Jessup’s sense of social duty is informed by his individualism. He does not believe in collective modes of reform because he views them as absolutist and dogmatic, and he objects to any group insisting that it has the final and perfect solution for society’s ills. Neither “Fascists,” “Communists,” “American Constitutionalists,” “Monarchists,” nor “preachers” have the answer, because, according to Jessup, “There is no Solution! There will never be a state of society anything like perfect!” (p. 112). He reflects Lewis’s own values when he insists that “All the Utopias—Brook Farm, Robert Owen’s sanctuary of chatter, Upton Sinclair’s Helicon Hall—and their regulation end in scandal, feuds, poverty, griminess, disillusion” (p. 114). And when they don’t immediately end in failure such collective activities are perilous for individualists because they may turn fanatical and violent:
Blessed be they [thinks Jessup] who are not Patriots and Idealists, and who do not feel they must dash right in and Do Something About It, something so immediately important that all doubters must be liquidated—tortured—slaughtered! Good old murder, that since the slaying of Abel by Cain has always been the new device by which all oligarchies and dictators have, for all future ages to come, removed opposition! (p. 114)
* * *
Jessup, like Lewis, shrinks from political activism and believes that a man minding his own business rather than insisting upon saving the masses is a true idealist.
Lewis’s attraction to this kind of individualism is evident in a 1937 review he wrote for Newsweek of an edition of Henry Thoreau’s Walden, another Yankee who minded his own business (mostly). Lewis entitled the review “One-Man Revolution,” a title particularly aimed at the collectivist reforms of that decade. This is the first sentence of the piece:
Once upon a time in America there was a scholar who conducted a one-man revolution and won it.
There is hardly anything in all of Lewis’s fiction as direct and as happy as that—not in forty years of writing. For Lewis, Thoreau’s success has almost a fabulous quality to it (“Once upon a time”) and Lewis is grateful for the story while implicitly identifying with him. In the context of the late thirties, when America was menaced by Italy, Germany, and Japan, Lewis suggests making Thoreau the “supreme Duce” as an answer to those imposing forms of oppression. Jessup shares this supremely independent perspective but discovers that as conditions grow worse, as individuals become more frequent targets of Windrip’s goons and bullies, he must take a stand.
Although Jessup’s family and friends urge him to keep a low profile and not publish an editorial condemning the outrages of Windrip’s regime, his mistress, Lorinda Pike, an activist, supports him. Once the editorial appears, Jessup is immediately hauled off to jail, where he reconsiders his earlier negative attitudes toward violence and wonders if his own conscientious respectability—that is, minding his own business—hasn’t been one of the primary reasons why fascism has succeeded in America. It is, he thinks, the Jessups “who have let the demagogues wriggle in, without fierce enough protest” (p. 186).
Despite these reflections Jessup is extraordinarily wary of taking any extreme action. He had been brought up to revere Abolitionists such as Wendell Phillips and Harriet Beecher Stowe, but “his father had considered John Brown insane and a menace” (p. 117). Jessup’s liberal roots firmly place him in a relatively passive and pacifistic political tradition. Even after his son-in-law is taken out to be shot and Jessup hears of grotesque atrocities including mass executions and concentration camp horrors, he only reluctantly agrees to light out for the territory ahead—Canada is once again the goal of a new “underground railroad” where Americans seek refuge from slavery. But his effort to escape with his family is unsuccessful and he returns enraged, muttering, “Now I know why men like John Brown became crazy killers” (p. 234). On the heels of his failure to escape, he returns home to find his son justifying book burnings and the violent suppression of dissenters. Jessup is outraged by his son’s bland rationale that “you can’t make an omelet without breaking eggs” (p. 238), and he promptly throws him out. After much chronic indecisiveness and resolutions undercut by irresolution—precisely the strategies Lewis uses in the plots and characterizations of Main Street, Babbitt, and Arrowsmith—Jessup is moved to action and works to publish the Vermont Vigilance, a seditious underground paper that exposes the villainy and corruption of the American Corporate State and Patriotic Party. Jessup’s widowed daughter enthusiastically tucks these pamphlets inside copies of the Reader’s Digest at the drugstore, while his younger daughter serves as a secret agent in the enemy camp and fends off lewd advances.
