A Joseph Campbell Companion: Reflections on the Art of Living

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A Joseph Campbell Companion: Reflections on the Art of Living Page 8

by Joseph Campbell


  On the other hand, since the function of the heaven image is to help you to die, to yield to where nature’s taking you rather than resist, I think you would tell a Christian child who is going to die that he is going to go to heaven.

  The resistance to death

  has to do with not knowing

  where you’re going when you die.

  In one of the sūtras, the Buddha is asked how one person helps another face death. He responds: “Suppose a house caught fire, and in the house was a father with three little children, and the children were afraid of the flames, but they wouldn’t go outside. The father says, ‘Now, look, outside we have a darling little goat cart. The goats are all waiting for you, so let’s go out and get in the cart.’” That is to say, you put something out past the flames for the person who is not able to experience anything else. This approach is a convenient means of bringing about a desirable and necessary act that the person would otherwise be incapable of performing.

  When you support someone who is dying, you are helping that person to identify with the consciousness that is going to disengage from the body. We disengage from various things all of our lives. Finally, we identify with consciousness and disengage from our bodies.

  In Buddhism,

  the central thought is

  compassion without attachment.

  And so, the death of one for whom you feel com-passion shouldn’t be an affliction. Your attachment is the temporal aspect of the relationship; your compassion is the eternal aspect. Hence, you can reconcile yourself to feelings of loss by identifying with that which is not lost when all is lost: namely, the consciousness that informs the body and all things. This yielding back into undifferentiated consciousness is the return, and that is as far as you can think, as much as you can know. The rest is transcendent of all conscious knowledge.

  [Discuss]

  Coming into Awareness

  THE first aphorism of Patanjali’s classic handbook of yoga supplies the key to the entire work:

  “Yoga consists in the intentional stopping

  of the spontaneous activity of the mind-stuff.”56

  …Any person unused to meditation, desiring to fix in his mind a single image or thought, will find within seconds that he is already entertaining associated thoughts. The untrained mind will not stand still, and yoga is the intentional stopping of its movement.

  It may be asked, why should anyone wish to bring about such a state?

  The mind is likened, in reply, to the surface of a pond rippled by a wind.…The idea of yoga is to cause that wind to subside and let the waters return to rest. For when a wind blows and waters stir, the waves break and distort both the light and its reflections, so that all that can be seen are colliding broken forms. Not until the waters will have been stilled, cleansed of stirred-up sediment and made mirror-bright, will the one reflected image appear that on the rippling waves had been broken; that of the clouds and pure sky above, the trees along the shore, and down deep in the still, pure water itself, the sandy bottom and the fish. Then alone will that single image be known of which the wave-borne reflections are but fragments and distortions. And this single image can be likened to that of the Self realized in yoga. It is the Ultimate—the Form of forms—of which the phenomena of this world are but imperfectly seen, ephemeral distortions: the God-form, the Buddha-form, which is truly our own Knowledge-form, and with which it is the goal of yoga to unite us.57

  In kuṇḍalinī yoga, largely through the exercise of meditation and breath control, called prāṇāyāma—breathing in through one nostril for a certain number

  of counts, holding the breath, filling the body with the prana, the breath, then breathing out for a number of counts, holding briefly, breathing in through the other nostril, and so forth—one gradually stills the whole psyche, calms the waters, as it were.

  There is a notion that breath and emotion are linked. When you are shocked, your breathing changes. When you are full of rage or passion of any kind, your breathing changes. When you are at rest, your breath-ing changes. So the goal here is to make your breathing regular, to still and calm the mind. And at the same time there is a meditation that activates the kuṇḍalinī serpent and starts her up the spine.

