by Unknown
As usual the right idea came to him at the right moment. “If you just kent how I did it for your sake,” he said, with gentle dignity, “you wouldna blame me; you would think me noble.”
She would not help him with a question, and after waiting for it he proceeded. “If you just kent wha she is! And I thought she was dead! What a start it gave me when I found out it was her!”
“Wha is she?” cried Elspeth, with a sudden shiver.
“I was trying to keep it frae you,” replied Tommy, sadly.
She seized his arm. “Is it Reddy?” she gasped, for the story of Reddy had been a terror to her all her days.
“She doesna ken I was the laddie that diddled her in London,” he said, “and I promise you never to let on, Elspeth. I — I just went to the Den with her to say things that would put her off the scent. If I hadna done that she might have found out and ta’en your place here and tried to pack you off to the Painted Lady’s.”
Elspeth stared at him, the other grief already forgotten, and he thought he was getting on excellently, when she cried with passion, “I don’t believe as it is Reddy!” and ran into the house.
“Dinna believe it, then!” disappointed Tommy shouted, and now he was in such a rage with himself that his heart hardened against her. He sought the company of old Blinder.
Unfortunately Elspeth had believed it, and her woe was the more pitiful because she saw at once, what had never struck Tommy, that it would be wicked to keep Grizel out of her rights. “I’ll no win to Heaven now,” she said, despairingly, to herself, for to offer to change places with Grizel was beyond her courage, and she tried some childish ways of getting round God, such as going on her knees and saying, “I’m so little, and I hinna no mother!” That was not a bad way.
Another way was to give Grizel everything she had, except Tommy. She collected all her treasures, the bottle with the brass top that she had got from Shovel’s old girl, the “housewife” that was a present from Miss Ailie, the teetotum, the pretty buttons Tommy had won for her at the game of buttony, the witchy marble, the twopence she had already saved for the Muckley, these and some other precious trifles she made a little bundle of and set off for Double Dykes with them, intending to leave them at the door. This was Elspeth, who in ordinary circumstances would not have ventured near that mysterious dwelling even in daylight and in Tommy’s company. There was no room for vulgar fear in her bursting little heart tonight.
Tommy went home anon, meaning to be whatever kind of boy she seemed most in need of, but she was not in the house, she was not in the garden; he called her name, and it was only Birkie Fleemister, mimicking her, who answered, “Oh, Tommy, come to me!” But Birkie had news for him.
“Sure as death,” he said in some awe, “I saw Elspeth ganging yont the double dykes, and I cried to her that the Painted Lady would do her a mischief, but she just ran on.”
Elspeth in the double dykes — alone — and at night! Oh, how Tommy would have liked to strike himself now! She must have believed his wicked lie after all, and being so religious she had gone to — He gave himself no time to finish the thought. The vital thing was that she was in peril, he seemed to hear her calling to him, “Oh, Tommy, come quick! oh, Tommy, oh, Tommy!” and in an agony of apprehension he ran after her. But by the time he got to the beginning of the double dykes he knew that she must be at the end of them, and in the Painted Lady’s maw, unless their repute by night had blown her back. He paused on the Coffin Brig, which is one long narrow stone; and along the funnel of the double dykes he sent the lonely whisper, “Elspeth, are you there?” He tried to shout it, but no boy could shout there after nightfall in the Painted Lady’s time, and when the words had travelled only a little way along the double dykes, they came whining back to him, like a dog despatched on uncanny work. He heard no other sound save the burn stealing on tiptoe from an evil place, and the uneasy rustling of tree-tops, and his own breathing.
