Carol grabbed Troy’s hand. She shivered and then regained her composure. ‘There’s something about this that gives me the willies,’ she said. ‘All in all, I would deal better with a caterpillar asking me, “Who are you?” At least in that case I would have some idea what I’m up against.’
Troy turned around and led Carol back over to the partially opened drawers. ‘I ran into this old bearded dude once when I was hitchhiking,’ he began, as he pulled out a basketball that was covered with latitudinal belts and bands in shades of red and orange. He aimlessly tossed the big Jupiter ball over his shoulder, using both hands. Carol watched it, still fascinated as it joined the other two spheres orbiting around an empty focus in the middle of the room.
‘He was driving an old run-down pickup truck and smoking a joint. At first we talked a little. He would ask me questions and I would start to give an answer. But after a sentence or two, he would interrupt me and say, “You don’t know shit, man.” That was his response to everything.’
Troy methodically emptied all six of the drawers while he was telling his story. He threw all the objects he found into the centre of the room. A few of them he watched, casually, as if he were witnessing an everyday occurrence. Each of the new spheres repeated the earlier pattern. A nearly complete working model of the solar system was forming about five feet above the floor.
‘Finally I grew tired of his game and was quiet. We drove along for miles in silence. It was a clear and beautiful night and he kept hanging his head out the window to look at the stars. Once, when he pulled his head back in, he lit another joint, handed it to me, and pointed back out the window at the stars. “They know, man, they know”, he said. Miles later, when he let me out of the truck, he leaned over and I could see the wildness in his eyes. “Remember, man,” he whispered, “you don’t know shit. But they know.”’
As Troy finished the tale, Carol came over beside him and pulled out two handfuls of tiny fragments from the final drawer. They were a little sticky to the touch. She shook them off her hands and they miraculously flew around the room and coalesced into the ring systems of Saturn and Uranus. She looked at Troy in awe.
‘Does that bizarre story have a point?’ Carol asked. ‘I must admit that I am amazed at how nonchalant you are about this whole damn thing. For myself, I’m just about ready to freak out. Completely.’
Troy pointed at the miniature planets floating in the air. ‘What we are seeing has no explanation in terms of our experience. We’ve either died together or transferred to a new dimension or someone is playing mind games with us.’ He smiled at Carol. ‘If you must know, angel, I’m scared absolutely shitless. But like that old stoned hippie, I keep telling myself “They know”. Somehow it gives me comfort.’
They heard a soft sliding sound and a shaft of bright light burst into the room from an opening that was forming between two panels, one brown and one white, just to the right of the exit. Carol recoiled automatically and covered her eyes for an instant. Troy also jumped back at first, but then shaded his eyes with his hands and watched. The panels continued to slide until an opening about two feet wide had developed. The room was beginning to fill with light. Troy saw a great illuminated ball coming slowly through the opening. ‘Here comes the Sun… Doot-un-Doo-Doo, Doo… Here comes the Sun,’ he sang anxiously. ‘And I say… it’s all right….’ He hummed a few more bars of the song as Carol opened her eyes.
‘Jesus,’ she said. The bright orb, the size of a giant beach ball, lifted itself into its proper place in the orrery and flooded the entire room with its radiance. The spinning, orbiting planets shone with reflected light from their sides facing the Sun. Carol stood transfixed, silent tears running down her face. She could not speak or move. She was completely overwhelmed.
Troy was also frightened, but not yet so much that his ability to function was impaired. However, a moment later he saw something in the exit that sent a bolt of terror through his system. His heart surged into overdrive as he blinked and then squinted, making certain his mind was not playing tricks on him as he looked just around the bright light of the model Sun. Instinctively, he turned to protect Carol and shielded her from what he had just seen.
‘Don’t look now,’ he whispered, ‘but we have a visitor.’
‘What?’ said Carol, confused and still stunned.
Troy held her by the arms and they moved together several steps to the right. He looked over his own shoulder and saw the thing again.
‘Over by the exit,’ he said, turning around, unable any longer to hide his panic.
Carol’s eyes indicated that she had found the source of Troy’s terror. She had no idea what it was, but she could see that it was large, clearly threatening, and absolutely different from anything that she had ever seen or imagined. It had also moved into the room. She heard Troy’s frantic, incoherent shouts, but their meaning didn’t register. She looked at the thing again and her mind balked. She opened her mouth to scream. Nothing came out at first. She dropped to her knees on the floor. She heard the sound of screams in her ear, but they seemed far, far away. Her brain was sending a message that said, ‘You’re screaming’, but for some reason it didn’t seem possible. It had to be someone else.
The thing was coming toward her. Its main body was about eight feet tall at that moment, but it was continually changing its shape and size as it undulated across the room. Whatever it was, Troy and Carol could see into it and even through parts of its structure. A transparent external boundary membrane was wrapped around a permanently seething set of mostly clear fluid matter that ebbed and flowed with each movement. The thing moved like an amoeba, matter simply heading in the right direction, but with astonishing speed. Tiny black dots were scattered just behind all its external surfaces, darting in all directions, apparently supervising the continuous reconfigurations that gave it motion. A half dozen chunks of greyish, opaque matter, objects a foot or so square, were also embedded near the centre of the primary body.
