Laurence to old Hannah, who, adorned with a headdress fearfully and wonderfully made, fell upon her in the hall, crying with a sob and a chuckle, "Bless you, deary, a hundred times! The cake ain't hurt a mite, and everything looks lovely."
Everybody cleared up after that, and said something brilliant, or tried to, which did just as well, for laughter is ready when hearts are light. There was no display of gifts, for they were already in the little house, nor was there an elaborate breakfast, but a plentiful lunch of cake and fruit, dressed with flowers. Mr. Laurence and Aunt March shrugged and smiled at one another when water, lemonade, and coffee were found to be to only sorts of nectar which the three Hebes carried around. No one said anything, till Laurie, who insisted on serving the bride, appeared before her, with a loaded salver in his hand and a puzzled expression on his face.
"Has Jo smashed all the bottles by accident?" he whispered, "or am I merely laboring under a delusion that I saw some lying about loose this morning?"
"No, your grandfather kindly offered us his best, and Aunt March actually sent some, but Father put away a little for Beth, and dispatched the rest to the Soldier's Home. You know he thinks that wine should be used only in illness, and Mother says that neither she nor her daughters will ever offer it to any young man under her roof."
Meg spoke seriously and expected to see Laurie frown or laugh, but he did neither, for after a quick look at her, he said, in his impetuous way, "I like that! For I've seen enough harm done to wish other women would think as you do."
"You are not made wise by experience, I hope?" And there was an anxious accent in Meg's voice.
"No. I give you my word for it. Don't think too well of me, either, this is not one of my temptations. Being brought up where wine is as common as water and almost as harmless, I don't care for it, but when a pretty CHAPTER 2. The First Wedding
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girl offers it, one doesn't like to refuse, you see."
"But you will, for the sake of others, if not for your own. Come, Laurie, promise, and give me one more reason to call this the happiest day of my life."
A demand so sudden and so serious made the young man hesitate a moment, for ridicule is often harder to bear than self−denial. Meg knew that if he gave the promise he would keep it at all costs, and feeling her power, used it as a woman may for her friend's good. She did not speak, but she looked up at him with a face made very eloquent by happiness, and a smile which said, "No one can refuse me anything today."
Laurie certainly could not, and with an answering smile, he gave her his hand, saying heartily, "I promise, Mrs. Brooke!"
"I thank you, very, very much."
"And I drink `long life to your resolution', Teddy," cried Jo, baptizing him with a splash of lemonade, as she waved her glass and beamed approvingly upon him.
So the toast was drunk, the pledge made and loyally kept in spite of many temptations, for with instinctive wisdom, the girls seized a happy moment to do their friend a service, for which he thanked them all his life.
After lunch, people strolled about, by twos and threes, through the house and garden, enjoying the sunshine without and within. Meg and John happened to be standing together in the middle of the grass plot, when Laurie was seized with an inspiration which put the finishing touch to this unfashionable wedding.
"All the married people take hands and dance round the new−made husband and wife, as the Germans do, while we bachelors and spinsters prance in couples outside!" cried Laurie, promenading down the path with Amy, with such infectious spirit and skill that everyone else followed their example without a murmur. Mr.
and Mrs. March, Aunt and Uncle Carrol began it, others rapidly joined in, even Sallie Moffat, after a moment's hesitation, threw her train over her arm and whisked Ned into the ring. But the crowning joke was Mr. Laurence and Aunt March, for when the stately old gentleman chasseed solemnly up to the old lady, she just tucked her cane under arm, and hopped briskly away to join hands with the rest and dance about the bridal pair, while the young folks pervaded the garden like butterflies on a midsummer day.
Want of breath brought the impromptu ball to a close, and then people began to go.
"I wish you well, my dear, I heartily wish you well, but I think you'll be sorry for it," said Aunt March to Meg, adding to the bridegroom, as he led her to the carriage, "You've got a treasure, young man, see that you deserve it."
