With a touching fidelity, the mirror duplicated the room and all it contained, the fireplace, the walls covered with a stained white paper stippled with fronds of greenery, every piece of neglected ormolu furniture. How pleased I was to see my experiences had not changed me! though my old tweed suit was stained with grass, my stick gone – left behind where I had dropped it in the wood. And so much dirt on my face. But I looked as if I were reflected in a forest pool rather than by silvered glass for the surface of the mirror looked like the surface of motionless water, or of mercury, as though it were a solid mass of liquid kept in place by some inversion of gravity that reminded me of the ghastly weight of the shell that now dropped at the androgyne’s feet from the dog’s mouth. She never stopped knitting for one moment as she nudged it with a beautiful toe painted with a rime of silver; woe gave her a purely female face.
‘Only one little stitch! And I only dropped one little stitch!’ she mourned. And she bowed her head over her work in an ecstasy of regret.
‘At least it wasn’t out long,’ said the girl. Her voice had a clanging resonance; mercy was a minor key that would never modify its martial music. ‘He found it!’
She gestured towards me with her gun. The androgyne directed upon me a pair of vague, too-large, stagnant eyes that did not shine.
‘Do you know where this shell comes from?’ she asked me with a grave courtesy.
I shook my head.
‘It comes from the Sea of Fertility. Do you know where that is?’
‘On the surface of the moon,’ I answered. My voice sounded coarse and rough to me.
‘Ah,’ she said, ‘the moon, the source of polarized light. Yes and no to your reply. It is an equivalence. The sea of fertility is a reversed system, since everything there is as dead as this shell.’
‘He found it in the wood,’ said the girl.
‘Put it back where it belongs, Anna,’ said the androgyne, who possessed a frail yet absolute air of authority. ‘Before any harm is done.’
The girl bent and picked up the shell. She scrutinized the mirror and took aim at some spot within it that seemed to her a logical target for the shell. I saw her raise her arm to throw the shell into the mirror and I saw her mirrored arm raise the shell to throw it outside the mirror. Then she threw the duplicated shell. There was no sound in the room but the click of the knitting needles when she threw the shell into the mirror while her reflection threw the shell out of the mirror. The shell, when it met its own reflection, disappeared immediately.
The androgyne sighed with satisfaction.
‘The name of my niece is Anna,’ she said to me, ‘because she can go both ways. As, indeed, I can myself, though I am not a simple palindrome.’
She gave me an enigmatic smile and moved her shoulders so that the lace négligé she wore fell back from her soft, pale breasts that were, each one, tipped by nipples of deep, dark pink, with the whorled crenellations of raspberries, and then she shifted her loins a little to display, savage and barbaric in their rude, red-purple repose, the phallic insignia of maleness.
‘She can,’ said Anna, ‘go both ways, although she cannot move at all. So her power is an exact equivalent of her impotence, since both are absolute.’
But her aunt looked down at her soft weapon and said gently: ‘Not, my darling, absolutely absolute. Potency, impotence in potentia, hence relative. Only the intermediary, since indeterminate.’
With that, she caressed her naked breasts with a stunted gesture of her forearms; she could not move her arms freely because she did not stop knitting. They looked at one another and laughed. Their laughter drove icicles of fear into my brain and I did not know which way to turn.
‘You see, we must do away with you,’ said the androgyne. ‘You know too much.’
Panic broke over me like a wave. I plunged across the room towards the door, careless of Anna’s gun in my attempted flight. But my feet were snared by the knitting and once again I plunged downwards but this time my fall half stunned me. I lay dazed while their renewed laughter darted cruelly about the room.
‘Oh,’ said Anna, ‘but we shan’t kill you. We shall send you through the mirror. We shall send you where the shell went, since that is where you belong, now.’
‘But the shell vanished,’ I said.
‘No,’ replied the androgyne. ‘It did not vanish in reality. That shell had no business in this world. I dropped a stitch, this morning; only one little stitch … and that confounded shell slipped through the hole the dropped stitch made, because those shells are all so very, very heavy, you see. When it met its reflection, it returned to its proper place. It cannot come back, now; and neither will you, after we have sent you through the mirror.’
Her voice was so very gentle, yet she offered me a perpetual estrangement. I let out a cry. Anna turned to her aunt and placed her hand on her genitalia, so that the cock sprang up. It was of redoubtable size.
‘Oh, auntie, don’t scare him!’ she said.
Then they tittered, the weird harpies, so that I was quite beside myself with fear and bewilderment.
‘It is a system of equivalences,’ said the androgyne. ‘She carries the gun, you see; and I, too.’
She displayed her towering erection with the air of a demonstrator in a laboratory.
‘In my intermediary and cohesive logic, the equivalences reside beyond symbolism. The gun and the phallus are similar in their connection with life – that is, one gives it; and the other takes it away, so that both, in essence, are similar in that the negation freshly states the affirmed proposition.’
I was more bewildered than ever.
‘But do all the men in the mirror world have guns between their thighs?’
Anna exclaimed with irritation at my simplicity.
