“It’s Klaus Baudelaire,” Klaus Baudelaire said. “You need to get out of the hotel!”
“Don’t listen to that cakesniffer!” cried Carmelita Spats, who was running a hand over an ornamental vase. “He’s just trying to escape from us! Let’s take off our blindfolds and peek!”
“Don’t take off your blindfolds!” cried Count Olaf. “Those Baudelaires are guilty of contempt of court, and they’re trying to trick you into joining them! There’s no fire! Whatever you do, don’t leave the hotel!”
“We’re not tricking you!” Klaus said. “Olaf is tricking you! Please believe us!”
“I don’t know who to believe,” Esmé said scornfully. “You orphans are as dishonest as my ex-boyfriend.”
“Leave us alone!” Carmelita ordered, bumping into a wall. “We can find our own way!”
The doors slid shut before the Baudelaires could argue any further, and indeed the children never argued with either unpleasant female again. In a moment, the elevator arrived at the third story, and Sunny raised her voice so that she could be heard by anyone, treacherous or noble, in the hallway.
“Fire!” she cried. “Use stairs. Do not use elevator!”
“Sunny Baudelaire?” Mr. Poe called, recognizing the child’s voice. The banker was facing the entirely wrong direction, and holding a white handkerchief up to his black blindfold. “Don’t add the false reporting of fire to your list of crimes! You’re already guilty of contempt of court, and perhaps murder!”
“It’s not false!” Justice Strauss exclaimed. “There really is a fire, Mr. Poe! Leave this hotel!”
“I can’t leave,” Mr. Poe replied, coughing into his handkerchief. “I’m still in charge of the Baudelaires’ affairs, and their parents’ fort—”
The elevator doors closed before Mr. Poe could finish his word, and the Baudelaires were taken away from the banker one last time, and with each stop of the elevator, I’m sorry to say, it was more or less the same. The Baudelaires saw Mrs. Bass on the third story, still wearing her small blond wig like a snowcap on the top of a mountain peak, and her blindfold, stretched over her small, narrow mask, and they saw Mr. Remora, who was wandering around the seventh story with Vice Principal Nero. They saw Geraldine Julienne, who was using her microphone the way some blind people use a cane, and they saw Charles and Sir, who were holding hands so as not to lose one another, and they saw Hugo and Colette and Kevin, who were holding the birdpaper Klaus had hung outside the window of the sauna, and they saw Mr. Lesko arguing with Mrs. Morrow, and they saw a man with a guitar making friends with a woman in a crow-shaped hat, and they saw many people they did not recognize, either as volunteers or as villains, who were wandering the hallways of the hotel to capture anyone they might find suspicious. Some of these people believed the Baudelaires when they told them the news of the fire, and some of these people believed Count Olaf when he told them that the Baudelaires were lying, and some of these people believed Justice Strauss when she told them that Count Olaf was lying when he said the Baudelaires were lying when they told them the news of the fire. But the elevator’s stop on each story of the hotel was very brief, and the children had only a glimpse of each of these people. They heard Mrs. Bass mutter something about a getaway car, and they heard Mr. Remora wonder something about fried bananas. They heard Nero worry about his violin case, and Geraldine squeal about headlines, and they heard Charles and Sir bicker over whether or not fires were good for the lumber industry. They heard Hugo ask if the plan for the hors d’ouvres was still in operation, and they heard Colette ask about plucking the feathers off crows, and they heard Kevin complain that he didn’t know whether to hold the birdpaper in his right hand or his left hand, and they heard Mr. Lesko insult Mrs. Morrow, and the bearded man sing a song to the woman with the crow-shaped hat, and they heard a man call for Bruce and a woman call for her mother and dozens of people whisper to and shout at, argue with and agree upon, angrily accuse and meekly defend, furiously compliment and kindly insult dozens of other people, both inside and outside the Hotel Denouement, whose names the Baudelaires recognized, forgot, and had never heard before. Each story had its story, and each story’s story was unfathomable in the Baudelaire orphans’ short journey, and many of the stories’ stories are unfathomable to me, even after all these lonely years and all this lonely research. Perhaps some of these stories are clearer to you, because you have spied upon the people involved. Perhaps Mrs. Bass has changed her name and lives near you, or perhaps Mr. Remora’s name is the same, and he lives far away. Perhaps Nero now works