Perhaps I may be granted that those seconds, those few seconds, seem very long seconds.
For an hour it seemed I felt the iron. It touched me firmly, kissing me, then claiming me.
I screamed, and screamed. I was alone with the pain, the agony, the degradation, the relentless, hissing object, so hurting me, the men. Mercifully they let me scream. It is common to let a girl scream, a Gorean kindness, while she is being marked with a white-hot iron. Afterwards, however, once the iron is pulled out of her body, and she is fully marked, Gorean males are less likely to. accord her such consideration for her feelings. They are less likely, then, to be so indulgent with her. This makes sense. Afterwards, she is only a branded girl.
It begins swiftly, almost before you can feel it. I felt the iron touch me and almost instantaneously, crackling, flash through my outer skin and then, firmly, to my horror, enter and lodge itself fixedly in my thigh. It was literally in my body, inflexibly, burning. The pain then began to register on my consciousness. I began screaming. I could not believe what was being done to me, or how much it hurt. Not only could I feel the iron, but I could hear it, hissing and searing in the precise, beautiful wound it was relentlessly burning in my thigh. There was an odor of burning flesh, mine. I smelled burning, as of a kind of meat. It was my own body being marked. I could not move my thigh. I threw back my head and screamed. I felt the iron tight in my body, then, to my horror, pressing in even, more deeply. The marking surface of the iron, then, lay hissing, literally submerged, in my flesh. I could not move my thigh in the least. I threw my head from side to side, screaming. The marking surface of the iron is some quarter of an inch in depth. It was within my flesh. It was lodged there, submerged, hissing and burning. Taking its time, not hurrying, it marked me, cleanly and deeply. Then, swiftly, cleanly, it withdrew.
I smelled burned meat, my own. The men released my thigh. I began to choke and sob. Men regarded the mark. My captor was commended on his work. I gathered I had been well marked.
The men then left me and I continued to lie, head down, roped and helpless, on the broken, inclined trunk of the white-barked tree.
I was overwhelmed, psychologically, with what had happened to me. The pain was now less. My thigh still stung, and cruelly, but the pain seemed relatively unimportant now compared to the enormity of the comprehension that shook me to the core. I had been branded. I shuddered in the bonds. I moaned. I wept. My thigh would be sore for days, but that was unimportant, even trivial. What would remain was the mark they had placed in my flesh. That, unlike the pain, would not vanish. I would continue to wear that mark. It would, from now on, identify me as something which I had not been, or had not explicitly been, before, but now was clearly, for the eyes of all. I lay there. I knew I now was, because of the brand, deeply and profoundly different than I had been before. What could a brand mean? I shuddered. I scarcely dared conjecture the nature of a girl who wore such a mark on her body. She could be only one thing. I forced the thought from my mind. I tried to move my wrists, my head and body, my legs and ankles. I could move them very little. They were helpless in their constraints. Only animals wore brands. I lay there, helpless, miserable. I was Judy Thornton. I was an excellent student at an elite girls' college on Earth. I was the most beautiful girl in the junior class, perhaps in the whole school, unless for my rival, the lovely senior in anthropology, Elicia Nevins. I was an English major, and a poetess! How was it then that I lay bound on a strange world, and bore in my flesh a fresh brand? How Elicia Nevins would have laughed with delight could she have seen me, her lovely, saucy rival, brought so low, even to a brand. I considered Elicia. We had been catty, haughty and smug to one another, competing in our beauty, our honors and popularity. How she would laugh to see me now! I could not even, now, have looked her in the face. The brand had made me different. She did not have a brand. I did. Had she faced me then, and I been unbound, I would have lowered my eyes and head, and, in shame, knelt before her. Had a simple mark on my thigh made me so different? I suspected that it had. I shuddered. I thought of the boys with whom I had gone out on Earth, those immature young men, many of them rich and well-placed socially, whom I had accepted as escorts and dates, often for no better reason than to display my unusual popularity before the other girls in the school. What if they should see me now? Some, I supposed, would have fled in terror, had I, a branded girl, been thrown to their feet. Others, perhaps, stricken and confused, would have blubbered and stammered, looking away, covering me with their coats, speaking tumbled, incoherent, soothing words, solicitous and hypocritical. How many of them, I wondered, would do what they truly wanted, as I had little doubt Gorean men would do? How many of them, I wondered, would simply look down and see me at their feet as what I was, a branded girl? I wondered how many would look down upon me, laugh with pleasure and say, "I have always wanted you, Judy Thornton. Now I am going