Nemo’s brother, the colonel, had been so injured by the frenzied horse that he retired from the army. However, he did go back to his evil ways when older, though not as his brother’s partner. He appears briefly in a semifictional book by Robert Louis Stevenson, The New Arabian Nights.
Vandeleur plays a more important role in the same book.
Fogg retired to Fogg Shaw in rural Derbyshire, where he tinkered around in his laboratory and raised a number of children, all as handsome as he or as beautiful as their mother.
Fix continued to be a detective, though he now served only one master, or mistress in this case, Her Majesty.
Passepartout settled down as manager of Fogg’s estate and married a local girl.
And what of the Grand Plan?
From the situation of the world today, we may assume that it was abandoned.
What about the distorters?
Did the Eridaneans and Capelleans decide to throw the few remaining devices, along with the schematics, into the ocean? Or did some greedy person steal them? That we hear no more of the nine great clangings means nothing. It may be that someone, perhaps Fogg, invented a means for suppressing or canceling these noises. In which case, some of the many mysterious and seemingly impossible disappearances of things and people in this world may be explained.
Whatever happened to the distorters, the important thing is that Fogg and Aouda and Passepartout and Fix lived happily for many years. They may still be living for all anybody knows.
Fogg may even have thought that, after a hundred years, the public could be informed of the true story.
That Phileas Fogg’s initials and your editor’s are the same is, I assure you, only a coincidence.
ADDENDUM
The following article appeared in Leaves from The Copper Beeches, published for The Sons of the Copper Beeches Scion Society of the Baker Street Irregulars by the Livingston Publishing Co., Narberth, Pa., 1959.
A SUBMERSIBLE SUBTERFUGE OR PROOF IMPOSITIVE
BY H. W. STARR
A familiar literary phenomenon is the novel which is actually autobiography, biography, or factual narration disguised as fiction. We see it in the work of Thomas Wolfe, Dickens, Watson, and a score of other writers; and perhaps we may find it also in two novels that we have all read as children: Jules Verne’s Twenty Thousand Leagues under the Sea and The Mysterious Island. The popular impression of the most interesting character of this saga, an individual using the alias Captain Nemo, is that of an Indian prince, a disillusioned and embittered idealist, sickened by civilization, who gathered a little band of kindred spirits, devoted to him and tenderly cared for by him, and vanished forever into the depths of the sea in a marvellous submarine which he had secretly assembled. Yet if we examine these tales we find certain inexplicable and absolutely irreconcilable inconsistencies appearing in them—for example the dates. According to Twenty Thousand Leagues, the Nautilus is recorded as first being observed by seafarers in 1866 and vanishing in the Maelstrom in 1868, at which time Professor Aronnax and his companions escaped from the vessel. Yet we are surprised at the beginning of The Mysterious Island, when Captain Nemo is a silvery-haired old ruin, the last survivor of a company of at least twenty-four sailors and two officers, living in solitude on Lincoln Island, that the date is given as 1865!
There are other inconsistencies. According to the The Mysterious Island, Nemo is an Indian Prince Dakkar, and presumably at least some of such a man’s followers would be Indians. This could hardly have escaped the observation of Professor Aronnax, who for months watched them fishing and working about the Nautilus. Yet never does it seem to occur to him that any are Orientals. Instead, he says that all are Europeans. No matter how dubious in the eyes of modern science identification of nationality from appearance may be, it is unlikely that a veteran biologist would mistake, after close and repeated observations, some two dozen Hindus for Europeans—especially Irishmen! Furthermore, in The Mysterious Island (p. 460) Captain Nemo defends the sinking of the hostile warship witnessed by Professor Aronnax on the grounds that he “was in a narrow and shallow bay—the frigate barred my way.” Yet the Professor’s account (Twenty Thousand, pp. 473–82) unquestionably proves that for over twenty-four hours Captain Nemo deliberately lured the frigate to follow him until it suited his whim to turn and sink her.