The Coffin Brig remains, but the double dykes have fallen bit by bit into the burn, and the path they made safe is again as naked as when the Kingoldrum Jacobites filed along it, and sweer they were, to the support of the Pretender. It traverses a ridge and is streaked with slippery beech-roots which like to fling you off your feet, on the one side into a black burn twenty feet below, on the other down a pleasant slope. The double dykes were built by a farmer fond of his dram, to stop the tongue of a water-kelpie which lived in a pool below and gave him a turn every night he staggered home by shouting, “Drunk again, Peewitbrae!” and announcing, with a smack of the lips, that it had a bed ready for him in the burn. So Peewitbrae built two parallel dykes two feet apart and two feet high, between which he could walk home like a straight man. His cunning took the heart out of the brute, and water-kelpies have not been seen near Thrums since about that time.
By day even girls played at palaulays here, and it was a favorite resort of boys, who knew that you were a man when you could stand on both dykes at once. They also stripped boldly to the skin and then looked doubtfully at the water. But at night! To test your nerves you walked alone between the double dykes, and the popular practice was to start off whistling, which keeps up the courage. At the point where you turned to run back (the Painted Lady after you, or so you thought) you dropped a marked stone, which told next day how far you had ventured. Corp Shiach long held the championship, and his stone was ostentatiously fixed in one of the dykes with lime. Tommy had suffered at his hands for saying that Shovel’s mark was thirty yards farther on.
With head bent to the level of the dykes, though it was almost a mirk night beneath the trees, and one arm outstretched before him straight as an elvint, Tommy faced this fearful passage, sometimes stopping to touch cold iron, but on the whole hanging back little, for Elspeth was in peril. Soon he reached the paling that was not needed to keep boys out of the Painted Lady’s garden, one of the prettiest and best-tended flower-gardens in Thrums, and crawling through where some spars had fallen, he approached the door as noiseless as an Indian brave after scalps. There he crouched, with a heart that was going like a shuttle on a loom, and listened for Elspeth’s voice.
On a night he had come nearly as far as this before, but in the tail of big fellows with a turnip lantern. Into the woodwork of the east window they had thrust a pin, to which a button was tied, and the button was also attached to a long string. They hunkered afar off and pulled this string, and then the button tapped the death-rap on the window, and the sport was successful, for the Painted Lady screamed. But suddenly the door opened and they were put to flight by the fierce barking of a dog. One said that the brute nabbed him in the leg, another saw the vive tongue of it, a third played lick at it with the lantern; this was before they discovered that the dog had been Grizel imitating one, brave Grizel, always ready to protect her mother, and never allowed to cherish the childish fears that were hers by birthright.
Tommy could not hear a sound from within, but he had startling proof that Elspeth was near. His foot struck against something at the door, and, stooping, he saw that it was a little bundle of the treasures she valued most. So she had indeed come to stay with the Painted Lady if Grizel proved merciless! Oh, what a black he had been!
Though originally a farmhouse, the cottage was no larger than Aaron’s, and of its two front windows only one showed a light, and that through a blind. Tommy sidled round the house in the hope that the small east window would be more hospitable, and just as he saw that it was blindless something that had been crouching rose between him and it.
“Let go!” he cried, feeling the Painted Lady’s talons in his neck.
“Tommy!” was the answer.
“It’s you, Elspeth?”
“Is it you, Tommy?”
“Of course. Whisht!”
“But say it is.”
“It is.”
“Oh, Tommy, I’m so fleid!”
He drew her farther from the window and told her it had all been a wicked lie, and she was so glad that she forgot to chide him, but
he denounced himself, and he was better than Elspeth even at that. However, when he learned what had brought her here he dried his eyes and skulked to the door again and brought back her belongings, and then she wanted him to come away at once. But the window fascinated him; he knew he should never find courage to come here again, and he glided toward it, signing to Elspeth to accompany him. They were now too near Double Dykes for speaking to be safe, but he tapped his head as a warning to her to remove her hat, for a woman’s head-gear always reaches a window in front of its wearer, and he touched his cold iron and passed it to her as if it were a snuff-mull. Thus fortified, they approached the window fearfully, holding hands and stepping high, like a couple in a minuet.
