"Your world treats jokers badly. That statement doesn't exactly surprise you, does it? Then it shouldn't surprise you that, hey, sometimes a joker will kick back one way or another. The only trouble is, whenever that happens, the violence ante just gets upped one more notch. The joker gets stomped again, only harder this time. We're tired of that game. Hey, it's one we can't win-you've got the power and there's nowhere for a joker to hide. You don't even have to brand us or legislate our movements to keep track of us; we wear our identification all the time. All you have to do is look."
Back to me: half a teenager glued onto a slug thing from a bad Japanese monster movie…
"I'm Bloat. This is the Rox, what most of you still call Ellis Island. I'm the governor of the Rox. I'm the one who keeps all of you out and lets the jokers in. What I have to say is pretty simple, really."
I licked my lips, which were suddenly dry. Bloatblack rippled down my sides; I tried to ignore the smell.
Now that it had come to it, I was scared. Reading about revolutions in history books never made me feel the experience-I always knew how it would end. Doing the same thing in role-playing games was simple: If my character died, I'd roll another and keep playing.
But here, now, I didn't know what would happen afterward. I'd already learned that-in this world-you only get one death.
"I'm the governor of the Rox," I repeated. Kafka winced at my blunder and pointed out my place in the cue cards alongside the camera. I stumbled over the next few lines, stuttering. "The… the Rox has become a joker's haven. A place away from the nats and hostile authorities. Here, we're normal. Here, we can be as we need to be. So what I'm saying now is just legitimizing something that's already a fact."
Tight in…
"I hereby declare the Rox to be a separate political entity. We declare ourselves independent of the state of New York and the United States. You have no authority over us. We're the joker homeland."
Around me, jokers burst into prolonged cheering. The camera swung around to show the celebration. I gestured to Kafka. The lights kicked off, and the video feed went dead.
The loud jubilation of the jokers, my people, continued unabated. I could hear it here, could feel it going on all over the Rox. I looked down at Kafka, characteristically somber. He was thinking of the Astronomer again, of another stronghold that had been destroyed.
"How do you think that went over?" I asked him. "We'll find out," he answered. "Won't we?"
While Night's Black Agents to Their Preys Do Rouse
II
Life in the USSA wasn't so bad. The variety of clothing wasn't great, and people tended, to have a lot of moles and winkles and carbunkles on their faces-Shad hadn't realized how much cosmetic surgery had altered the looks of ordinary people back in his own New York-but on the other hand there weren't any jokers filling the streets with their agony and no homeless people wandering the streets, and the doctors at the Jean Jaures Memorial Clinic had patched him up without asking for his insurance card first. There wasn't any wild card or AIDS or Jokertown or Takisians or Swarm, and there hadn't been a Second World War because the Socialists had taken power in Berlin in 1919 and hung onto it, no one had ever heard of Hitler, and there wasn't a cold war or atom bomb, and the Big Apple still bopped along in its own distinctive way.
Or maybe bopped wasn't the right word. The thing Shad found himself missing most of all about his own world was the music. Jazz had stopped evolving around 1940-big bands here in 1990 toured the country playing "Mood Indigo" and "Satin Doll" exactly the way Duke Ellington had in -I940, note for scripted note. Most of the musicians were black-jazz and blues were national cultural resources, forms of "folk art" created by the "Protected Negro Minority." Early rock and roll had been considered an offshoot of the blues and more or less restricted to black people-white performers were discouraged because they were thought to be ripping off a protected culture-and without the white audience, the form had died.
No Charlie Parker. That was what Shad found hard to adjust to. No John Coltrane. No Miles Davis. Dizzy Gillespie fronted something called the Fort Wayne People's Folk Orchestra and blew some good licks, but it wasn't anywhere near the same.