Many more such instances may be piled up, but I think the conclusion is too obvious for us to cite them. The Mysterious Island is a work of fiction turned out by a professional novelist who, after some editing of the manuscript of Professor Aronnax to ensure its popular sale, decided to capitalize on its success by writing an entirely imaginary sequel and, in doing so, to rehabilitate a rather brutal man by painting him as a Byronic hero with a heart of gold—a procedure thoroughly compatible with the literary fashion of the day. We must dismiss it, and with this dismissal must also vanish any and all reliance upon this later volume’s account of Captain Nemo’s character, moral values, and life as “Prince Dakkar.”
Having disposed of The Mysterious Island as a source of information, let us now turn our attention to Twenty Thousand Leagues. Since this volume appears to be a novelist’s rewriting or editing of Professor Aronnax’s memoirs, we may put some faith in matters of fact observed by the professor. However, we should be more cautious in acceptance of matters of interpretation, for here the romantic Byronic aura which Aronnax and Verne saw surrounding the captain may mislead us. Consider the concept of Captain Nemo as the half-noble, half-ruthless, golden-hearted, disillusioned idealist, who loves the oppressed in general, his crew in particular, and who has provided an “Ark of Refuge” for a selected few to whom he is bound by ties of mutual devotion. Just how does the man Nemo really treat this crew of his? First of all, we should estimate how many men are on the Nautilus. From various bits of information it is clear that he cannot have had fewer than twenty-four crewmen in the original group and he may have had thirty or more. The living quarters provided for these men are very interesting. The description of the berth-room in which they seem to have spent practically all of their existence when not engaged in their duties indicates that the room could not have measured more than 22 feet by 16 feet. If we line this room with tripledecker berths, we can just fit twenty-four men (the smallest possible number) into these quarters, generously leaving clear in the center a floor space of 10 feet by 16 feet, in which they may dress, store their clothes, eat, lounge, and otherwise amuse themselves. These are slum conditions of the foulest sort. But perhaps Captain Nemo, whose bedroom is described as “severe almost... monkish,” lived under equally Spartan conditions? Well, his private suite, into which the crew never intruded, consisted of the following apartments in addition to his fifteen foot bedroom; a dining room (15 feet long) equipped, among other articles, with “exquisite paintings” and with oak and ebony sideboards bearing “china, porcelain, and crystal glass of inestimable value” (p. 81); a library (also 15 feet in length and running like the former room, the width of the ship) containing overstuffed divans upholstered in brown Morocco, movable desks, a huge table for periodicals, cigars, a bronze brazier for a cigar lighter, and a private collection of 12,000 books (pp. 85–87); a magnificent museum-drawing room (30 feet by 18 feet) provided with an arabesques ceiling, pictures “of great value” by Raphael, Leonardo, Titian, Rubens, etc. (“the greater part of which” Professor Aronnax “had admired in the galleries of Europe”), statues of bronze and marble, a large piano-organ, an invaluable collection of marine life in “splendid glass cases,” and pearls some of which were “larger than a pigeon’s egg” and which surpassed the most valuable pearl hitherto known. With this at his disposal, I think that one can see how Captain Nemo managed to survive the hardships of that severe, almost monkish bedroom.
In any event, the account does not fit the concept of a loving master served by an admiring group of acolytes. It does, however, fit the picture of the sybaritic commander of an old-fashioned warship living in luxurious quarters and ruling with an iron
hand a crew of tough fighting men whose fear of their captain and expectation of high financial gain may make them willing to put up with physical discomfort.
