He knew that he should feel vastly more disappointment than he did. Initially—during the first minutes of his realization that the secret kiva held, not gold, but merely countless ancient pots—the feeling of dismay and shock had, in fact, been overwhelming. And yet now, here on the outskirts of the city, all he felt was a vast ache in his bones. The gold would not have been his, anyway. He wondered why he had worked so hard, gotten so uncharacteristically caught up in the excitement of the moment. Now his only reward were limbs that felt unnaturally heavy. The butt of the big revolver dug into his right side. Minutes before, he thought he had heard the quick patter of feet running across the central plaza, followed by an angry buzz of conversation in the valley below. But he had not been certain, over the annoyingly steady burble of rain. His ears felt clogged and painful; perhaps he had imagined the sounds. And he felt little interest in exploring further.
With great effort, he dug into his breast pocket for a cigarette, then sounded his trousers for a match. He knew that smoking was forbidden in the ruin, but at the moment he could not have cared less; besides, he somehow felt that Sloane would be more tolerant of such things than Nora Kelly had been. Smoking was about the only comfort he had left in this godforsaken place. That, and the secret cache of grappa he had secreted deep among his cookware.
But the cigarette proved no comfort. It tasted terrible, in fact: like cardboard and old socks. He took it out and peered at it closely, using the fiery tip for illumination. Then he inserted it once again between his lips. Each fresh inhalation of smoke brought stabbing pains to his lungs. With a cough, he pinched it out with his fingers and dropped it into his pocket.
Something told Bonarotti that the fault did not lie with the cigarette. He thought briefly about Holroyd, and how he had looked, in those agonizing minutes before he died. The thought sent a galvanic twitch to his limbs, and he rose instinctively to his feet. But the sudden motion drained the blood from his head; his body grew hot, and a strange low roaring sounded in his ears. He put an arm to the cliff face to steady himself.
He took one deep breath, then another. Then he tried putting one foot in front of the other, gingerly. The world seemed to reel around him, and he steadied himself against the wall again. He had only been seated for fifteen minutes; maybe half an hour, at most. What could be happening to him? He licked his lips, staring out into the center of the city. There was a painful pressure in his head, and the hinges of his jaws throbbed with a mounting ache. The rain seemed to be easing up, and yet its steady, monotonous drone was becoming increasingly irritating to his ears. He began moving toward the central plaza, lurchingly, without purpose. Lifting his feet seemed an act of supreme difficulty.
In the darkened plaza, he stopped. Despite its openness, he felt the three-story roomblocks crowding in on all sides, their blank windows like skeletal eyes, staring stonily at him.
“I feel sick,” he said matter-of-factly, to nobody in particular.
The sound of the drumming rain was torture. Now, his only wish was to escape it: to find someplace dark and still, where he could curl up, and cover his ears with his hands. He turned slowly, mechanically, waiting for another slash of lightning to reveal the city. A blaze of yellow briefly illuminated the doorway of the nearest series of roomblocks, and he shambled toward it to the accompanying sound of thunder.
He paused in the entryway, a brief sense of alarm piercing the haze of sickness and discomfort. He felt that, if he did not lie down immediately, he would collapse to the floor. And yet the blackness of the room before him was so complete, so intense, that it seemed to be crawling, somehow, before his vision. It was a repellent, almost nauseating phenomenon Bonarotti had never seen or imagined. Or perhaps it was the sudden smell that nauseated him: the ripe, sickly sweet scent of flowers. He swayed where he stood, hesitating.
Then a fresh wave of lightheadedness overwhelmed him, and he plodded forward, disappearing into the gloom of the doorway.
62
* * *
SQUINTING AGAINST THE LIVID FORKS OF LIGHTNING, Sloane watched Nora vanish into the storm. She had to be heading for the rockslide: there was no place else to hide in the direction she was headed. As she stared after Nora, Sloane could feel the cold unyielding weight of the gun butt, pressing against her palm. But she did not draw the weapon, and she made no move to pursue.
