Five minutes later a taxi drew up and the driver got out. Donahue approached him.
“Buddy,” he said, “I'll give you five dollars if you'll take me to the address where you took that fat man and the woman.”
“Says you.”
“Says I. I'm a private dick and I'm hard up for an address.” He peeled a five dollar bill from a cordovan leather folder.
“Get in.”'
Donahue gave him the bill, entered the cab and sat back lighting a cigarette. The cab cut across town to Third Avenue and then headed north beneath the Elevated structure. At the corner of Fifteenth Street it pulled up and the driver turned around, jerking his thumb.
“Up that way, opposite Stuyvesant Square. Number two hundred and-; it's a gray brick building, kind of narrow. You want me to wait here?”
Getting out, Donahue said: “No.”
“That's swell by me.”
Donahue watched him drive off, took a few drags at his cigarette, tossed it away and turned into East Fifteenth Street. Across the way Rutherford Street ran its two blocks north, flanking Stuyvesant Square on the west. The south side of East Fifteenth faces the park and is walled by substantial stone houses marking a bygone period. Some of them have been remodeled with new fronts and modern facades and hold forth as small apartment houses. Such a one was that in front of which Donahue paused.
The lobby was flush with the sidewalk, faced with two glass doors. Donahue pushed one of them in and was confronted by a large wooden door with a shiny brass knob. On the wall at the right were built-in brass letterboxes and a row of ten brass buttons with names under them. The door was locked. Donahue studied the names intently. Then he went out, crossed the street and looked up at the front of the house. There were only two windows lighted, the shades drawn. The windows were on the third floor, at the right.
Donahue re-entered the lobby, drew a ring of keys from his pocket. He used four master keys and spent four minutes. The door eased open and he stepped into a wide, brown-carpeted hall. One little amber wall-light burned at the foot of a wide staircase with a broad banister. The stairs were carpeted, Donahue's footfalls muted as he climbed.
He listened at the head of the staircase, turned, walked along the wall of the second floor corridor and started up a second staircase. On each floor burned a single amber light, sufficient to light one's way, but overlooking many shadows. Donahue climbed stealthily, leaving his hand off the banister because banisters invariably creak.
On the third floor he stopped, getting his bearings. At the front of the hall was a window. At either side, an apartment. There was a sliver of light beneath the door on the left. Donahue slid towards it and listened. He caught the undertones of a voice, and though he could not distinguish a word he recognized the undertones. The fat man.... '
He straightened suddenly and stepped quickly into the corner of the hall. The door opened and the fat man came out putting on his hat. The woman came with him. She had red hair and looked to be in her thirties, and she had beauty of a sort.
“All right, Tony...”
“Sh!” the fat man whispered. “Everything'll be jake. Just keep a stiff lip, Beryl.”
She went with him down the hall towards the stairs, leaving her door wide open. Donahue crept along the wall, entered the apartment. He was in a comfortable living-room. Back of it was an open bedroom. He slipped into the bedroom.
In another minute the woman came in, closed the corridor door, pushed fingers through her hair. She stood in the center of the living-room, holding her hands to her head, staring haggard-eyed at the floor. Donahue appeared and said: “Good morning, Beryl.”
“Oh!”' She started, tearing her hands from her head, making fists that she pressed to her thighs, and stood suddenly rigid and white-faced, her eyes wide.
Donahue scaled his hat onto a divan, sat down with his overcoat open and flaring around his neck. “Sit down, Beryl,” he said.
“How-how-”
“Go on, be a good scout, sit down.”
“Oh, my-! My-!”
He pulled out pouch and pipe, ran the bowl into the pouch, packed with his second finger. The woman kept staring at him while she moved, felt for a chair, gripped its back and let herself down slowly. Her face had drained so of color that her rouged lips looked like a vivid red gash. She began striking her fist on a knee slowly. “What do you want, what do you want?” Donahue reached towards an end table for a match. He glanced at the cabinet photo of a girl. The girl was young, reminiscent of the woman in the room. Donahue lit up.
