He executed a dancer’s turn, beckoning to Strike to follow him.
Down a whitewashed corridor they passed an open door, and a flat-faced middle-aged oriental woman stared back at Strike through the gauzy film of gold stuff she was throwing over a dummy; the room around her was as brilliantly lit as a surgical theater, but full of workbenches, cramped and cluttered with bolts of fabric, the walls a collage of fluttering sketches, photographs and notes. A tiny blonde woman, dressed in what appeared to Strike to be a giant black tubular bandage, opened a door and crossed the corridor in front of them; she gave him precisely the same cold, blank stare as the red-haired Trudie. Strike felt abnormally huge and hairy; a woolly mammoth attempting to blend in among capuchin monkeys.
He followed the strutting designer to the end of the corridor and up a spiral staircase of steel and rubber, at the top of which was a large white rectangular office space. Floor-to-ceiling windows all along the right-hand side showed a stunning view of the Thames and the south bank. The rest of the whitewashed walls were hung with photographs. What arrested Strike’s attention was an enormous twelve-foot-tall blowup of the infamous “Fallen Angels” on the wall opposite Somé’s desk. On closer inspection, however, he realized that it was not the shot with which the world was familiar. In this version, Lula had thrown back her head in laughter: the strong column of her throat rose vertically out of the long hair, which had become disarranged in her amusement, so that a single dark nipple protruded. Ciara Porter was looking up at Lula, the beginnings of laughter on her own face, but slower to get the joke: the viewer’s attention was drawn, as in the more famous version of the picture, immediately to Lula.
She was represented elsewhere; everywhere. There on the left, among a group of models all wearing transparent shifts in rainbow colors; further along, in profile, with gold leaf on her lips and eyelids. Had she learned how to compose her face into its most photogenic arrangement, to project emotion so beautifully? Or had she simply been a pellucid surface through which her feelings naturally shone?
“Park your arse anywhere,” said Somé, dropping into a seat behind a dark wood and steel desk covered in sketches; Strike pulled up a chair composed of a single length of contorted perspex. There was a T-shirt lying on the desk, which carried a picture of Princess Diana as a garish Mexican Madonna, glittering with bits of glass and beads, and complete with a flaming scarlet heart of shining satin, on which an embroidered crown was perched lopsided.
“You like?” said Somé, noticing the direction of Strike’s gaze.
“Oh yeah,” lied Strike.
“Sold out nearly everywhere; bad-taste letters from Catholics; Joe Mancura wore one on Jools Holland. I’m thinking of doing William as Christ on a long-sleeve for winter. Or Harry, do you think, with an AK47 to hide his cock?”
Strike smiled vaguely. Somé crossed his legs with a little more flourish than was strictly necessary and said, with startling bravado:
“So, the Accountant thinks Cuckoo might’ve been killed? I always called Lula ‘Cuckoo,’ ” he added, unnecessarily.
“Yeah. John Bristow’s a lawyer, though.”
“I know he is, but Cuckoo and I always called him the Accountant. Well, I did, and Cuckoo sometimes joined in, if she was feeling wicked. He was forever nosing into her percentages and trying to wring every last cent out of everyone. I suppose he’s paying you the detective equivalent of the minimum wage?”
“He’s paying me a double wage, actually.”
“Oh. Well he’s probably a bit more generous now he’s got Cuckoo’s money to play with.”
Somé chewed on a fingernail, and Strike was reminded of Kieran Kolovas-Jones; the designer and driver were similar in build, too, small but well proportioned.
“All right, I’m being a bitch,” said Somé, taking his nail out of his mouth. “I never liked John Bristow. He was always on Cuckoo’s case about something. Get a life. Get out of the closet. Have you heard him rhapsodizing about his mummy? Have you met his girlfriend? Talk about a beard: I think she’s got one.”
He rattled out the words in one nervy, spiteful stream, pausing to open a hidden drawer in the desk, from which he took out a packet of menthol cigarettes. Strike had already noticed that Somé’s nails were bitten to their quicks.
“Her family was the whole reason she was so fucked up. I used to tell her, ‘Drop them, sweetie, move on.’ But she wouldn’t. That was Cuckoo for you, always flogging a dead horse.”
