He did not stop in Tomar, nor reach Santarem, he dined incognito in a town on the banks of the Tagus, the local inhabitants are inquisitive by nature, but not to the extent of saying, point-blank, to the first traveler who arrived, Tell me, what's your name, but if he were to linger here, then certainly they would very soon start asking questions about his past life and his plans for the future. The television was on, as he ate his dinner Joaquim Sassa watched the last part of a documentary about underwater life, with numerous shoals of tiny fishes, undulating rays and sinuous moray eels, and an ancient anchor, then came the commercials, some fast-moving, built of images in dazzling montage, others deliberately, voluptuously, slow, like some achingly familiar gesture, there were children's voices shouting loudly, the insecure voices of adolescents, or of women who were somewhat hoarse, the men were all virile-sounding baritones, at the back of the house the pig grunted, fattened on slops and leftovers. At last the news came on, and Joaquim Sassa shuddered, he wouldn't stand a chance if they showed his photograph. The appeal was read, but no photograph appeared, they were not pursuing a criminal, after all, they were simply requesting, with polite insistence, that he make his whereabouts known, thus serving the highest national interest, no citizen worthy of the name would shrink from fulfilling such a duty, would fail to appear before the authorities, who simply wished him to make a statement. Three other guests were eating dinner, an elderly couple, and at another table the usual man, sitting by himself, of whom one always says, He must be a commercial traveler.
The conversation ceased when they heard the first news from the Pyrenees, the pig went on grunting but no one paid any attention, and, all this in an instant, the landlord got up on a chair to turn up the volume, the girl who waited on the tables stood wide-eyed, the guests carefully rested their silverware on the edge of their plates, and little wonder, on the screen they were showing a helicopter that was being filmed from another helicopter, both were entering the fearsome channel, and then they showed the towering walls, so tall that the sky was scarcely visible overhead, the merest thread of blue, Good heavens, it's enough to make you dizzy, the girl said, and the landlord snapped, Be quiet, now extremely powerful floodlights were showing the gaping hole, this is what the Greeks' notion of the entrance to hell must have looked like, but where Cerberus would have barked, a pig is grunting, mythologies aren't what they used to be. These dramatic pictures, the announcer reeled off, were taken under hazardous conditions, human lives were at risk, the voice became husky, muffled, the two helicopters transformed themselves into four, the phantoms of phantoms, Damned aerial, the landlord muttered.
By the time sound and picture were once more stable and intelligible, the helicopters had disappeared and the announcer was reading the same old appeal, now addressed to the public at large, Anyone who may know of any strange events or inexplicable phenomena, of anything that seems suspicious, is requested to inform the nearest authorities at once. Prompted by these words addressed directly to her, the girl remembered how people had gossiped locally when a kid had been born with five legs, four black and one white, but the landlord shot back, That was months ago, you fool, kids with five legs and chicks with two heads are nothing out of the ordinary, now what's really odd is this business of the teacher's starlings, What starlings, what teacher, Joaquim Sassa asked, The local teacher, his name is José Anaiço, for some days now, wherever he goes, he is followed by a flock of starlings, as many as two hundred of them, Or more, the commercial traveler corrected him, only this morning I saw them as I was arriving, they were circling above the school, and the racket they were making, flapping their wings and screeching, was unbelievable. At this point the elderly man interrupted, Unless I'm mistaken, we should inform the mayor about the starlings, He already knows, the landlord observed, He knows all right, but he doesn't connect the one thing with the other, he can't tell his ass from his elbow, if you'll forgive the expression, Then what should we do, Let's go and talk to him tomorrow morning, besides it would be good publicity for the region if the story were on television, it would be good for our economy, But let's keep it a secret among ourselves, not tell anyone, And that teacher, where does he live, Joaquim Sassa asked as if he were not really very interested in the answer, so the distracted landlord was not in time to prevent the girl from blurting out, He lives in the teacher's house right next to the school, there's always a lighted window even late at night, there seemed to be a note of sadness in her voice. Furious, the landlord scolded the poor girl, Shut your mouth, imbecile, you'd better go and see if the pig needs feeding, hard to imagine a more foolish command, for pigs do not eat at this hour, they are usually asleep, perhaps the landlord's angry outburst was caused by worry, for here, too, in the stables and paddocks around the countryside, the mares neigh and shake their heads, nervous, restless, and in their impatience they paw the loose gravel on the ground, tear at the straw. It must be the moon, in the opinion of the foreman.