‘That’s no more likely than that I could impregnate you with this –’ she said, pointing her gun at me, ‘here or in any other world.’
‘Embrace yourself in the mirror,’ said the androgyne, knitting, knitting, knitting away. ‘You must go, now. Now!’
Anna maintained her menace; there was nothing for it but to do as they bid. I went to the mirror and examined myself in its depths. A faint ripple ran over its surface; but when I touched it with my fingers, the surface was just as smooth and hard as it should have been. I saw that my reflection was cut off at the thighs by the gilt frame and Anna said: ‘Climb on a stool! Who’d want you truncated, here or there?’
She grinned in an appalling fashion and slipped back the safety catch on her rifle. So I pulled a little, cane-seated, gilt-backed chair to the mirror and clambered up. I gazed at myself in the mirror; there I was, complete from head to toe, and there they were, behind me, the androgyne weaving her ethereal coils and the armed young girl, who, now that she could kill me with one little flick of her finger, looked as beautiful as a Roman soldier plundering a North African city, with her rapist’s eyes and her perfume of murder.
‘Kiss yourself,’ commanded the androgyne in a swooning voice. ‘Kiss yourself in the mirror, the symbolic matrix of this and that, hither and thither, outside and inside.’
Then I saw, even if I could no longer be astonished, that though she knitted in both the room and the mirror, there was, within the room, no ball of wool at all; her yarn emanated from inside the mirror and the ball of wool existed only in the medium of reflection. But I did not have time to wonder at this marvel for the rank stench of Anna’s excitement filled the room and her hand trembled. Out of rage and desperation, I advanced my own lips to meet the familiar yet unknown lips that advanced towards mine in the silent world of the glass.
I thought these lips would be cold and lifeless; that I would touch them but they could not touch me. Yet, when the twinned lips met, they cleaved, for these mirrored lips of mine were warm and throbbed. This mouth was wet and contained a tongue, and teeth. It was too much for me. The profound sensuality of this unexpected caress crisped the roots of my sex and my eyes involuntarily closed whilst my arms clasped my own tw
eed shoulders. The pleasure of the embrace was intense; I swooned beneath it.
When my eyes opened, I had become my own reflection. I had passed through the mirror and now I stood on a little, cane-seated, gilt-backed chair with my mouth pressed to an impervious surface of glass I had misted with my own breath and moistened with my own saliva.
Anna cried: ‘Hurrah!’ She dropped her rifle and clapped her hands while her aunt, continuing, all the time, to knit, gave me a peculiarly sultry smile.
‘So,’ she said. ‘Welcome. This room is the half-way house between here and there, between this and that, because, you understand, I am so ambiguous. Stay in the field of force of the mirror for a while, until you are used to everything.’
The first thing that struck me was, the light was black. My eyes took a little time to grow accustomed to this absolute darkness for, though the delicate apparatus of cornea and aqueous humour and crystalline lens and vitreous body and optic nerve and retina had all been reversed when I gave birth to my mirror self through the mediation of the looking-glass, yet my sensibility remained as it had been. So at first, through the glass, I saw darkly and all was confusion but for their faces, which were irradiated by familiarity. But, when the inside of my head could process the information my topsy-turvy senses retrieved for me, then my other or anti-eyes apprehended a world of phosphorescent colour etched as with needles of variegated fire on a dimensionless opacity. The world was the same; yet absolutely altered. How can I describe it… almost as if this room was the colour negative of the other room. Unless – for how could I ever be certain which was the primary world and which the secondary – the other room, the other house, the other wood that I saw, transposed yet still peeping through the window in the other mirror – all that had been the colour negative of the room in which I now stood, where the exhalations of my breath were the same as the inhalations of my mirror-anti-twin who turned away from me as I turned away from him, into the distorted, or else really real, world of the mirror room, which, since it existed in this mirror in this room beyond the mirror, reflected all of this room’s ambiguities and was no longer the room I had left. That endless muffler or web wound round the room, still, but now it wound round contrariwise and Anna’s aunt was knitting from left to right, instead of from right to left with hands, I realized, had they wished, could have pulled a right-hand glove over the left hand and vice versa, since she was truly ambidexterous.
But when I looked at Anna, I saw she was exactly the same as she had been on the other side of the mirror and knew her face for one of those rare faces that possess an absolute symmetry, each feature the exact equivalent of the other, so one of her profiles could serve as the template for both. Her skull was like a proposition in geometry. Irreducible as stone, finite as a syllogism, she was always indistinguishable from herself whichever way she went.
But the imperturbably knitting androgyne had turned its face contrariwise. One half of its face was always masculine and the other, no matter what, was feminine; yet these had been changed about, so that all the balances of the planes of the face and the lines of the brow were the opposite of what they had been before, although one half of the face was still feminine and the other masculine. Nevertheless, the quality of the difference made it seem that this altered yet similar face was the combination of the reflection of the female side of the face and the masculine side of the face that did not appear in the face I had seen beyond the mirror; the effect was as of the reflection of a reflection, like an example of perpetual regression, the perfect, self-sufficient nirvana of the hermaphrodite. She was Tiresias, capable of prophetic projection, whichever side of the mirror she chose to offer herself to my sight upon; and she went on knitting and knitting and knitting, with an infernal suburban complacency.
