Zach said what sounded like “Look at that skank,” but since he had his face turned away from me and the music was cranked to the sonic level of a rocket launch (give credit to the X1520’s parametric speaker/audio-beam technology, which is infinitely more refined than the first generation’s), I wasn’t quite sure, though I must have heard him that night, my ears younger then, less damaged by scenes like this one, because I took hold of his arm and said, “Who? Her?”
What I said now, though, was “Reset, reverse ten seconds,” and everything stalled, vanished, and started up once more, and here I was trying all over again to get the bartender’s attention and listening hard when Zach, leaning casually against the bar on two splayed elbows, opened his mouth to speak. “Look at that skank,” he said, undeniably, and there it was, coloring everything in the moment, because he was snap-judging Lisa, with her coat-hanger shoulders, Kabuki makeup, and shining black lips, and I said, “Who? Her?,” already attracted, because in my eyes she wasn’t a skank at all, or if she was, she was a skank from some other realm altogether, and I couldn’t from that moment on think of anything but getting her to talk to me.
Now, the frustrating thing about the current relive technology is that you can’t be an actor in the scene, only an observer, like Scrooge reliving his boarding-school agonies with the Ghost of Christmas Past at his elbow, so whatever howlers your adolescent self might have uttered are right there, hanging in the air, unedited. You can fast-forward, and I suppose most people do—skip the chatter; get to the sex—but, personally, after going straight to the carnal moments the first five or six times I relived a scene, I liked to go back and hear what I’d had to say, what she’d had to say, no matter how banal it might sound now. What I did that night—and I’d already relived this moment twice that week—was catch hold of the bartender and order not two but three G and Ts, though I only had something like eighteen dollars in my wallet, set one on the bar for Zach and cross the floor to where she was standing, just beneath the stage, in what would be the mosh pit half an hour later. She saw me coming, saw the drinks—two drinks—and looked away, covering herself, because she was sure I was toting that extra drink for somebody else, a girlfriend or a best bud, lurking in the drift of shadow that the stage lights drew up out of the murky walls.
I tapped her shoulder. She turned her face to me.
“Pause,” I said.
Everything stopped. I was in a 3-D painting now, and so was she, and for the longest time I just kept things there, studying her face. She was eighteen years old, like me, beautiful enough underneath the paint and gel and eyeliner and all the rest to make me feel faint even now, and her eyes weren’t wary, weren’t used, but candid, ready, rich with expectation. I held my drink just under my nose, inhaling the smell of juniper berries to tweak the memory, and said, “Play.”
“You look thirsty,” I said.
The music boomed. Behind me, at the bar, Zach was giving me a look of disbelief, like What the?, because this was a violation of our club-going protocol. We didn’t talk to the girls, and especially not the skanks, because we were there for the music, at least that was what we told ourselves. (Second time around I did pause this part, just for the expression on his face—Zach, poor Zach, who never did find himself a girlfriend, as far as I know, and who’s probably someplace reliving every club he’s ever been in and every date he’s ever had, just to feel sorry for himself.)
She leveled her eyes on me, gave it a beat, then took the cold glass from my hand. “How did you guess?” she said.
What followed was the usual exchange of information about bands, books, neighborhood, high school, college, and then I was bragging about the bands I’d seen lately and she was countering with the band members she knew personally—like John Doe and the drummer for the Germs—and letting her eyes reveal just how personal that was, which only managed to inflame me till I wanted nothing more on this earth than to pin her in a corner and kiss the black lipstick right off her. What I said then, unaware that my carefully sculpted pompadour was collapsing across my brow in something very much like a bowl cut (or worse—anathema—a Beatles shag), was “You want to dance?”
She gave me a look. Shot her eyes to the stage and back, then around the room. A few people were dancing to the canned music, most of them jerking and gyrating to their own drugged-out beat, and there was no sign—yet—of the band we’d come to hear. “To this?”
