Within a few miles of Keswick, we passed along at the foot of Saddleback, and by the entrance of the Vale of St. John, and down the valley, on one of the slopes, we saw the Enchanted Castle. Thence we drove along by the course of the Greta, and soon arrived at Keswick, which lies at the base of Skiddaw, and among a brotherhood of picturesque eminences, and is itself a compact little town, with a market-house, built of the old stones of the Earl of Derwentwater's ruined castle, standing in the centre, — the principal street forking into two as it passes it. We alighted at the King's Arms, and went in search of Southey's residence, which we found easily enough, as it lies just on the outskirts of the town. We inquired of a group of people, two of whom, I thought, did not seem to know much about the matter; but the third, an elderly man, pointed it out at once, — a house surrounded by trees, so as to be seen only partially, and standing on a little eminence, a hundred yards or so from the road.
We went up a private lane that led to the rear of the place, and so penetrated quite into the back-yard without meeting anybody, — passing a small kennel, in which were two hounds, who gazed at us, but neither growled nor wagged their tails. The house is three stories high, and seems to have a great deal of room in it, so as not to discredit its name, “Greta Hall,” — a very spacious dwelling for a poet. The windows were nearly all closed; there were no signs of occupancy, but a general air of neglect. S — — -, who is bolder than I in these matters, ventured through what seemed a back garden gate, and I soon heard her in conversation with some man, who now presented himself, and proved to be a gardener. He said he had formerly acted in that capacity for Southey, although a gardener had not been kept by him as a regular part of his establishment. This was an old man with an odd crookedness of legs, and strange, disjointed limp. S — — - had told him that we were Americans, and he took the idea that we had come this long distance, over sea and land, with the sole purpose of seeing Southey's residence, so that he was inclined to do what he could towards exhibiting it. This was but little; the present occupant (a Mr. Radday, I believe the gardener called him) being away, and the house shut up.
But he showed us about the grounds, and allowed us to peep into the windows of what had been Southey's library, and into those of another of the front apartments, and showed us the window of the chamber in the rear, in which Southey died. The apartments into which we peeped looked rather small and low, — not particularly so, but enough to indicate an old building. They are now handsomely furnished, and we saw over one of the fireplaces an inscription about Southey; and in the corner of the same room stood a suit, of bright armor. It is taller than the country-houses of English gentlemen usually are, and it is even stately. All about, in front, beside it and behind, there is a great profusion of trees, most of which were planted by Southey, who came to live here more than fifty years ago, and they have, of course, grown much more shadowy now than he ever beheld them; for he died about fourteen years since. The grounds are well laid out, and neatly kept, with the usual lawn and gravelled walks, and quaint little devices in the ornamental way. These may be of later date than Southey's time. The gardener spoke respectfully of Southey, and of his first wife, and observed that “it was a great loss to the neighborhood when that family went down.”
The house stands directly above the Greta, the murmur of which is audible all about it; for the Greta is a swift little river, and goes on its way with a continual sound, which has both depth and breadth. The gardener led us to a walk along its banks, close by the Hall, where he said Southey used to walk for hours and hours together. He might, indeed, get there from his study in a moment. There are two paths, one above the other, well laid out on the steep declivity of the high bank; and there is such a very thick shade of oaks and elms, planted by Southey himself over the bank, that all the ground and grass were moist, although it had been a sunny day. It is a very sombre walk; not many glimpses of the sky through those dense boughs. The Greta is here, perhaps, twenty yards across, and very dark of hue, and its voice is melancholy and very suggestive of musings and reveries; but I should question whether it were favorable to any settled scheme of thought. The gardener told us that there used to be a pebbly beach on the margin of the river, and that it was Southey's habit to sit and write there, using a tree of peculiar shape for a table. An alteration in the current of the river has swept away the beach, and the tree, too, has fallen. All these things were interesting to me, although Southey was not, I think, a picturesque man, — not one whose personal character takes a strong hold on the imagination. In these walks he used to wear a pair of shoes heavily clamped with iron; very ponderous they must have been, from the particularity with which the gardener mentioned them.