In the hospital he'd claimed amnesia-he just couldn't remember who he was or why he'd been shot or why he was dressed in a Halloween costume. The police hadn't believed him-strip-searched him at gunpoint right in the emergency room in fact, with the doctor and nurses protesting-but his fingerprints didn't turn up in the Central Criminal Computer Registry in Maryland (the computer search took three days with the wretched equipment they had), and they had nothing to hold him on. They concluded he was an illegal immigrant, but by the time the authorities arrived to deport he'd already slipped out into the night, clumsy in his arm-and-shoulder cast, and within twenty-four hours he got himself a job maintaining the awful sound equipment in an illegal samba club on the East Side. The stuff still had tubes, and it needed all the help it could get.
Illegal samba club… and it wasn't the club that was illegal, it was the music. Samba was against the law-Latin music was considered subversive because South America wasn't in the Socialist bloc but allied with Imperial Japan. But despite the law, there were illegal samba clubs parked on half the street corners in Harlem and all down the East Side-this was, after all, the Big Apple, and in the Apple you could find everything. If people couldn't have rock and roll, they had to have something. And some of the club's biggest patrons were the sons and daughters of high FarmerLabor party members, so the place was pretty safe.
Shad spent his free hours looking for Chalktalk. She'd disappeared the second she got him into the E-room. When he asked the hospital personnel, no one could remember seeing her.
He still didn't know why she'd been following him. He didn't know why she helped or whether she'd somehow plotted the whole thing.
The attitudes toward him were different here, and it took him a while on the street before he finally figured it out. In his own New York, white people looked at him like he was a criminal, or anyway a potential criminal. There were some jewelry stores that wouldn't even unlock their doors for him, even after he waved fistfuls of money through the window. But the crime and homicide rates for blacks weren't particularly high here, and people looked at him differently-the Protected Negro Minority was a historically oppressed race struggling to elevate itself toward an equality that, despite everyone's best efforts, they seemed not to have reached.
In short, white people treated him as if he were mildly retarded-good-hearted and deserving of sympathy, but a little slow. It wasn't his fault if he needed a little extra help, of course-Forces of History were responsible, after all, not peoples-but all that meant was that nobody expected much from him.
After he figured out what was going on, Shad fit in well enough. He liked being patronized a lot less than. he liked being feared, but he was still himself inside, whoever that was. The masks he wore were different, but they were still masks.
He still wore the night's mask best of all. He went for long walks after the club closed, quartering the parts of the city that, in another reality, were Jokertown. Music ran through his head, music that didn't even exist here, and pictures rolled through his memory, images of that portable concentration camp set up in the brownstone warehouse, the joker in the necktie with his head blown off, the hard con-boss look in Lisa Traeger's eyes, crates of gold and drugs, Nelson Dixon and Blaise exchanging high fives on the boardroom table…
The green hills of someplace he'd probably never see again.
Hanging them from lampposts, he figured, was too good for them.
He knew exactly where he wanted to go once he got home. And what he was going to do there.
On the long four A. M. walks, he plotted everything out, step by step. Impossible as it seemed.
And then one warm August night it became possible. There she was, sketching on the sidewalk with her baseball cap on the concrete next to her. Chalktalk. It happened too suddenly, too normally, for h
im to be surprised. So he crossed the street and put a Nikolai Bukharin five-dollar coin in her cap. Her picture was a daylight street scene with a gold-plated Empire State Building in the background. She glanced up with bright green eyes and gave him a strange little grin. "Remember me?" he said. "I want to go home now" She gave a weird little giggle that sent a chill up his spine. 'The she put her chalk in a little belt pouch, put her cap on her tangled dark hair, stood up suddenly, and grabbed his hand. Ignoring the little coin that rang in the gutter, she hauled him out of his crouch and down the next alleyway at a half run. Then she rudely pushed him into the wall and put her arms around him. A little keening sound came from her throat. Her hands pawed at him urgently. She started grinding her hips against his crotch like an old whore running on autopilot.
The smell of decaying garbage crawled down the back of Shad's throat. "Hey," Shad said, "are you serious, or what?" Her lips drew back in a snarl. One hand clamped on his crotch, the other crooked in front of his face. Distant streetlights gleamed on sharp mother-of-pearl claws. Shad's balls tried to tunnel up to his eye sockets.