"That is the prettiest wedding I've been to for an age, Ned, and I don't see why, for there wasn't a bit of style about it," observed Mrs. Moffat to her husband, as they drove away.
"Laurie, my lad, if you ever want to indulge in this sort of thing, get one of those little girls to help you, and I shall be perfectly satisfied," said Mr. Laurence, settling himself in his easy chair to rest after the excitement of the morning.
"I'll do my best to gratify you, Sir," was Laurie's unusually dutiful reply, as he carefully unpinned the posy Jo had put in his buttonhole.
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The little house was not far away, and the only bridal journey Meg had was the quiet walk with John from the old home to the new. When she came down, looking like a pretty Quakeress in her dove−colored suit and straw bonnet tied with white, they all gathered about her to say goodby, as tenderly as if she had been going to make the grand tour.
"Don't feel that I am separated from you, Marmee dear, or that I love you any the less for loving John so much," she said, clinging to her mother, with full eyes for a moment. "I shall come every day, Father, and expect to keep my old place in all your hearts, though I am married. Beth is going to be with me a great deal, and the other girls will drop in now and then to laugh at my housekeeping struggles. Thank you all for my happy wedding day. Goodby, goodby!"
They stood watching her, with faces full of love and hope and tender pride as she walked away, leaning on her husband's arm, with her hands full of flowers and the June sunshine brightening her happy faceand so Meg's married life began.
CHAPTER 3. Artistic Attempts
It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women. Amy was learning this distinction through much tribulation, for mistaking enthusiasm for inspiration, she attempted every branch of art with youthful audacity. For a long time there was a lull in thèmud−pie' business, and she devoted herself to the finest pen−and−ink drawing, in which she showed such taste and skill that her graceful handiwork proved both pleasant and profitable. But over−strained eyes caused pen and ink to be laid aside for a bold attempt at poker sketching.
While this attack lasted, the family lived in constant fear of a conflagration, for the odor of burning wood pervaded the house at all hours, smoke issued from attic and shed with alarming frequency, red−hot pokers lay about promiscuously, and Hannah never went to bed without a pail of water and the dinner bell at her door in case of fire. Raphael's face was found boldly executed on the underside of the moulding board, and Bacchus on the head of a beer barrel. A chanting cherub adorned the cover of the sugar bucket, and attempts to portray Romeo and Juliet supplied kindling for some time.
From fire to oil was a natural transition for burned fingers, and Amy fell to painting with undiminished ardor.
An artist friend fitted her out with his castoff palettes, brushes, and colors, and she daubed away, producing pastoral and marine views such as were never seen on land or sea. Her monstrosities in the way of cattle would have taken prizes at an agricultural fair, and the perilous pitching of her vessels would have produced seasickness in the most nautical observer, if the utter disregard to all known rules of shipbuilding and rigging had not convulsed him with laughter at the first glance. Swarthy boys and dark−eyed Madonnas, staring at you from one corner of the studio, suggested Murillo. Oily brown shadows of faces with a lurid streak in the wrong place, meant Rembrandt. Buxom ladies and dropiscal infants, Rubens, and Turne
r appeared in tempests of blue thunder, orange lightning, brown rain, and purple clouds, with a tomato−colored splash in the middle, which might be the sun or a bouy, a sailor's shirt or a king's robe, as the spectator pleased.
Charcoal portraits came next, and the entire family hung in a row, looking as wild and crocky as if just evoked from a coalbin. Softened into crayon sketches, they did better, for the likenesses were good, and Amy's hair, Jo's nose, Meg's mouth, and Laurie's eyes were pronounced `wonderfully fine'. A return to clay and plaster followed, and ghostly casts of her acquaintances haunted corners of the house, or tumbled off closet shelves onto people's heads. Children were enticed in as models, till their incoherent accounts of her mysterious doings caused Miss Amy to be regarded in the light of a young ogress. Her efforts in this line, however, were brought to an abrupt close by an untoward accident, which quenched her ardor. Other models failing her for a time, she undertook to cast her own pretty foot, and the family were one day alarmed by an CHAPTER 3. Artistic Attempts
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unearthly bumping and screaming and running to the rescue, found the young enthusiast hopping wildly about the shed with her foot held fast in a pan full of plaster, which had hardened with unexpected rapidity.
