by Jane Yolen
“Huh.”
They kept walking, footsteps punctuated by Gabby’s ragged breath.
“We used to drive out here to picnic on the cliff when my wife and I first got married,” Bay said. “There were always turtles trying to cross. We would stop and help them, because there were teenagers around who thought driving over them was a sport. Now if I saw a turtle I’d probably have to think about eating it.”
“I’ve never eaten a turtle.”
“Me neither. Haven’t seen one in years.”
Gabby stopped. “You know, I have no clue when I last saw a turtle. At a zoo? No clue at all. I wonder if they’re gone. Funny how you don’t realize the last time you see something is going to be the last time.”
Bay didn’t say anything.
The rock star held Deb’s guitar up to her chest, started picking out a repetitive tune as she walked. Same lick over and over, like it was keeping her going, driving her feet. “So when you said you traded things like aluminum foil and people, you were lying to me, right? You don’t trade anything.”
Bay shook her head. “Nobody to trade with.”
“So, you’ve been here all alone? You said something about your wife.”
Bay kicked a stone down the road in front of her, kicked it again when she caught up with it.
The rock star handed her the guitar and dropped to the ground. She took off her left shoe, then peeled the sock off. A huge blister was rising on her big toe. “Fuck.”
Bay sighed. “You can use some of the stuffing from your vest to build some space around it.”
Gabby bent to pick a seam.
“No need. There’s a tear in the back. Anyhow, maybe it’s time to stop for the night.”
“Sorry. I saw the tear when you first gave me the vest, but I forgot about it. How far have we traveled?”
“Hard to say. We’re still on the park road.”
“Park road?”
“This is a protected wilderness area. Or it was. Once we hit asphalt, we’re halfway there. Then a little farther to a junction. Left at the T used to be vacation homes, but a hurricane took them twenty years ago. Right takes you to the city.”
Gabby groaned. She squinted at the setting sun. “Not even halfway.”
“But you’re still alive, and you’re complaining about a blister, not the cough or the sunburn.”
“I didn’t complain.”
“I don’t see you walking any farther, either.” Bay dropped her knapsack and untied a sleeping bag from the bottom.
“I don’t suppose you have two?”
Bay gave Gabby her most withering look. What kind of fool set out on this walk sick and unprepared? Then again, she had been the one who had driven the woman out, too afraid to interact with an actual person instead of the ghosts in her head.
“We’ll both fit,” she said. “Body heat’ll keep us warm, too.”
It was warmer than if they hadn’t shared, lying back to back squeezed into the sleeping bag. Not as warm as home, if she hadn’t set out to follow. The cold still seeped into her. Bay felt every inch of her left side, as if the bones themselves were in contact with the ground. Aware, too, of her back against the other woman, of the fact that she couldn’t remember the last time she had come in physical contact with a living person. The heat of Gabby’s fever burned through the layers of clothing, but she still shivered.
“Why are you living out there all alone?” Gabby asked.
Bay considered pretending she was asleep, but then she wanted to answer. “I said already we used to picnic out here, my wife and I. We always said this was where we’d spend our old age. I’d get a job as a ranger, we’d live out our days in the ranger’s cabin. I pictured having electricity, mind.”
She paused. She felt the tension in the other woman’s back as she suppressed a cough. “Debra was in California on a business trip when everything started going bad at a faster rate than it’d been going bad before. We never even found out what it was that messed up the electronics. Things just stopped working. We’d been living in a high-rise. I couldn’t stay in our building with no heat or water, but we couldn’t contact each other, and I wanted to be someplace Debra would find me. So when I didn’t hear from her for three months, I packed what I thought I might need into some kid’s wagon I found in the lobby and started walking. I knew she’d know to find me out here if she could.”
“How bad was it? The cities? We were already on the ship.”