"Okay," Shad said. "Whatever you want. You mind if we get up in some fresh air? This garbage smell is gonna make me puke."
She didn't seem to care one way or the other, so he picked her up in his arms and walked up the wall to the roof. The action amused her, and she stroked his cock through his ill-made proletarian pants. Once atop the roof, he took off his black-market quilted jacket from Manchukuo and laid it down. The street artist dragged her Levi's off over her work boots, lay down on the jacket, and gave her strange little giggle again. He took off his shoes and pants, and dropped to his knees between her legs. The scent of rut reached him, and he felt a tide of blood flush his skin, blast through the roof of his skull, and carry him away to someplace else.
What followed was fast and brutal, and by the time the act was over, his clothes were in shreds, and there were a couple dozen cuts on his back. Panting for breath and faintly sick to his stomach, he felt as if he'd been hit by a truck loaded with pheremones.
Shad got painfully to his feet and started dragging his clothes on. The girl looked up at him gleefully and started rolling around on the roof, skinny pale legs and buttocks contrasting with the heavy coat shed never taken off. He picked up his Manchukuoian jacket and shrugged it on. He felt a chill and stole a little heat from the still autumn night, his cloud of darkness rising above the building as he drank in scarce photons.
He wondered if this was what she'd had in mind all along, if this was why she'd been following him around. Maybe she had a crush on him.
Funny way to show a crush, though.
The street artist came up behind him, put her arms around his waist. She pressed herself very close behind him and began rocking back and forth, shifting her weight from one leg to the other. Her hands rubbed lower, pressing over his cock.
"I have an apartment near here," he said. "You mind if we go there, or does this have to happen out of doors?" She didn't appear to care one way or another. Shad picked her up, covered them both with darkness, and went straightline, up and over buildings, till he came to his own illegal loft. He snapped on the light for which he stole electricity from Peoples' Edison. The street artist was already on the bed, legs parted, arms stretched out.
Shad looked down at the naked vulva and the skinny legs in their heavy boots. Little stones from the flat tar roof were still clinging to her skin. "Not much time for romance in your life, huh?" he said. He bent down, began undoing bootlaces. "Let's at least get these off, okay?"
The second act was only a little less frenzied than the first, and afterward Shad lay facedown on the bed while she carefully licked the blood from the wounds she'd clawed into him. It had become obvious by now that she didn't bathe very often. He got her into his shower and scrubbed her down while she made little bubbling sounds and did a kind of dance, arms over her head, spinning around and around on her toes while the warm water splashed down around her.
When he handed her one of his threadbare proletarian towels, she raised it to her nose and took a suspicious sniff before she used it. Naked, her hair wet, her thin body looked maybe all of twelve years old. Great, Shad thought, now he'd added pedophilia to his list of crimes.
He took his billfold out of his pocket and took out the photo he'd carefully cut out of a 1988 issue of the New York Herald and Worker that he'd found in the library. He showed it to her. "This is where I'd like to go," he said. "Ellis Island. The Rox. Okay?"
She took the picture, looked at it without interest, then handed it back to him. She climbed into his narrow bed, curled up, and closed her eyes.
He sat down on the edge of the cot and looked down at her. Her body was covered with scars and calluses, and there was a big yellow bruise on one shoulder. What looked like a long knife slash ran down the side of one thigh. Shad traced the scar with his finger, and sadness welled up the back of his throat.
"Shit, girl," he said, "you don't have to live like this. Even in my world we can find somebody to take care of you. Hell, I'll take care of you. It doesn't matter that you can't talk." He looked up at her. "You understand me? IT take care of you, okay? Back in the world, I've got more money than I know what to do with. We can live like royalty. Anyplace you want, anything you want. Okay?"
The street artist was asleep.
He curled up next to her, spoon-style, and tried to work out exactly what it was he'd just proposed, taking care of a mute feral joker girl whose talents seemed confined to chalk sketching and indiscriminate animal sex. This would not, he concluded, be the sort of relationship of which Social Services would approve.