When I turned from the mirror, Anna was holding out her right or left hand towards me but, although I felt sure I was walking towards her and lifted up my legs and set them down again with the utmost determination, Anna receded further and further away from me. Niece and aunt emitted a titter and I guessed that, in order to come to Anna, I must go away from her. Therefore I stepped sturdily backwards and, in less than a second, her hard, thin, sunburned hand grasped mine.
The touch of her hand filled me with a wild loneliness.
With her other hand, she opened the door. I was terribly afraid of that door, for the room that contained the mirror was all that I knew, and therefore my only safety, in this unknown world that Anna, who now smiled inscrutably at me, negotiated as skilfully as if she herself, the solstice in person, went on curious hinges between this place and that place unlike her aunt, who, since she was crippled, could not move unless her condition of permanent stasis meant she was moving too fast for me to see, with a speed the inertia of the eye registered as immobility.
But, when the door creaked open on everyday, iron hinges that had never been oiled in this world or any other world, I saw only the staircase up which Anna had led me, down which she would now lead me, and the muffler that still curled down to the hall. The air was dank, just as it had been. Only, all the alignments of the stairwell had been subtly altered and the light was composed of a reversed spectrum.
The webs of the spiders presented structures of white fire so minutely altered from those I had passed on my way upstairs that only memory made me apprehend how their geometrical engineering had all been executed backwards. So we passed under the spectral arch they had prepared for us and out into the open air that did not refresh my bewildered brain, for it was as solid as water, dense and compact, of an impermeable substance that transmitted neither sound nor odour. To move through this liquid silence demanded the utmost exertion of physical energy and intellectual concentration, for gravity, beyond the mirror, was not a property of the ground but of the atmosphere. Then Anna, who understood the physical laws of this world, exerted a negative pressure upon me by some willed absence of impulse and to my amazement I now moved as if propelled sharply from behind along the path to the gate, past flowers that distilled inexpressible colours from the black sky above us, colours whose names only exist in an inverted language you could never understand if I were to speak it. But the colours were virtually independent of the forms of the plants. Haloes of incandescence, they had arbitrarily settled about spread umbrellas of petals as thin yet as hard as the shoulder blade of a rabbit, for the flesh of the flowers was calcified and lifeless; no plant was sentient in this coral garden. All had suffered a dead sea-change.
And the black sky possessed no dimension of distance, nor gave none; it did not arch above us but looked as if it were pasted behind the flat outlines of the half-ruinous house that now lay behind us, a shipwreck bearing a marvellous freight, the female man or virile woman clicking away at her needles in a visible silence. A visible silence, yes; for the dense fluidity of the atmosphere did not transmit sound to me as sound, but, instead, as irregular kinetic abstractions etched upon its interior, so that, once in the new wood, a sinister, mineral, realm of undiminishable darkness, to listen to the blackbird was to watch a moving point inside a block of deliquescent glass. I saw these sounds because my eyes took in a different light than the light that shone on my breast when my heart beat on the other side of it, although the wood through whose now lateral gravity Anna negotiated me was the same wood in which I had been walking when I first heard her sing. And I cannot tell you, since there is no language in this world to do so, how strange the antithetical wood and sweet June day were, for both had become the systematic negation of its others.
Anna, in some reversed fashion, must still have been menacing me with her gun, since it was her impulse that moved me; on we went, just as we had come – but Anna, now, went before me, with the muzzle of her gun pressed in the belly of nothingness, and the dog, her familiar, this time in the van. And this dog was white as snow and its balls were gone; on this side of the mirror, all dogs were bitches and vice versa.
I saw wild garlic and ground elder and the buttercups and daisies in the fo
ssilized undergrowth now rendered in vivacious yet unnamable colours, as immobile arabesques without depth. But the sweetness of the wild roses rang in my ears like a peal of windbells for the vibrations of the perfumes echoed on my eardrums like the pulse of my own blood since, though they had become a kind of sound, they could not carry in the same way that sound did. I could not, for the life of me, make up my mind which world was which for I understood this world was coexistent in time and space with the other wood – was, as it were, the polarization of that other wood, although it was in no way similar to the reflection the other wood, or this wood, might have made in a mirror.
The more my eyes grew accustomed to the dark, the less in common did the petrified flora seem to have with anything I knew. I perceived all had been starkly invaded with, yes, shells, enormous shells, giant and uninhabited shells, so we might have been walking in the ruins of a marine city; the cool, pale colouring of those huge shells now glowed with a ghostly otherness and they were piled and heaped upon one another to parody the landscape of the woodland, unless the trees parodied them; all were whorled the wrong way round, all had that deathly weight, the supernatural resonance of the shell which seduced me and Anna told me in a soundless language I understood immediately that the transfigured wood, fertile now, only of metamorphoses, was – for how could it be anything else – the Sea of Fertility. The odour of her violence deafened me.
Fireworks: Nine Profane Pieces Page 9
