Verena sighed. “Poor Dolly. Poor poor thing. Wherever would you go?”
The answer, a little while in coming, was fragile as the flight of a moth: “I know a place.”
LATER, I WAITED IN BED for Dolly to come and kiss me goodnight. My room, beyond the parlor in a faraway corner of the house, was the room where their father, Mr. Uriah Talbo, had lived. In his mad old age, Verena had brought him here from the farm, and here he’d died, not knowing where he was. Though dead ten, fifteen years, the pee and tobacco old-man smell of him still saturated the mattress, the closet, and on a shelf in the closet was the one possession he’d carried away with him from the farm, a small yellow drum: as a lad my own age he’d marched in a Dixie regiment rattling this little yellow drum, and singing. Dolly said that when she was a girl she’d liked to wake up winter mornings and hear her father singing as he went about the house building fires; after he was old, after he’d died, she sometimes heard his songs in the field of Indian grass. Wind, Catherine said; and Dolly told her: But the wind is us—it gathers and remembers all our voices, then sends them talking and telling through the leaves and the fields—I’ve heard Papa clear as day.
On such a night, now that it was September, the autumn winds would be curving through the taut red grass, releasing all the gone voices, and I wondered if he was singing among them, the old man in whose bed I lay falling asleep.
Then I thought Dolly at last had come to kiss me goodnight, for I woke up sensing her near me in the room; but it was almost morning, beginning light was like a flowering foliage at the windows, and roosters ranted in distant yards. “Shhh, Collin,” Dolly whispered, bending over me. She was wearing a woolen winter suit and a hat with a traveling veil that misted her face. “I only wanted you to know where we are going.”
“To the tree-house?” I said, and thought I was talking in my sleep.
Dolly nodded. “Just for now. Until we know better what our plans will be.” She could see that I was frightened, and put her hand on my forehead.
“You and Catherine: but not me?” and I was jerking with a chill. “You can’t leave without me.”
The town clock was tolling; she seemed to be waiting for it to finish before making up her mind. It struck five, and by the time the note had died away I had climbed out of bed and rushed into my clothes. There was nothing for Dolly to say except: “Don’t forget your comb.”
Catherine met us in the yard; she was crooked over with the weight of a brimming oilcloth satchel; her eyes were swollen, she had been crying, and Dolly, oddly calm and certain of what she was doing, said it doesn’t matter, Catherine—we can send for your goldfish once we find a place. Verena’s closed quiet windows loomed above us; we moved cautiously past them and silently out the gate. A fox terrier barked at us; but there was no one on the street, and no one saw us pass through the town except a sleepless prisoner gazing from the jail. We reached the field of Indian grass at the same moment as the sun. Dolly’s veil flared in the morning breeze, and a pair of pheasants, nesting in our path, swept before us, their metal wings swiping the cockscomb-scarlet grass. The China tree was a September bowl of green and greenish gold: Gonna fall, gonna bust our heads, Catherine said, as all around us the leaves shook down their dew.
II
IF IT HADN’T BEEN FOR Riley Henderson, I doubt anyone would have known, or at least known so soon, that we were in the tree.
Catherine had loaded her oilcloth satchel with the leftovers from Sunday dinner, and we were enjoying a breakfast of cake and chicken when gunfire slapped through the woods. We sat there with cake going dry in our mouths. Below, a sleek bird dog cantered into view, followed by Riley Henderson; he was shouldering a shotgun and around his neck there hung a garland of bleeding squirrels whose tails were tied together. Dolly lowered her veil, as though to camouflage herself among the leaves.
He paused not far away, and his wary, tanned young face tightened; propping his gun into position he took a roaming aim, as if waiting for a target to present itself. The suspense was too much for Catherine, who shouted: “Riley Henderson, don’t you dare shoot us!”
His gun wavered, and he spun around, the squirrels swinging like a loose necklace. Then he saw us in the tree, and after a moment said, “Hello there, Catherine Creek; hello, Miss Talbo. What are you folks doing up there? Wildcat chase you?”
“Just sitting,” said Dolly promptly, as though she were afraid for either Catherine or I to answer. “That’s a fine mess of squirrels you’ve got.”
“Take a couple,” he said, detaching two. “We had some for supper last night and they were real tender. Wait a minute, I’ll bring them up to you.”
