Toshi took his station behind the bar. His wingmen flanked him. On his left stood Tetsu. On his right, Takumi.
Zoran’s departure had left a gap in the lineup of chefs and Takumi had stepped into it. Toshi had begun to delegate parts of his omakase to Takumi. He had imagination, whimsy, and creativity. That could only be good for sushi, but none of it would matter if Takumi couldn’t bring himself to perform for customers, just as he once had for fans. He still acted shy and reserved behind the sushi bar.
The restaurant manager propped open the front door. As the sun sank over the Pacific Ocean across the street, light streamed into the dining room. The colors in the fish case blazed and the white tablecloths glowed. Minutes later the sun dropped below a building and the vibrant colors vanished. A fly buzzed around the sushi bar. Takumi swatted at it with a towel.
Toshi went to the kitchen and entered the walk-in. He sorted through plastic food-storage tubs, now mostly empty, and consolidated the remaining items. He peered into corners of the cavernous refrigerator and extracted a potato growing sprouts and a banana that had turned black. He emerged and hugged himself. “Brrr.”
Toshi returned to the sushi bar, and a few minutes later three customers walked into the restaurant.
“Irasshaimase!” the chefs yelled.
It was Kate, dressed up for dinner, with a couple of friends. Toshi narrowed his eyes and scowled at her. She wrinkled up her nose and scowled back. The scowling intensified. Then they both laughed. Kate led her friends to the bar and they ordered sake. Tetsu began squeezing out nigiri for his student.
Then, several of Toshi’s most loyal customers came in and sat at the bar. One woman had been eating Toshi’s sushi for twenty years. They all tried to act upbeat, but Toshi could see that they were sad. He served them omakase, punctuated by frequent, poignant toasts.
But it was Takumi who delivered a special dish of deep-fried tofu to Kate and her friends. Kate’s eyes popped open.
“For us?” Kate asked.
Takumi nodded.
Kate smiled, then wrinkled up her nose and scowled theatrically again, this time at Takumi. He took the bait and scowled back. He even growled. Kate laughed. He beat his chest and growled again, pretending to be King Kong.
“What about Dancing Sushi Chef?” Kate asked.
Takumi froze. Slowly he raised one arm and danced a little disco, gyrating his hips. Kate applauded.
Takumi went back to work and Kate went back to chatting with her friends. Two Japanese men and a young Japanese woman came to the sushi bar, and Toshi commenced a new omakase for them. Takumi helped.
Takumi was fond of squid. For this last evening at the restaurant, he’d prepared a dish that drew inspiration from Italian cooking. He served it to the Japanese customers, explaining that it was calamari marinated in lime juice and dill. The young woman watched Takumi closely while he spoke. She and the two men tried the squid and pronounced it delicious. Takumi bowed his head, looking pleased, and continued to chat with them. The woman kept watching Takumi, her brow furrowed.
Kate and her friends finished their meal and left. Toshi juggled dishes for his different batches of omakase customers. He tossed eel in the toaster and leaned on the lowboy. He sighed. In English he muttered, “Sake made me tired.” A minute later he got confused and served several dishes to the wrong customers. He shook his head and berated himself in Japanese. “No good.”
After a while Toshi delegated the rest of the omakase to Tetsu and Takumi, and simply stood in the center of the bar, chatting with his customers and watching people come and go from the dining room. When the American omakase customers had finished their sushi, Toshi disappeared into the kitchen and returned carrying plates of sherbet for their dessert. He’d decorated each plate with a crisscrossed pair of little flags. One was the Stars and Stripes, the other was the Rising Sun.
The American customers said their final good-byes, leaving the Japanese customers alone at the bar. The young Japanese woman couldn’t stop looking at Takumi. She covered her mouth with her hand, as Japanese women often do when embarrassed, and spoke up.
“I feel like I’ve seen you before somewhere,” she said.
Takumi laughed. “Really?”
“Yes,” she said. Her face brightened. “Do you work part-time at some other sushi restaurant?”
Takumi laughed again. “No, no.” He glanced down at his cutting board. “I used to do a little part-time work, ah…on TV.”