On July 4, 1938, with a terrible thunderstorm as the background, the Minute Men descend upon Jessup’s house, wreck it, and take him away to a concentration camp, where he is nearly beaten to death. As a result of enduring the horrible conditions of the camp, Jessup feels a sense of camaraderie with the other prisoners and what Lewis describes as a “murderous hatred of their oppressors so that they, men of peace all of them, would gladly have hanged every Corpo, mild or vicious. Doremus understood John Brown much better” (p.312). But that camaraderie does not mean that he is prepared to become a communist and abandon his individualism. “What I want,” says Jessup, “is mass action by just one member, alone on a hilltop. I’m a great optimist. . .. I still hope America may some day rise to the standards of Kit Carson” (p. 311). Eventually, Jessup escapes from the camp and he works for the underground again, this time as a secret agent in Minnesota coordinating raids against the Minute Men posts. Although he is engaged in an organized response to fascism, he remains ideologically aloof, conducting what is essentially a one-man revolution. Jessup, writes Lewis, “saw now that he must remain alone, a ‘Liberal,’ scorned by all the noisier prophets for refusing to be a willing cat for the busy monkeys of either” fascism or communism (p. 359). He participates in the popular rebellion against the Corpo regime but the values he fights for are associated with the individual rather than with collective action: “I am convinced,” he insists, “that everything that is worth while in the world has been accomplished by the free, inquiring, critical spirit, and that the preservation of this spirit is more important than any social system whatsoever” (p. 359).
To many readers in the 1930s, this essentially nineteenth-century evocation of self-reliant virtues was attractive, but it provided only the vaguest kind of political solutions to pressing political issues. Lewis’s response to a potential fascist dictatorship offered no specific remedies; this was, however, not a fault but a strategy, because he was writing a satirical novel rather than a five-year plan framed by an inaugural address. Instead, he successfully aroused a generation of Americans to the dangers that swirled around them. Many of his readers recognized that though his answers to contemporary political issues might have been provisional, the questions he raised about liberty and justice remain perennial. He believed that dissent—even a cranky, erratic, eccentric, old-fashioned version of it—was not disloyalty but at the heart of an American democratic identity. Engulfed in the complexities and vulnerabilities of our post-September 11 world, Americans of nearly all political persuasions are likely to find that It Can’t Happen Here, though firmly anchored in the politics of the 1930s, surfaces as a revealing and disturbing read.
—MICHAEL MEYER
1
THE HANDSOME DINING ROOM of the Hotel Wessex, with its gilded plaster shields and the mural depicting the Green Mountains, had been reserved for the Ladies’ Night Dinner of the Fort Beulah Rotary Club.
Here in Vermont the affair was not so picturesque as it might have been on the Western prairies. Oh, it had its points: there was a skit in which Medary Cole (grist mill & feed store) and Louis Rotenstern (custom tailoring—pressing & cleaning) announced that they were those historic Vermonters, Brigham Young and Joseph Smith, and with their jokes about imaginary plural wives they got in ever so many funny digs at the ladies present. But the occasion was essentially serious. All of
America was serious now, after the seven years of depression since 1929. It was just long enough after the Great War of 1914-18 for the young people who had been born in 1917 to be ready to go to college. . .or to another war, almost any old war that might be handy.
The features of this night among the Rotarians were nothing funny, at least not obviously funny, for they were the patriotic addresses of Brigadier General Herbert Y. Edgeways, U.S.A. (ret.), who dealt angrily with the topic “Peace through Defense—Millions for Arms but Not One Cent for Tribute,” and of Mrs. Adelaide Tarr Gimmitch—she who was no more renowned for her gallant anti-suffrage campaigning way back in 1919 than she was for having, during the Great War, kept the American soldiers entirely out of French cafés by the clever trick of sending them ten thousand sets of dominoes.
Nor could any social-minded patriot sneeze at her recent somewhat unappreciated effort to maintain the purity of the American Home by barring from the motion-picture industry all persons, actors or directors or cameramen, who had: (a) ever been divorced; (b) been born in any foreign country—except Great Britain, since Mrs. Gimmitch thought very highly of Queen Mary, or (c) declined to take an oath to revere the Flag, the Constitution, the Bible, and all other peculiarly American institutions.
