He learned to read and write. He took the paintings to their final destinations in the churches and the chapels of the great palaces, and collected the payments and bargained for the pigments and the oils. He scolded the servants when the beds weren't made and the meals weren't ready. And beloved by the apprentices, he sent them to their new service when they were finished, with tears. He read poetry to the Master as the Master painted, and he learned to play the lute and to sing songs.
And during those sad times when the Master left Venice for many nights, it was he who governed in the Master's absence, concealing his anguish from the others, knowing it would end only when the Master returned.
And one night finally, in the small hours when even Venice slept:
"This is the moment, beautiful one. For you to come to me and become like me. Is it what you wish?"
"Yes."
"Forever to thrive in secret upon the blood of the evildoer as I thrive, and to abide with these secrets until the end of the world."
"I take the vow, I surrender, I will . . . to be with you, my Master, always, you are the creator of all things that I am. There has never been any greater desire."
The Master's brush pointing to the painting that reached to the ceiling above the tiers of scaffolding.
"This is the only sun that you will ever see again. But a millennium of nights will be yours to see light as no mortal has ever seen it, to snatch from the distant stars as if you were Prometheus an endless illumination by which to understand all things."
How many months were there after? Reeling in the power of the Dark Gift.
This nighttime life of drifting through the alleyways and the canals together-at one with the danger of the dark and no longer afraid of it-and the age-old rapture of the killing, and never, never the innocent souls. No, always the evildoer, the mind pierced until Typhon, the slayer of his brother, was revealed, and then the drinking up of the evil from the mortal victim and the transmuting of it into ecstasy, the Master leading the way, the feast shared.
And the painting afterwards, the solitary hours with the miracle of the new skill, the brush sometimes moving as if by itself across the enameled surface, and the two of them painting furiously on the triptych, and the mortal apprentices asleep among the paint pots and the wine bottles, and only one mystery disturbing the serenity, the mystery that the Master, as in the past, must now and then leave Venice for a journey that seemed endless to those left behind.
All the more terrible now the parting. To hunt alone without the Master, to lie alone in the deep cellar after the hunt, waiting. Not to hear the ring of the Master's laughter or the beat of the Master's heart.
"But where do you go? Why can't I go with you?" Armand pleaded. Didn't they share the secret? Why was this mystery not explained?
"No, my lovely one, you are not ready for this burden. For now, it must be, as it has been for over a thousand years, mine alone. Someday you will help me with what I have to do, but only when you are ready for the knowledge, when you have shown that you truly wish to know, and when you are powerful enough that no one can ever take the knowledge from you against your will. Until then understand I have no choice but to leave you. I go to tend to Those Who Must Be Kept as I have always done."
Those Who Must Be Kept.
Armand brooded upon it; it frightened him. But worst of all it took the Master from him, and only did he learn not to fear it when the Master returned to him again and again.
"Those Who Must Be Kept are in peace, or in silence," he would say as he took the red velvet cloak from his shoulders. "More than that we may never know."
And to the feast again, the stalking of the evildoer through the alleys of Venice, he and the Master would go.
How long might it have continued-through one mortal lifetime? Through a hundred?
Not a half year in this dark bliss before the evening at twilight when the Master stood over his coffin in the deep cellar just above the water, and said:
"Rise, Armand, we must leave here. They have come!"
"But who are they, Master? Is it Those Who Must Be Kept?"
"No, my darling. It is the others. Come, we must hurry!"
"But how can they hurt us? Why must we go?"
The white faces at the windows, the pounding at the doors. Glass shattering. The Master turning this way and that as he looked at the paintings. The smell of smoke. The smell of burning pitch. They were coming up from the cellar. They were coming down from above.
"Run, there is not time to save anything." Up the stairs to the roof.
Black hooded figures heaving their torches through the doorways, the fire roaring in the rooms below, exploding the windows, boiling up the stairway. All the paintings were burning.
"To the roof, Armand. Come!"
Creatures like ourselves in these dark garments! Others like ourselves. The Master scattered them in all directions as he raced up the stairway, bones cracking as they struck the ceiling and the walls.
"Blasphemer, heretic!" the alien voices roared. The arms caught Armand and held him, and above at the very top of the stairway the Master turned back for him:
"Armand! Trust your strength. Come!"
But they were swarming behind the Master. They were surrounding him. For each one hurled into the plaster, three more appeared, until fifty torches were plunged into the Master's velvet garments, his long red sleeves, his white hair. The fire roared up to the ceiling as it consumed him, making of him a living torch, even as with flaming arms he defended himself, igniting his attackers as they threw the blazing torches like firewood at his feet.
But Armand was being borne down and away, out of the burning house, with the screaming mortal apprentices. And over the water and away from Venice, amid cries and wailing, in the belly of a vessel as terrifying as the slave ship, to an open clearing under the night sky.