With much difficulty and some danger she was dug out, for Jo was so overcome with laughter while she excavated that her knife went too far, cut the poor foot, and left a lasting memorial of one artistic attempt, at least.
After this Amy subsided, till a mania for sketching from nature set her to haunting river, field, and wood, for picturesque studies, and sighing for ruins to copy. She caught endless colds sitting on damp grass to book
`delicious bit', composed of a stone, a stump, one mushroom, and a broken mullein stalk, or à heavenly mass of clouds', that looked like a choice display of featherbeds when done. She sacrificed her complexion floating on the river in the midsummer sun to study light and shade, and got a wrinkle over her nose trying after
`points of sight', or whatever the squint−and−string performance is called.
If `genius is eternal patience', as Michelangelo affirms, Amy had some claim to the divine attribute, for she persevered in spite of all obstacles, failures, and discouragements, firmly believing that in time she should do something worthy to be called `high art'.
She was learning, doing, and enjoying other things, meanwhile, for she had resolved to be an attractive and accomplished woman, even if she never became a great artist. Here she succeeded better, for she was one of those happily created beings who please without effort, make friends everywhere, and take life so gracefully and easily that less fortunate souls are tempted to believe that such are born under a lucky star. Everybody liked her, for among her good gifts was tact. She had an instinctive sense of what was pleasing and proper, always said the right thing to the right person, did just what suited the time and place, and was so self−possessed that her sisters used to say, "If Amy went to court without any rehearsal beforehand, she'd know exactly what to do."
One of her weaknesses was a desire to move in òur best society', without being quite sure what the best really was. Money, position, fashionable accomplishments, and elegant manners were most desirable things in her eyes, and she liked to associate with those who possessed them, often mistaking the false for the true, and admiring what was not admirable. Never forgetting that by birth she was a gentlewoman, she cultivated her aristocratic tastes and feelings, so that when the opportunity came she might be ready to take the place from which poverty now excluded her.
"My lady," as her friends called her, sincerely desired to be a genuine lady, and was so at heart, but had yet to learn that money cannot buy refinement of nature, that rank does not always confer nobility, and that true breeding makes itself felt in spite of external drawbacks.
"I want to ask a favor of you, Mamma," Amy said, coming in with an important air one day.
"Well, little girl, what is it?" replied her mother, in whose eyes the stately young lady still remained `the baby'.
"Our drawing class breaks up next week, and before the girls separate for the summer, I want to ask them out here for a day. They are wild to see the river, sketch the broken bridge, and copy some of the things they admire in my book. They have been very kind to me in many ways, and I am grateful, for they are all rich and I know I am poor, yet they never made any difference."
"Why should they?" And Mrs. March put the question with what the girls called her `Maria Theresa air'.
"You know as well as I that it does make a difference with nearly everyone, so don't ruffle up like a dear, motherly hen, when your chickens get pecked by smarter birds. The ugly duckling turned out a swan, you CHAPTER 3. Artistic Attempts
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know." And Amy smiled without bitterness, for she possessed a happy temper and hopeful spirit.
Mrs. March laughed, and smoothed down her maternal pride as she asked, "Well, my swan, what is your plan?"
"I should like to ask the girls out to lunch next week, to take them for a drive to the places they want to see, a row on the river, perhaps, and make a little artistic feete for them."
"That looks feasible. What do you want for lunch? Cake, sandwiches, fruit, and coffee will be all that is necessary, I suppose?"
"Oh, dear, no! We must have cold tongue and chicken, French chocolate and ice cream, besides. The girls are used to such things, and I want my lunch to be proper and elegant, though I do work for my living."