One or two puzzling events are reported by the professor. The events we can accept, but his interpretation is less reliable. On a very rough day when the captain, the mate, and the professor are on deck, the two officers observe through a telescope an object so distant that the professor (whose vision seems normal) is unable to see even a speck with his naked eye. The officers are greatly excited, the professor and company are heaved into the brig again, doped, and a ship is sunk by the Nautilus (pp. 216–220). These are the facts; the interpretations that we are given is this: Captain Nemo on first sighting the ship immediately recognized it—necessarily by its flag—as belonging to that unidentified nation which he so loathed, and consequently rammed it with the ship spur mounted on the bow of his submarine. Yet a little thought shows us that this cannot be entirely correct: if the ship was so far away that Professor Aronnax was unable to distinguish it at all with the naked eye, how could the man Nemo even with a telescope possibly recognize its colors? The conclusion, therefore, is that the one way Nemo could know that here was the ship upon which he had designs was by being given information that at this date and in this location, just one particular vessel could be expected. Yet our saline recluse could possess up-to-date information concerning shipping only from some source external to the Nautilus. And of this supposition we have confirmation. He appears to have devoted considerable effort to scooping up the treasure from the sunken ships in the Bay of Vigo. About a million dollars in gold (pp. 300–01) he sent ashore in the pinnace after his intermediary, one Nicholas Pesca (an amphibious individual who appears to have devoted most of his time to swimming from one island of the Cyclades to another), had, during an evening dip, swum out to the Nautilus (p. 299). The interpretation which Captain Nemo skillfully plants in the professor’s mind (pp. 326–27) is that he, as a friend to all oppressed groups, has devoted his wealth to the Cretans, who at this time were in revolt against Turkish rule. The facts are that he is in the habit of sending part of his takings ashore and that he does have certain connections with civilization which might supply him with data concerning shipping and cargo schedules.
Now, following Watson’s method (since we dare not arrogate to ourselves the techniques of the Master), let us see what conclusions we can come to concerning the puzzling character of the man Nemo:
1. He had a wide educational background—especially in biology, music, sculpture, painting, and history.
2. He must have been a genius of breathtaking stature in the fields of mathematics, physics, and theoretical engineering to have designed such a submersible as the Nautilus.
3. Yet, strange to say, although Nemo surely had a reasonable acquaintance with the handling of ships by the time Professor Aronnax met him, we cannot be quite so certain that his practical maritime experience is very extensive. There seem to be curious lapses here. As a sailor the worthy captain is constantly—and accidentally—bumping into things: three passenger ships (not to be confused with the deliberate rammings), one iceberg, the Maelstrom, and the island of Gilboa. Furthermore, wonderful though the design of the vessel is, it has features which an experienced marine engineer would hardly incorporate into its design. For example, quite unlike almost all large vessels of the last thousand years or more—submarine or surface—it has no cutwater unless the very slight elevation of the deck provided a most inadequate one, for the bow is completely conical as it tapers to a sharply pointed spur. Since the deck elevation is only about a yard above water level, this means that in anything but a dead calm at any speed above the barest crawl tons of water would be constantly deluging the pilot’s cage whenever the Nautilus traveled on the surface. Walking on deck when the vessel was under way must have been a singularly damp—not to say hazardous—procedure. Indeed, the design of the Nautilus is amazing in its total subordination of the everyday needs of navigation to sheer military utility. It is an armored ram, but such a ram as could never be found in any classical trireme, Venetian war gallery, or nineteenth-century ram. It is a cigar shaped cylinder with pointed ends, one surmounted with a spur, retractable pilot and lantern cages, and collapsible railing—streamlined, in fact, so that the entire submarine may pass completely in needlelike fashion through a hostile vessel. So extreme a design is hardly necessary merely to sink a ship, and it reveals an appalling savagery of purpose in the designer which ill consorts with a bitter and disillusioned yet golden-hearted friend to the oppressed.
4. He is clearly a man of commanding and domineering personality, a man who rigidly draws the caste line. This combination of an arrogant personality and a marked distinction between groups is of course to be observed in many walks of life, but it is particularly noticeable in those who follow two professions: officers in military organizations and teachers. Nemo, however, repeatedly shows an extreme aversion to the human race in general, a quality not exceptionally common in military men, but one which is frequently to be found in members of the pedagogical profession after several years spent in the refreshing experience of purveying sweetness and light to large quantities of Youth.
5. Finally, the captain is definitely a man of somewhat dubious ethics. No matter how romantic a light is cast over his activities, he is guilty of destruction of shipping, murder, and possibly theft. To put it bluntly, he is simply a pirate, a pirate who has turned to financial advantage his extraordinary scientific skill and who maintains on land perhaps a small but necessarily a widely distributed network of secret agents, who at prearranged meetings provide him with essential information concerning the shipment of valuable cargoes.