  [Kuṇḍalinī]…the figure of a coiled female serpent—a serpent goddess not of “gross” but of “subtle” substance—which is to be thought of as residing in a torpid, slumbering state in a subtle center, the first of the seven, near the base of the spine: the aim of the yoga then being to rouse this serpent, lift her head, and bring her up a subtle nerve or channel of the spine to the so-called “thousand-petaled lotus” (sahasrara) at the crown of the head.…She, rising from the lowest to the highest lotus center, will pass through and wake the five between, and with each waking the psychology and personality of the practitioner will be altogether and fundamentally transformed.58

  The word cakra means “wheel.” Cakras are also called padmas, which means “lotuses.” There are seven: three associated with the pelvic area, three with the head, and one in between—the heart cakra—in that great cavity of all the pulses: the pulsation of the heart and the pulsation of the breath.

  Cakra I, Mūlādhāra, the “Root Support,” is located at the base of the spine. The world view is of uninspired materialism, governed by ‘hard facts’…and the psychology, adequately described in behavioristic terms, is reactive, not active. There is on this plane no zeal for life, no explicit impulse to expand. There is simply a lethargic avidity in hanging on to existence; and it is this grim grip that must finally be broken so that the spirit may be quit of its dull zeal simply to be.…

  The first task of the yogi, then, must be to break at this level the cold dragon grip of his own spiritual lethargy and release the jewel-maid, his own shakti, for ascent to those higher spheres where she will become his spiritual teacher and guide to the bliss of an immortal life beyond sleep.59

  Cakra II, Svādhishṭhāna, “Her Special Abode,” is at the level of the genitals. When the kuṇḍalinī is active at this level, the whole aim of life is in sex. Not only is every thought and act sexually motivated, either as a means toward sexual ends or as a compensating sublimation of frustrated sexual zeal, but everything seen and heard is interpreted compulsively, both consciously and unconsciously, as symbolic of sexual themes. Psychic energy, that is to say, has the character here of the Freudian libido. Myths, deities, and religious rites are understood and experienced in sexual terms.60

  Cakra III, Maṇipūra, “City of the Shining Jewel,” is located at the level of the navel. Here the energy turns to violence and its aim is to consume, to master, to turn the world into oneself and one’s own. The appropriate Occidental psychology would be the Adlerian of the “will to power”: for now even sex becomes an occasion, not of erotic experience, but of achievement, conquest, self-reassurance, and frequently, also, revenge.61

  The function of Cakra III is organizing your life, establishing a family, building a business, learning how to master the world in terms appropriate to your condition and place. Self maintenance, family maintenance. society maintenance, world maintenance—but maintenance in the sense of transformation: life is maintained, not in a petrified condition, but in a growth condition, as is a tree by the gardener that cultivates it.

  All three of these lower cakras are of the modes of man’s living in the world in his naive state, outward turned: the modes of the lovers, the fighters, the builders, the accom-plishers. Joys and sorrows on these levels are functions of achievements in the world “out there,” what people think of one, what has been gained, what lost.62

  These three cakras are of functions that we share with the other animals. They are also clinging to life, begetting, building nests, making their way. Popular religion works on these levels, and the individual living on these levels is ego-oriented and his action must be controlled by social law.

  …a religion operating only on these levels, having little or nothing to do with the fostering of i
nward, mystical realizations, would hardly merit the name of religion at all. It would be little more than an adjunct to police authority, offering in addition to ethical rules and advice intangible consolations for life's losses and a promise of future rewards for social duties fulfilled.63

  Cakra IV, Anāhata, meaning “not hit,” is at the level of the heart. It is the beginning of the religious life, the awakening where the new life begins, and its name refers to the sound that is not made by any two things striking together. All the sounds that we hear are made by two things striking together. What would the sound be that is not made by two things striking together? It is the sound of the energy of which universe is a mani-festation. It is, therefore, antecedent to things.

  The heart cakra, then, is the opening of the spirit-ual dimension: all is metaphoric of the mystery. Once you have got that point of all being metaphoric of the mystery, then these lower powers become spiritualized. The very doing of the things of the first three cakras become the realizations of Cakras V, VI, and VII.