“I can only speak for the one I was living in, but it wasn’t like those scare movies where everyone turns on one another. People helped each other. We got some electricity up and running again in a couple weeks’ time, on a much smaller scale. If anything, I’d say we had more community than we’d ever had. But it didn’t feel right for me. I didn’t want other people; I wanted Deb.”
“They told us people were rioting and looting. Breaking into mansions, moving dozens of people in.”
“Would you blame them? Your passengers redirected all the gas to their ships and abandoned perfectly good houses. But again, I can only speak to what I saw, which was folks figuring out the new order and making it work as best they could.”
Gabby stayed silent for a while, and Bay started to drift. Then one more question. “Did Debra ever find you? I mean I’m guessing no, but . . .”
“No. Now let me sleep.”
* * *
Inside the Music: Tell us what happened.
Gabby Robbins: You know what happened. There is no you anymore. No reality television, no celebrity gossip, no music industry. Only an echo playing itself out on the ships and in the heads of those of us who can’t quite let it go.
* * *
Bay was already out of the sleeping bag when I woke. She sat on a rock playing a simple fingerpicking pattern on her guitar.
“I thought you didn’t play,” I called to her.
“Never said that. Said I’m a lousy singer, but didn’t say anything about playing the guitar. We should get moving. I’d rather get to the city earlier than late.”
I stood up and stretched, letting the sleeping bag pool around my feet. The sun had only just risen, low and red. I could hear water lapping on both sides now, beyond a thick growth of brush. I coughed so deep it bent me in two.
“Why are you in a hurry?” I asked when I could speak.
She gave me a look that probably could have killed me at closer range. “Because I didn’t bring enough food to feed both of us for much longer, and you didn’t bring any. Because I haven’t been there in years and I don’t know if they shoot strangers who ride in at night.”
“Oh.” There wasn’t much to say to that, but I tried anyway. “So basically, you’re putting yourself in danger because I put myself in danger because you made me think I was in danger.”
“You put yourself in danger in the first place by jumping off your damn boat.”
True. I sat back down on the sleeping bag and inspected my foot. The blister looked awful. I nearly wept as I packed vest-stuffing around it.
I stood again to indicate my readiness, and she walked back over. She handed me the guitar, then shook out the sleeping bag, rolled it and tied it to her pack. She produced two vaguely edible-looking sticks from somewhere on her person. I took the one offered to me.
I sniffed it. “Fish jerky?”
She nodded.
“I really would’ve starved out here on my own.”
“You’re welcome.”
“Thank you. I mean it. I’d never have guessed I’d have to walk so long without finding anything to eat.”
“There’s plenty to eat, but you don’t know where to look. You could fish if you had gear. You might find another crab. And there are bugs. Berries and plants, too, in better seasons, if you knew what to look for.”
As we walked she meandered off the road to show me what was edible. Cattail roots, watercress. Neither tasted fantastic raw, but chewing took time and gave an excuse to walk slower.
“I’m guessing
you were a city kid?” she asked.
“Yeah. Grew up in Detroit. Ran away when I was sixteen to Pittsburgh because everyone else ran away to New York. Put together a decent band, got noticed. When you’re a good bass player, people take you out. I’d release an album with my band, tour that, then tour with Gaga or Trillium or some flavor of the month.”
I realized that was more than she had asked for, but she hadn’t told me to shut up yet, so I kept going. “The funny thing about being on a ship with all those celebrities and debutantes is how much attention they need. They throw parties or they stage big collapses and recoveries. They produce documentaries about themselves, upload to the ship entertainment systems. They act as audience for each other, taking turns with their dramas.
“I thought they’d treat me as a peer, but then I realized I was just a hired gun and they all thought they were bigger deals than me. There were a few other entertainers who realized the same thing and dropped down to the working decks to teach rich kids to dance or sing or whatever. I hung onto the idea longer than most that my music still meant something. I still kinda hope so.”
A coughing spell turned me inside out.
“That’s why you took my guitar?” Bay asked when I stopped gagging.
“Yeah. They must still need music out here, right?”