The woman giggled and held her hand over her mouth again. “Really?”
He nodded. He was smiling. He stuck his hand in the canister of rice, then straightened up. He lifted his elbows and hands away from his body and performed for the customers, squeezing sushi in an arc across his body.
The woman watched. She still couldn’t place him. She seemed to be trying to remember when on television she’d last seen a sushi chef who looked like this man.
New customers came in and sat at the bar. Toshi turned away, picked up the intercom, and called to one of the students, who was interning in the kitchen. A moment later the student appeared, looking startled.
Toshi smiled. “You make sushi now. Get your knife.”
The student returned and took Toshi’s place behind the bar. He turned to the customers and suggested a few dishes. Toshi stood back and watched him work. A few minutes later, when no one was looking, Toshi closed up his knife case and slipped away.
Later that night, after all the customers had left, after all the creatures had been cleared from the fish cases, the floors had been mopped, and the countertops wiped clean, Takumi and Tetsu stood alone in their chef’s whites under the bright spotlights in the empty sushi bar.
Takumi poured two cups of sake. Then he poured a third cup. Takumi believed that a spirit resided in every object and creature in the world. Tonight the life of this sushi bar and its spirit had come to an end, and it was time for the chefs to express their thanks.
Takumi and Tetsu clinked cups, tipped back their heads, and drank. At the same instant, Takumi flicked the third cup, and thousands of droplets of fermented liquid rice, swimming with little gods, flew through the air and fell across the sushi bar like rain.
46
DELI
The semester at the California Sushi Academy came to a close with a series of three practical exams. The students were tested on the preparation of cooked appetizers, sushi, and sashimi. The final written exam would come a few days later.
After their last practical exam, Kate and Marcos hopped into the Mustang and set off for a last lunch at the Jewish deli downtown. Heavy fog billowed in off the ocean, blanketing Hermosa Beach in the gray hues of a Japanese ink painting.
“I’m sad it’s over,” Kate said.
“I’m really sad I’m leaving Hermosa,” Marcos said. “I really like it out here.”
Kate decided to treat herself to a cigarette, and cracked open a pack of Marlboros. “I am looking forward to getting some sleep. Seems like I haven’t slept in three months. Always thinking about something. The Laundromat. Where’s my textbook? Where’s my hat? I’m going to be late.”
She was silent for a few minutes. “I still hear Zoran’s voice in my head whenever I do something stupid.”
Marcos nodded. “Me, too.”
Downtown L.A. came into view. The glass towers punched high into the air through a film of brown smog. An hour later, in the same booth at the deli as before, Kate ordered a big piece of chocolate cake for dessert.
“I wonder what Zoran is doing right now,” she said. She chuckled. “Probably wrestling a kangaroo.”
She took a bite of cake and stared out the window. After a moment she spoke again.
“The best thing I learned this summer,” she said slowly, “was that I could stick with something, even through all my doubts.”
A jar of red licorice sat on the deli counter. Kate remembered that Jay had said Zoran liked licorice. She asked the waitress for a few sticks. She offered one to Marcos.
“No, thanks. But Zoran would like it.”
Kate nibbled on a stick.
“Even though he was really mean to me,” she said, “he was also really nice to me, the bastard. On the sashimi test, he called time right when I put down my last cut of fish.”
They settled their check and wandered outside. Mexican women sat on the curb in the hot sun, waiting for a bus. Marcos and Kate strolled down the street and found a quiet curb of their own. They sat and smoked cigarettes. Kate turned her face to the sun.
“Sushi is the first thing I’ve gotten excited about in a long time,” Kate said. She took another drag on her cigarette and blew out the smoke. “I needed this. I think it’s given me confidence.”
47
SUSHI MASTER
Toshi peered out the window of the Boeing 737. Green fields came into view as the plane sank toward Sacramento. Stretching north through the Sacramento Valley are half a million acres of rice paddies. Ninety-five percent of the rice are the short-grain and medium-grain Japonica varieties used for sushi.