The gardener took leave of us at the front entrance of the grounds, and, returning to the King's Arms, we ordered a one-horse fly for the fall of Lodore. Our drive thither was along the banks of Derwentwater, and it is as beautiful a road, I imagine, as can be found in England or anywhere else. I like Derwentwater the best of all the lakes, so far as I have yet seen them. Skiddaw lies at the head of a long even ridge of mountains, rising into several peaks, and one higher than the rest. On the eastern side there are many noble eminences, and on the west, along which we drove, there is a part of the way a lovely wood, and nearly the whole distance a precipitous range of lofty cliffs, descending sheer down without any slope, except what has been formed in the lapse of ages by the fall of fragments, and the washing down of smaller stones. The declivity thus formed along the base of the cliffs is in some places covered with trees or shrubs; elsewhere it is quite bare and barren. The precipitous parts of the cliffs are very grand; the whole scene, indeed, might be characterized as one of stern grandeur with an embroidery of rich beauty, without lauding it too much. All the sternness of it is softened by vegetative beauty wherever it can possibly be thrown in; and there is not here, so strongly as along Windermere, evidence that human art has been helping out Nature. I wish it were possible to give any idea of the shapes of the hills; with these, at least, man has nothing to do, nor ever will have anything to do. As we approached the bottom of the lake, and of the beautiful valley in which it lies, we saw one hill that seemed to crouch down like a Titanic watch-dog, with its rear towards the spectator, guarding the entrance to the valley. The great superiority of these mountains over those of New England is their variety and definiteness of shape, besides the abundance everywhere of water prospects, which are wanting among our own hills. They rise up decidedly, and each is a hill by itself, while ours mingle into one another, and, besides, have such large bases that you can tell neither where they begin nor where they end. Many of these Cumberland mountains have a marked vertebral shape, so that they often look like a group of huge lions, lying down with their backs turned toward each other. They slope down steeply from narrow ridges; hence their picturesque seclusions of valleys and dales, which subdivide the lake region into so many communities. Our hills, like apple-dumplings in a dish, have no such valleys as these.
There is a good inn at Lodore, — a small, primitive country inn, which has latterly been enlarged and otherwise adapted to meet the convenience of the guests brought thither by the fame of the cascade; but it is still a country inn, though it takes upon itself the title of hotel.
We found pleasant rooms here, and established ourselves for the night. From this point we have a view of the beautiful lake, and of Skiddaw at the head of it. The cascade is within three or four minutes' walk, through the garden gate, towards the cliff, at the base of which the inn stands. The visitor would need no other guide than its own voice, which is said to be audible sometimes at the distance of four miles. As we were coming from Keswick, we caught glimpses of its white foam high up the precipice; and it is only glimpses that can be caught anywhere, because there is no regular sheet of falling water. Once, I think, it must have fallen abruptly over the edge of the long line of precipice that here extends along parallel with the shore of the lake; but, in the course of time, it has gnawed and sawed its
way into the heart of the cliff, — this persistent little stream, — so that now it has formed a rude gorge, adown which it hurries and tumbles in the wildest way, over the roughest imaginable staircase. Standing at the bottom of the fall, you have a far vista sloping upward to the sky, with the water everywhere as white as snow, pouring and pouring down, now on one side of the gorge, now on the other, among immense bowlders, which try to choke its passage. It does not attempt to leap over these huge rocks, but finds its way in and out among then, and finally gets to the bottom after a hundred tumbles. It cannot be better described than in Southey's verses, though it is worthy of better poetry than that. After all, I do not know that the cascade is anything more than a beautiful fringe to the grandeur of the scene; for it is very grand, — this fissure through the cliff, — with a steep, lofty precipice on the right hand, sheer up and down, and on the other hand, too, another lofty precipice, with a slope of its own ruin on which trees and shrubbery have grown. The right-hand precipice, however, has shelves affording sufficient hold for small trees, but nowhere does it slant. If it were not for the white little stream falling gently downward, and for the soft verdure upon either precipice, and even along the very pathway of the cascade, it would be a very stern vista up that gorge.