She stood, hesitating. The initial shock of seeing Nora come walking up, alive, out of the gloom was wearing off, leaving turmoil in its place. Nora had called her a murderer. A murderer. Somehow, in her mind, Sloane could not think of herself as that. Playing back the accusation, remembering the look on Nora’s face, Sloane felt a deep anger begin to smolder. Nora had asked for the weather report, and she had given it, word for word. If Nora hadn’t been so headstrong, so stubborn, so insistent on leaving . . .
Sloane took a deep breath, trying to calm herself. She had to think things through, act with care and deliberation. She knew Nora was not an immediate physical threat: Sloane herself had the spare gun. On the other hand, Nora might stumble across Swire, or Bonarotti, out there in the night.
She drew the back of her hand across her forehead, scattering raindrops. Where were Swire and Bonarotti, anyway? They weren’t in the city, and they weren’t in the camp. Surely, they wouldn’t be standing around somewhere, in the darkness and pouring rain. Not even Swire was that muleheaded. It made no sense.
Her mind wandered back to the magnificent discovery they had just made. A discovery even more astonishing than Quivira itself. A discovery that Nora had tried to prevent. At this thought, Sloane’s anger increased. Things had been going better than she could ever have hoped. Everything that she had ever wanted was up in that kiva, waiting for her to claim its discovery as her own. All the hard work was done. Bonarotti, even Swire, could be brought around. Sloane realized, almost with surprise, that things had gone too far to turn back: particularly with Aragon and Smithback dead. The only thing that stood in her way was Nora Kelly.
There was a faint cough in the darkness. Sloane pivoted, instinctively yanking the pistol from her belt. It had come from the direction of the medical tent.
She moved toward the tent, pulling her flashlight from a pocket and cupping its end to shield the glow. Then she stopped at the entrance, hesitating. It had to be Swire, or perhaps Bonarotti: there was nobody else left. Had they overheard Nora? Something close to panic washed over her, and she ducked inside, gun drawn.
To her immense surprise, there lay Smithback, sleeping. For a moment, she simply stared. Then understanding flooded through her. Nora had only mentioned Aragon’s death. Somehow, both she and Smithback had survived.
Sloane slid to her knees, letting the flashlight fall away, resting her back against the sopping wall of the tent. It wasn’t fair. Things had been working out so perfectly. Perhaps she could have found a way to deal with Nora. But now Smithback, too . . .
The writer’s eyes were fluttering open. “Oh,” he said, raising his head with a wince. “Hi. And ouch.”
But Sloane was not looking at him.
“I thought I heard shouting just now,” Smithback said. “Or was I just dreaming?”
Sloane waved him silent with her gun hand.
Smithback looked at her, blinking. Then his eyes widened. “What’s with the gun?”
“Will you shut up? I’m trying to think.”
“Where’s Nora?” asked Smithback, suspicion suddenly clouding his face.
At last, Sloane looked back at him. And as she did so, a plan began to take shape in her mind.
“I think she’s hiding in the rockfall at the end of the canyon,” she replied after a moment.
Smithback tried to ease himself up on one elbow, then slumped. “Hiding? Why? What happened?”
Sloane took a deep breath. Yes, she thought quickly: it’s the only way.
“Why is Nora hiding?” Smithback asked again, more sharply, concern crowding his voice.
Sloane looked at him. She had to be strong
now.
“Because I’m going to kill her,” she replied as calmly as she could.
Smithback gasped painfully as he again tried to rise. “I’m not following you,” he said, sinking back again. “Guess I’m still delirious. I thought you said that you were going to kill Nora.”
“I did.”
Smithback closed his eyes and groaned.
“Nora’s left me no choice.” As she spoke, Sloane tried to detach herself from the situation, to rid herself of emotion. Everything, her whole life, depended on pulling this off.
Smithback looked at her. “Is this some kind of sick joke?”
“It’s no joke. I’m just going to wait here for her to return.” Sloane shook her head. “I’m truly sorry, Bill. But you’re the bait. She’d never leave the valley without you.”
Smithback made a mighty effort to rise, then collapsed again, grimacing. Sloane checked the cylinder, then closed the gun and snapped the cylinder lock back in place. The weapon had no safety, and she cocked the hammer as a precaution.