to have you," and then take me by the arm and throw me to their sheets? Few I suspected. Yet, now, branded, for the first time I was acutely aware of the fantastic strength and size of even such boys, not even men, not even Gorean men, compared to my own diminutive strength and stature. Such matters had not seemed important before; now they seemed extremely important. Before I had been able to put off boys with a glance, a gesture, a sharp word, but what if, now, they should see me as I now was, wearing a brand. Would they simply laugh now at my silly glance, my gesture, my protest. Would they simply laugh, and do what they wanted with me? Or, perhaps, like Gorean men, would they first discipline me, and then perform upon me what actions they chose? With the brand, I knew I was somehow deeply and profoundly different. I lay on the white-barked tree trunk, head down, weeping. The brand was on Gor legal, institutional status; that which it marks it makes an object; its victim has no rights, or appeal, within the law. Yet the most profound consequences of the brand seem to be less social than intensely individual, personal and psychological; the brand, almost instantaneously, transforms the deepest consciousness of a girl; I resolved to fight these feelings, to keep my personhood, even wearing a brand. I lay confined in bonds. I could scarcely move. But I suspected, and truly, that the mightiest bond I wore was not the strict, confining loops on my wrists or belly but the newly incised brand on my body; later, I suspected, even if coils of rope and heavy chains might be heaped upon me, or I should be confined in cells or kennels, the most complete and inescapable shackle placed upon me would nonetheless be always that delicate, feminine design, that small, lovely flower, resembling a rose, burned into the flesh of my upper left thigh.
I heard the sounds of the camp about me. The men were near the fire. The roasted meat was being cut. There was conversation. Eta, long-legged and beautiful, was serving the men. I look up at the rich Gorean night, beautiful with bright stars. Turning my head I could see the three moons. I felt the smooth, brittle bark of the white-barked tree beneath my back, on the interior of my thighs, tied as I was. I could smell the roast meat, the vegetation about. I heard insects. I tried to move my ankles and wrists. I could move them very little. I had cried a great deal. My cheeks, tear-stained, felt tight under the salty rivulets which had dried upon them. I wondered what could be my status on this world, now that I had been marked. What could be the nature, on a world such as this, of a girl who wore such a mark on her body?
Men from about the fire, including my captor, and Eta, too, approached me.
My captor took my head in his hands, and held it so that I must look up at him. I looked to him for pity. In his eyes there was no pity. I, branded, shuddered in his grasp. "Kajira," said he to me, clearly and simply. "Kajira." Then he released my head. I continued to regard him. "Kajira," he said. I understood that I was to repeat this phrase. "Kajira," I said. I had heard this word several times before on this world. The men who had first come to the rock and chain in the wilderness had used it to me. And, too, there had been the cry of "Kajira canjellne," which had seemed to play some ritualistic role in the fierce contests which had brought me, helpless, into his uncom
promising power. "La Kajira," said Eta, indicating herself. She drew up the brief garment she wore, turning to me, exposing her left thigh. It, too, bore a brand. She, too, was truly branded. I now realized that I had seen the mark before, in torchlight and half darkness, yesterday evening, when she had been stripped, hooded and belled, and set as lovely quarry to run for the amusement of the men. I had not even understood it at that time, not well seeing it, as a brand. It had never even entered my mind that it might have been a brand. It had been only a puzzling mark of some sort. I would not have believed, yesterday night, that a woman could have been branded. But now, after my recent experience with the iron, I was prepared to believe the evidence of my senses. Women, on this world, could be branded. Eta and I were, in a profound sense, I realized, now the same; we were both branded women; no longer was I her superior; a mark had been put upon me by a hot iron at the pleasure of men; I was now exactly the same as Eta; whatever she was I, too, I knew, was now that, exactly that, and only that. Her brand, however, was not precisely the same as mine. It was more slender, more vertical, more like a stem with floral, cursive loops, about an inch and a half in height, and a half inch in width; it was, I would later learn, the initial letter in cursive script of the Gorean expression `Kajira'; my own brand was the "dina"; the dina is a small, lovely, multiply petaled flower, short-stemmed, and blooming in a turf of green leaves, usually on the slopes of hills, in the northern temperate zones of Gor; in its budding, though in few other ways, it resembles a rose; it is an exotic, alien flower; it is also spoken of, in the north, where it grows most frequently, as the slave flower; it was burned into my flesh; in the south, below the Gorean equator, where the flower is much