Complete Works of J. M. Barrie

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Complete Works of J. M. Barrie Page 249

by Unknown


  BAB. I hope poor Tom didn’t hurt himself, though I believe

  he went away blaming me. Men are so unreasonable!

  PROCTOR (coming down). Well, Jane Annie, why don’t you go to

  bed?

  A letter is thrown through the window.

  PROCTOR. A letter! and through the window!

  BAB (aside). Oh, it is from Jack! We are ruined!

  PROCTOR. It has no address. For whom can it be meant?

  BAB. Oh, give it to me, sir?

  PROCTOR. To you, child? Never! It is my duty to open it myself.

  (Opens and reads.) “Ten past nine.” Ten past nine! I

  am waiting for you in the garden.” Ha! what plot is

  this that I have unearthed? Who is waiting in the

  garden, and for whom?

  BAB (aside). Oh, what shall I do? Ha! Have I not heard that

  Miss Sims and he were sweethearts? (To PROCTOR.) Can

  you not see?

  PROCTOR. No, I can’t; and if I can’t, it’s perfectly certain

  that no one else can.

  BAB. I know whom the letter is from.

  PROCTOR. From whom, child?

  BAB. It is from Miss Sims.

  PROCTOR. From Dinah?

  BAB. Precisely.

  PROCTOR. And for whom is she waiting?

  BAB. Why, for you, of course. Oh, sir, have pity upon this

  poor lady’s heart.

  PROCTOR. Ha! “Ten past nine!” She means me! Of course it is

  addressed to me. “Ten past nine, I am waiting for you

  in the garden.” Excuse me, child! (Exit.)

  BAB. Oh, Jack is outside, and I do trust they will not meet.

  It was my only chance. Now I must put on my hat and

  coat and slip out to join him.

  Exit into bedroom. JANE ANNIE comes downstairs.

  JANE A. That little wretch Bab will find that ia m not so

  easily foiled. Let me see, I need darkness, because I

  am such a good girl. (Turns down the lights.) Oh! who

  is this?

  Enter JACK in a cloak.

  JACK. Bab, come! (Sees JANE ANNIE and runs forward.)

  JANE A. I am not Bab!

  JACK. Oh, Lord! the wrong one. (Takes to his heels, dropping

  the cloak in his haste.)

  JANE A. What a superior young man! His cloak! (Puts it on.) In

  this light she might mistake me for him! (Swaggers

  about in military fashion.) Oh, I will lay such a

  beautiful trap for her! (Retires to back of stage, and

  conceals herself by the curtain.)

  Enter BAB, dressed for travelling, and with several packages.

  BAB. Farewell, dear old school — the nicest school in the

  world to get away from! If I were only sure that I am

  not making a mistake! They say that there was a girl

  who eloped from here once, and that she was unhappy,

  and that her spirit still haunts these rooms. Tom, Tom!

  shall I take this final step which is to divide us? Oh!

  what is that?

  VOICES IN THE AIR.

  Little maiden, pause and ponder,

  Life is cruel, life is dreary.

  Little feet, why should you wander

  On to paths so rough and weary?

  Ere you snap the final link,

  Little maiden, pause and think!

  BAB. Oh, I am so frightened. What shall I do?

  JANE ANNIE comes forward, enveloped in JACK’s cloak.

  JANE A. Come!

  BAB. Jack, I cannot!

  JANE A. Quick!

  BAB. Oh, Jack, be good to me! Do be careful of this packet.

  It is awfully, awfully important. It is my curling

  tongs. (Gives packet.) The carriage is awaiting us, of

  course. That contains your letters Jack, and these are

  some little things — and take this bag. And now,

  darling, carry me down, for I am going to faint!

  She falls into JANE ANNIE’s arms, who lets the things fall,

  seizes her and screams. Ringing of bells, and general alarm.

  PRESS STUDENTS come rushing upstairs. MISS SIMS enters, all

  stare at JANE ANNIE holding BAB, who seems to have fainted from

  fright.

  FINALE.

  PRESS STUDENTS. Madam, do no think us rude in

  On your privacy intrudin’;

  We are Students Journalistic,

  Keen on copy, plain or mystic,

  Commonplace or transcendental,

  Psychic, physical, or mental,

  News we’ll have, and through you, madam,

  For we’ll interview you, madam.

  That’s so flat, nought could be flatter,

  Tell us quickly, what’s the matter?

  What’s the matter? What’s the matter?

  GIRLS run out of their rooms in various stages of deshabille.

  GIRLS. Madam, when we heard this screaming,

  Scarcely sure if we were dreaming,

  Curiosity controlled us,

  And we came as you behold us,

  Trim or ruffled, tossed or dapper,

  Clad in dressing gown or wrapper,

  We are kneeling to you, madam,

  News to get, and through you, madam.

  Think not this is idle chatter,

  But inform us what’s the matter?

  What’s the matter? What’s the matter?

  ENSEMBLE.

  PRESS STUDENTS. GIRLS.