I shall not try to describe it any more. It has not been praised too much, though it may have been praised amiss. I went thither again in the morning, and climbed a good way up, through the midst of its rocky descent, and I think I could have reached the top in this way. It is remarkable that the bounds of the water, from one step of its broken staircase to another, give an impression of softness and gentleness; but there are black, turbulent pools among the great bowlders, where the stream seems angry at the difficulties which it meets with. Looking upward in the sunshine, I could see a rising mist, and I should not wonder if a speck of rainbow were sometimes visible. I noticed a small oak in the bed of the cascade, and there is a lighter vegetation scattered about.
At noon we took a car for Portinscale, and drove back along the road to Keswick, through which we passed, stopping to get a perhaps of letters at the post-office, and reached Portinscale, which is a mile from Keswick. After dinner we walked over a bridge, and through a green lane, to the church where Southey is buried. It is a white church, of Norman architecture, with a low, square tower. As we approached, we saw two persons entering the portal, and, following them in, we found the sexton, who was a tall, thin old man, with white hair, and an intelligent, reverent face, showing the edifice to a stout, red-faced, self-important, good-natured John Bull of a gentleman. Without any question on our part, the old sexton immediately led us to Southey's monument, which is placed in a side aisle, where there is not breadth for it to stand free of the wall; neither is it in a very good light. But, it seemed to me a good work of art, — a recumbent figure of white marble, on a couch, the drapery of which he has drawn about him, — being quite enveloped in what may be a shroud. The sculptor has not intended to represent death, for the figure lies on its side, and has a book in its hand, and the face is lifelike, and looks full of expression, — a thin, high-featured, poetic face, with a finely proportioned head and abundant hair. It represents Southey rightly, at whatever age he died, in the full maturity of manhood, when he was strongest and richest. I liked the statue, and wished that it lay in a broader aisle, or in the chancel, where there is an old tomb of a knight and lady of the Ratcliffe family, who have held the place of honor long enough to yield it now to a poet. Southey's sculptor was Lough. I must not forget to mention that John Bull, climbing on a bench, to get a better view of the statue, tumbled off with a racket that resounded irreverently through the church.
The old, white-headed, thin sexton was a model man of his class, and appeared to take a loving and cheerful interest in the building, and in those who, from age to age, have worshipped and been buried there. It is a very ancient and interesting church. Within a few years it has been thoroughly repaired as to the interior, and now looks as if it might endure ten more centuries; and I suppose we see little that is really ancient, except the double row of Norman arches, of light freestone, that support the oaken beams and rafters of the roof. All the walls, however, are venerable, and quite preserve the identity of the edifice. There is a stained-glass window of modern manufacture, and in one of the side windows, set amidst plain glass, there is a single piece, five hundred years old, representing St. Anthony, very finely executed, though it looks a little faded. Along the walls, on each side, between the arched windows, there are marble slabs affixed, with inscriptions to the memories of those who used to occupy the seats beneath. I remember none of great antiquity, nor any old monument, except that in the chancel, over the knight and lady of the Ratcliffe family. This consists of a slab of stone, on four small stone pillars, about two feet high. The slab is inlaid with a brass plate, on which is sculptured the knight in armor, and the lady in the costume of Elizabeth's time, exceedingly well done and well preserved, and each figure about eighteen inches in length. The sexton showed us a rubbing of them on paper. Under the slab, which, supported by the low stone pillars, forms a canopy for them, lie two sculptured figures of stone, of life size, and at full length, representing the same persons; but I think the sculptor was hardly equal in his art to the engraver.