as a grocery store clerk, or Geraldine Julienne now teaches arts and crafts. Perhaps Charles and Sir are no longer partners, and you have had the occasion to study one of them as he sat across from you on a bus, or perhaps Hugo, Colette, and Kevin are still comrades, and you have followed these unfathomable people after noticing that one of them used both hands equally. Perhaps Mr. Lesko is now your neighbor, or Mrs. Morrow is now your sister, or your mother, or your aunt or wife or even your husband. Perhaps the noise you hear outside your door is a bearded man trying to climb into your window, or perhaps it is a woman in a crow-shaped hat hailing a taxi. Perhaps you have spotted the managers of the Hotel Denouement, or the judges of the High Court, or the waiters of Café Salmonella or the Anxious Clown, or perhaps you have met an expert on injustice or become one yourself. Perhaps the people in your unfathomable life, and their unfathomable stories, are clear to you as you make your way in the world, but when the elevator stopped for the last time, and the doors slid open to reveal the tilted roof of the Hotel Denouement, the Baudelaires felt as if they were balancing very delicately on a mysterious and perplexing heap of unfathomable mysteries. They did not know who would survive the fire they had helped set, and who would perish. They did not know who thought they were volunteers and who thought they were villains, or who believed they were innocent and who believed they were guilty. And they did not know if their own observations, errands, and deeds meant that they were noble, or wicked, or somewhere in between. As they stepped out of the elevator and walked across the rooftop sunbathing salon, the Baudelaire orphans felt as if their entire lives were like a book, filled with crucial information, that had been set aflame, like the comprehensive history of injustice that was now just ashes in a fire growing more enormous by the second.
“Look!” cried Count Olaf, leaning over the edge of the hotel and pointing down. The Baudelaires looked, expecting to see the enormous, calm surface of the pond reflecting the Hotel Denouement back at them like an enormous mirror. But the air was stained with patches of thick, black smoke that poured out of the basement windows as the fire began to spread, and the surface of the pond looked like a series of tiny mirrors, each broken into strange, unfathomable shapes. Here and there, among the smoke and mirrors, the children could see the tiny figures running this way and that, but could not tell if they were the authorities on the ground, or people in the hotel running to escape from the blaze.
Olaf continued to gaze downward, and the Baudelaires could not tell if he looked pleased or disappointed. “Thanks to you orphans,” he said, “it’s too late to destroy everyone with the Medusoid Mycelium, but at least we got to start a fire.”
Justice Strauss was still gazing at the smoke pouring from the windows and rising into the sky, and her expression was equally unfathomable. “Thanks to you orphans,” she said quietly to the Baudelaires, “this hotel will be destroyed by fire, but at least we stopped Olaf from releasing the fungus.”
“The fire isn’t burning very quickly,” Olaf said. “Many people will escape.”
“The fire isn’t burning slowly, either,” Justice Strauss said. “Some people won’t.”
The Baudelaire orphans looked at one another, but before anyone could say anything further, the entire building trembled, and the children had to struggle to keep their balance on the tilted roof. The shiny sunbathing mats tumbled across the salon, and the water in the swimming pool splashed against the side of the large, wooden boat,
dampening the figurehead of the octopus attacking a man in a diving suit.
“The fire is weakening the structural foundations of the building,” Violet said.
“We have to get out of here,” Klaus said.
“Pronto,” Sunny said.
Without another word the Baudelaires turned from the adults and strode quickly toward the boat. Shifting the pile of sheets into one hand, Violet took off her concierge hat, reached into her pocket, and found the ribbon Kit Snicket had given her, which she used to tie up her hair. Klaus reached into his pocket and found his commonplace book, which he began to flip through. Sunny did not reach into her pocket, but she scraped her sharp teeth together thoughtfully, as she suspected they might be needed.
Violet stared critically at the boat. “I’ll attach the drag chute to the figurehead,” she said. “I should be able to tie a Devil’s Tongue knot around the helmet of the diver.” She paused for a moment. “That’s where the Medusoid Mycelium is hidden,” she said. “Count Olaf kept it there, where no one would think of looking.”