"Blasphemer, blasphemer!" The bonfire growing, and the chain of hooded figures around it, and the chant rising and rising, "Into the fire."
"No, don't do it to me, no!"
And as he watched, petrified, he saw brought towards the pyre the mortal apprentices, his brothers, his only brothers, roaring in panic as they were hurled upwards and over into the flames.
"No . . . stop this, they're innocent! For the love of God, stop, innocent!..." He was screaming, but now his time had come. They were lifting him as he struggled, and he was flung up and up to fall down into the blast.
"Master, help me!" Then all words giving way to one wailing cry.
Thrashing, screaming, mad.
But he had been taken out of it. Snatched back into life. And he lay on the ground looking at the sky. The flames licked the stars, it seemed, but he was far away from them, and couldn't even feel the heat anymore. He could smell his burnt clothing and his burnt hair. The pain in his face and hands was the worst and the blood was leaking out of him and he could scarcely move his lips . . .
". . . All thy Master's vain works destroyed, all the vain creations which he made among mortals with his Dark Powers, images of angels and saints and living mortals! Wilt thou, too, be destroyed? Or serve Satan? Make thy choice. Thou hast tasted the fire, and the fire waits for thee, hungry for thee. Hell waits for thee. Wilt thou make thy choice?"
"...yes..."
". . . to serve Satan as he is meant to be served."
"Yes... "
". . . That all things of the world are vanity, and thou shalt never use thy Dark Powers for any mortal vanity, not to paint, not to create music, not to dance, nor to recite for the amusement of mortals but only and forever in the service of Satan, thy Dark Powers to seduce and to terrify and to destroy, only to destroy. . ."
"Yes... "
". . . consecrated to thy one and only master, Satan, Satan forever, always and forever. . . to serve thy true master in darkness and pain and in suffering, to surrender thy mind and thy heart. . ."
"Yes."
"And to keep from thy brethren in Satan no secret, to yield all kno
wledge of the blasphemer and his burden..."
Silence.
"To yield all knowledge of the burden, child! Come now, the flames wait."
"I do not understand you..."
"Those Who Must Be Kept. Tell."
"Tell what? I do not know anything, except that I do not wish to suffer. I am so afraid."
"The truth, Child of Darkness. Where are they? Where are Those Who Must Be Kept?"
"I do not know. Look into my mind if you have that same power. There is nothing I can tell."
"But what, child, what are they? Did he never tell you? What are Those Who Must Be Kept?"
And so they did not understand it either. It was no more than a phrase to them as it was to him. When you are powerful enough that no one can ever take the knowledge from you against your will. The Master had been wise.
"What is its meaning! Where are they? We must have the answer."
"I swear to you, I do not have it. I swear on my fear which is all I possess now, I do not know!"
White faces appearing above him, one at a time. The tasteless lips giving hard, sweet kisses, hands stroking him, and from their wrists the glittering droplets of blood. They wanted the truth to come out in the blood. But what did it matter? The blood was the blood.
"Thou art the devil's child now."
"Yes."
"Don't weep for thy master, Marius. Marius is in hell where he belongs. Now drink the healing blood and rise and dance with thine own kind for the glory of Satan! And immortality will be truly thine!"
"Yes"-the blood burning his tongue as he lifted his head, the blood filling him with torturous slowness. "Oh, please."
All around him Latin phrases, and the low beat of drums. They were satisfied. They knew he had spoken the truth. They would not kill him and the ecstasy dimmed all considerations. The pain in his hands and his face had melted into this ecstasy "Rise, young one, and join the Children of Darkness."
"Yes, I do." White hands reaching for his hands. Horns and lutes shrilling over the thud of the drums, the harps plucked into an hypnotic strumming as the circle commenced to move. Hooded figures in mendicant black, robes flowing as they lifted their knees high and bent their backs.
And breaking hands, they whirled, leapt, and came down again, spinning round and round, and a humming song rose louder and louder from their closed lips.
The circle swept on faster. The humming was a great melancholy vibration without shape or continuity and yet it seemed to be a form of speaking, to be the very echo of thought. Louder and louder it came like a moan that could not break into a cry.
He was making the same sound with it, and then turning, and dizzy with turning, he leapt high into the air. Hands caught him, lips kissed him, he was whirling about and pulled along by the others, someone crying out in Latin, another answering, another crying louder, and another answer coming again.
He was flying, no longer bound to the earth and the awful pain of his Master's death, and the death of the paintings, and death of the mortals he loved. The wind sailed past him, and the heat blasted his face and eyes. But the singing was so beautiful that it didn't matter that he didn't know the words, or that he couldn't pray to Satan, didn't know how to believe or make such a prayer. No one knew that he didn't know and they were all in a chorus together and they cried and lamented and tamed and leapt again and then, swaying back and forth, threw their heads back as the fire blinded them and licked them and someone shouted "Yes, YES!"