—
“Yeah,” I said, and I looked so—what was it?—needy, though at the time I must have thought I was chiseled out of a block of pure cool. “Come on,” I said, and I reached out a hand to her.
I watched the decision firm up in her eyes, deep in this moment which would give rise to all the rest, to the part I was about to fast-forward to because I had to get up in the morning. For work. And no excuses. But watch, watch what comes next…
She took my hand, the soft friction of her touch alive still somewhere in my cell memory, and then she was leading me out onto the dance floor.
She was leading. And I was following.
—
Will it surprise you to know that I exceeded my self-imposed two-hour limit? That after the sex I fast-forwarded to our first date, which was really just an agreed-upon meeting at Tower Records (March 2, 1982, 4:30 p.m.), and then up to Barney’s Beanery for cheeseburgers and beers and shots of peppermint schnapps (!), which she paid for, because her father was a rich executive at Warner Bros.? Or that that made me feel so good I couldn’t resist skipping ahead three months, to when she was as integral to my life as the Black Flag T-shirt that never left my back except in the shower? Lisa. Lisa Denardo. With her cat’s tongue and her tight, torquing body that was a girl’s and a woman’s at the same time and her perfect, evenly spaced set of glistening white teeth (perfect, that is, but for the incisor she’d had a dentist in Tijuana remove, in the spirit of punk solidarity). The scene I hit on was early the following summer, summer break of my sophomore year in college, when I gave up on my parents’ garage and Lisa and I moved into an off-campus apartment on Vermont and decided to paint the walls, ceiling, and floors the color of midnight in the Carlsbad Caverns. June 6, 1982, 2:44 p.m. The glisten of black paint, a too-bright sun caught in the windows, and Lisa saying, “Think we should paint the glass, too?” I was oblivious of anything but her and me and the way I looked and the way she looked, a streak of paint on her left forearm and another, scimitar-shaped, just over one eyebrow, when suddenly everything went neutral and I was back in the reliving room, staring into the furious face of my daughter.
But let me explain the technology here a moment, for those of you who don’t already know. This isn’t a computer screen or a TV or a hologram or anything anybody else can see—we’re talking retinal projection, two laser beams fixed on two eyeballs. Anybody coming into the room (daughter, wife, boss) will simply see you sitting there silently in a chair with your retinas lit like furnaces. Step in front of the projector—as my daughter had done now—and the image vanishes.
“Stop,” I said, and I wasn’t talking to her.
But there she was, her hair brushed out for school and her jaw clenched, looking hate at me. “I can’t believe you,” she said. “Do you have any idea what time it is?”
Bleary, depleted—and guilty, deeply guilty—I just gawked at her, the light she’d flicked on when she came into the room transfixing me in the chair. I shook my head.
“It’s six forty-five a.m. In the morning. The morning, Dad.”
I started to say something, but the words were tangled up inside me, because Lisa was saying—had just said—“You’re not going to make me stay here and watch the paint dry, are you? Because I’m thinking maybe we could drive out to the beach or something, just to cool down,” and I said, or was going to say, “There’s, like, maybe half a pint of gas in the car.”
“What?” Katie demanded. “Were you with Mom again? Is that it? Like, you can be with her and I can’t?”
“No,” I said, “no, t
hat wasn’t it. It wasn’t your mom at all…”
A tremor ran through her. “Yeah, right. So what was it, then? Some girlfriend, somebody you were gaga over when you were in college? Or high school? Or, what, junior high?”
“I must have fallen asleep,” I said. “Really. I just zoned out.”
She knew I was lying. She’d come looking for me, dutiful child, motherless child, and found me not up and about and bustling around the kitchen, preparing to fuss over her and see her off to school, the way I used to, but pinned here in this chair, like an exhibit in a museum, blind to anything but the past, my past and nobody else’s, not hers or her mother’s, or the country’s or the world’s, just mine.
I heard the door slam. Heard the thump of her angry feet in the hallway, the distant muffled crash of the front door, and then the house was quiet. I looked at the slit in the box. “Play,” I said.