He said: “When you left Tony's last night with Larrimore, what happened?”
“I wasn't at Tony's last night,” she said huskily. “No?”
“No. I wasn't at Tony's.”
Donahue smiled. “Why, when you came to Tony's alone at about three this morning-why did you come right out and hide behind that stoop?”
“I didn't.”
“And why, after a man was thrown out, did you go back in?”
She said, hoarsely: “You seem to get around, don't you?”
“I'm a great little getter-around, Beryl. And I'm a great guy, too, once you get to know me. If you knew me better you wouldn't try to hand me a line. I don't even nibble, let alone swallow the hook.”
Color was coming back to her face. She seemed to have got over the first shock and now a desperate, level look was in her eyes.
“I don't know what you're talking about,” she said. “My actions are my own business. Who is this Larrimore you're talking about?”
“Now, Beryl...” Donahue got up and stood looking down at her with eyes in which mockery danced lightly.
“Listen, you,” she said, warmly. “What business have you here? Who are you?” She stood up, trembling, her eyes burning. “You have no right here. If you don't get out I'll call the police and have you put out!”
Donahue chuckled, shook his head. “No, you wouldn't call the police.”
“Wouldn't I?” Her chin rose, her nostrils quivered. “You think I wouldn't?”
“I think you wouldn't.”
“You're a pretty wise guy, aren't you?”
“Pretty wise.”
“Well, we'll see how good your bluff is!”
She swept past him, crossed the room to an open secretary where a telephone stood, sat down, put her left hand on the telephone. Donahue took two fast strides, caught her right hand as it was drawing a small automatic from a pigeon-hole. She cried out and heaved up, tussling with him. He twisted her wrist once.
“Not in this day and age,” he said, as the gun fell to the floor.
She stood panting before him, her throat pulsing, her breast convulsing, a fierce, haunted look in her eyes.
“I knew you wouldn't call the police,” he said.
“Get out!” she choked. “You have no right here. For-sake get out and leave me alone!”
He released her, kicked the little gun under the secretary. A v-shaped crease was between his brows, his brown eyes were steady and searching, his face suddenly somber and serious.
“You're in a tough spot, sister, and don't think you aren't. And don't try to play around me. I don't like it. There's been a lot of monkey-shines between the Venetian Cellar and this place tonight.”
“If you're a cop, show your shield. If you aren't, then get out.”
“I'm without benefit of shield, sister, but that cuts no ice with me. And don't think it's going to cut any with you. You're a liar, and you know it, and I'll tell you right now that I'm a swell guy ordinarily and a mean baby if anybody, jane or guy, tries to pull a rod on me. Tuck that under your belt and grow up and be your age.”
He spoke crisply, bluntly, without malice or emotion, stating facts simply and pointedly.
She defied him. “I don't know what you're talking about. You have no right here.”
“All right, smarty, take that telephone and call the cops and see if you have a better right to be here or in jail. There's been murder done, little girl, and t
his man's town still looks on murder with disfavor, despite a lot of ballyhoo to the contrary.”
“Murder! Murder!” she cried. “What-what do I know about murder?”
“Nothing. Oh, nothing. Maybe you call the death of Larrimore just an act of God.”
“Death of... I-why, my-! I haven't murdered anybody! I haven't-Oh, for-sake, I haven't killed anybody. No! No!”
She held out her hands and fell backward, shaking her head. Her calves struck the low divan and she dropped to it.
“And death's not enough, darling, to kill a hot clue,” Donahue muttered. “Larrimore was murdered somewhere between the Venetian Cellar and his hotel-”
“No! No! Oh, no!”
“You were with him in the Venetian Cellar. You left with him. You left the Venetian Cellar with him and he was Shot. He was shot and got to his hotel-and he died. He died and by-he died for something-and you know! You know why he died. You know because-”
“You're a liar-a liar!” she broke in. “What do you think you can do? You can't come here and accuse me! Who do you think you are? I-”
“Never mind who I think I am. I've got that fat boy's ticket and I've got yours. And never mind what right I have to be here. I'm here and here, by cripes, I'll stay! Till you fork over, little one. It's my business-and I'm a business man.”