Klaus stared critically at his notes. “I’ll angle the sail to catch the wind,” he said. “Otherwise, a heavy object like this would fall straight down into the water.” He paused for a moment, too. “That’s what happened to the sugar bowl,” he said. “Dewey Denouement let everyone think it had fallen into the laundry room, so no one would find it in the pond.”
“Spatulas as oars,” Sunny said, pointing to the implements that Hugo had used to flip over the sunbathers.
“Good idea,” Violet agreed and gazed out to the gray, troubled waters of the sea. “Maybe our friends will find us. Hector should be flying this way, with Kit Snicket and the Quagmires.”
“And Fiona,” Klaus added.
“No,” Sunny said.
“What do you mean?” Violet asked, stepping carefully from the edge of the pool onto the side of the boat, where she began to climb a rope ladder up to the figurehead.
“They said they would arrive by Thursday,” Klaus said, helping Sunny climb aboard and then stepping onto the boat himself. The deck was about the size of a large mattress, big enough to hold the Baudelaires and perhaps one or two more passengers. “It’s Wednesday afternoon.”
“The fire,” Sunny said, and pointed at the smoke as it rose toward the sky.
The two older Baudelaires gasped. They had almost forgotten that Kit had told them she would be watching the skies, looking for a signal that would cancel Thursday’s gathering.
“That’s why you thought of lighting the fire,” Violet said, hurriedly tying the sheets around the figurehead. “It’s a signal.”
“V.F.D. will see it,” Klaus said, “and know that all their hopes have gone up in smoke.”
Sunny nodded. “The last safe place,” she said, “is safe no more.”
It was an impressive sentence for the youngest Baudelaire, but a sad one.
“Maybe our friends will find us anyway,” Violet said. “They might be the last noble people we know.”
“If they’re truly noble,” Klaus said, “they might not want to be our friends.”
Violet nodded, and her eyes filled with tears. “You’re right,” she admitted. “We killed a man.”
“Accident,” Sunny said firmly.
“And burned down a hotel,” Klaus said.
“Signal,” Sunny said.
“We had good reasons,” Violet said, “but we still did bad things.”
“We want to be noble,” Klaus said, “but we’ve had to be treacherous.”
“Noble enough,” Sunny said, but the building trembled again, as if shaking its head in disagreement. Violet hung on to the figurehead and Klaus and Sunny hung on to each other as the boat bumped against the sides of the swimming pool.
“Help us!” Violet cried to the adults, who were still staring at the rising smoke. “Grab those spatulas, and push the boat to the edge of the roof!”
“Don’t boss me around!” Olaf growled, but he followed the judge to a corner of the roof where the spatulas lay, their mirrors reflecting the afternoon sun and the sky as it darkened with smoke. Each adult grabbed one spatula, and poked at the boat the way you might poke at a spider you were trying to get out of your bathtub. Bump! Bump! The sailboat bumped against the edge of the pool, and then jostled its way out of the pool, where it slowly slid, with a loud scraping sound, to the far edge of the roof. The Baudelaires hung on tightly as the front half of the boat kept sliding across the mirrors of the salon, until it was hanging over nothing but the smoky air. The boat tipped this way and that, in a delicate balance between the roof of the hotel and the sea below.
“Climb aboard!” Violet cried, giving her knots one last tug.
“Of course I’ll climb aboard!” Olaf announced, narrowing his eyes at the helmet of the figurehead. “I’m the captain of this boat!” He threw his spatula onto the deck, narrowly missing Klaus and Sunny, and then bounded onto the ship, making it teeter wildly on the edge of the building.
“You too, Justice Strauss!’ Klaus called, but the judge just put down her spatula and looked sadly at the children.
“No,” she said, and the children could see she was crying. “I won’t go. It’s not right.”
“What else can we do?” Sunny said, but Justice Strauss just shook her head.
“I won’t run from the scene of a crime,” she said. “You children should come with me, and we’ll explain everything to the authorities.”
“They might not believe us,” Violet said, readying the drag chute, “or there might be enemies lurking in their ranks, like the villains in the High Court.”
“Perhaps,” the judge said, “but that’s no excuse for running away.”