And the music surged. A barbarous rhythm broke loose all around him from drums and tambourines, voices in lurid rushing melody at last. The vampires threw up their arms, howled, figures flickering past him in riotous contortions, backs arched, heels stomping. The jubilation of imps in hell. It horrified him and it called to him, and when the hands clutched at him and swung him around, he stomped and twisted and danced like the others, letting the pain course through him, bending his limbs and giving the alarm to his cries.
And before dawn, he was delirious, and he had a dozen brothers around him, caressing him and soothing him, and leading him down a staircase that had opened in the bowels of the earth.
It seemed that some time in the months that followed Armand dreamed his Master had not been burnt to death.
He dreamed his Master had fallen from the roof, a blazing comet, into the saving waters of the canal below. And deep in the mountains of northern Italy, his Master survived. His Master called to him to come. His Master was in the sanctuary of Those Who Must Be Kept.
Sometimes in the dream his Master was as powerful and radiant as he had ever been; beauty seemed his raiment. And at others he was burnt black and shriveled, a breathing cinder, his eyes huge and yellow, and only his white hair as lustrous and full as it had been. He crept along the ground in his weakness, pleading for Armand to help him. And behind him, warm light spilled from the sanctuary of Those Who Must Be Kept; there came the smell of incense, and there seemed some promise of ancient magic there, some promise of cold and exotic beauty beyond all evil and all good.
But these were vain imaginings. His Master had told him that fire and the light of the sun could destroy them, and he himself had seen his Master in flames. It was like wishing for his mortal life to come again to have these dreams.
And when his eyes were open on the moon and the stars, and the still mirror of the sea before him, he knew no hope, and no grief, and no joy. All those things had come from the Master, and the Master was no more.
"I am the devil's child." That was poetry. All will was extinguished in him, and there was nothing but the dark confraternity, and the kill was now of the innocent as well as the guilty. The kill was above all cruel.
In Rome in the great coven in the catacombs, he bowed before Santino, the leader, who came down the stone steps to receive him with outstretched arms. This great one had been Born to Darkness in the time of the Black Death, and he told Armand of the vision that had come to him in the year 1349 when the plague raged, that we were to be as the Black Death itself, a vexation without explanation, to cause man to doubt the mercy and intervention of God.
Into the sanctum lined with human skulls Santino took Armand, telling him of the history of the vampires.
From all times we have existed, as wolves have, a source of mortals. And in the coven of Rome, dark shadow of the Roman Church, lay our final perfection.
Armand already knew the rituals and common prohibitions; now he must learn the great laws:
One-that each coven must have its leader and only he might order the working of the Dark Trick upon a mortal, seeing that the methods and the rituals were properly observed.
Two-that the Dark Gifts must never be given to the crippled, the maimed, or to children, or to those who cannot, even with the Dark Powers, survive on their own. Be it further understood that all mortals who would receive the Dark Gifts should be beautiful in person so that the insult to God might be greater when the Dark Trick is done.
Three-that never should an old vampire work this magic lest the blood of the fledgling be too strong. For all our gifts increase naturally with age, and the old ones have too much strength to pass on. Injury, burning-these catastrophes, if they do not destroy the Child of Satan, will only increase his powers when he is healed. Yet Satan guards the flock from the power of old ones, for almost all, without exception, go mad.
In this particular, let Armand observe that there was no vampire then living who was more than three hundred years old. No one alive then could remember the first Roman coven. The devil frequently calls his vampires home.
But let Armand understand here also that the effect of the Dark Trick is unpredictable, even when passed on by the very young vampire and with all due care. For reasons no one knows, some mortals when Born to Darkness become as powerful as Titans, others may be no more than corpses that move. That is why mortals must be chosen with skill. Those with great passion and indomitable will should be avoided as well as those who have none.
Four-that no vampire may
ever destroy another vampire, except that the coven master has the power of life and death over all of his flock. And it is, further, his obligation to lead the old ones and the mad ones into the fire when they can no longer serve Satan as they should. It is his obligation to destroy all vampires who are not properly made. It is his obligation to destroy those who are so badly wounded that they cannot survive on their own. And it is his obligation finally to seek the destruction of all outcasts and all who have broken the laws.
Five-that no vampire shall ever reveal his true nature to a mortal and allow that mortal to live. No vampire must ever reveal the history of the vampires to a mortal and let the mortal live. No vampire must commit to writing the history of the vampires or any true knowledge of vampires lest such a history be found by mortals and believed. And a vampire's name must never be known to mortals, save from his tombstone, and never must any vampire reveal to mortals the location of his or any other vampire's lair.
Anne Rice - Vampire Chronicles 2 - The Vampire Lestat (1985) Page 35