Joaquim Sassa paid for his dinner, said goodnight, left a generous tip in recompense for the information the girl had given him, the landlord might pocket it, out of pique rather than greed, people's generosity is no better than their deepest selves, no less subject to eclipses and contradictions, rarely constant, as in the case of this girl, scolded and abruptly dismissed, now trying unsuccessfully to feed a pig that is not hungry, scratching its forehead between the eyes. The evening is pleasant, Deux Chevaux is resting beneath the plane trees, refreshing its wheels in the water that runs idly from the spring, and Joaquim Sassa lets it stay there, goes on foot to look for the school and the illuminated window, people cannot hide their secrets even though they may say they wish to keep them, a sudden shriek betrays them, the sudden softening of a vowel exposes them, any observer with experience of the human voice and human nature would have perceived at once that the girl at the inn is in love. The town is nothing but one large village, in less than half an hour you can walk past all the houses from one end to the other, but Joaquim Sassa will not have to walk quite so far, he asked a little boy he met where the school was and could not have found a better-informed guide, You take that street there, you come to a square, you see a church, you turn left, then you keep to the right, you can't go wrong, you'll see the school right away, And does the teacher live there, Yes sir, he does, there's a light in the window, but there was no hint of love in any of these words, the boy is probably a bad pupil and school is his first experience of purgatory, but his voice suddenly became cheerful, children are never resentful, that is their saving grace, And the starlings are always flying overhead, and they're always screeching, if he does not abandon his studies too soon, the boy will learn to shape his sentences without repeating the same constructions so insistently.
There is still a clear patch in one half of the sky, the other half has not completely darkened, the sky is blue as if dawn were about to break. But inside the houses the lights are already on, the tranquil voices of weary people can be heard, quiet sobbing from a cradle, people are really so lacking in awareness, you put them out to sea on a raft and they go on living their lives as if they were still on terra firma, babbling like Moses when he floated down the Nile in a little basket made of rushes, playing with the butterflies, so blessed that even the crocodiles could not harm him. At the end of the narrow street is the school, surrounded by its walls, had Joaquim Sassa not been warned he would have thought the house was just a house like any other, at night they all look drab, by day some are still drab, meanwhile darkness has started falling, but some time remains before the street lamps will light up.
In order not to contradict the girl at the inn and the little boy who kept his feelings to himself, there is a light in the window, and Joaquim Sassa goes and knocks on the pane, the starlings are not so noisy after all, they are settling down for the night, with their habitual squabbling and neighborly disputes, but it will not be long before they calm down beneath the enormous leaves of the fig tree where they are roosting, invisible, black amid the inky darknes
s, only later will the moon rise, some will stir at the touch of its white fingers before going back to sleep, they do not know how far they will have to travel. From inside the house came a man's voice, Who is it, and Joaquim Sassa replied, If you don't mind, magic words that substitute for any formal identification, language is full of these and other more perplexing enigmas. The window has opened, against the light it is not easy to see who lives in this house, but as if in compensation Joaquim Sassa's face is perfectly clear, some of his features we described earlier, the rest conform, dark brown hair, smooth, sunken cheeks, the nose quite commonplace, the lips full only in speech, Forgive me for disturbing you at this hour, It isn't late, said the teacher, but he had to raise his voice because the starlings, now disturbed, sent up a chorus of protest and alarm, It's really because of them that I'd like to talk to you, Them, who, The starlings, Ah, And about a stone I threw into the sea, much heavier than I can manage, What is your name, Joaquim Sassa, Are you the person they keep mentioning on the radio and on television, That's me, Please come in.