Her voice throbbed but became at the same time one-toned and incisive-“I was with-with a man named Larrimore, was I? Can you prove it? No. Nobody can. Because I went to the Venetian Cellar and backed out because they were arguing with some pest... what's that to you? I went there because a friend there is a good friend of mine. And that's none of your business, either. You handed me a jolt when I first saw you here. You handed me a jolt when you mentioned murder. It's an ugly word. But that's all there is to it. Go on. Run along. I'm getting tired of you already.”
“You're like that lizard called the chameleon,” Donahue said. “You change color quickly-but underneath you don't. You can't bluff me'.”
He toed the little gun from beneath the secretary, picked it up. It was a .25 Webley, four-and-a-half inches over all. It was fully loaded. Donahue rubbed the muzzle with his handkerchief.
“Never been used, eh?”
She said nothing.
“Oh,” Donahue said, shrugging, “I don't think you killed Larrimore. But you know who did.”
“I don't! I tell you I don't know what you're talking about!” She jumped up. “For the love o'-get out-before I do something-before I scream!”
“Don't scream, Beryl,” said the fat man from the door. “I'll take care of this buttinsky.”
Donahue wheeled about.
The fat man stood in the open-door holding a gun in his hand and looking very sinister with his-drooping eyelids.
IV
DONAHUE had taken the clip from the Webley, ejected a cartridge from the chamber. He threw the lot on the desk and when he looked at the fat man again the latter had come in and closed the door.
The woman stood digging her fingernails into her palms, biting her lips to silence, looking as if she were torn between two diverging lines of thought.
“I told you to get out of one place tonight,” the fat man said in a low, grinding voice.
“Tony-”
“Shut up, Beryl. This guy's pal is standing over on the corner of Rutherford. I saw him before I went out in the lobby, and stayed down there watching. I didn't know this egg was up here-until I heard him just now.”
Donahue looked puzzled. He said: “What are you yapping about? I've got no pal-”
“You're just about the damnedest liar I ever ran across. What kind of a line did he hand you, Beryl?”
“On-oh, a lot of nonsense about a man named Larrimore.”
“That's what he did me too.”
“Run him out, Tony. He's been talking about Larrimore being murdered and he's trying to charge me with being mixed up in it.”
“I'll show him,” the fat man said. “I'll show you. I've got a mind to blow your brains out, you lousy pest!”
“Tony!”
“Nah, don't worry, baby-I won't. But I've got a friend; right in this neighborhood who's on the cops. I'll show this bum if he can bust around here the way he does. He's a heel, Beryl-a dirty, rotten gunman, with his pal across the street. I'll get him pinched. Keep your hands up, bright boy.”
The fat man, who looked genuinely angry and indignant, backed to the telephone, kept his gun trained on Donahue, and called a number.
“Hello-hello.... This is Tony-you know.... Well, I'm sorry to get you up, Mike, but listen, do me a favor. There's a hot shot up here at my girl friend's, you know-in Fifteenth Street.... Yeah, that's the place. He's heeled but I've got him covered, and he's got a pal hanging across the street.... Do me a favor and pick the pal up and then come here and pick up this guy.... Well, he's got an idea in his nut that me and Beryl bumped some guy off.... Yeah, imagine that!... Will you?... Thanks a lot, old pal.”
He hung up. “Well, big boy, what do you think of that?”
“Swell, for the time being. But what do you think you're going to get out of it?”
“The satisfaction of seeing you get a rough deal from the cops.”
Donahue looked from the fat man to the girl. Her lips were tight, she was grinding the bent knuckles of one hand into the palm of the other. The fat man looked formidable, lowering, his black fedora pulled down to his thick eyebrows.
“So you want to turn me over to the cops,” Donahue said. “That's funny, because I like cops.”
He went on talking, rambling aimlessly, wisecracking and chiding the fat man and the woman. He appeared cheerful and nonchalant, but deep in his hard brown eyes two tiny flames burned steadily, warily-and in the set of his neck was tension.
