by Zoe Howe
‘Ch-Ch-Ch-Ch-Change-Jeez’, Steve Sutherland for RAM, 18 May 1988.
‘Automatic chops out all the crap bits of rock . . .’, David Quantick, review of Automatic in NME, 1989.
Tokyo press conference with Jim and William Reid, 8 July 1992, interpreter: Steve Harris.
Alan Jackson, Vox, March 1992.
Miranda Sawyer, Q magazine, March 1992.
‘Welcome To The Drugstore’, David Cavanagh, Select, May 1992.
‘So All Is Well With The Unholy Family . . .’, Honey’s Dead review, Stuart Maconie, NME, 21 March 1992.
‘Stoned And Dethroned’, Melody Maker, 16 July 1994.
Bradley Bardin, Interview magazine, December 1994.
Nina Malkin, Raygun magazine, September 1994.
Kevin Westerberg, Melody Maker, 1994.
‘It Could Be Iggy Pop’s Country Album . . .’, David Quantick, review of Stoned & Dethroned, NME, August 1994.
‘The Jesus and Mazzy Chain’, Matt Hendrickson, Rolling Stone, 6 October 1994.
‘Single Of The Moment – “I Hate Rock’n’Roll”’, Jon Wiederhorn, Rolling Stone, 2 November 1995.
Rockin’ On, Japan, August 1995.
‘Reid All About It’, David Belcher, The Herald, 3 April 1998
‘Feedback to the Future’, James Oldham, NME, 4 April 1998.
‘Remember Indie? It’s His Fault’, James Duerden, Q, May 1998.
‘On The Couch’, Kitty Empire, NME, 23 May 1998.
‘Backtalk With The Jesus And Mary Chain’, Neva Chonin, Option, July 1998.
‘It All Makes Sense’, John Fortunato, The Aquarian Weekly, 8 July 1998.
Jason Jophes, The Rocket, 10 June 1998.
‘Crash And Burn’, Nick Hasted’s interview with William Reid for Uncut, August 2000.
‘I Thought You Were Dead’, Simon Goddard, Uncut, December 2001.
John Moore ‘In Search Of The Jesus And Mary Chain’, John Moore, The Guardian, 2007.
‘Scarlett Johansson Joined My Old Band’, John Moore, The Guardian, 2008.
‘Heaven And Hell’, Jonathan Garrett’s interview with Jim and William Reid, Pitchfork, 8 March 2009.
Dimitri Coats, Goldmine magazine, April 2010.
Jim Reid speaks to Thomas H Green, The Arts Desk, November 2010
Psychocandy 2012 reissue (Demon Music Group) liner notes.
Creation Stories, Alan McGee (Sidgwick & Jackson, 2013).
Index
12 Bar Club (London) ref1
Acid Angels ref1
acid house ref1, ref2
Acland, Chris ref1
Agent Orange (fanzine) ref1, ref2
Alaska Studios (London) ref1, ref2
Aline ref1, ref2
‘All Fall Down’ ref1
‘All Things Must Pass’ ref1
‘Almost Gold’ ref1
Altered Images ref1
‘Ambition’ ref1, ref2, ref3
Ambulance Station (London) ref1, ref2
‘Anarchy In The UK’ ref1
Anderson, Emma ref1
Anderson, Lindsay ref1
April Skies (fan site) ref1
‘April Skies’
chart position ref1
cover art ref1
and Jerry Jaffe ref1
recording of ref1, ref2
and Top of the Pops ref1
video ref1
Are You A Car Or Are You In Love? (unpublished compilation) ref1
Art Phag ref1
‘Art School’ ref1
Automatic
and acid house ref1
chart position ref1
recording of ref1, ref2
release of ref1
reviews ref1
sound of ref1, ref2, ref3
‘Baby Honey’ ref1
Baby’s Got A Gun ref1
Bananarama ref1
Barbed Wire Kisses ref1, ref2
Bardin, Bradley ref1
‘Barracuda’ ref1
Barrett, Jeff ref1
Barrett, Syd ref1, ref2, ref3, ref4, ref5
Barron, Jack ref1
Barrowland (Glasgow) ref1, ref2
Beach Boys, The ref1, ref2
Beatles, The ref1, ref2n, ref3
Beattie, Jim ref1, ref2, ref3
Bell, Max ref1, ref2, ref3
Benavides, Carlos ref1
Benicassim (Spain) ref1