“I’d like to think so.”
I had something else to say, but a change in the landscape up ahead distracted me. Two white towers jutted into the sky, one vertical, the other at a deep curve. “That’s a weird looking bridge.”
Bay picked up her pace. I limped after her. As we got closer, I saw the bridge wasn’t purposefully skewed. The tower on the near end still stood, but the road between the two had crumbled into the water. Heavy cables trailed from the far tower like hair. We walked to the edge, looked down at the concrete bergs below us, then out at the long gap to the other side. Bay sat down, her feet dangling over the edge.
I tried to keep things light. “I didn’t realize we were on an island.”
“Your grasp of geography hasn’t proven to be outstanding.”
“How long do you think it’s been out?”
“How the hell should I know?” she snapped.
I left her to herself and went exploring. When I returned, the tears that smudged her face looked dry.
“It must’ve been one of the hurricanes. I haven’t been out here in years.” Her tone was dry and impersonal again. “Just goes to show, sooner or later everything falls into the sea.”
“She didn’t give up on you,” I said.
“You don’t know that.”
“No.”
I was quiet a minute. Tried to see it all from her eyes. “Anyway, I walked around. You can climb down the embankment. It doesn’t look like there’s much current. Maybe a mile’s swim?”
She looked up at me. “A mile’s swim, in clothes, in winter, with a guitar. Then we still have to walk the rest of the way, dripping wet. You’re joking.”
“I’m not joking. I’m only trying to help.”
“There’s no way. Not now. Maybe when the water and the air are both warmer.”
She was probably right. She’d been right about everything else. I sat down next to her and looked at the twisted tower. I tried to imagine what Detroit or Pittsburgh was like now, if they were all twisted towers and broken bridges, or if newer, better communities had grown, like the one Bay had left.
“I’ve got a boat,” I said. “There’s no fuel but you have an oar on your wall. We can line it full of snacks when the weather is better, and come around the coast instead of over land.”
“If I don’t kill you before then. You talk an awful lot.”
“But I can play decent guitar,” I said. “And I found a crab once, so I’m not entirely useless.”
“Not entirely,” she said.
* * *
Inside the Music: Tell us what happened.
Gabby Robbins: I was nearly lost, out on the ocean, but somebody rescued me. It’s a different life, a smaller life. I’m writing again. People seem to like my new stuff.
* * *
Bay took a while getting to her feet. She slung her bag over her shoulder, and waited while Gabby picked up Deb’s guitar. She played as they walked back toward Bay’s cottage, some little riff Bay didn’t recognize. Bay made up her own words to it in her head, about how sooner or later everything falls into the sea, but some things crawl back out again and turn into something new.
NEBULA AWARD NOMINEE
NOVELETTE
THE ORANGERY
BONNIE JO STUFFLEBEAM
Bonnie Jo Stufflebeam’s fiction and poetry has appeared in over fifty magazines and anthologies both literary and speculative, including Clarkesworld, Lightspeed, Fantasy & Science Fiction, Fairy Tale Review, and numerous times in Beneath Ceaseless Skies. She has also been a finalist for Selected Short’s Stella Kupferberg Memorial Short Story Award. Her audio fiction-jazz collaborative album, Strange Monsters, explored the theme of women living unconventional lives. She’s been reprinted in French and Polish, for numerous podcasts, and on io9. She created and coordinates the annual Art & Words Collaborative Show in Fort Worth, Texas.
GUARDIAN
I’d held my position as guardian of the Orangery for twenty years when our first intruder broke his way in through the stone wall.
I walked among the Orangery, watching for roots reaching up from the soil like begging hands. These trees I’d oblige with stream water poured from a basin of pure gold. Then I walked the path with my great pair of shears. From the words of my ancestors, I knew to hold the shears poised at my own heart as I went, so as not to frighten the trees and set them about producing their poison. If a tree wished to be trimmed, she would rattle her branches. I trimmed until she stopped her shaking.