CHAPTER XVI
THE PAINTED LADY
It had been the ordinary dwelling room of the unknown poor, the mean little “end” — ah, no, no, the noblest chamber in the annals of the Scottish nation. Here on a hard anvil has its character been fashioned and its history made at rush-lights and its God ever most prominent. Always within reach of hands which trembled with reverence as they turned its broad page could be found the Book that is compensation for all things, and that was never more at home than on bare dressers and worm-eaten looms. If you were brought up in that place and have forgotten it, there is no more hope for you.
But though still recalling its past, the kitchen into which Tommy and Elspeth peered was trying successfully to be something else. The plate-rack had been a fixture, and the coffin-bed and the wooden bole, or board in the wall, with its round hole through which you thrust your hand when you wanted salt, and instead of a real mantelpiece there was a quaint imitation one painted over the fireplace. There were some pieces of furniture too, such as were usual in rooms of the kind, but most of them, perhaps in ignorance, had been put to novel uses, like the plate-rack, where the Painted Lady kept her many pretty shoes instead of her crockery. Gossip said she had a lookingglass of such prodigious size that it stood on the floor, and Tommy nudged Elspeth to signify, “There it is!” Other nudges called her attention to the carpet, the spinet, a chair that rocked like a cradle, and some smaller oddities, of which the queerest was a monster velvet glove hanging on the nail that by rights belonged to the bellows. The Painted Lady always put on this glove before she would touch the coals, which diverted Tommy, who knew that common folk lift coals with their bare hands while society uses the fringe of its second petticoat.
It might have been a boudoir through which a kitchen and bedroom had wandered, spilling by the way, but though the effect was tawdry, everything had been rubbed clean by that passionate housewife, Grizel. She was on her knees at present ca’ming the hearthstone a beautiful blue, and sometimes looking round to address her mother, who was busy among her plants and cut flowers. Surely they were know-nothings who called this woman silly, and blind who said she painted. It was a little face all of one color, dingy pale, not chubby, but retaining the soft contours of a child’s face, and the features were singularly delicate. She was clad in a soft gray, and her figure was of the smallest; there was such an air of youth about her that Tommy thought she could become a girl again by merely shortening her frock, not such a girl as gaunt Grizel, though, who would have looked a little woman had she let her frock down. In appearance indeed the Painted Lady resembled her plain daughter not at all, but in manner in a score of ways, as when she rocked her arms joyously at sight of a fresh bud or tossed her brown hair from her brows with a pretty gesture that ought, God knows, to have been for some man to love. The watchers could not hear what she and Grizel said, but evidently it was pleasant converse, and mother and child, happy in each other’s company, presented a picture as sweet as it is common, though some might have complained that they were doing each other’s work. But the Painted Lady’s delight in flowers was a scandal in Thrums, where she would stand her ground if the roughest boy approached her with roses in his hand, and she gave money for them, which was one reason why the people thought her daft. She was tending her flowers now with experienced eye, smelling them daintily, and every time she touched them it was a caress.
The watchers retired into the field to compare impressions, and Elspeth said emphatically, “I like her, Tommy, I’m not none fleid at her.”
Tommy had liked her also, but being a man he said, “You forget that she’s an ill one.”
“She looks as if she didna ken that hersel’,” answered Elspeth, and these words of a child are the best picture we can hope to get of the Painted Lady.
On their return to the window, they saw that Grizel had finished her ca’ming and was now sitting on the floor nursing a doll. Tommy had not thought her the kind to shut her eyes to the truth about dolls, but she was hugging this one passionately. Without its clothes it was of the ninepin formation, and the painted eyes and mouth had been incorporated long since in loving Grizel’s system; but it became just sweet as she swaddled it in a long yellow frock and slipped its bullet head into a duck of a pink bonnet. These articles of attire and the others that you begin with had all been made by Grizel herself out of the colored tissue-paper that shopkeepers wrap round brandy bottles. The doll’s name was Griselda, and it was exactly six months old, and Grizel had found it, two years ago, lying near the Coffin Brig, naked and almost dead.