The Annual Ladies’ Dinner was a most respectable gathering—the flower of Fort Beulah. Most of the ladies and more than half of the gentlemen wore evening clothes, and it was rumored that before the feast the inner circle had had cocktails, privily served in Room 289 of the hotel. The tables, arranged on three sides of a hollow square, were bright with candles, cut-glass dishes of candy and slightly tough almonds, figurines of Mickey Mouse, brass Rotary wheels, and small silk American flags stuck in gilded hard-boiled eggs. On the wall was a banner lettered “Service Before Self,” and the menu—the celery, cream of tomato soup, broiled haddock, chicken croquettes, peas, and tutti-frutti ice-cream—was up to the highest standards of the Hotel Wessex.
They were all listening, agape. General Edgeways was completing his manly yet mystical rhapsody on nationalism:
“. . .for these United States, alone among the great powers, have no desire for foreign conquest. Our highest ambition is to be darned well let alone! Our only genuine relationship to Europe is in our arduous task of having to try and educate the crass and ignorant masses that Europe has wished onto us up to something like a semblance of American culture and good manners. But, as I explained to you, we must be prepared to defend our shores against all the alien gangs of international racketeers that call themselves ‘governments,’ and that with such feverish envy are always eyeing our inexhaustible mines, our towering forests, our titanic and luxurious cities, our fair and far-flung fields.
“For the first time in all history, a great nation must go on arming itself more and more, not for conquest—not for jealousy—not for war—but for peace! Pray God it may never be necessary, but if foreign nations don’t sharply heed our warning, there will, as when the proverbial dragon’s teeth were sowed, spring up an armed and fearless warrior upon every square foot of these United States, so arduously cultivated and defended by our pioneer fathers, whose sword-girded images we must be. . .or we shall perish!”
The applause was cyclonic. “Professor” Emil Staubmeyer, the superintendent of schools, popped up to scream, “Three cheers for the General—hip, hip, hooray!”
All the audience made their faces to shine upon the General and Mr. Staubmeyer—all save a couple of crank pacifist women, and one Doremus Jessup, editor of the Fort Beulah Daily Informer, locally considered “a pretty smart fella but kind of a cynic,” who whispered to his friend the Reverend Mr. Falck, “Our pioneer fathers did rather of a skimpy job in arduously cultivating some of the square feet in Arizona!”
* * *
The culminating glory of the dinner was the address of Mrs. Adelaide Tarr Gimmitch, known throughout the country as “the Unkies’ Girl,” because during the Great War she had advocated calling our boys in the A.E.F. “the Unkies.” She hadn’t merely given them dominoes; indeed her first notion had been far more imaginative. She wanted to send to every soldier at the Front a canary in a cage. Think what it would have meant to them in the way of companionship and inducing memories of home and mother! A dear little canary! And who knows—maybe you could train ‘em to hunt cooties!
Seething with the notion, she got herself clear into the office of the Quartermaster General, but that stuffy machine-minded official refused her (or, really, refused the poor lads, so lonely there in the mud), muttering in a cowardly way some foolishness about lack of transport for canaries. It is said that her eyes flashed real fire, and that she faced the Jack-in-office like Joan of Arc with eyeglasses while she “gave him a piece of her mind that he never forgot!”
In those good days women really had a chance. They were encouraged to send their menfolks, or anybody else’s menfolks, off to war. Mrs. Gimmitch addressed every soldier she met—and she saw to it that she met any of them who ventured within two blocks of her—as “My own dear boy.” It is fabled that she thus saluted a colonel of marines who had come up from the ranks and who answered, “We own dear boys are certainly getting a lot of mothers these days. Personally, I’d rather have a few more mistresses.” And the fable continues that she did not stop her remarks on the occasion, except to cough, for one hour and seventeen minutes, by the Colonel’s wrist watch.
But her social services were not all confined to prehistoric eras. It was as recently as 1935 that she had taken up purifying the films, and before that she had first advocated and then fought Prohibition. She had also (since the vote had been forced on her) been a Republican Committeewoman in 1932, and sent to President Hoover daily a lengthy telegram of advice.