more rare, it is prized more highly; some years ago, it was not even uncommon for lower-caste families in the south to give the name `Dina' to their daughters; that practice has now largely vanished, with the opening and expansion of greater trade, and cultural exchange, between such cities as Ko-ro-ba and Ar, and the giant of the southern hemisphere, Turia. In the fall of the city of Turia, some years ago, thousands of its citizens had fled, many of them merchants or of merchant families; with the preservation of the city, and the restoration of the Ubarate of Phanias Turmus, many of these families returned; new contacts had been made, new products discovered; even of those Turians who did not return to their native city, many of them, remaining in their new homes, became agents for the distribution of Turian goods, and for the leathers and goods of the Wagon Peoples, channeled through Tuna. That in the north the lovely dina was spoken of as the "slave flower" did not escape the notice of the expatriated Turians; in time, in spite of the fact that "Dina" is a lovely name, and the dina a delicate, beautiful flower, it would no longer be used in the southern hemisphere, no more than in the northern, as a name for free women; those free women who bore the name commonly had it changed by law, removed from the lists of their cities and replaced by something less degrading and more suitable. Dina, in the north, for many years, had been used almost entirely as a slave name. The reason, in the north, that the dina is called the slave flower has been lost in antiquity. One story is that an ancient Ubar of Ar, capturing the daughter of a fleeing, defeated enemy in a field of dinas there enslaved her, stripping her by the sword, ravishing her and putting chains upon her. As he chained her collar to his stirrup, he is said to have looked about the field, and then named her "Dina." But perhaps the dina is spoken of as the slave flower merely because, in the north, it is, though delicate and beautiful, a reasonably common, unimportant flower; it is also easily plucked, being defenseless, and can be easily crushed, overwhelmed and, if one wishes, discarded.
The brand Eta wore was not the "dina"; it was, as I would later learn, the initial letter in cursive script of the Gorean expression `Kajira'; it, too, however, was, in its delicacy and floral nature, an incredibly beautiful and feminine brand; I recalled that I had thought that the brand I had heated might be too feminine to mark a man's properties, such as a saddle or shield, but that it would be perfect to mark something feminine in nature; now I realized that it marked me; both the brand that I wore and that which Eta wore were incredibly feminine; our femininity, whether we wished it or not, had been deeply, and incontrovertibly, stamped upon us. It was natural, given the fact that the dina is the "slave flower," that eventually enterprising slavers, warriors and merchants, those with an interest in the buying and selling of women, should develop a brand based on the flower. Beyond this, there exists on Gor a variety of brands for women, though the Kajira brand, which Eta wore, is by far the most common. Some merchants invent brands, as the dina was invented, in order to freshen the nature of their merchandise and stimulate sales. Collectors, for example, those who are rich, sometimes collect exotic brands, much as collectors on Earth might collect stamps or coins, populating their pleasure gardens not only with girls who are beautiful but diversely marked. A girl, of course, wants to be bought by a strong master who wants her for herself, muchly desiring and lusting for her, not for her brand. When a girl is bought, of course, it is commonly because the man wantsher, she, the female , and is willing to put down his hard-earned money for her and her alone, for she is alone; all she brings from the block is herself; she is a slave; she cannot bring wealth, power, or family connections; she comes naked and sold; it is she alone he buys. There are, of course, men who buy for brands. To meet this market various brands are developed and utilized. The "slave flower" brand was a natural development. Unfortunately for these entrepreneurs, their greed and lack of control over the metal shops resulted in the widespread proliferation of the dina brand. As it became more popular, it was becoming, simultaneously, of course, a fairly common brand. Girls branded as I was were already spoken of on Gor, rather disparagingly, as "dinas." Collectors now seldom sought for dinas. This development, though perhaps a disappointment to certain merchants and slavers, was not unwelcome to the girls who bore the brand, though few cared for their feelings. The girl who is bid upon and sold from the block wants to be bought because men have found her desirable, so desirable that they are willing to part with their very gold to buy her; how miserable she would be to learn that it is only for her brand that she is valued. There were other brands in my captor's camp. Yet I had been made a "dina." He had not done this for economic reasons. He had "sized me up," my nature and my body. He had decided the dina brand would be, for me, exquisitely "right." Accordingly, he had burned it into my flesh. Now, in my body, deeply, I wore the "slave flower."