A trade group called the California Rice Commission had contacted Toshi months ago. They’d been planning a “Sushi Masters” competition in Sacramento, the first of its kind. The commission had invited Toshi, as CEO of the California Sushi Academy, to serve as presiding judge. Tonight, he and five other judges would confer the title of Sushi Master on one of eight sushi chefs nominated from around the state.
The event would also honor the first sushi chefs and restaurateurs in L.A.’s Little Tokyo in the 1960s and 1970s—or at least, those that were still alive and could be located. Katsu Michite, the chef whose restaurant Toshi had frequented when he’d gotten his first job in Malibu, would be there, along with other stalwarts of traditional sushi in the United States.
Rumor had it that some of these men looked down on Toshi as an opportunist who lacked proper credentials. Worse, Toshi could assume that they already knew what had happened—that after losing his first restaurant, he’d now driven his second restaurant into the ground. Never mind that without chefs like Toshi, who’d thrown tradition to the wind, average Americans might never have warmed to sushi, and there might not even be a Sushi Masters event to honor the founding fathers of American sushi.
When the plane touched down on the tarmac, Toshi looked stoic. Earlier that day at the academy, he’d administered a final practical exam for his students. After the exam, Toshi and Jay had driven straight to the airport. Toshi had scarfed down a cheese pizza at the departure gate.
Downtown in Sacramento, they entered a vast four-story atrium. A long table with black-and-red tablecloths stretched through the middle of the hall, and in the center towered a four-foot ice sculpture, in which was embedded a bright red Japanese character: “sushi.”
The private opening ceremony for the pioneer chefs was already under way. Toshi adjusted his gray suit jacket and red tie. Nearby stood a cluster of Japanese men in black suits. A lone woman in an elaborate kimono provided the only color.
Toshi scanned the group, keeping his distance. He identified Rocky Aoki, the founder of the Benihana chain, whose tight curly hair and dark glasses made him look like a member of the yakuza. Near Aoki stood the silver-haired president of the Mutual Trading Company, Noritoshi Kanai, the first person to recognize that Americans might actually eat sushi. Toshi’s eyes landed on his old mentor Katsu, and then on Teruo Imaizumi, a chef who’d been present at the creation of the California roll; he was in a wheelchair.
The president of the rice commission, Tim Johnson, was giving a speech, pausing every few sentences so his words could be translated into Japanese.
“A hundred years ago, we had the first successful rice crop in California, after fifty years of trying. It was short-grain Japonica rice.” Johnson gestured at the Japanese men in black suits. “You allowed our industry to begin, and you have allowed our industry to thrive.”
Frank Rehermann, chairman of the commission and a rice grower himself, took the podium. He was a big, balding man. He doubled over in an awkward Japanese bow, directed at the men in black suits.
“Konnichiwa,” he said. “One-third of California rice sales are to Japanese customers in the United States. A fifth of our crop is exported to Japan. People here took great risks in gambling to bring sushi to the United States, at a time when most of us didn’t even know what sushi was.” He bowed again, this time deeply. “Domo arigato.”
The sushi pioneers in their black suits applauded stiffly. A few of them delivered speeches. One admitted that he still couldn’t understand why Americans had adopted sushi at all. He called it a “miracle.”
Hardly.
Toshi had heard enough.
Minutes later, a commission official rushed Toshi into a silent conference room. The shades were drawn. Toshi glanced around the table and took a quick inventory of the other judges.
One was Japanese—the president of a Japanese restaurant association. The rest were Caucasians—a state senator whose district included Little Tokyo, a writer for a food magazine, and a chef-instructor from the Culinary Institute of America. One more judge, an executive chef at a trendy group of grills, bars, and cafes in Sacramento, was on his way.
“This is the judges’ war room,” the official explained. “The chefs’ war room is in there.” He gestured at a set of closed doors. Behind those doors, in a large hall, eight sushi chefs were completing their preparations.
“Toshi is our consulting judge,” the official said. “If any of you have any questions about how to grade something, please consult with Toshi.” He handed out clipboards with scoring sheets and gave each judge a calculator.