“You don’t have to do that; just leave them on the ground.” But he said ants would get at them, and hauled himself into the tree. His blue shirt was spotted with squirrel blood, and flecks of blood glittered in his rough leather-colored hair; he smelled of gunpowder, and his homely well-made face was brown as cinnamon. “I’ll be damned, it’s a tree-house,” he said, pounding his foot as though to test the strength of the boards. Catherine warned him that maybe it was a tree-house now, but it wouldn’t be for long if he didn’t stop that stamping. He said, “You build it, Collin?” and it was with a happy shock that I realized he’d called my name: I hadn’t thought Riley Henderson knew me from dust. But I knew him, all right.
No one in our town ever had themselves so much talked about as Riley Henderson. Older people spoke of him with sighing voices, and those nearer his own age, like myself, were glad to call him mean and hard: that was because he would only let us envy him, would not let us love him, be his friend.
Anyone could have told you the facts.
He was born in China, where his father, a missionary, had been killed in an uprising. His mother was from this town, and her name was Rose; though I never saw her myself, people say she was a beautiful woman until she started wearing glasses; she was rich too, having received a large inheritance from her grandfather. When she came back from China she brought Riley, then five, and two younger children, both girls; they lived with her unmarried brother, Justice of the Peace Horace Holton, a meaty spinsterish man with skin yellow as quince. In the following years Rose Henderson grew strange in her ways: she threatened to sue Verena for selling her a dress that shrank in the wash; to punish Riley, she made him hop on one leg around the yard reciting the multiplication table; otherwise, she let him run wild, and when the Presbyterian minister spoke to her about it she told him she hated her children and wished they were dead. And she must have meant it, for one Christmas morning she locked the bathroom door and tried to drown her two little girls in the tub: it was said that Riley broke the door down with a hatchet, which seems a tall order for a boy of nine or ten, whatever he was. Afterwards, Rose was sent off to a place on the Gulf Coast, an institution, and she may still be living there, at least I’ve never heard that she died. Now Riley and his uncle Horace Holton couldn’t get on. One night he stole Horace’s Oldsmobile and drove out to the Dance-N-Dine with Mamie Curtiss: she was fast as lightning, and maybe five years older than Riley, who was not more than fifteen at the time. Well, Horace heard they were at the Dance-N-Dine and got the Sheriff to drive him out there: he said he was going to teach Riley a lesson and have him arrested. But Riley said Sheriff, you’re after the wrong party. Right there in front of a crowd he accused his uncle of stealing money that belonged to Rose and that was meant for him and his sisters. He offered to fight it out on the spot; and when Horace held back, he just walked over and socked him in the eye. The Sheriff put Riley in jail. But Judge Cool, an old friend of Rose’s, began to investigate, and sure enough it turned out Horace had been draining Rose’s money into his own account. So Horace simply packed his things and took the train to New Orleans where, a few months, later, we heard that, billed as the Minister of Romance, he had a job marrying couples on an excursion steamer that made moonlight cruises up the Mississippi. From then on, Riley was his own boss. With money borrowed against the inheritance he was coming i
nto, he bought a red racy car and went skidding round the countryside with every floozy in town; the only nice girls you ever saw in that car were his sisters—he took them for a drive Sunday afternoons, a slow respectable circling of the square. They were pretty girls, his sisters, but they didn’t have much fun, for he kept a strict watch, and boys were afraid to come near them. A reliable colored woman did their housework, otherwise they lived alone. One of his sisters, Elizabeth, was in my class at school, and she got the best grades, straight A’s. Riley himself had quit school; but he was not one of the pool-hall loafs, nor did he mix with them; he fished in the daytime, or went hunting; around the old Holton house he made many improvements, as he was a good carpenter; and a good mechanic, too: for instance, he built a special car horn, it wailed like a train-whistle, and in the evening you could hear it howling as he roared down the road on his way to a dance in another town. How I longed for him to be my friend! and it seemed possible, he was just two years older. But I could remember the only time he ever spoke to me. Spruce in a pair of white flannels, he was off to a dance at the clubhouse, and he came into Verena’s drugstore, where I sometimes helped out on Saturday nights. What he wanted was a package of Shadows, but I wasn’t sure what Shadows were, so he had to come behind the counter and get them out of the drawer himself; and he laughed, not unkindly, though it was worse than if it had been: now he knew I was a fool, we would never be friends.
