainly eat up for breakfast as I will eat a partridge for my supper.”
So saying, the king looked cruel enough to devour Theseus and all the rest of the captives, himself, had there been no Minotaur to save him the trouble. As he would hear not another word in their favor, the prisoners were now led away, and clapped into a dungeon, where the jailer advised them to go to sleep as soon as possible, because the Minotaur was in the habit of calling for breakfast early. The seven maidens and six of the young men soon sobbed themselves to slumber. But Theseus was not like them. He felt conscious that he was wiser, and braver, and stronger than his companions, and that therefore he had the responsibility of all their lives upon him, and must consider whether there was no way to save them, even in this last extremity. So he kept himself awake, and paced to and fro across the gloomy dungeon in which they were shut up.
Just before midnight, the door was softly unbarred, and the gentle Ariadne showed herself, with a torch in her hand.
“Are you awake, Prince Theseus?” she whispered.
“Yes,” answered Theseus. “With so little time to live, I do not choose to waste any of it in sleep.”
“Then follow me,” said Ariadne, “and tread softly.”
What had become of the jailer and the guards, Theseus never knew. But, however that might be, Ariadne opened all the doors, and led him forth from the darksome prison into the pleasant moonlight.
“Theseus,” said the maiden, “you can now get on board your vessel, and sail away for Athens.”
“No,” answered the young man; “I will never leave Crete unless I can first slay the Minotaur, and save my poor companions, and deliver Athens from this cruel tribute.”
“I knew that this would be your resolution,” said Ariadne. “Come, then, with me, brave Theseus. Here is your own sword, which the guards deprived you of. You will need it; and pray Heaven you may use it well.”
Then she led Theseus along by the hand until they came to a dark, shadowy grove, where the moonlight wasted itself on the tops of the trees, without shedding hardly so much as a glimmering beam upon their pathway. After going a good way through this obscurity, they reached a high, marble wall, which was overgrown with creeping plants, that made it shaggy with their verdure. The wall seemed to have no door, nor any windows, but rose up, lofty, and massive, and mysterious, and was neither to be clambered over, nor, so far as Theseus could perceive, to be passed through. Nevertheless, Ariadne did but press one of her soft little fingers against a particular block of marble, and, though it looked as solid as any other part of the wall, it yielded to her touch, disclosing an entrance just wide enough to admit them. They crept through, and the marble stone swung back into its place.
“We are now,” said Ariadne, “in the famous labyrinth which Dædalus built before he made himself a pair of wings, and flew away from our island like a bird. That Dædalus was a very cunning workman; but of all his artful contrivances, this labyrinth is the most wondrous. Were we to take but a few steps from the doorway, we might wander about all our lifetime, and never find it again. Yet in the very center of this labyrinth is t
he Minotaur; and, Theseus, you must go thither to seek him.
“But how shall I ever find him,” asked Theseus, “if the labyrinth so bewilders me as you say it will?”
Just as he spoke, they heard a rough and very disagreeable roar, which greatly resembled the lowing of a fierce bull, but yet had some sort of sound like the human voice. Theseus even fancied a rude articulation in it, as if the creature that uttered it were trying to shape his hoarse breath into words. It was at some distance, however, and he really could not tell whether it sounded most like a bull's roar or a man's harsh voice.
“That is the Minotaur's noise,” whispered Ariadne, closely grasping the hand of Theseus, and pressing one of her own hands to her heart, which was all in a tremble. “You must follow that sound through the windings of the labyrinth, and, by and by, you will find him. Stay! take the end of this silken string; I will hold the other end; and then, if you win the victory, it will lead you again to this spot. Farewell, brave Theseus.”
So the young man took the end of the silken string in his left hand, and his gold-hilted sword ready drawn from its scabbard, in the other, and trod boldly into the inscrutable labyrinth. How this labyrinth was built is more than I can tell you. But so cunningly contrived a mizmaze was never seen in the world, before nor since. There can be nothing else so intricate, unless it were the brain of a man like Dædalus, who planned it, or the heart of any ordinary man; which last, to be sure, is ten times as great a mystery as the labyrinth of Crete. Theseus had not taken five steps before he lost sight of Ariadne; and in five more his head was growing dizzy. But still he went on, now creeping through a low arch, now ascending a flight of steps, now in one crooked passage, and now in another, with here a door opening before him, and there one banging behind, until it really seemed as if the walls spun round, and whirled him along with them. And all the while, through these hollow avenues, now nearer, now farther off again, resounded the cry of the Minotaur; and the sound was so fierce, so cruel, so ugly, so like a bull's roar, and withal so like a human voice, and yet like neither of them, that the brave heart of Theseus grew sterner and angrier at every step, for he felt it an insult to the moon and sky, and to our affectionate and simple Mother Earth, that such a monster should have the audacity to exist.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 342