He offered Strike one of the pure white cigarettes, which the detective declined, before lighting one with an engraved Zippo. As he flipped the lid of the lighter shut, Somé said:
“I wish I’d thought of calling in a private detective. It never occurred to me. I’m glad someone’s done it. I just cannot believe she committed suicide. My therapist says that’s denial. I’m having therapy twice a week, not that it makes any fucking difference. I’d be snaffling Valium like Lady Bristow if I could still design when I’m on it, but I tried it the week after Cuckoo died and I was like a zombie. I suppose it got me through the funeral.”
Jingling and rattling from the spiral staircase announced the reappearance of Trudie, who emerged through the floor in jerky stages. She laid upon the desk a black lacquered tray, on which stood two silver filigree Russian tea glasses, in each of which was a pale green steaming concoction with wilted leaves floating in it. There was also a plate of wafer-thin biscuits that looked as though they might be made of charcoal. Strike remembered his pie and mash and his mahogany-colored tea at the Phoenix with nostalgia.
“Thanks, Trudie. And get me an ashtray, darling.”
The girl hesitated, clearly on the verge of protesting.
“Just do it,” snarled Somé. “I’m the fucking boss, I’ll burn the building down if I want to. Pull the fucking batteries out of the fire alarms. But get the ashtray first.
“The alarm went off last week, and set off all the sprinklers downstairs,” Somé explained to Strike. “So now the backers don’t want anyone smoking in the building. They can stick that one right up their tight little bumholes.”
He inhaled deeply, then exhaled through his nostrils.
“Don’t you ask questions? Or do you just sit there looking scary until someone blurts out a confession?”
“We can do questions,” said Strike, pulling out his notebook and pen. “You were abroad when Lula died, weren’t you?”
“I’d just got back, a couple of hours before.” Somé’s fingers twitched a little on the cigarette. “I’d been in Tokyo, hardly any sleep for eight days. Touched down at Heathrow at about ten thirty with the most fucking appalling jet lag. I can’t sleep on planes. I wanna be awake if I’m going to crash.”
“How did you get home from the airport?”
“Cab. Elsa had fucked up my car booking. There should’ve been a driver there to meet me.”
“Who’s Elsa?”
“The girl I sacked for fucking up my car booking. It was the last thing I fucking wanted, to have to find a cab at that time of night.”
“Do you live alone?”
“No. By midnight I was tucked up in bed with Viktor and Rolf. My cats,” he added with a flicker of a grin. “I took an Ambien, slept for a few hours, then woke up at five in the morning. I switched on Sky News from the bed, and there was a man in a horrible sheepskin hat, standing in the snow in Cuckoo’s street, saying she was dead. The ticker-tape across the bottom of the screen was saying it too.”
Somé inhaled heavily on the cigarette, and white smoke curled out of his mouth with his next words.
“I nearly fucking died. I thought I was still asleep, or that I’d woken up in the wrong fucking dimension or something…I started calling everyone…Ciara, Bryony…all their phones were engaged. And all the time I was watching the screen, thinking they’d flash up something saying there had been a mistake, that it wasn’t her. I kept praying it was the bag lady. Rochelle.”
He paused, as though he expected some comment from Strike. T
he latter, who had been making notes as Somé spoke, asked, still writing:
“You know Rochelle, do you?”
“Yeah. Cuckoo brought her in here once. In it for all she could get.”
“What makes you say that?”
“She hated Cuckoo. Jealous as fuck; I could see it, even if Cuckoo couldn’t. She was in it for the freebies, she didn’t give a monkey’s whether Cuckoo lived or died. Lucky for her, as it turned out…
“So, the longer I watched the news, I knew there wasn’t a mistake. I fell a-fucking-part.”
His fingers trembled a little on the snow-white stick he was sucking.
“They said that a neighbor had overheard an argument; so of course I thought it was Duffield. I thought Duffield had knocked her through the window. I was all set to tell the pigs what a cunt he is; I was ready to stand in the dock and testify to the fucker’s character. And if this ash falls off my cigarette,” he continued in precisely the same tone, “I will fire that little bitch.”