"How many young ladies are there?" asked her mother, beginning to look sober.
"Twelve or fourteen in the class, but I dare say they won't all come."
"Bless me, child, you will have to charter an omnibus to carry them about."
"Why, Mother, how can you think of such a thing? Not more than six or eight will probably come, so I shall hire a beach wagon and borrow Mr. Laurence's cherry−bounce." (Hannah's pronunciation of charabanc.)
"All of this will be expensive, Amy."
"Not very. I've calculated the cost, and I'll pay for it myself."
"Don't you think, dear, that as these girls are used to such things, and the best we can do will be nothing new, that some simpler plan would be pleasanter to them, as a change if nothing more, and much better for us than buying or borrowing what we don't need, and attempting a style not in keeping with our circumstances?"
"If I can't have it as I like, I don't care to have it at all. I know that I can carry it out perfectly well, if you and the girls will help a little, and I don't see why I can't if I'm willing to pay for it," said Amy, with the decision which opposition was apt to change into obstinacy.
Mrs. March knew that experience was an excellent teacher, and when it was possible she left her children to learn alone the lessons which she would gladly have made easier, if they had not objected to taking advice as much as they did salts and senna.
"Very well, Amy, if your heart is set upon it, and you see your way through without too great an outlay of money, time, and temper, I'll say no more. Talk it over with the girls, and whichever way you decide, I'll do my best to help you."
"Thanks, Mother, you are always so kind." And away went Amy to lay her plan before her sisters. Meg agreed at once, and promised to her aid, gladly offering anything she possessed, from her little house itself to her very best saltspoons. But Jo frowned upon the whole project and would have nothing to do with it at first.
"Why in the world should you spend your money, worry your family, and turn the house upside down for a parcel of girls who don't care a sixpence for you? I thought you had too much pride and sense to truckle to any mortal woman just because she wears French boots and rides in a coupe," said Jo, who, being called from the tragic climax of her novel, was not in the best mood for social enterprises.
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"I don't truckle, and I hate being patronized as much as you do!" returned Amy ind
ignantly, for the two still jangled when such questions arose. "The girls do care for me, and I for them, and there's a great deal of kindness and sense and talent among them, in spite of what you call fashionable nonsense. You don't care to make people like you, to go into good society, and cultivate your manners and tastes. I do, and I mean to make the most of every chance that comes. You can go through the world with your elbows out and your nose in the air, and call it independence, if you like. That's not my way."
When Amy had whetted her tongue and freed her mind she usually got the best of it, for she seldom failed to have common sense on her side, while Jo carried her love of liberty and hate of conventionalities to such an unlimited extent that she naturally found herself worsted in an argument. Amy's definition of Jo's idea of independence was such a good hit that both burst out laughing, and the discussion took a more amiable turn.
Much against her will, Jo at length consented to sacrifice a day to Mrs. Grundy, and help her sister through what she regarded as à nonsensical business'.
The invitations were sent, nearly all accepted, and the following Monday was set apart for the grand event.
Hannah was out of humor because her week's work was deranged, and prophesied that "ef the washin' and ironin' warn't done reg'lar, nothin' would go well anywheres". This hitch in the mainspring of the domestic machinery had a bad effect upon the whole concern, but Amy's motto was ` Nil desperandum', and having made up her mind what to do, she proceeded to do it in spite of all obstacles. To begin with, Hannah's cooking didn't turn out well. The chicken was tough, the tongue too salt, and the chocolate wouldn't froth properly. Then the cake and ice cost more than Amy expected, so did the wagon, and various other expenses, which seemed trifling at the outset, counted up rather alarmingly afterward. Beth got a cold and took to her bed. Meg had an unusual number of callers to keep her at home, and Jo was in such a divided state of mind that her breakages, accidents, and mistakes were uncommonly numerous, serious, and trying.
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