They have spoken about stones and starlings, now they are speaking about decisions taken. They are in the yard behind the house, José Anaiço is seated on the doorstep, Joaquim Sassa in a chair since he is a visitor, and because José Anaiço is sitting with his back to the kitchen where the light is coming from, we still do not know what he looks like, this man appears to be hiding himself, but this is not the case, how often have we shown ourselves as we really are, and yet we need not have bothered, there was no one there to notice. José Anaiço poured a little more white wine into their glasses, they are drinking it at room temperature, which is how it should be drunk, in the opinion of experts, rather than this modern fad of chilling the wine, something in any case out of the question here, because there is no refrigerator in the teacher's house. That's enough for me, said Joaquim Sassa, after the red wine I had with dinner, I've already passed my limit. Let's drink to the trip, replied José Anaiço, and he smiled, showing the whitest of teeth, a detail worth noting. It makes good sense to go off in search of Pedro Orce, since I'm still on vacation, no commitments, Me too, and for much longer, until the schools reopen at the beginning of October, I'm on my own, So am I, It wasn't my intention to come here to persuade you to accompany me, I didn't even know you, I'm the one who's asking you to take me along, if there's room in your car, but you've already agreed and you can't go back on your word now. Just imagine all the excitement there'll be when they discover you've gone, most likely they'll call the police at once, start thinking you're already dead and buried, hanging from some tree, or lying at the bottom of the river, obviously they'll suspect me, the stranger with superhuman strength who turned up from nowhere, asked some questions, and disappeared, it's like something out of a book, I'll leave a note on the door of the town hall saying that I had to leave unexpectedly for Lisbon, I hope no one remembers to go and ask at the station if anyone saw me buy a ticket.
For several moments they remained silent, then José Anaiço rose to his feet, took a few steps in the direction of the fig tree as he drank the rest of his wine, the starlings kept on screeching and began to stir uneasily, some had awakened as the men spoke, others, perhaps, were dreaming aloud, that terrible nightmare of the species, in which they feel themselves to be flying alone, disoriented and separated from the flock, moving through an atmosphere that resists and hinders the flapping of their wings as if it were made of water, the same thing happens to men when they are dreaming and their will tells them to run and they cannot. So we'll leave an hour before sunrise, José Anaiço said, and now we must get some sleep. Joaquim Sassa rose from his chair, I'll sleep in the car and come to get you before dawn, Why don't you sleep here, I've only one bed but it's wide, there's plenty of room for both of us. It was a clear night, the vast expanse of the sky dotted with stars, so close, it seemed, that they might have been magically suspended motes of glass dust, or a snow-white veil, and the great constellations shone dramatically, the morning star, the two Bears, the Pleiades, a fine shower of tiny crystals of light fell on the two men's upturned faces and clung to their skin, got caught in their hair, it was not the first time this phenomenon had occurred, but suddenly all the murmurings of the night fell silent, above the trees the first light of the moon appeared, now the stars must go out. Then Joaquim Sassa said, On a night like this, I might even sleep under the fig tree, if you can lend me a blanket, I'll keep you company. They gathered and then spread enough straw for their beds, as one does for cattle, each one spread out his blanket, lying down on one half and covering himself with the other. The starlings watched their shadowy forms from the branches, Who can that be, beneath the tree, among the branches everything is wide awake, and with a moon like this, getting to sleep is going to be very difficult. The moon is rising swiftly, the squat, rotund crown of the fig tree transforms itself into a black and white labyrinth, and José Anaiço remarks, These shadows are not what they were, The peninsula has moved so little, a few meters, it can't have had much effect, Joaquim Sassa observed, pleased at having understood the remark, It has moved, and that was enough for all the shadows to change, there are branches there that the moonlight is touching for the first time at this hour. Some minutes passed, the starlings began to settle down, and José Anaiço murmured, in a voice that sleep finally interrupted, each word waiting or searching for the next one, Once upon a time, our King, Dom Joào II, known as the Perfect King and in my opinion the perfect wit, made a certain nobleman a gift of an imaginary island, now tell me, do you know of any other nation where such a thing could happen, and the nobleman, what did the nobleman do, he set out to look for it, now, what I'd like to know is how you can find an imaginary island, That's something I can't tell you, but this other island, the Iberian one, which was once a peninsula but is no longer, I find just as amusing, as if it had set out to sea in search of imaginary men. Nicely phrased, couldn't be more poetic. Well, let me assure you that I've never written a line of verse in my life, Don't worry, if all men were to become poets, none would write verses. That phrase also has a certain charm, We've had too much to drink, I agree. Silence, calm, infinite harmony, and Joaquim Sassa murmured, as if he were dreaming, What will the starlings do tomorrow, will they stay or will they accompany us, When we leave we'll find out, it's always the same, José Anaiço said, the moon is lost among the branches of the fig tree and will spend all night searching for a way out.