And, though herself unfortunately childless, she was esteemed as a lecturer and writer about Child Culture, and she was the author of a volume of nursery lyrics, including the immortal couplet:
All of the Roundies are resting in rows,
With roundy-roundies around their toes.
But always, 1917 or 1936, she was a raging member of the Daughters of the American Revolution.
The D.A.R. (reflected the cynic, Doremus Jessup, that evening) is a somewhat confusing organization—as confusing as Theosophy, Relativity, or the Hindu Vanishing Boy Trick, all three of which it resembles. It is composed of females who spend one half their waking hours boasting of being descended from the seditious American colonists of 1776, and the other and more ardent half in attacking all contemporaries who believe in precisely the principles for which those ancestors struggled.
The D.A.R. (reflected Doremus) has become as sacrosanct, as beyond criticism, as even the Catholic Church or the Salvation Army. And there is this to be said: it has provided hearty and innocent laughter for the judicious, since it has contrived to be just as ridiculous as the unhappily defunct Kuklux Klan, without any need of wearing, like the K.K.K., high dunces’ caps and public nightshirts.
So, whether Mrs. Adelaide Tarr Gimmitch was called in to inspire military morale, or to persuade Lithuanian choral societies to begin their program with “Columbia, the Gem of the Ocean,” always she was a D.A.R., and you could tell it as you listened to her with the Fort Beulah Rotarians on this happy May evening.
She was short, plump, and pert of nose. Her luxuriant gray hair (she was sixty now, just the age of the sarcastic editor, Doremus Jessup) could be seen below her youthful, floppy Leghorn hat; she wore a silk print dress with an enormous string of crystal beads, and pinned above her ripe bosom was an orchid among lilies of the valley. She was full of friendliness toward all the men present: she wriggled at them, she cuddled at them, as in a voice full of flute sounds and chocolate sauce she poured out her oration on “How You Boys Can Help Us Girls.”
Women, she pointed out, had done nothing with the vote. If the United States had only listened to her back in 1919 she could have saved them all this trouble. No. Certainly not. No votes. In fact, Woman must resume her place in the Home and: “As t
hat great author and scientist, Mr. Arthur Brisbane, has pointed out, what every woman ought to do is to have six children.”
At this second there was a shocking, an appalling interruption.
One Lorinda Pike, widow of a notorious Unitarian preacher, was the manager of a country super-boarding-house that called itself “The Beulah Valley Tavern.” She was a deceptively Madonna-like, youngish woman, with calm eyes, smooth chestnut hair parted in the middle, and a soft voice often colored with laughter. But on a public platform her voice became brassy, her eyes filled with embarrassing fury. She was the village scold, the village crank. She was constantly poking into things that were none of her business, and at town meetings she criticized every substantial interest in the whole country: the electric company’s rates, the salaries of the schoolteachers, the Ministerial Association’s high-minded censorship of books for the public library. Now, at this moment when everything should have been all Service and Sunshine, Mrs. Lorinda Pike cracked the spell by jeering:
“Three cheers for Brisbane! But what if a poor gal can’t hook a man? Have her six kids out of wedlock?”
Then the good old war horse, Gimmitch, veteran of a hundred campaigns against subversive Reds, trained to ridicule out of existence the cant of Socialist hecklers and turn the laugh against them, swung into gallant action:
“My dear good woman, if a gal, as you call it, has any real charm and womanliness, she won’t have to ‘hook’ a man—she’ll find ‘em lined up ten deep on her doorstep!” (Laughter and applause.)
The lady hoodlum had merely stirred Mrs. Gimmitch into noble passion. She did not cuddle at them now. She tore into it:
“I tell you, my friends, the trouble with this whole country is that so many are selfish! Here’s a hundred and twenty million people, with 95 per cent of ‘em only thinking of self, instead of turning to and helping the responsible business men to bring back prosperity! All these corrupt and self-seeking labor unions! Money grubbers! Thinking only of how much wages they can extort out of their unfortunate employer, with all the responsibilities he has to bear!
It Can't Happen Here Page 2