Berry, Chuck ref1
Biff Bang Pow! ref1, ref2, ref3
Billy Liar (film) ref1
Birthday Party, The ref1, ref2
‘Birthday’ ref1
Björk ref1
Black Box Recorder ref1
Blacker, Barry ref1
Blanco Y Negro
and Ambulance Station gig ref1
drop Mary Chain ref1
and increased exposure of Mary Chain ref1
and Munki recording session ref1
and ‘Never Understand’ recording session ref1
sign Mary Chain ref1
‘Blues From A Gun’ ref1
Blur ref1, ref2
‘Bo Diddley Is Jesus’ ref1
Bon Jovi ref1
Bowie, David ref1, ref2
Brighton Pavilion ref1
British Sea Power ref1
Britpop ref1, ref2, ref3
Brixton Academy (London) ref1
Broad, Tim ref1, ref2
Brongers, Bennie ref1, ref2
Bruce, Lenny ref1, ref2
Bryson, Jill ref1
‘Bullet Lovers’ ref1
Burns, Pete ref1
Burroughs, William ref1, ref2
Buzzcocks, The ref1
California Theater (San Diego) ref1
Candy Club (Glasgow) ref1, ref2
Cavanagh, David ref1
Chance, James ref1
Charlton, Charlie ref1
‘Cherry Came Too’ ref1
‘Chirpy Chirpy Cheep Cheep’ ref1
Christgau, Robert ref1
Clapton, Eric ref1, ref2
Clash, The ref1
Clouds (Preston) ref1
Club Sucker (Los Angeles) ref1
Coachella Festival ref1, ref2
Coats, Dimitri ref1, ref2
Cocker, Jarvis ref1
Cocteau Twins ref1
Cohen, Leonard ref1
Colbert, Loz ref1, ref2, ref3, ref4
Collier, Pat ref1, ref2, ref3
Collins, Edwyn ref1
‘Come On’ ref1
Communication Blur (fanzine) ref1
Connelly, Edward ref1
Coyle, Tom ref1
‘Cracked’ ref1
‘Cracking Up’ ref1, ref2
Cramps, The ref1
Crass ref1
Cray, Robert ref1
Creation Records
and Blanco Y Negro deal ref1, ref2
and Germany tour ref1, ref2, ref3, ref4, ref5
hire Verfaillie ref1
McGee’s management of ref1
merger with Sony ref1, ref2
and NME ref1
and Portastudio demos ref1
and press copies of ‘Upside Down’ ref1
and revival as management company (May 2014) ref1
and sacking of McGee ref1
sign Mary Chain ref1, ref2
and ‘Some Candy Talking’ single ref1
Creation Stories (book) ref1, ref2
Crozer, Mark ref1, ref2, ref3, ref4
Curtis, Ian ref1
Curve ref1, ref2, ref3, ref4
‘Cut Dead’ ref1
Daisy Chain, The ref1, ref2, ref3
Dalglish, Murray
auditions for Mary Chain ref1
differences with the band ref1
and drummer advert ref1
and Gossip gig ref1
leaves Mary Chain ref1, ref2
and Living Room gig ref1
and Night Moves gig ref1
Damned, The ref1
Danceteria (New York) ref1
Darklands
artwork of ref
1
comparisons with Psychocandy ref1
popularity of ref1
recording of ref1, ref2
release of ref1, ref2
reviews of ref1
sound of ref1, ref2
writing of ref1, ref2
‘Darklands’ ref1, ref2, ref3
Davis, Dr Vaginal ref1
de Niro, Robert ref1
Dead Can Dance ref1
Dead or Alive ref1
Def American ref1
‘Degenerate’ ref1
Dessel Graspop Festival (Belgium) ref1
Dickins, Rob
and Blanco Y Negro deal ref1, ref2
and Darklands recording session ref1
and ICA Rock Week gig ref1
and Munki ref1, ref2
and ‘On The Wall’ ref1
and reputation of Mary Chain ref1
and ‘Some Candy Talking’ controversy ref1
and sound of Psychocandy ref1
Diddley, Bo ref1, ref2
Dinosaur Jr ref1
distortion ref1, ref2, ref3
Dixie-Narco EP ref1
DIY culture ref1, ref2, ref3
Doctor and the Medics ref1, ref2
Doherty, Pete ref1, ref2
‘Don’t Worry Be Happy’ (EP) ref1
Doors, The ref1
Drains, The ref1
The Drugstore (London)
bought by Mary Chain ref1
and Honey’s Dead recording sessions ref1
interior of ref1