As though she had heard him, Trudie’s rapid footfalls grew louder and louder until she emerged again into the room, breathing heavily and clutching a heavy glass ashtray.
“Thank you,” said Somé, with a pointed inflection, as she placed it in front of him and scurried back downstairs.
“Why did you think it was Duffield?” asked Strike, once he judged Trudie to be safely out of earshot.
“Who else would Cuckoo have let in at two in the morning?”
“How well do you know him?”
“Well enough, little piss ant that he is.” Somé picked up his mint tea. “Why do women do it? Cuckoo, too…she wasn’t stupid—actually, she was razor-sharp—so what did she see in Evan Duffield? I’ll tell you,” he said, without pausing for an answer. “It’s that wounded-poet crap, that soul-pain shit, that too-much-of-a-tortured-genius-to-wash bollocks. Brush your teeth, you little bastard. You’re not fucking Byron.”
He slammed his glass down and cupped his right elbow in his left hand, steadying his forearm and continuing to draw heavily on the cigarette.
“No man would put up with the likes of Duffield. Only women. Maternal instinct gone warped, if you ask me.”
“You think he had it in him to kill her, do you?”
“Of course I do,” said Somé dismissively. “Of course he has. All of us have got it in us, somewhere, to kill, so why would Duffield be any exception? He’s got the mentality of a vicious twelve-year-old. I can imagine him in one of his rages, having a tantrum and then just—”
With his cigarette-free hand he made a violent shoving movement.
“I saw him shouting at her once. At my after-show party, last year. I got in between them; I told him to have a go at me instead. I might be a little poof,” Somé said, the round-cheeked face set, “but I’d back myself against that drugged-up fuck any day. He was a tit at the funeral, too.”
“Really?”
“Yeah. Lurching around, off his face. No fucking respect. I was full of tranks myself or I’d’ve told him what I thought of him. Pretending to be devastated, hypocritical little shit.”
“You never thought it was suicide?”
Somé’s strange, bulging eyes bored into Strike.
“Never. Duffield says he was at his dealer’s, disguised as a wolf. What kind of fucking alibi is that? I hope you’re checking him out. I hope you’re not dazzled by his fucking celebrity, like the police.”
Strike remembered Wardle’s comments on Duffield.
“I don’t think they found Duffield dazzling.”
“They’ve got more taste than I credited them with, then,” said Somé.
“Why are you so sure it wasn’t suicide? Lula had had mental health problems, hadn’t she?”
“Yeah, but we had a pact, like Marilyn Monroe and Montgomery Clift. We’d sworn that if either of us was thinking seriously of killing themselves, we’d call the other. She would’ve called me.”
“When did you last hear from her?”
“She phoned me on the Wednesday, while I was still in Tokyo,” said Somé. “Silly cow always forgot it was eight hours ahead; I had my phone on mute at two in the morning, so I didn’t pick up; but she left a message, and she was not suicidal. Listen to this.”
He reached into his desk drawer again, pressed several buttons, then held the mobile out to Strike.
And Lula Landry spoke close and real, slightly raw and throaty, in Strike’s ear, in deliberately affected mockney.
“Aw wight, darlin’? Got something to tell you, I’m not sure whether you’re going to like it but it’s a biggie, and I’m so fucking happy I’ve gotta tell someone, so ring me when you can, OK, can’t wait, mwah mwah.”
Strike handed back the phone.
“Did you call her back? Did you find out what the big news was?”
“No.” Somé ground out his cigarette and reached immediately for another one. “The Japs had me in back-to-back meetings; every time I thought of calling her, the time difference was in the way. Anyway…to tell you the truth, I thought I knew what she was going to say, and I wasn’t any too fucking pleased about it. I thought she was pregnant.”
Somé nodded several times with the fresh cigarette clutched between his teeth; then he removed it to say:
“Yeah, I thought she’d gone and got herself knocked up.”
“By Duffield?”
“I hoped to fuck not. I didn’t know at the time that they’d got back together. She wouldn’t have dared hook up with him if I’d been in the country; no, she waited till I was in Japan, the sneaky little bitch. She knew I hated him, and she cared what I thought. We were like family, Cuckoo and me.”