Dolly said, “Have a piece of cake, Riley,” and he asked did we always have picnics this early in the day? then went on to say he considered it a fine idea: “Like swimming at night,” he said. “I come down here while it’s still dark, and go swimming in the river. Next time you have a picnic, call out so I’ll know you’re here.”
“You are welcome any morning,” said Dolly, raising her veil. “I daresay we will be here for some while.”
Riley must have thought it a curious invitation, but he did not say so. He produced a package of cigarettes and passed it around; when Catherine took one, Dolly said: “Catherine Creek, you’ve never touched tobacco in your life.” Catherine allowed as to how she may have been missing something: “It must be a comfort, so many folks speak in its favor; and Dollyheart, when you get to be our age you’ve got to look for comforts.” Dolly bit her lip; “Well, I don’t suppose there’s any harm,” she said, and accepted a cigarette herself.
There are two things that will drive a boy crazy (according to Mr. Hand, who caught me smoking in the lavatory at school) and I’d given up one of them, cigarettes, two years before: not because I thought it would make me crazy, but because I thought it was imperiling my growth. Actually, now that I was a normal size, Riley was no taller than me, though he seemed to be, for he moved with the drawn-out cowboy awkwardness of a lanky man. So I took a cigarette, and Dolly, gushing uninhaled smoke, said she thought we might as well all be sick together; but no one was sick, and Catherine said next time she would like to try a pipe, as they smelled so good. Whereupon Dolly volunteered the surprising fact that Verena smoked a pipe, something I’d never known: “I don’t know whether she does any more, but she used to have a pipe and a can of Prince Albert with half an apple cut up in it. But you musn’t tell that,” she added, suddenly aware of Riley, who laughed aloud.
Usually, glimpsed on the street or seen passing in his car, Riley wore a tense, trigger-tempered expression; but there in the China tree he seemed relaxed: frequent smiles enriched his whole face, as though he wanted at least to be friendly, if not friends. Dolly, for her part, appeared to be at ease and enjoying his company. Certainly she was not afraid of him: perhaps it was because we were in the tree-house, and the tree-house was her own.
“Thank you for the squirrels, sir,” she said, as he prepared to leave. “And don’t forget to come again.”
He swung himself to the ground. “Want a ride? My car’s up by the cemetery.”
Dolly told him: “That’s kind of you; but really we haven’t any place to go.”
Grinning, he lifted his gun and aimed it at us; and Catherine yelled: You ought to be whipped, boy; but he laughed and waved and ran, his bird dog barking, booming ahead. Dolly said gaily, “Let’s have a cigarette,” for the package had been left behind.
BY THE TIME RILEY REACHED town the news was roaring in the air like a flight of bees: how we’d run off in the middle of the night. Though neither Catherine nor I knew it, Dolly had left a note, which Verena found when she went for her morning coffee. As I understand it, this note simply said that we were going away and that Verena would not be bothered by us any more. She at once rang up her friend Morris Ritz at the Lola Hotel, and together they traipsed off to rouse the sheriff. It was Verena’s backing that had put the sheriff into office; he was a fast-stepping, brassy young fellow with a brutal jaw and the bashful eyes of a cardsharp; his name was Junius Candle (can you believe it? the same Junius Candle who is a Senator today!). A searching party of deputies was gathered; telegrams were hurried off to sheriffs in other towns. Many years later, when the Talbo estate was being settled, I came across the handwritten original of this telegram—composed, I believe, by Dr. Ritz. Be on lookout for following persons traveling together. Dolly Augusta Talbo, white, aged 60, yellow grayish hair, thin, height 5 feet 3, green eyes, probably insane but not likely to be dangerous, post description bakeries as she is cake eater. Catherine Creek, Negro, pretends to be Indian, age about 60, toothless, confused speech, short and heavy, strong, likely to be dangerous. Collin Talbo Fenwick, white, age 16, looks younger, height 5 feet 7, blond, gray eyes, thin, bad posture, scar at corner of mouth, surly natured. All three wanted as runaways. They sure haven’t run far, Riley said in the post office; and postmistress Mrs. Peters rushed to the telephone to say Riley Henderson had seen us in the woods below the cemetery.