and Munki recording session ref1
and Stoned & Dethroned recording sessions ref1
Drummond, Bill ref1
Dylan, Bob ref1, ref2
Earl Brutus ref1, ref2
East Kilbride ref1, ref2, ref3, ref4
drug scene in ref1
life expectancy of residents ref1
paint factory in ref1, ref2
punk scene in ref1, ref2
Echo and the Bunnymen ref1, ref2
ecstasy ref1
Edwards, Terry ref1, ref2, ref3
Einstürzende Neubauten ref1
Electric Ballroom (London) ref1
Entertaining Mr Sloane (film) ref1
Esplen, Simon ref1
Evans, Dave ref1, ref2, ref3, ref4
Expressway, The ref1
fanzines ref1, ref2, ref3
‘Far Gone And Out’ ref1, ref2, ref3
feedback ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11
‘Feeling Lucky’ ref1
Finbegin ref1
Fire Engines ref1, ref2, ref3
Five Go Down ref1
Fletcher, Simon ref1
Flood (Mark Ellis) ref1
Fong, Lincoln ref1, ref2, ref3, ref4
Forster, Robert ref1
Foster, Joe (‘Slaughter Joe’)
and ‘All Fall Down’ ref1
and feedback ref1
and Germany tour ref1
and Living Room gig ref1, ref2
and management of Creation Records ref1
and North London Polytechnic gig ref1
and ‘Upside Down’ recording session ref1, ref2, ref3, ref4
Fowler, Peter (‘Pinko’) ref1
Frame, Pete ref1
Frankie Goes To Hollywood ref1
Freeheat ref1
Gallagher, Liam ref1
Gallagher, Noel ref1, ref2
Generation X ref1
Ghostigital ref1
Gillespie Bobby
Agent Orange interview ref1
and Ambulance Station gig ref1
and Blanco Y Negro deal ref1
and Brighton Pavilion gig ref1
and connection with Mary Chain ref1, ref2, ref3, ref4
and Creation artwork ref1
and Daisy Chain ref1, ref2, ref3
and development of Primal Scream ref1
drug-taking of ref1, ref2, ref3
as drummer for Mary Chain ref1
and Electric Ballroom gig ref1
enthusiasm for Mary Chain ref1, ref2, ref3
and Germany tour ref1, ref2
and Hacienda gig ref1
and increased exposure of Mary Chain ref1
interview style of ref1
leaves Mary Chain ref1, ref2
and Lux Interior ref1
and McGee ref1, ref2
and Meltdown festival ref1
and Munki ref1
and ‘Never Understand’ recording session ref1
and Night Moves gig ref1
and NME review ref1
and North London Polytechnic gig ref1
and Old Grey Whistle Test ref1
and Peel Sessions ref1
phone conversation with Hart ref1
and poster pasting ref1
and punk ref1
and Rollercoaster Tour ref1
and Three Johns gig ref1
ultimatum for ref1
and ‘Upside Down’ cover art ref1
and ‘Upside Down’ recording session ref1
and USA tour ref1, ref2
and Venue gig ref1, ref2
and videos ref1
Gillespie, Cherry ref1
Gilmour, Dave ref1
‘Girlfriend’ ref1
Glasgow music scene ref1, ref2
Glasvegas ref1
Go-Betweens, The ref1
‘God Help Me’ ref1, ref2
Godard, Vic ref1
Goddard, Simon ref1
Goldmine (magazine) ref1
Gossip (London) ref1
Green On Red ref1, ref2
Green, Dick ref1, ref2
Griffin, Dale (‘Buffin’) ref1
Grogan, Clare ref1
grunge ref1, ref2, ref3, ref4
Gun Club, The ref1, ref2, ref3
Guns ’n’ Roses ref1
Guthrie, Robin ref1
Hacienda (Manchester) ref1, ref2
Hague, Stephen ref1
‘Halfway To Crazy’ ref1, ref2
Halliday, Toni ref1
Hammersmith Palais (London) ref1
‘Happy Birthday’ ref1
‘Happy When It Rains’ ref1, ref2
Hart, Douglas
and acid house ref1
and ambition of Mary Chain ref1
appearance of ref1, ref2, ref3, ref4
and bass strings ref1, ref2, ref3
and Blanco Y Negro deal ref1, ref2, ref3
and closeness of Reid brothers ref1