After my rounds I paced the grounds thrice before retiring to my cottage beside the greenhouse to read stories I knew by heart. Little room in the Orangery meant the guardian’s library was limited. The books on my shelves I had chosen as a young woman: stories of adventure and romance, stories that left me with a pitted longing. They weren’t the books I would have chosen in my middle age. Still, I not only read them but ran my hands along their covers, rooting my fingers in their engraved spines and decorated binding. They’d been bound with the skin of beautiful people, the only skin I’d ever touched. Their pages were formed of delicate reed paper. I was lying back in my reading chair with one hand across the book spread against my chest and the other between my legs when I heard the trees’ startled shrieking.
I jumped to my feet and grabbed my spear from the mantle and ran from the cottage through the woods and along the wall until I found the place the intruder had entered: a large swath of stone wall, toppled since I’d last checked it. The wall had never before failed. I made note of the number of strides it had taken for me to reach it and then darted off through the woods, searching for the intruder.
I didn’t find him that night, though I searched until my legs throbbed and my eyes ached from squinting in the dark, for though the seasons didn’t touch the Orangery, night and day still folded the woods in their embrace. When my legs refused to carry me any longer, I rested against the wall, guarding the break from which I thought any intruder might, having realized the lack of treasures inside the Orangery, escape.
GUIDE
From here you see perhaps only a forest. But come, let’s step along the path through the woods, and I’ll show you. Do you see? Their shapes, the curve of their trunks? Some were of a flowering age when they changed. These show their differences more keenly: three knots, one for the breasts, two for the hips. No, no, there are no nipples. Trees reproduce by dropping seed.
This one is called Lotis. See there the bronze plaque half-buried in her trunk. She’s one of our oldest. Over the years she has swallowed her name, as though she wishes to forget that she ever held a form of skin-and-bone, of blood. Our books tell us that she enjoyed the drink, the drug, the dance. Our boo
ks tell us that she loved no man twice.
If you read your guidebooks, you’ll find a story of her transformation. You’ll find a warning: don’t eat of her flowers. The story is a lie. The warning, though, is true. She’s here surrounded by those who didn’t follow it. See their shapes, too: women, men, and children. They may look the same as our dear Lotis, but they do not flower. If you look closely, you’ll see that they are hollow. These are not trees but shells. Besides, the Lotis’ blooms are said to taste of your mother’s perfume, bitter to the tongue.
I’ll give you the real story, if you’re ready to hear it. If you prefer to follow your guidebooks, please move up along the trail. You’ll find plaques beneath, or inside, each of our Main Attractions. Those who wish to know the world for what it is, please leave your books in this basket here. Listen, then, to the story of Lotis, and follow me and truth along the path.
Rowdy girls are always the first to go. Some men think they can tame them. Lotis’ men thought this. She had them once and let them go, no matter how they begged her to marry them beneath the lotus tree in the center of town.
The farm boy was no different. He bred his father’s sheep, milked his father’s cows, and slaughtered his father’s pigs. He tended his mother’s apple orchard and harvested her vegetable garden. Lotis found his quaintness endearing when he asked her, with a dip from his waist, to dance. He wasn’t terrible to lay, but a rowdy girl only settles when she’s good and ready, and Lotis was not, no matter how sorely satisfied she was after their lengthy encounter.
She expected to see him again at the festivals. After all, his farmer father sold his pigs and wool there. Sometimes she bought a leg of tender lamb from his mother to line her empty stomach before coating her throat with wine. She didn’t expect to see him standing over her in the grass where she slept one morning after an uneventful evening of lackluster socials. She had gone to the field to take in the shock of sunrise, alone. He straddled her waist, stinking of pig shit. In the distance a donkey brayed five minutes too late.
She wrapped her hand around his ankle and dug her nails into the flesh until it bled. When he jerked his leg away, she struggled to her feet and ran across the grass, down the hill, to the center of town where Apollo played his music and mixed his potions.