By the time I got to work, I was an hour and a half late, but on this day—miracle of miracles—Kevin was even later, and when he did show up I was ensconced in my cubicle, dutifully rattling keys on my keyboard. He didn’t say anything, just brushed by me and buried himself in his office, but I could see that he was wearing the same vacant pre-now look I was, and it didn’t take much of an intuitive leap to guess the reason. In fact, since the new model had come on the market, I’d noticed that randy, faraway gaze in the eyes of half a dozen of my fellow employees, including Linda Blanco, the receptionist, who’d stopped buttoning the top three buttons of her blouse and wore shorter and shorter skirts every day. Instead of breathing “Moos and Associates, how may I help you?” into the receiver, now she just said, “Reset.”
Was this a recipe for disaster? Was our whole society on the verge of breaking down? Was the NSA going to step in? Were they going to pass laws? Ban the box? I didn’t know. I didn’t care. I had a daughter to worry about. Thing was, all I could think of was getting home to relive, straight home, and if the image of a carton of milk or a loaf of bread flitted into my head, I batted it away. Takeout. We could always get takeout. I was in a crucial phase with Lisa, heading inexorably for the grimmer scenes, the disagreements—petty at first, then monumental, unbridgeable, like the day I got home from my makeup class in calculus and found her sitting at the kitchen table with a stoner whose name I never did catch and didn’t want to know, not then or now—and I needed to get through it, not to analyze whether it hurt or not but because it was there and I had to relive it. I couldn’t help myself. I just kept picking at it like a scab.
Ultimately, this was all about Christine, of course, about when I began to fail instead of succeed, to lose instead of win. I needed Lisa to remind me of a time before that, to help me trace my missteps and assign blame, because, as intoxicating as it was to relive the birds-atwitter moments with Christine, there was always something nagging at me in any given scene, some twitch of her face or a comment she threw out that should have raised flags at the time but never did. All right. Fine. I was going to go there, I was, and relive the minutiae of our relationship, the ecstasy and the agony both, the moments of mindless contentment and the swelling tide of antipathy that drove us apart, but first things first, and, as I fought my way home on the freeway that afternoon, all I could think about was Lisa.
In the old days, before we got the box, my daughter and I had a Friday-afternoon ritual whereby I would stop in at the Italian place down the street from the house, have a drink and chat up whoever was there, then call Katie and have her come join me for a father-daughter dinner, so that I could have some face time with her, read into her, and suss out her thoughts and feelings as she grew into a young woman herself, but we didn’t do that anymore. There wasn’t time. The best I could offer—lately, especially—was takeout or a microwave pizza and a limp salad, choked down in the cold confines of the kitchen, while we separately calculated how long we had to put up with the pretense before slipping off to relive.
There were no lights on in the house as I pulled into the driveway, and that was odd, because Katie should have been home from school by now—and she hadn’t texted me or phoned to say she’d be staying late. I climbed out of the car feeling stiff all over—I needed to get more exercise, I knew that, and I resolved to do it, too, as soon as I got my head above water—and as I came up the walk I saw the sad, frosted artificial wreath hanging crookedly there in the center panel of the front door. Katie must have dug it out of the box of ornaments in the garage on her own initiative, to do something by way of Christmas, and that gave me pause, that stopped me right there, the thought of it, of my daughter having to make the effort all by herself. That crushed me. It did. And as I put the key in the lock and pushed the door open I knew things were going to have to change. Dinner. I’d take her out to dinner and forget about Lisa. At least for now.
“Katie?” I called. “You home?”