confidence in Mary Chain ref1
and Daisy Chain ref1, ref2, ref3
and Dalglish quitting ref1
and Darklands recording session ref1
drug-taking of ref1, ref2, ref3, ref4, ref5
and early recordings ref1
education of ref1
and Electric Ballroom gig ref1, ref2, ref3
and feedback ref1
film-making/videos of ref1, ref2, ref3
first gig with Jim Reid ref1
and Fulham flats ref1
and Germany tour ref1
and Gillespie as drummer ref1
and Gillespie leaving Mary Chain ref1
and Hunters Hotel ref1
and impact of Mary Chain ref1
and innocence of Mary Chain ref1
and insularity of Mary Chain ref1
interview style of ref1
and Jim’s closeness with Lurie ref1, ref2
and KGB ref1
letter writing to local radio station ref1
and Living Room gig ref1, ref2
and Mary Chain split ref1
meets Reid brothers ref1
and ‘Never Understand’ poster ref1
and ‘Never Understand’ recording session ref1
and New York shows ref1, ref2
and Night Moves gig ref1
and North London Polytechnic gig ref1, ref2
and Old Grey Whistle Test ref1
and paint factory ref1, ref2
and Peel Sessions ref1, ref2
phone convers
ation with Gillespie ref1
and photo shoots ref1
and poster pasting ref1
and Psychocandy recording session ref1
and punk ref1
and Reid brothers as sole recording members ref1
and Reid brothers’ choice of line-up ref1
and Reid brothers’ song-writing ref1
and reputation of Mary Chain ref1
and ‘riots’ ref1, ref2, ref3
and Rollercoaster Tour ref1
and RPM Club gig ref1
and Ruth Polsky ref1
sacked by Mary Chain ref1
and Scandinavian tour ref1
and ‘Some Candy Talking’ recording session ref1
and sound of Psychocandy ref1
and Speed (club) ref1
and Tallinn Summer Rock Festival ref1
and tension within Mary Chain ref1
and Three Johns gig ref1
‘Todd’ nickname ref1, ref2
and Top of the Pops appearance ref1
and touring ref1
and ‘Upside Down’ recording session ref1, ref2
and USA tours ref1, ref2
and William’s onstage rants ref1
ZigZag interview ref1
Hasted, Nick ref1, ref2, ref3, ref4
Hate Rock’n’Roll ref1
‘Head On’ ref1
Heavenly Recordings ref1
‘Helter Skelter’ ref1
Henderson, Davy ref1
Heroes (TV show) ref1
‘Heroin’ ref1
hip-hop ref1
‘Hit’ ref1
Honey’s Dead
nominated for Mercury Music Prize ref1
recording of ref1
release of ref1
reviews ref1
writing of ref1
Horton, Ralph ref1
Hotel Viru (Tallinn) ref1
Houghton, Mick
and Automatic ref1
and broadcasters ref1
and increased exposure of Mary Chain ref1
and reviews of Darklands ref1
and ‘riots’ ref1
and sacking of Hart ref1
and Sonic Youth ref1
and Stoned & Dethroned ref1, ref2
and success of Mary Chain ref1
and The Smiths ref1
and Top of the Pops appearance ref1
House of Blues (Los Angeles) ref1
House of Love, The ref1
Hughes, Chris ref1
Hunter High School (East Kilbride) ref1
Hunters Hotel (London) ref1
‘I Feel Love’ ref1
‘I Hate Rock’n’Roll’ ref1, ref2, ref3
‘I Love Rock’n’Roll’ ref1
‘I Wanna Be Your Dog’ ref1, ref2, ref3, ref4
‘I’ll Be Your Mirror’ ref1
‘I’m In With The Out Crowd’ ref1
‘I’m Sticking With You’ ref1
ICA Rock Week ref1
Ice Cube ref1, ref2
If (film) ref1, ref2
Impulse (record shop) ref1
‘In A Hole’
and growing set list ref1
and Old Grey Whistle Test ref1
and Peel Sessions ref1, ref2
recording of ref1
repeated at gigs ref1
indie music ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