  News we’ll have, and We are kneeling to you,

  through you, madam, etc. madam, etc.

  MISS SIMS. Jane Annie, what is this?

  Bab, what were you doing in her arms?

  BAB. Miss Sims, forgive me! I thought she was a gentleman.

  MISS SIMS. Oh, infamous! To your rooms, all, this instant!

  Exeunt MISS SIMS, BAB, JANE ANNIE, and GIRLS.

  PRESS STUDENTS (taking notes eagerly).

  School aristocratic,

  The scene most dramatic,

  Plot unsystematic,

  And very erratic,

  Jane Annie ecstatic,

  Her victory emphatic,

  She won it by stealing

  Down from the attic.

  Enter PROCTOR furiously.

  PRESS STUDENTS. We’re glad to interview you,

  To get a column through you,

  And note what you may say.

  See now how we will do him,

  While we seem to interview him,

  In our frank, new-fashioned way.

  Are Proctors men of learning?

  Do you spend more than you’re earning?

  And how much do you owe?

  Of women do you think much?

  On occasion do you drink much?

  PROCTOR. Emphatically, no!

  PRESS STUDENTS (writing). Proctors have no acumen,

  And no respect for women.

  PROCTOR. Yes, yes! I meant to say!

  PRESS STUDENTS (writing). In debt and boasts about it.

  Love’s grog — can’t do without it.

  Must have it night and day.

  PROCTOR. My words you’re misconstruing,

  That is not interviewing.

  PRESS STUDENTS. Yes, this is interviewing,

  In the frank, new-fashioned way.

  PROCTOR. If you’ll suppress this fable,

  I’ll tell you, if I’m able,

  A recent incident.

  (Aside). Diverting their attention,

  I’ll draw from my invention

  Some singular event.

  SOLO. — PROCTOR.

  There was once a man in a seaside town,

  And his name it was — what was it?

  I know it wasn’t Smith, and I’m sure it wasn’t Brown,

  But it was — oh, Lor’, what was it?

  I very much want to tell you all,

&nb
sp; You’d love to know about it;

  But just this point I can’t recall,

  And as it’s immaterial,

  We’d best go on without it.

  A widow lived in the same hotel,

  Her name it was — you know it!

  He stole to her and whispered — well,

  He whispered, well — Oh, blow it!

  I very much want to tell you all,

  You’d love to know about it;

  But just this point I can’t recall,

  And as it’s immaterial,

  I’d best go on without it.

  But when the lady heard this speech,

  Down to the pier she flew then,

  Threw up her arms, and with a screech,

  She — she — Oh, dear! what did she do then?

  I very much want to tell you all,

  You’d love to know about it;

  But just this point I don’t recall,

  And as it’s most material,

  I can’t go on without it.

  Enter SIM and GREG.

  SIM. At last we’ve got him, sir,

  PROCTOR (not heeding). Away!

  SIM. Him that dangled after her!

  PROCTOR. Hurray!

  (addressing PRESS STUDENTS). To catch an undergraduate I came,

  SIM and GREG (perplexed). Of this there’s question none,

  He is an undergraduate,

  In all respects but one.

  That one to mention we forgot,

  It’s odd to me and mate,

  It’s this, that somehow he is not

  An undergraduate!

  JACK steps forward, CADDIE holding him.

  ALL. Why, evidently he is not

  An undergraduate!

  MILLY (from balcony). Oh, sir, take care

  Of one so fair

  Let his complexion

  Plead with you for him!

  JACK. An officer I,

  Strolling by,

  Smoking a Henry Clay,

  These men I met,

  They me beset

  In a most unseemly way.

  Of girls they spoke,

  Which spoilt my smoke,

  For the sex I do not care about.

  I’ve not address’t

  Them e’en in jest

  Since ‘85 — or there about.

  They dragged me here,

  By brute force sheer,

  But this doth chiefly jar.

  Your page, I find,

  We left behind

  Smoking my big cigar.

  And therefore I

  Your school defy,

  Oh, I do not stand in awe of you;

  For spoilt have they

  My Henry Clay,

  And I mean to have the law of you.

  Exit JACK.

  Re-enter GIRLS.

  PROCTOR. No I am trepanned and done brown.

  PRESS STUDENTS. We hear you, and we’ve got it down.

  Enter MISS SIMS and JANE ANNIE.

  MISS SIMS (to JANE ANNIE). We owe all too you, it appears!

  So what can I do?

  GIRLS. Box her ears!

  JANE ANNIE. To be good I try hard,

  GIRLS. Ain’t she meek?

  JANE ANNIE. And I ask no reward,

  GIRLS. Oh, the sneak!

  JANE ANNIE. Yet if I should take

  Something nice,

  They may learn to forsake

  Ways of vice.

  PRESS STUDENTS. Stop a moment—”Forsake!”

  “Ways of vice!”

  JANE ANNIE. Now the good-conduct prize,

  GIRLS. Oh, how mean!

  JANE ANNIE. Seems good to my eyes,

  GIRLS. Which are green!