Count Olaf gave his former neighbor a scornful look, and then turned to the Baudelaires. “Let her burn to a crisp if she wants,” he said, “but it’s time for us to go.”
Justice Strauss took a deep breath, and then stepped forward and put her hand on the hideous wooden carving, as if she meant to drag the whole boat back onto the hotel. “There are people who say that criminal behavior is the destiny of children from a broken home,” she said, through her tears. “Don’t make this your destiny, Baudelaires.”
Klaus stood at the mast, adjusting the controls of the sail. “This boat,” he said, “is the only home we have.”
“I’ve been following you all this time,” she said, her grip tightening on the figurehead. “You’ve always been just out of my grasp, from the moment Mr. Poe took you away from the theater in his car to the moment Kit Snicket took you through the hedges in her taxi. I won’t let you go, Baudelaires!”
Sunny stepped toward the judge, and for one moment her siblings thought she was going to step off the boat. But then she merely looked into the judge’s weeping eyes, and gave her a very sad smile.
“Good-bye,” she said, and the Baudelaire opened her mouth and bit the hand of justice. With a cry of pain and frustration, Justice Strauss let go of the figurehead, and the building trembled again, sending the judge tumbling to the ground, and the boat tumbling off the roof, just as the clock of the Hotel Denouement announced the hour for the very last time.
Wrong! Wrong! Wrong! The clock struck three times, and the three Baudelaires screamed as they hurtled toward the sea, and even Count Olaf cried “Mommy!” as it seemed for a terrible moment that their luck had run out at last, and that the boat would not survive the fall, due to the force of gravity. But then Violet let go of the dirty sheets, and the drag chute billowed into the air, looking almost like another patch of smoke against the sky, and Klaus moved the sail to catch the wind, and the boat stopped falling and started to glide, the way a bird will catch the wind, and rest its wings for a few moments, particularly if it is tired from carrying something heavy and important. For a moment, the boat floated down through the air, like something in a magical story, and even in their panic and fear the Baudelaires could not help marveling at the way they were escaping. Finally, with a mighty splash! the boat
landed in the ocean, quite a distance from the burning hotel. For another terrible moment, it felt like the boat was going to sink into the water, just as Dewey Denouement had sunk into the pond, guarding his underwater catalog and all its secrets, and leaving the woman he loved pregnant and distraught. But the sail caught the wind, and the figurehead righted itself, and Olaf picked up his spatula and handed it to Sunny.
“Start rowing,” he ordered, and then began to cackle, his eyes shining bright. “You’re in my clutches at last, orphans,” he said. “We’re all in the same boat.”
The Baudelaires looked at the villain, and then at the shore. For a moment they were tempted to jump overboard and swim back toward the city and away from Olaf. But when they looked at the smoke, pouring from the windows of the hotel, and the flames, curling around the lilies and moss that someone had grown with such care on the walls, they knew it would be just as dangerous on land. They could see the tiny figures of people standing outside the hotel, fiercely pointing toward the sea, and they saw the building tremble. It seemed that the Hotel Denouement would soon be sent toppling, and the children wanted to be far away. Dewey had promised them that they wouldn’t be at sea anymore, but at this moment the sea, for the Baudelaires, was the last safe place.
Richard Wright, an American novelist of the realist school, asks a famous unfathomable question in his best-known novel, Native Son. “Who knows when some slight shock,” he asks, “disturbing the delicate balance between social order and thirsty aspiration, shall send the skyscrapers in our cities toppling?” It is a difficult question to read, almost as if it is in some sort of code, but after much research I have been able to make some sense of its mysterious words. “Social order,” for instance, is a phrase which may refer to the systems people use to organize their lives, such as the Dewey Decimal System, or the blindfolded procedures of the High Court. And “thirsty aspiration” is a phrase which may refer to things people want, such as the Baudelaire fortune, or the sugar bowl, or a safe place that lonely and exhausted orphans can call home. So when Mr. Wright asks his question, he might be wondering if a small event, such as a stone dropping into a pond, can cause ripples in the systems of the world, and tremble the things that people want, until all this rippling and trembling brings down something enormous, such as a building.
A Series of Unfortunate Events Box: The Complete Wreck Page 148