No response. I shrugged out of my coat and went on into the kitchen, thinking to make myself a drink. There were traces of her there, her backpack flung down on the floor, an open bag of Doritos spilling across the counter, a Diet Sprite, half-full, on the breadboard. I called her name again, standing stock-still in the middle of the room and listening for the slightest hint of sound or movement as my voice echoed through the house. I was about to pull out my phone and call her when I thought of the reliving room, and it was a sinking thought, not a selfish one, because if she was in there, reliving—and she was, I knew she was—what did that say about her social life? Didn’t teenage girls go out anymore? Didn’t they gather in packs at the mall or go to movies or post things on Facebook, or, forgive me, go out on dates? Group dates, even? How else were they going to experience the inchoate beginnings of what the Relive Box people were pushing in the first place?
I shoved into the room, which was dark but for the lights of her eyes, and just stood there watching her for a long moment as I adjusted to the gloom. She sat riveted, her body present but her mind elsewhere, and if I was embarrassed—for her, and for me, too, her father, invading her privacy when she was most vulnerable—the embarrassment gave way to a sorrow so oceanic I thought I would drown in it. I studied her face. Watched her smile and grimace and go cold and smile again. What could she possibly be reliving when she’d lived so little? Family vacations? Christmases past? Her biannual trips to Hong Kong to be with her mother and stepfather? I couldn’t fathom it. I didn’t like it. It had to stop. I turned on the overhead light and stepped in front of the projector.
She blinked at me and she didn’t recognize me, didn’t know me at all, because I was in the now and she was in the past. “Katie,” I said, “that’s enough now. Come on.” I held out my arms to her, even as recognition came back into her eyes and she made a vague gesture of irritation, of pushing away.
“Katie,” I said, “let’s go out to dinner. Just the two of us. Like we used to.”
“I’m not hungry,” she said. “And it’s not fair. You can use it all you want, like, day and night, but whenever I want it—” And she broke off, tears starting in her eyes.
“Come on,” I said. “It’ll be fun.”
The look she gave me was unsparing. I was trying to deflect it, trying to think of something to say, when she got up out of the chair so suddenly it startled me, and, though I tried to take hold of her arm, she was too quick. Before I could react, she was at the door, pausing only to scorch me with another glare. “I don’t believe you,” she spat before vanishing down the hall.
I should have followed her, should have tried to make things right—or better, anyway—but I didn’t. The box was right there. It had shut down when she leaped up from the chair, and whatever she’d been reliving was buried back inside it, accessible to no one, though you can bet there are hackers out there right now trying to subvert the retinal-recognition feature. For a long moment, I stared at the open door, fighting myself, then I went over and softly shut it. I realized I didn’t need a drink or dinner, either. I sat down in the chair. “Hello, Wes,” the box said. “Welcome back.”
We didn’t have a Christmas tree that year, and neither of us really cared all that much, I think—if we wanted to look at spangle-draped trees, we could relive holidays past, happier ones, or, in my case, I could go back to my childhood and relive my father’s whiskey in a glass and my mother’s long-suffering face blossoming over the greedy joy of her golden boy, her only child, tearing open his presents as a weak, bleached-out California sun haunted the windows and the turkey crackled in the oven. Katie went off (reluctantly, I thought) on a skiing vacation to Mammoth with the family of her best friend, Allison, whom she hardly saw anymore, not outside of school, not in the now, and I went back to Lisa, because if I was going to get to Christine in any serious way—beyond the sex, that is, beyond the holiday greetings and picture-postcard moments—Lisa was my bridge.
As soon as I’d dropped Katie at Allison’s house and exchanged a few previously scripted salutations with Allison’s grinning parents and her grinning twin brothers, I stopped at a convenience store for a case of eight-ounce bottles of spring water and the biggest box of PowerBars I could find and went straight home to the reliving room. The night before, I’d been close to the crucial scene with Lisa, one that was as fixed in my memory as the blowup with Christine a quarter century later, but elusive as to the date and time. I’d been up all night—again—fast-forwarding, reversing, jumping locales, and facial expressions, Lisa’s first piercing, the evolution of my haircut, but I hadn’t been able to pinpoint the exact moment, not yet. I set the water on the floor on my left side, the PowerBars on my right. “May 9, 1983,” I said. “Four a.m.”
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