  JANE ANNIE. So if you agree

  That I’m right,

  Why not give it me

  Well — tonight?

  PRESS STUDENTS. Stop a moment—”Agree”

  “To tonight.”

  MISS SIMS. Dear pupils, see, to my bosom I fold her,

  The prize shall be hers ere she’s five minutes older.

  Exeunt MISS SIMS, PROCTOR, BULLDOGS, and CADDIE.

  JANE ANNIE. The girl who’s good, demure, correct,

  Cannot preserve her self-respect,

  And mine I would regain.

  So having got the prize tonight,

  Tomorrow I, with all my might,

  Will be an imp again!

  Girls, I am naughty from this hour,

  And six long months of wickedness,

  By virtue of my magic power,

  Into one day I will compress!

  ALL. Jane Annie’s naughty from this hour,

  But oh! what is this magic power?

  CADDIE sends PRESS STUDENTS away.

  SONG. — JANE ANNIE.

  When I was a little piccaninny,

  Only about so high,

  I’d a baby’s bib and a baby’s pinny

  And a queer little gimlet eye.

  They couldn’t tell why that tiny eye

  Would make them writhe and twist,

  They found it so, but how could they know

  That the babe was a hypnotist?

  ALL. Now think of that! this tiny brat

  Was a bit of a hypnotist!

  JANE ANNIE. And as I grew my power grew too,

  For we were one, you see,

  And what I willed the folk would do

  At a wave or a glance from me.

  I could “suggest” what pleased me best,

  And still can, when I list,

  And Madam Card will find it hard

  To beat this hypnotist!

  ALL. Oh, think of it! This little chit

  Is a mighty mesmerist!

  DANCE.

  Enter MISS SIMS, BULLDOGS, PRESS STUDENTS, and CADDIE in

  procession. PAGE bearing prize. GIRLS become demure.

  MISS SIMS. To Jane Annie this prize I present,

  And in it I’ve writ this inscription —

  “Awarded a hundred per cent.

  For goodness of every description.”

  (Presents prize.)

  MISS SIMS, BULLDOGS, and PAGE.

  Hail, oh hail to the modest maiden!

  Hail, oh hail to the downcast eyes!

  Now with all our plaudits laden,

  See, she takes the well-earned prize.

  Hail, Jane Annie, hail!

  GIRLS. Hail, oh hail to the scheming maiden,

  Hail, oh hail to the roguish eye!

  Now she stands with honours laden,

  They will know her by-and-bye.

  Hail, Jane Annie, hail!

  ENSEMBLE.

  MISS SIMS, BULLDOGS, etc.

  Hail, oh hail to her we honour!

  Hail, oh hail to the blushing cheek!

  Place the laurel wreath upon her,

  See her crowned, and good, and meek!

  Hail, Jane Annie, hail!

  GIRLS.

  Hail, oh hail to her they honour!

  Hail to her unblushing cheek!

  Place the laurel wreath upon her,

  See her trying to look meek.

  Hail, Jane Annie, hail!

  CURTAIN.

  ACT II.

  SCENE. — Golf green near the school. River at back. BAB, a

  prisoner, is walking up and down in CADDIE’s charge.

  SONG. — CADDIE.

  A pageboy am I

  That young ladies decry,

  Yes, yes, dears, you do, for I hear yer;

  But it’s little you know

  The volcanoes that glow

  Inside of this little exterior.

  Oh, you wouldn’t deride,

  Could you step inside

  Of this here pocket edition,

  And, striking a light,

  Perceive that this mite

  Is on fire with a grand ambition.

  BAB. But at present the buttons he’s wearing,

  And he’s taking me out for an airing.

  (Walks up
and down.)

  CADDIE. My wife I shall choose

  From the class called the Blues,

  Whose theory is that they hates men,

  Of birthplaces galore

  I mean to have more

  Than him wot’s the eminent statesman.

  A peerage I’ll take

  For my progeny’s sake,

  To refuse it I think would be shabby,

  And I ask poor and rich

  To my funeral, which

  Will be held in Westminster Abbey.

  Oh, you wouldn’t deride, etc.

  Cries of “Fore! Fore!”

  BAB. The girls are playing golf. (She holds up flag.)

  CADDIE. Girls! Poor summer flies!

  BAB. Do let me play, Caddie.

  CADDIE. It’s agin the Missus’ orders. I’m your jailer, I am,

  and Miss Sims’s words were: “Give the wench a little

  exercise, but never leave her for a moment, or she will

  be eloping again; and if she does,” said she, “you just

  pull the big fire bell.”

  BAB. But why not let me elope, Caddie? See, I go on my knees

  to you. (Kneels.)

  CADDIE. Get up! Get up!

  BAB (rising). Cold, relentless! You have never loved!

  CADDIE. Have I not? By gum!

  BAB. You in love. With whom?

  CADDIE (sadly). It’s all over for ever, no more.

  BAB. She jilted you?

  CADDIE. Well, it came to the same thing, I jilted her.

 

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