The competing chefs would be required to create three presentations. The first would be a traditional platter of nigiri sushi and Japanese-style thin rolls. The second would be an American-style creative roll of their own devising. The third would be a “governor’s roll”—containing a selection of Arnold Schwarzenegger’s favorite sushi ingredients. The “Governator’s” list included sea urchin gonads.
The sound of taiko drums thundered through the wall. Guests had begun to arrive. The commission was expecting 250 luminaries and VIPs to attend.
“Things are getting started,” the official said “The competition begins at six o’clock. The chefs have forty-five minutes.”
Toshi wandered back out to the atrium and found Jay. They sidled up to the hors d’oeuvres. Toshi surveyed the food.
“Sushi again?”
Jay snickered. “See, aren’t you glad we ate at the airport?”
The chef-instructor from the Culinary Institute of America conferred with Toshi on scoring standards. A few minutes later, the eight contestants took their stations along three walls of the hall. The commission had chosen them based on popularity. Each chef had earned a top ranking in California’s largest newspapers and dining guides. Of the most popular sushi chefs in California, only two were Japanese. Another two had Chinese roots. Three appeared to be Latino and one was Caucasian.
A commotion drew Toshi’s attention. A camera crew pointed bright lights on one of the chefs, while a man with a microphone interviewed him. A crowd gathered. Toshi strolled over and maneuvered his way to the front.
It was the younger of the two Japanese chefs, Taro Arai. Arai’s restaurant was here in Sacramento, and he was a local sushi celebrity. He was tall and ebullient, with an orange headband, highlights in his hair, a flashy baseball jersey, and oversized black shoes with enormous silver buckles. He beamed at the camera as he answered questions. He was clearly the crowd favorite.
Toshi was looking not at Taro Arai but at his table. It was a jumble. Vegetables and sauce containers were strewn across the surface, along with Arai’s extra-long black-handled sushi knife and his Razr cellphone. Toshi shook his head and clicked his tongue.
A thunderous drum roll signaled the start of the competition and the eight chefs burst into action. The man with the microphone ran from table to table and delivered play-by-play updates over the
PA system.
Jerry Warner, the Caucasian chef, had not set any ingredients out on his table, which stood nearly bare. He produced a single cucumber and commenced the process of column-peeling it, just as Toshi’s students had learned to do. The TV camera and announcer swung by Warner’s table for a moment and then hurried on, returning to Taro Arai’s station across the room. The crowd followed. Warner kept his gaze on the knife and cucumber.
At Arai’s station Toshi stood directly in front of the young Japanese chef, inches from his table, and stared at his cutting board. Arai’s long knife flashed around the cutting board so fast that bits of food seemed to scatter and vaporize. Every few seconds, Arai glanced up and fired another winning smile into the crowd while he worked, never ceasing to slice, peel, chop, and squeeze. He squeezed nigiri so fast that his hands were a blur—each packet of fish and rice popped out from his fingers in under five seconds.
Toshi scribbled on his scoring sheet and moved on. At several stations he deducted points simply because the chefs wore watches and rings. Not even his students committed such blatant violations of basic hygiene. One chef even wore a chef’s jacket with fancy pinstripe sleeves that scraped the food as he worked. Toshi was flabbergasted.
Toshi arrived at Jerry Warner’s table just as the first drumbeat thundered through the hall, marking ten minutes. Toshi watched Warner slice a block of yellowtail. Warner’s workspace was immaculate. Toshi returned to Arai. Jagged cuts of vegetables and fish and half-finished rolls lay scattered across his table. Arai slapped slices of whitefish onto a mound of rice and tossed on elaborate garnishes of sauces and multi-colored fish eggs. He kept smiling at the crowd of onlookers.
The second drumbeat sounded. Toshi completed another circle. He deducted more points from the other chefs, this time for using their bamboo mats upside down, for not squeezing their cucumber rolls tight and square, and for letting onions and avocado slices come in contact with plates and work surfaces. The third drumbeat sounded. Toshi visited Warner again. Warner was plating his completed sushi. Otherwise, his table was empty and spotless. Toshi returned to Arai. Arai’s table looked like a grocery store hit by a typhoon.
The Story of Sushi Page 28