While this was happening we were peaceably setting about to make the tree-house cozy. From Catherine’s satchel we took a rose and gold scrapquilt, and there was a deck of Rook cards, soap, rolls of toilet paper, oranges and lemons, candles, a frying pan, a bottle of blackberry wine, and two shoeboxes filled with food: Catherine bragged that she’d robbed the pantry of everything, leaving not even a biscuit for That One’s breakfast.
Later, we all went to the creek and bathed our feet and faces in the cold water. There are as many creeks in River Woods as there are veins in a leaf: clear, crackling, they crook their way down into the little river that crawls through the woods like a green alligator. Dolly looked a sight, standing in the water with her winter suit-skirt hiked up and her veil pestering her like a cloud of gnats. I asked her, Dolly, why are you wearing that veil? and she said, “But isn’t it proper for ladies to wear veils when they go traveling?”
Returning to the tree, we made a delicious jar of orangeade and talked of the future. Our assets were: forty-seven dollars in cash, and several pieces of jewelry, notably a gold fraternity ring Catherine had found in the intestines of a hog while stuffing sausages. According to Catherine, forty-seven dollars would buy us bus tickets anywhere: she knew somebody who had gone all the way to Mexico for fifteen dollars. Both Dolly and I were opposed to Mexico: for one thing, we didn’t know the language. Besides, Dolly said, we shouldn’t venture outside the state, and wherever we went it ought to be near a forest, otherwise how would we be able to make the dropsy cure? “To tell you the truth, I think we should set up right here in River Woods,” she said, gazing about speculatively.
“In this old tree?” said Catherine. “Just put that notion out of your head, Dollyheart.” And then: “You recall how we saw in the paper where a man bought a castle across the ocean and brought it every bit home with him? You recall that? Well, we maybe could put my little house on a wagon and haul it down here.” But, as Dolly pointed out, the house belonged to Verena, and was therefore not ours to haul away. Catherine answered: “You wrong, sugar. If you feed a man, and wash his clothes, and born his children, you and that man are married, that man is yours. If you sweep a house, and tend its fires and fill its stove, and
there is love in you all the years you are doing this, then you and that house are married, that house is yours. The way I see it, both those houses up there belong to us: in the eyes of God, we could put That One right out.”
I had an idea: down on the river below us there was a forsaken houseboat, green with the rust of water, half-sunk; it had been the property of an old man who made his living catching catfish, and who had been run out of town after applying for a certificate to marry a fifteen-year-old colored girl. My idea was, why shouldn’t we fix up the old houseboat and live there?
Catherine said that if possible she hoped to spend the rest of her life on land: “Where the Lord intended us,” and she listed more of His intentions, one of these being that trees were meant for monkeys and birds. Presently she went silent and, nudging us, pointed in amazement down to where the woods opened upon the field of grass.
There, stalking toward us, solemnly, stiffly, came a distinguished party: Judge Cool, the Reverend and Mrs. Buster, Mrs. Macy Wheeler; and leading them, Sheriff Junius Candle, who wore high-laced boots and had a pistol flapping on his hip. Sunmotes lilted around them like yellow butterflies, brambles brushed their starched town clothes, and Mrs. Macy Wheeler, frightened by a vine that switched against her leg, jumped back, screeching: I laughed.
And, hearing me, they looked up at us, an expression of perplexed horror collecting on some of their faces: it was as though they were visitors at a zoo who had wandered accidentally into one of the cages. Sheriff Candle slouched forward, his hand cocked on his pistol. He stared at us with puckered eyes, as if he were gazing straight into the sun. “Now look here …” he began, and was cut short by Mrs. Buster, who said: “Sheriff, we agreed to leave this to the Reverend.” It was a rule of hers that her husband, as God’s representative, should have first say in everything. The Reverend Buster cleared his throat, and his hands, as he rubbed them together, were like the dry scraping feelers of an insect. “Dolly Talbo,” he said, his voice very fine-sounding for so stringy, stunted a man, “I speak to you on behalf of your sister, that good gracious woman …”
The Grass Harp, Including a Tree of Night and Other Stories Page 3