  When you reach the upper cakras,

  you don’t do without the first three:

  survival, sex, power.

  You don’t destroy

  the first three floors of a building

  when you get to the fourth.

  Cakra V, called Viśuddha, “Purified,” is at the level of the larynx. This is the cakra of spiritual effort to hold back the animal system from which the energies come. One has gone through the lower cakras to get to here, but the pelvic cakras have not been rejected. They now have to be turned to a spiritual, rather than a merely physical, aim. Cakra V is commonly referred to by Tibetan images of deities standing on prostrate forms, putting down the merely physical with weapons and ferocity: the ferocity with which you have to handle yourself.

  Cakra VI, Ājñā, the lotus of “Command,” located between the eyebrows, is what we would call the cakra of heaven, the highest cakra in the world of incarnate forms. The forms of the pharaohs from Egypt show the Uraeus Serpent coming out of this point between the brows. When the kuṇḍalinī has reached this point, one beholds God. Any god you have been meditating on or have been taught to revere is the god that will be seen here. This is the highest obstacle for the complete yogi. As Ramakrishna says, “One is tempted to stay there tasting the juice.” It is so sweet, so blissful.

  On the brink of illumination,

  the old ways are very seductive

  and liable to pull you back.

  The Sufis have a wonderful image connected with Cakra VI. This is the story told by Hallaj: One night a moth sees a lamp, a burning flame enclosed in glass. It spends the whole night bumping against the glass, trying to become one with the flame. In the morning it returns to its friends in the morning and tells them of the beautiful thing it has seen. They say, “You don't look the better for it.” This is the condition of the yogi trying to break through. So it goes back the next night and, somehow or other, gets through. For an eternal instant it achieves its goal: it becomes the flame—tat tvam asi—”thou art that.” And so, here is the subject and here is the object—the Soul and God—between is a pane of glass. Remove the pane and there is neither subject nor object, because to have an object you have to have a subject.

  The final barrier to enlightenment is the barrier that prevents you from becoming God. The pane of glass is a way of speaking about the dividing factor. Removing the glass suggests the annihilation of the veil of ignorance that keeps you from knowing God. Beholding God—God with characteristics—is the final whisp of ignorance. At this level you have to have a symbol, an experience because you are still holding the last whisp of you. I am beholding God. That’s the final barrier.

  It is so sweet that one is reluctant to yield, but the ultimate yielding is the yielding of your own being. If you’re going to hang onto your soul, you can’t become one with God. You can’t even become one with your spouse. This is what has to be given up. I hear OM. I know God is ubiquitous. Divine energy is all around me. It is here. It is here. It is here.

  When you come to fulfillment, you have come to that high point. The god’s name doesn’t matter, they are all included. The different gods are personifications of aspects of the total functioning. The ultimate thing is going past gods. Meister Eckhart said, “The ultimate leave-taking is the leaving of God for God.”64 That means leaving the folk idea of God—the ecclesiastical idea of God, what you’ve been taught of God—for that transcendent reference of which God is the metaphor. Where are you between two thoughts? Where is God between two Gods?

  It’s a simple idea,yet we are so used to being taught something else that the words tend to block us instead of letting us through. Leaving God for God is, for me, a very vivid statement. Indian philosophy has no problem with this concept. When the kuṇḍalinī reaches Cakra VI, you see God: “brahman with characteristics.” At Cakra VII, you go past God and are in the transcendent: “brahman without characteristics.”

  Cakra VII, Sahasrāra, “Thousand Petalled,” is the lotus at the crown of the head. At this cakra there is no person to be conscious of God. There is only undifferentiated consciousness: the silence. When you hit Cakra VII, you are inert. It is a catatonic knockout, you might say, and you are reduced simply to a thing.