It was still dark when Joaquim Sassa rose from his bed of straw to go and look for Deux Chevaux, which had been parked under the plane trees in the square, right beside the fountain. To avoid being seen together by some early riser, of whom there are many in farming communities, they had agreed to meet on the outskirts of the village, at some distance from the last houses. José Anaiço would turn off the main road, take side roads and short cuts, keeping well out of sight, Joaquim Sassa, however, would discreetly take the main road used by everyone, he was one of those travelers who go neither in debt nor in fear, he set out early to enjoy the fresh morning air and to make the most of the day, tourists who are out and about early are like this, at heart troubled and restless, unable to accept life's inescapable brevity, late to bed and early to rise does not make one healthy, but it does prolong life. Deux Chevaux has a quiet engine, the ignition is as smooth as silk, only the few inhabitants who could not sleep heard anything, and these thought they had finally fallen asleep and were dreaming, in the stillness of dawn even the steady noise of a water pump can scarcely be heard. Joaquim Sassa left the village, passed the first bend, then the second, then brought Deux Chevaux to a halt and waited.
In the silvery depths of the olive grove the trunks started to become visible, there was already a touch of humidity in the air, the faintest hint of a breeze, as if the morning were emerging from a well of clouded water, and now a bird sang, or were his ears deceiving him, for not even the larks sing at this early hour. Time passed and Joaquim Sassa began muttering to himself, Perhaps he's thought it over and decided not t
o come, but he didn't strike me as being like that, or perhaps he had to take a much more roundabout way than he imagined, that must be the explanation, and then he's carrying a heavy suitcase, that's something I overlooked, I could have carried it to the car myself. Then, from amid the olive trees, emerged José Anaiço, surrounded by starlings, a frenzy of wings ruffling continuously, strident cries, whoever mentioned two hundred is unable to count, this reminds me more of a swarm of big black bees, but what Joaquim Sassa obviously had in mind were the birds in Hitchcock's classic film, although those were wicked assassins. José Anaiço approaches the car with his garland of winged creatures, he comes smiling, which makes him look younger than Joaquim Sassa, for, as everyone knows, a serious expression makes one look older, he has the whitest of teeth, as we discovered last night, and while there is nothing remarkable about any individual feature, there is a certain harmony in those sunken cheeks, besides, no one is obliged to be good-looking. He put his suitcase into the car, climbed in beside Joaquim Sassa, and before closing the door looked out to see the starlings, Let's go, I wondered what they would do, but you can see for yourself, If we had a rifle here and fired a few shots, two cartridges of buckshot would finish them off, Are you a hunting man, No, I'm only repeating what I've heard others say, We don't have a rifle, Perhaps there might be another solution, I'll get Deux Chevaux moving, and the starlings will be left behind, they're a species with short wings and little stamina, Try. Deux Cheveaux changed gear, accelerated on a long stretch of straight road, and, taking advantage of the flat terrain, soon left the starlings behind. The morning light became tinged with contrasting shades of pale and bright pink, colors fallen from the sky, and the air turned blue, we repeat, the air and not the sky, as we also observed yesterday evening, these hours are much the same, the one beginning the day, the other ending it. Joaquim Sassa switched off the headlights and reduced speed, he knows that Deux Chevaux was not destined for such bold exploits, its ancestry is undistinguished, anyway, the car has seen better days and the engine's tameness is nothing more than stoic resignation, Good, that's the end of the starlings, these were the words of José Anaiço, but there was a note of regret in his voice.
The Stone Raft (Harvest Book) Page 6