“Why?” Smithback asked.
“Incisive question there, Bill,” Sloane said sarcastically, anger returning despite her best efforts. “You must be a journalist.”
Smithback stared at her. “You’re not sane.”
“That kind of talk just makes what I have to do easier.”
The writer licked his lips. “Why?” he asked again.
Suddenly, Sloane rounded on him. “Why?” she asked, the anger rising. “Because of your precious Nora, that’s why. Nora, who every day reminds me more and more of my own, dear father. Nora, who wants to control everything down to the last iota, and keep all the glory for herself. Nora, who wanted to just walk away from the Sun Kiva. Which, by the way, contains an incredibly important find, a treasure that none of you had the faintest conception of.”
“So you did find gold,” Smithback murmured.
“Gold!” she snorted derisively. “I’m talking about pottery.”
“Pottery?”
“I see you’re no smarter than the rest,” she replied, picking up the disbelief in Smithback’s voice. “Listen. Fifteen years ago, the Metropolitan Museum paid a million dollars for the Euphronios Krater. That’s just one beat-up old Grecian wine jug. Last month, a little broken bowl from the Mimbres valley sold at Sotheby’s for almost a hundred grand. The pots in the Sun Kiva are not only infinitely more beautiful, they’re the only intact examples of their kind. But that doesn’t matter to Nora. She told me that, when we get back to civilization, she’s going to accuse me of murder, see that I’m ruined.”
She shook her head bitterly. “So tell me, Bill. You’re a shrewd judge of humanity. I have a choice to make now. I can return to Santa Fe as the discoverer of the greatest archaeological find of the century. Or I can return to face disgrace, and maybe even a lifetime behind bars. What am I supposed to do?”
Smithback remained silent.
“Exactly,” Sloane replied. “It’s not much of a choice, is it? When Nora returns for you, she’s dead.”
Smithback suddenly rose on one arm. “Nora!” he croaked, as loudly as he could. “Stay away! Sloane is waiting here for you with a—”
With a quick movement, Sloane whipped the gun across the side of his head. The writer flopped sideways, groaned, then lay still.
Sloane stared down at him for a moment. Then she glanced around the medical tent. Finding a small battery lamp among the equipment, she snapped it on and placed it in the far corner. Picking up her flashlight and switching it off, she quietly unzipped the tent and slipped outside into the dark.
The tent was pitched near a low, thick clump of chamisa. Slowly, quietly, Sloane crawled into the chamisa, then turned around and lay on her stomach, facing the tent. The lamp within it gave out a subdued glow, cozy and inviting. She was completely concealed within the dark vegetation, and yet she had an unobstructed view of the tent. Anyone approaching it would automatically be silhouetted by the dim light. When Nora returned for Smithback—as Sloane knew she would—her silhouette would make a perfect target.
Her thoughts drifted briefly to Black, sick and alone, waiting for her back at the kiva. She tried to ready herself for what was to come. Once this business was done, she could quickly drag Nora down to the river. In seconds, the current would sweep her into the narrow meat-grinder of a canyon at the far end of the valley. And when Nora’s body reached the Colorado River—eventually—there wouldn’t be enough left for a postmortem. It would be the same as if Nora had been washed out by the flash flood in the first place—as, by all rights, she should have been. No one would know. And then, of course, she’d have to do the same to Smithback. Sloane closed her eyes a moment, unwilling to think about that. But there was no longer any choice: she had to finish what the flood had failed to do.
Resting both elbows on the ground, Sloane eased the pistol forward, balancing it with both hands. Then she settled down to wait.
63
* * *
AARON BLACK LAY IN THE KIVA, CONFUSED and horribly frightened. The fitful glow of the dying lamp still faintly illuminated the close, dusty space. But Black’s eyes were shut fast against the darkness, against the overwhelming evidence of his failure. It seemed that hours had passed since Sloane had left, but perhaps it was only minutes: it was impossible for him to tell.