It was making the usual fuss at having its clothes put on, and Grizel had to tell it frequently that of all the babies — which shamed it now and again, but kept her so occupied that she forgot her mother. The Painted Lady had sunk into the rocking-chair, and for a time she amused herself with it, but by and by it ceased to rock, and as she sat looking straight before her a change came over her face. Elspeth’s hand tightened its clutch on Tommy’s; the Painted Lady had begun to talk to herself.
She was not speaking aloud, for evidently Grizel, whose back was toward her, heard nothing, but her lips moved and she nodded her head and smiled and beckoned, apparently to the wall, and the childish face rapidly became vacant and foolish. This mood passed, and now she was sitting very still, only her head moving, as she looked in apprehension and perplexity this way and that, like one who no longer knew where she was, nor who was the child by the fire. When at last Grizel turned and observed the change, she may have sighed, but there was no fear in her face; the fear was on the face of her mother, who shrank from her in unmistakable terror and would have screamed at a harsh word or a hasty movement. Grizel seemed to know this, for she remained where she was, and first she nodded and smiled reassuringly to her mother, and then, leaning forward, took her hand and stroked it softly and began to talk. She had laid aside her doll, and with the act become a woman again.
The Painted Lady was soothed, but her bewildered look came and went, as if she only caught at some explanation Grizel was making, to lose it in a moment. Yet she seemed most eager to be persuaded. The little watchers at this queer play saw that Grizel was saying things to her which she repeated docilely and clung to and lost hold of. Often Grizel illustrated her words by a sort of pantomime, as when she sat down on a chair and placed the doll in her lap, then sat down on her mother’s lap; and when she had done this several times Tommy took Elspeth into the field to say to her:
“Do you no see? She means as she is the Painted Lady’s bairn, just the same as the doll is her bairn.”
If the Painted Lady needed to be told this every minute she was daft indeed, and Elspeth could peer no longer at the eerie spectacle. To leave Tommy, however, was equally difficult, so she crouched at his feet when he returned to the window, drawn there hastily by the sound of music.
The Painted Lady could play on the spinet beautifully, but Grizel could not play, though it was she who was trying to play now. She was running her fingers over the notes, producing noises from them, while she swayed grotesquely on her seat and made comic faces. Her object was to capture her mother’s mind, and she succeeded for a short time, but soon it floated away from all control, and the Painted Lady fell a-shaking violently. Then Grizel seemed to be alarmed, and her arms rocked despairi
ngly, but she went to her mother and took loving hold of her, and the woman clung to her child in a way pitiful to see. She was on Grizel’s knee now, but she still shivered as if in a deadly chill, and her feet rattled on the floor, and her arms against the sides of the chair. Grizel pinned the trembling arms with her own and twisted her legs round her mother’s, and still the Painted Lady’s tremors shook them both, so that to Tommy they were as two people wrestling.
The shivering slowly lessened and at last ceased, but this seemed to make Grizel no less unhappy. To her vehement attempt to draw her mother’s attention she got no response; the Painted Lady was hearkening intently for some sound other than Grizel’s voice, and only once did she look at her child. Then it was with cruel, ugly eyes, and at the same moment she shoved Grizel aside so viciously that it was almost a blow. Grizel sat down sorrowfully beside her doll, like one aware that she could do no more, and her mother at once forgot her. What was she listening for so eagerly? Was it for the gallop of a horse? Tommy strained his ears.
“Elspeth — speak low — do you hear anything?”
“No; I’m ower fleid to listen.”
“Whisht! do you no hear a horse?”
“No, everything’s terrible still. Do you hear a horse?”
“I — I think I do, but far awa’.”
His imagination was on fire. Did he hear a distant galloping or did he only make himself hear it? He had bent his head, and Elspeth, looking affrighted into his face, whispered, “I hear it too, oh, Tommy, so do I!”