Other consequences occurred to him. If this was her usual mode of sexual contact, she'd probably picked up any number of diseases, some of which were known only by acronyms, some of which might be from other worlds. Maybe he ought to be soaking his dick in alcohol. And if he'd managed to get her pregnant-well, both parents were wild cards, and that meant a 100 percent certainty that the kid would inherit the bent wild card DNA, which meant a 99 percent chance of jokerhood or death when the virus manifested. He wondered how much sadder this could get.
He found out later, sometime the next morning, when the street artist woke up and elbowed him awake. She pushed him over on his back and started rubbing her crotch against his dick. He was hard almost instantly, and she reached down to insert him as casually as if she were handling a bar of soap. Her intent cat's eyes were fixed intently on his. His vision was better than hers, reached into more spectra.
She leaned over him when she came, hips pumping blindly over his groin. Her claws gripped his mattress, punctured his sheets. Her mouth was open, and strange croaking sounds came out. He could look past her teeth and see, glowing with IR heat, the stub of a tongue that ended in a mass of scar tissue.
Someone had cut her tongue out.
She fell asleep instantly, her head on his chest. Shad wanted to cry.
Take care of her? What a joke.
Hours later, he awoke to the scratching of chalk. He opened gummed eyes and saw the street artist back in her clothes, drawing something on the particleboard floor. A plastic plate near her hand held a half-eaten sandwich made from some Polish sausage he had in his icebox.
He looked at the clock and saw it was late afternoon. He dressed, had a sandwich, and watched her work.
She was drawing a cavern-irregular walls, stalactites, strange subterranean gleams. The sketch occupied the whole floor, and large parts weren't finished yet.
"The Rox," Shad said. He pointed at his clipping again. "Ellis Island. You understand?"
She looked up at him and wrinkled up her face, then went back to her sketch.
Shad gazed bleakly into a future in which he was dragged from one world to another by this child, used for sex in one venue after another. Love-slave of the multiverse. Wonderful.
It was night before Chalktalk was finished. Shad put on his darkest clothes, black Kenyan cords, navy shirt, the boots h
e'd come in, his quilted Manchukuoian jacket. If they were going spelunking, it was likely to get cold. He made two packages of food, wrapped them in tinfoil, stuffed one in his pocket and gave the other to Chalktalk. He thought about getting flashlights and decided it would be a worthwhile investment. He went to the store and bought two big electric lanterns.
He stepped up behind her, looked at the growing picture, put his hand on her shoulder. She gave him an irritated look and shrugged the hand off.
Looked like the romance had gone out of their relationship. The picture deepened, the third dimension dropping away, receding to a glittering cavern.
The girl took his hand, and reality fell away.
Darkness, darkness entire. Shad felt right at home.
He flicked on the lantern, and Robert Fallon Penn lunged out of the night, garrote in hand, smiling his twisted blood-flecked smile.
Neil was ten years old when he'd last seen Penn. Penn's partner, Stan Barker, was sodomizing Neil from behind while Penn played with his garrote, putting on the pressure till he started to black out, then sportively easing up, prolonging the agony 'a little longer.
He, his father, his mother, and his little sister had spent the weekend under torture, and Neil was the last one left alive. Stan Barker had just cut his father's throat, and Shad remembered how slippery the floor had been, how his hands and knees slid in the darkening wetness while Penn jerked on his throat with his wire and Barker clutched at his hips…
And now Bob Penn was back, leering at him, blood flaking off his lips because he'd bitten off Mrs. Carter's nipples. Lightning burned through Shad's nerves. He gave a scream and swung the lantern. Somehow Penn avoided injury. Chalktalk looked at him impatiently. She grabbed his sleeve and tried to pull him toward Penn.
"No!" Shad yelled. He pulled Chalktalk out of danger, flinging her to the ground, and launched himself at Penn. His fists and feet went clear through the man. Shad could hear Stan Barker's giggle and knew that Penn's partner was somewhere out there in the dark. Shad screamed in anger and terror, and tried to drain the heat from Penn's body. There was scarcely any there, no more than if Penn had been a ghost.
Jokertown Shuffle Page 37