On the basis of these conclusions I think that we can now advance the hypothesis which has already occurred to the reader: It is not likely that the portrait of Captain Nemo in Twenty Thousand Leagues under the Sea is a portrayal of a sinister figure well known to us—Professor James Moriarty? Let us examine some of the resemblances—or apparent lack of resemblances:
(a) Physical appearance: At first glance Nemo and Moriarty seem to have little in common save their high foreheads and stature, but consideration of their respective ages will modify this assumption. When first encountered in 1867 Captain Nemo is described as between thirty-five and fifty years of age, but when one realizes his strength, endurance, and agility, it is evident that between thirty-five and forty would be a much more accurate estimate. There seem to be no differences that the passage of twenty-five years will not account for. (In passing we may note that the Nemo-Moriarty identification here solves a problem which must have puzzled many Sherlockians: no matter how enraged Moriarty was, how willing to die, and how tricky the footing at Reichenbach may have been, he never would have hoped that a stooped, sedentary, elderly ex-mathematics professor could succeed, without even employing the element of surprise, in a physical assault upon a thirty-eight year old, six-foot athlete well known for his boxing, wrestling, and single-stick ability. Those of us in the teaching profession have often eyed the athletes infesting the rear row with thoughts of homicide drifting through our minds; yet we would only dream of a bare handed assault. If Moriarty were Nemo, though, the picture changes: a former athlete at the age of sixty or so may still possess great physical strength, and the consciousness of his youthful prowess and experience in violent conflict gives him the mental attitude which in a moment of desperation would make such an attack possible.
Captain Nemo could hardly have been born later than 1831; Mr. Edgar Smith has speculated that Moriarty was born about 1846, but so late a date seems improbable. It would make Moriarty about forty-six years old at the time of his death; yet the descriptions of his physical appearance in the “Final Problem” (pp. 544–45) and the Valley of Fear (p. 910) are more appropriate to a man in the sixties or even in the seventies than to a man in the forties. If we placed his birth about 1830 he would be around sixty-two at the time of his death, an age which agrees with the physical descr
iptions and with the approximate birth-date of Nemo.
(b) Educational level: Mr. Smith indicates that Moriarty came from a cultured background, as Nemo did. Both men were fond of art. Nemo had thirty old masters and Moriarty kept, at considerable risk, a very expensive Greuze in his study (Valley of Fear, pp. 910–11).
(c) Manner: Moriarty was a teacher, a member of a family with some military tradition (his brother, we know, was a colonel), and of so forceful and dominant a personality that the unhappy Porlock wobbled in his dishonest boots at a mere glance from the Napoleon of Crime. He obviously had little devotion to humanity in general. All are traits we have noted in Nemo.
(d) Biographical data: We know surprisingly little about Moriarty’s life, Certainly it would have been possible for him to drop out of sight for three or four years during his thirties without Holmes’ taking any particular notice of it. So brilliant a criminal could have buried all tracks so effectively that even the master could not uncover the Nemo episode after a quarter of a century.
(e) Mathematical and scientific genius: This has been amply demonstrated for both men.
(f) Another curious point of resemblance is to be found in Nemo’s interest in scientific men. Clearly the only sensible thing for a pirate captain to do when he found Aronnax, Land, and the valet squatting on top of the Nautilus was to attach a few heavy weights and drop them overboard. A man who practiced wholesale murder could have had no moral scruples about so trifling a gesture, but Nemo, a proficient amateur biologist, had discovered that one of these men was an internationally famous zoologist whose works were in his own library—and by this time the captain, whose only associates were a crew of hardbitten buccaneers, must have been desperately lonely for intellectual companionship. Consequently he saved Aronnax. (Incidentally, observe the smug satisfaction with which Nemo-Moriarty impresses his superiority upon a professional colleague such as M. Aronnax. There can be no doubt that this man was a college teacher.)
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