  Now as I see it, if you come back down to the heart, to Cakra IV, where spiritual life begins, subject and object are together. Cakra I corresponds to VII. The inertia from Cakra I sets in when you have hit Cakra VII. Cakra II corresponds to VI. Cakra III corresponds to V. You are then able to take the war energy from Cakra III and practice self control in Cakra V. So you can bend things at Cakra IV.

  For example, through the experiences of Cakra II, if they are of love, you are really experiencing the grace of God in Cakra VI. You transmute the lust energy of Cakra II into love. If there has been no experience of the discipline of Cakra V, you’ll never get an inkling of what it is you are to be experiencing through the physical. If in your physical love, you can realize that what you are touching is the grace of the divine in its proper form for you, this is a translation of the carnal adventure into the spiritual, without the loss of the carnal. The two are together. You are then beholding the god as in Cakra VI and experiencing the beloved as a manifestation of that divine power, that love which informs the world.

  In the courtly love tradition, the woman had to test the man by holding him off until she was sure that it was not lust that was approaching her, but love, the gentle heart. That is the whole sense of courtly love. The same theme is later represented in Dante’s Divine Comedy, where his love for Beatrice brings him to the throne of God. In his wonderful book of poems called La Vita Nuova, “The New Life,” Dante describes how he looks at her, not with the eye of Cakra II, but with that of Cakra VI, as a manifestation of God’s love, and that carries him through the whole thing.

  My wonderful friend, Heinrich Zimmer, my final guru, often said, “The best things cannot be told.” That is to say, you can’t talk about that which lies beyond the reach of words.

  The second best are misunderstood, because they are your statements about that which cannot be told. They are misunderstood because the vocabulary of symbols that you have to use are thought to be references to historical events.

  The third best is conversation, political life, economics, and all that. And that’s what we are usually dealing with: the first three cakras.

  Zimmer loved to recount an amusing animal-fable from India. It tells of a tigress, pregnant and starving, who comes upon a little flock of goats and pounces on them with such energy that she brings about the birth of her little one and her own death.

  The goats scatter, and when they come back to their grazing place, they find this just-born tiger and its dead mother. Having strong parental instincts, they adopt the tiger, and it grows up thinking it’s a goat. It learns to bleat. It learns to eat grass. And since grass doesn’t nourish it very well, it grows up to become a pretty miserable specimen of its species.

  When t
he young tiger reaches adolescence, a large male tiger pounces on the flock, and the goats scatter. But this little fellow is a tiger, so he stands there. The big one looks at him in amazement and says, “Are you living here with these goats?” “Maaaaaa,” says the little tiger. Well, the old tiger is mortified, something like a father who comes home and finds his son with long hair. He swats him back and forth a couple of times, and the little thing just responds with these silly bleats and begins nibbling grass in embarrassment. So the big tiger brings him to a still pond.

  Now, still water is a favorite Indian image to symbolize the idea of yoga. The first aphorism of yoga is: “Yoga is the intentional stopping of the spontaneous activity of the mind-stuff.” Our minds, which are in continual flux, are likened to the surface of a pond that’s blown by a wind. So the forms that we see, those of our own lives and the world around us, are simply flashing images that come and go in the field of time, but beneath all of them is the substantial form of forms. Bring the pond to a standstill, have the wind withdraw and the waters clear, and you’ll see, in stasis, the perfect image beneath all of these changing forms.

  So this little fellow looks into the pond and sees his own face for the first time. The big tiger puts his face over and says, “You see, you’ve got a face like mine. You’re not a goat. You’re a tiger like me. Be like me.”

  Now that’s guru stuff: I’ll give you my picture to wear, be like me. It’s the opposite to the individual way.

  So the little one is getting that message; he’s picked up and taken to the tiger’s den, where there are the remains of a recently slaughtered gazelle. Taking a chunk of this bloody stuff, the big tiger says, “Open your face.” The little one backs away, “I’m a vegetarian.” “None of that nonsense,” says the big fellow, and he shoves a piece of meat down the little one’s throat. He gags on it. The text says, “As all do on true doctrine.”

 

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