“Oh, shut up, shut up!” cried the woman, a note of hysteria in her voice.
“You wouldn't turn me over to the cops,” Donahue said, lying his way on and on. “I know you two. I know you from cradles onward. The both of you. I know too much about you. You wouldn't be fools enough to throw me to the cops. What I know about you, Beryl, would fill a book. And you, Tony, you moon-faced spaghetti-bender. I don't care if you do know a dick named Mike So-and-so.”
“Pipe down!” growled the fat man.
“Not on your natural, kid. You can't make me pipe down. You're yellow, you beef-faced jerk. You wouldn't dare use that rod. You carry it for show. The only chance I'd have of getting plugged by you would be if the gun went off accidentally. You're just a punk.”
“Damn you, shut up!”
“Make me.”
The fat man came forward, his eyes muggy, his lip curling.
“I tell you, shut up!” he choked.
The woman beat her temples with her fists and cried:
“Oh,-!...” She threw herself violently on to the divan, picked up a pillow, punched it, threw it down again, clawed at her hair and rose. “For-sake, Tony-”
“Be quiet, Beryl.”
“Tony-”
“Shut up!”
She swallowed hard.
A buzzer sounded.
“Get that, Beryl,” Tony said.
She went numbly across the room towards the door, beside which was an ivory push-button. She arched her back, pressed the button. Then suddenly she choked and slumped to the floor, rolled over and lay in a dead faint.
“Don't worry about her,” the fat man said.
Presently there was a knock on the door.
“Come in,” the fat man said.
The door swung open. A neat, tall man stood there with his hands in his pocket, chewing on a cigar, half-smiling.
“You look funny with that gun, Tony.”
“Come in, Mike. And collar this bird.”
“I picked up a couple of harness bulls on Lexington and we've got the other guy downstairs. What's it all about, Tony? Oh-oh, Beryl pass out?”
“Can you blame her, with this guy picking on us?”
The fat man talked at length
, and the other listened and rolled his cigar back and forth and kept looking from Tony to Donahue with polite interest.
“All right, Tony,” he said, “I'll take him over to the precinct.”
“Yeah?” said Donahue. “Well, if you take me, brother, you'll take him too.”
“Now don't give me any lip. Get your hat and come along.”
The fat man said: “See if he's heeled, Mike.”
“Ain't he had his rod out yet?”
Donahue said: “When I pull a rod, I mean it. Not like this guy here.”
“Stick that in his back, Tony, while I take it. This guy sure acts tough. Keep your hands way up, brother.”
He removed Donahue's gun from its armpit holster, hefted it and unlocked the safety in a kid-gloved hand.
“Get Beryl too, Tony,” he said. “Then you better come around to the precinct and we'll thrash this thing out. On your way, you,” he said to Donahue.
Donahue scowled at the fat man. “Don't forget what your boy friend just said.”
“Get,” said the laconic boy friend.
Donahue jabbed him with a contemptuous look, then strode out of the room and down the corridor.
“Hey, take it easy.”
Donahue stopped short at the head of the staircase and spun around. “Listen; use your head. You're not getting anywhere by hauling me over the coals. I'm a right guy, copper.” He began gesturing with his hat.
“Get down them stairs.”
“On the up and up now, give me a break. You're just wasting your time by dragging me over. No kidding. I tell you, I'm strictly kosher. Tony's the guy you want. The fat boy and the jane. Not me.” He tapped the man's chest with a forefinger. The man stiffened. “Listen, copper. Honest. Don't arrest me. Please. I ask you in a nice way. And don't press that gat in my stomach that way.”
He winced and put his hand on barrel of the gun. The gun pressed harder, the men's eyes locked.
“You fool, take your hand off that gun or I'll let you have a bellyful!”
Donahue's forefinger shot forward almost imperceptibly, closing the safety. At the same time he gripped the gun hard and heaved it and the man's hand outward and upward, his finger tight on the safety.
SSC (1950) Six Deadly Dames Page 17