Eta bent over me, smiling. She indicated the steel band she wore on her throat. It had writing on it, incised in the steel, in a script I could not recognize. She turned the steel band, not too easily, on her throat. It fitted her closely, as though it might have been measured to her. I gasped. It was literally locked on her throat. I understood then, to my horror, she could not remove it. Eta wore a steel collar!
Eta then faced my captor. "La Kajira," she said, submissively inclining her head to him. Had I been a man I might have been driven wild, I supposed, by the way in which this had been said. Then Eta turned to me, laughing, pointing to my mouth. I did not understand. She pointed to her own mouth, again faced my captor, and again said, "La Kajira," again performing an obeisance before him. Then, smiling, Eta pointed to my mouth. Bound, I looked upward, into the eyes of my captor. "La Kajira," I said to him. Then, weeping, I closed my eyes and turned my head to the side. Bound as I was I could not well incline my head to him, but, instinctively, I had turned my head to the side, exposing my throat vulnerably to him. This had occurred so naturally that I was shaken by it. Then his large hand lay on my throat. I knew he could have crushed it easily. I turned my head under his hand, and again looked up at him. Tears welled hot in my eyes. "La Kajira!" I whispered, and again turned my head to the side. His hand left my throat, and he, and the others, saying nothing more, returned to the fire, to continue their meal.
Again I lay alone on the inclined trunk of the white-barked tree. What could be my status on this world? Only animals wer
e branded. I wore a brand. Only now, for the first time, now that I was branded, did they show any interest in teaching me their language. Before they had not even taught me the words for "Run" and "Fetch." I suspected that I must now, now that I had been branded, address myself with great diligence to the acquisition of their language. I did not think they would now be patient with me. I had been branded. I would have to learn swiftly and well. The first words I had been taught were "Kajira," which my captor had addressed to me, and "La Kajira," which expressions I understood, from Eta's example, I must utter to my captor. I. knew then that I was a Kajira, and, too, I gathered that this status, whatever it might be, was one I shared with Eta; she had said "La Kajira" to him in a fashion which clearly suggested that she was acknowledging herself a "Kajira" before him. Both Eta and I wore brands. Eta wore even a collar; I wore no collar, but I knew that if they wished to place one upon me, they, unhesitantly, would do so. Though I wore no collar, I knew I was, should anyone wish, subject to the collar. I knew now I was a Kajira; I knew that I had, too, following Eta's example, acknowledged myself as such to my captor; I had proclaimed myself a Kajira, whatever it might be, before him. What could a Kajira be? I forced from my mind the only possible answer, refusing to admit it to consciousness. Then, overwhelmingly, irresistibly, like a cry of anguish, it welled up within me; I could no longer ignore, suppress or repudiate it; no longer could I, like a foolish girl of Earth, deny and flee my reality; the comprehension, insistent and explosive, overpoweringly, erupted within me; I was naked and bound; I was subject to the collar; I had been branded; I had said "Kajira"; I had said "La Kajira"; these were the first words I had been taught; I knew I was a Kajira; I did not even know if any longer I had a name; I supposed I had not; I supposed now I was only a nameless animal in the power of men; I had been too good to be a servant; now I was a Kajira; my thigh stung; I moaned with anguish; I wept; a Kajira, I knew, was not even a servant; a Kajira was a slave girl; and the meaning of "La Kajira," which I had uttered to my captor was "I am a slave girl."
John Norman - Gor 11 Page 8