He forced his gluey eyes open. Something terrible was happening; perhaps it had been coming on for a while, and now that the fevered digging had given way to crushing disappointment, it was upon him at last. Perhaps the air was bad. He needed to get out, breathe some fresh air. He mustered the energy to rise, staggered, and with astonishment felt his legs buckle.
He fell back, arms flailing weakly. A pot rolled crazily around him and came to rest against his thigh, leaving a snake’s trail in the dusty floor. He must have tripped. He tried to rise and saw one leg jerk sideways in a spastic motion, muscles refusing to obey. The lantern, canted sideways, threw out a pale corona, suffused by dust.
From time to time, growing up, Black had been tortured by a recurring nightmare: he found himself paralyzed, unable to move. Now, he felt that he was living that nightmare. His limbs seemed to have grown frozen, unwilling or unable to respond to his commands.
“I can’t move!” he cried. And then, with a sudden terror, he realized he hadn’t been able to articulate the words. Air had come out of his mouth, yes—an ugly splutter, and he felt saliva dribbling down his chin—but no words came. He tried again and heard once more the ugly choking rush of air, felt the refusal of his tongue and lips to form words. The terror increased. In a spasm of panic, he struggled unsuccessfully to rise. Weird shapes and writhing figures began crowding the darkness beyond his eyes; he turned to look away, but his neck refused to move. Closing his eyes now only caused the shapes to spring to greater definition.
“Sloane!” he tried to call, staring up into the cloudy dimness, afraid even to blink. But not even the splutter of air came now. And then the lantern flickered again, and went black.
He tried to scream, but nothing happened. Sloane was supposed to be bringing medicine. Where was she? In the close darkness, the hallucinations were all around him, babbling, whispering: twisted creatures; grinning skulls, teeth inlaid with bloody carnelians; the clinking of skeletons moving restlessly around the kiva; the flickering of fires and the smell of roasting human meat; the screams; the victims gargling their own blood.
It was too terrible. He could not close his eyes, and they burned with an internal pressure. His mouth was locked open in a scream that never came. At least he still recognized the shapes around him as hallucinations. That meant he wasn’t too far gone to tell reality from unreality . . . but how unspeakably dreadful it was to not feel anything; not to know any longer where his limbs were lying, whether or not he had fouled himself; to lose some profound internal sense of where his body was. The panic of paralysis, that dream-fear out of his worst nightmares, washed over him yet again.
He couldn’t under
stand what had gone wrong. Was Nora really dead? Was he himself also dying, in the horrible darkness of this kiva? Had Sloane and Bonarotti really been inside the kiva with him? Perhaps they were going to Aragon for help. But no—Aragon was dead, like Nora.
Aragon, Smithback, Nora . . . and he had been as guilty of their deaths as if he had pulled the trigger. He hadn’t spoken up, down there in the valley. He’d let his own desire for immortal fame, for that ultimate discovery, get the better of him. He groaned inwardly: clearly, nobody would come to help, after all. He was alone in the darkness.
Then he saw another light, very faint, almost indivisible from the darkness. It was accompanied by a rustling sound. His heart surged with fresh hope. Sloane was returning at last.
The light grew stronger. And then he saw it, through the film of his sickness: fire, strangely disembodied, moving through the darkness of the kiva, dropping sparks as it went. And carrying this burning brand was a hideous apparition: a single figure, half-man, half-animal.
Black fell into renewed despair. Not a rescue. Just another hallucination. He wept inwardly; he wailed in his mind; but his eyes remained dry, his body flexed and immobile.
Now the apparition was coming toward him. He smelled juniper smoke, mixed with the ripe, sweet scent of morning glories; he saw in the flickering light the glittering black of an obsidian blade.
Distantly, he wondered where such an image, where such an unexpected scent, could have come from. Some grotesque recess of his mind, no doubt; some dreadful ceremony that perhaps he’d read about in graduate school, long forgotten and now, in the extremity of his delirium, resurrected to haunt him.
The figure bent closer, and he saw its blood-stiffened buckskin mask, eyes fiery behind the ragged slits. Surprisingly real. The coldness of the blade on his throat was astonishingly real, as well. Only a person who was as gravely ill as he was, he knew, could hallucinate something so . . .
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