The most-curious antique relic in the church is the font. The bowl is very capacious, sufficiently so to admit of the complete immersion of a child of two or three months old. On the outside, in several compartments, there are bas-reliefs of Scriptural and symbolic subjects, — such as the tree of life, the word proceeding out of God's mouth, the crown of thorns, — all in the quaintest taste, sculptured by some hand of a thousand years ago, and preserving the fancies of monkish brains, in stone. The sexton was very proud of this font and its sculpture, and took a kindly personal interest, in showing it; and when we had spent as much time as we could inside, he led us to Southey's grave in the churchyard. He told us that he had known Southey long and well, from early manhood to old age; for he was only twenty-nine when he came to Keswick to reside. He had known Wordsworth too, and Coleridge, and Lovell; and he had seen Southey and Wordsworth walking arm in arm together in that churchyard. He seemed to revere Southey's memory, and said that he had been much lamented, and that as many as a hundred people came to the churchyard when he was buried. He spoke with great praise of Mrs. Southey, his first wife, telling of her charity to the poor, and how she was a blessing to the neighborhood; but he said nothing in favor of the second Mrs. Southey, and only mentioned her selling the library, and other things, after her husband's death, and going to London. Yet I think she was probably a good woman, and meets with less than justice because she took the place of another good woman, and had not time and opportunity to prove herself as good. As for Southey himself, my idea is, that few better or more blameless men have ever lived; but he seems to lack color, passion, warmth, or something that should enable me to bring him into close relation with myself. The graveyard where his body lies is not so rural and picturesque as that where Wordsworth is buried; although Skiddaw rises behind it, and the Greta is murmuring at no very great distance away. But the spot itself has a somewhat bare and bold aspect, with no shadow of trees, no shrubbery.
Over his grave there is a ponderous, oblong block of slate, a native mineral of this region, as hard as iron, and which will doubtless last quite as long as Southey's works retain any vitality in English literature. It is not a monument fit for a poet. There is nothing airy or graceful about it, — and, indeed, there cannot be many men so solid and matter-of-fact as to deserve a tomb like that. Wordsworth's grave is much better, with only a simple headstone, and the grass growing over his mortality, which, for a thousand years, at least, it never can over Southey's. Most of the monuments are of this same black slate, and some erect headstones are curiously sculptured, and seem to have been recently erected.
We now returned to the hotel, and took a car for the valley of St. John. The sky seemed to portend rain in no long ti
me, and Skiddaw had put on his cap; but the people of the hotel and the driver said that there would be no rain this afternoon, and their opinion proved correct. After driving a few miles, we again cane within sight of the Enchanted Castle. It stands rather more than midway adown the declivity of one of the ridges that form the valley to the left, as you go southward, and its site would have been a good one for a fortress, intended to defend the lower entrance of this mountain defile. At a proper distance, it looks not unlike the gray dilapidation of a Gothic castle, which has been crumbling and crumbling away for ages, until Time might be supposed to have imperceptibly stolen its massive pile from man, and given it back to Nature; its towers and battlements and arched entrances being so much defaced and decayed that all the marks of human labor had nearly been obliterated, and the angles of the hewn stone rounded away, while mosses and weeds and bushes grow over it as freely as over a natural ledge of rocks. It is conceivable that in some lights, and in some states of the atmosphere, a traveller, at the entrance of the valley, might really imagine that he beheld a castle here; but, for myself, I must acknowledge that it required a willing fancy to make me see it. As we drew nearer, the delusion did not immediately grow less strong; but, at length, we found ourselves passing at the foot of the declivity, and, behold! it was nothing but an enormous ledge of rock, coming squarely out of the hillside, with other parts of the ledge cropping out in its vicinity. Looking back, after passing, we saw a knoll or hillock, of which the castled rock is the bare face. There are two or three stone cottages along the roadside, beneath the magic castle, and within the enchanted ground. Scott, in the Bridal of Triermain, locates the castle in the middle of the valley, and makes King Arthur ride around it, which any mortal would have great difficulty in doing. This vale of St. John has very striking scenery. Blencathra shuts it in to the northward, lying right across the entrance; and on either side there are lofty crags and declivities, those to the west being more broken and better wooded than the ridge to the eastward, which stretches along for several miles, steep, high, and bare, producing only grass enough for sheep pasture, until it rises into the dark brow of Helvellyn. Adown this ridge, seen afar, like a white ribbon, comes here and there a cascade, sending its voice before it, which distance robs of all its fury, and makes it the quietest sound in the world; and while you see the foamy leap of its upper course a mile or two away, you may see and hear the selfsame little brook babbling through a field, and passing under the arch of a rustic bridge beneath your feet. It is a deep seclusion, with mountains and crags on all sides.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 478