“Why did you think she might be pregnant?”
“It was the way she sounded. You’ve heard it—she was so excited…I had this feeling. It was the kind of thing Cuckoo would’ve done, and she’d have expected me to be as pleased as she was, and fuck her career, fuck me, counting on her to launch my brand-new accessories line…”
“Was this the five-million-pound contract her brother told me about?”
“Yeah, and I’ll bet the Accountant pushed her to hold out for as much as she could get, too,” said Somé, with another flash of temper. “It wasn’t like Cuckoo to try and wring every last penny out of me. She knew it was going to be fabulous, and would take her to a whole new level if she fronted it. It shouldn’t have been all about the money. Everyone associated her with my stuff; her big break came on a shoot for Vogue when she wore my Jagged dress. Cuckoo loved my clothes, she loved me, but people get to a certain level, and everyone’s telling them they’re worth more, and they forget who put them there, and suddenly it’s all about the bottom line.”
“You must’ve thought she was worth it, to commit to a five-million-pound contract?”
“Yeah, well, I’d pretty much designed the range for her, so having to shoot around a fucking pregnancy wouldn’t have been funny. And I could just imagine Cuckoo going silly afterwards, throwing it all in, not wanting to leave the fucking baby. She was the type; always looking for people to love, for a surrogate family. Those Bristows fucked her up good. They only adopted her as a toy for Yvette, who is the scariest bitch in the world.”
“In what way?”
“Possessive. Morbid. Didn’t want to let Cuckoo out of her sight in case she died, like the kid she’d been bought to replace. Lady Bristow used to come to all the shows, getting under everyone’s feet, till she got too ill. And there was an uncle, who treated Cuckoo like scum until she started pulling in big money. He got a bit more respectful then. They all know the value of a buck, the Bristows.”
“They’re a wealthy family, aren’t they?”
“Alec Bristow didn’t leave that much, not relatively speaking. Not compared to proper money. Not like your old man. How come,” said Somé, swerving suddenly off the conversational track, “Jonny Rokeby’s son’s working as a private dick?”
“Because that’s his job,” said Strike. “Go on about the Brist
ows.”
Somé did not appear to resent being bossed around; if anything, he seemed to relish it, possibly because it was such an unusual experience.
“I just remember Cuckoo telling me that most of what Alec Bristow left was in shares in his old company, and Albris has gone down the pan in the recession. It’s hardly fucking Apple. Cuckoo had out-earned the whole fucking lot of them before she was twenty.”
“Was that picture,” said Strike, indicating the enormous “Fallen Angels” image on the wall behind him, “part of the five-million-pound campaign?”
“Yeah,” said Somé. “Those four bags were the start of it. She’s holding ‘Cashile’ there; I gave them all African names, for her. She was fixated on Africa. That whorish real mother she unearthed had told her her father was African, so Cuckoo had gone mad on it; talking about studying there, doing voluntary work…never mind that the old slapper had probably been sleeping with about fifty Yardies. African,” said Guy Somé, grinding out his cigarette stub in the glass ashtray, “my Aunt Fanny. The bitch just told Cuckoo what she wanted to hear.”
“And you decided to go ahead and use the picture for the campaign, even though Lula had just…?”
“It was meant as a fucking tribute.” Somé spoke loudly over him. “She’d never looked more beautiful. It was supposed to be a fucking tribute to her, to us. She was my muse. If the bastards couldn’t understand that, fuck ’em, that’s all. The press in this country are lower than scum. Judging everyone by their fucking selves.”
“The day before she died, some handbags were sent to Lula…”
“Yeah, they were mine. I sent her one of each of those,” said Somé, indicating the picture with the end of a new cigarette, “and I sent Deeby Macc some clothes by the same courier.”
“Had he ordered them, or…?”
“Freebies, dear,” drawled Somé. “Just good business. Couple of customized hoodies and some accessories. Celebrity endorsements never hurt.”
“Did he ever wear the stuff?”
“I don’t know,” said Somé in a more subdued tone. “I had other things to worry about the next day.”
The Cuckoo's Calling Page 26