But it was not the main body of the thing that was so terrifying. Protruding from its upper portions was a frightening array of a dozen appendages, mostly long and slender in shape, that appeared to be stuck into the main body like sharp objects in a pin cushion. It looked as if the large, clear, amoebalike structure was a versatile transportation system that could carry virtually anything and that the payload, at least for this usage, was this family of constantly active rods, all of which were threatening because their end effectors resembled needles, hands, brushes, teeth, and even swords and guns. In Carol’s mind, she was being attacked by a heavily armoured tank that could change size in an instant and move on invisible treads in any direction.
Troy moved to the side, trying to calm his fear and catch his breath, as he watched the thing zero in on Carol. Its longest attachment, a reddish plastic implement which split into two short tines about a foot away from the primary body, suddenly extended itself outward an additional three feet and stopped just six inches in front of Carol’s eyes. She screamed and pushed it away, forcefully, but it popped straight back into position. Troy plucked the Jupiter ball out of the air and, with all his might, hurled the sphere at the centre of the thing. The shapeless mass fell back on impact and immediately retracted its extended appendages. But in an instant the thing reconfigured itself somehow and adjusted its matter to let the ball pass completely through. Before it hit the floor on the other side, Jupiter rose into the air and came back to take its proper position in the solar system model.
The thing had now stopped advancing toward Carol. It was sitting in the middle of the room, its spindly appendages flailing around in all directions. It seemed to be making a decision. Troy bravely grabbed a rod with an end effector like a brush and tried to pull it away from the main structure. Instantly, core clear material flowed into the joint where that particular rod was attached, strengthening the connection. But Troy’s action definitely caused a change in its pattern. The thing started after him. Ever so carefully, making sure it would follo
w him while watching out for another quick extension of the red implement with the two tines, Troy edged toward the exit. As the thing continued to move toward him, Troy motioned for Carol to get back. Then he broke for the door, tripping slightly over an extended rod on his way out.
It hardly hesitated. With surprising celerity the thing made itself short and squat. A maximum amount of exposed surface was now on the floor and it could move more quickly and efficiently. The deployed group of attachments were placed into some kind of compact travelling configuration and the thing hustled out of the door.
Carol was left alone on her knees on the floor. The solar system model was above her and to the right. For over a minute she didn’t move. She just watched the spinning planets abstractedly and listened for the occasional sound of Troy’s footfalls in the distance. Eventually there was a long period of silence and Carol rose to her feet. She took several small, slow steps, reassuring herself that she was all right, and then walked over to the exit opening between the panels. The exit opened on to a corridor that ran in both directions.
Troy had gone to the right when he had left the room. After remembering her camera and going back to take a few quick photographs of the suspended planets, Carol followed Troy’s path, also taking the corridor to the right. She walked slowly down the black hall, turning around frequently to locate the light coming from the room that she had just left. There was now a close ceiling over her head. The hall next split into two forks; both directions were dark. Carol listened for sounds. Again she thought she heard music, but she couldn’t begin to identify where it was coming from.
This time she chose the left fork in the hallway. Soon it narrowed and seemed to be circling back in the direction from which she had just come. She was just about to turn around and retrace her steps when she distinctly heard two noises, something like a thud followed by a scraping sound, off to the right in front of her. Drawing her breath slowly and struggling to conquer her fear, Carol moved forward in the dark. After about twenty more feet she came upon a low door that opened to the right. She bent down slightly and peered in. In the dusky light she saw unusual shapes and structures in another small room with walls made of the now familiar curved and coloured panels. She walked through the doorway and stood up.
Soft local lights located in a few of the wall panels came on as soon as Carol’s feet contacted the floor in the room. Her arrival also triggered two or three notes from some kind of musical instrument. It sounded like an organ and was apparently way off in the distance in another part of the cathedral area enclosed by the vast arched ceilings that were again above her. She stopped, surprised. She stood still for several seconds. Then, without moving, Carol carefully surveyed her new surroundings.
In this room the wall panels were very bright, alternating between purple and gold, and they were extremely curved. Along with Carol in the room there were three objects of unknown purpose. One looked like a writing table, a second like a long, low bench that was wide at one end and tapered to a point at the other, and the third resembled a very tall telephone pole whose top and bottom were connected by sixteen thin strings stretching out and around a broad ring about one third of the way down the pole.
Carol could walk between the thin strings. The ring, made out of a gold metallic material, was a couple of feet above her head, almost at the level of the top of the wall panels. She grabbed one of the strings and felt it vibrate. It made a muffled, flat sound. She backed away from the string and tried to pluck it. A note sounded, very lyrical, like a heavy harp. Carol realized she was standing inside a musical instrument. But how to play it? She spent a few minutes wandering around the room, trying without success to find the equivalent of a bow. She knew it would be impossible to play the harp if she had to run around and pluck each individual string herself.
She walked over to the writing table. She quickly figured out that it was also a musical instrument. It looked much more promising. There were indentations in the table, sixty-four altogether, set up in eight rows and eight columns. Pressing each key produced a different sound. Although Carol had taken five years of piano lessons as a small child, it was a difficult chore, at first, for her even to play ‘Silent Night’ on the strange writing table. She had to correlate the sounds made by pressing the individual keys with the notes and chords that she remembered from her childhood. While she was teaching herself to play the instrument, she stopped often to listen to the delicate, crystal sound that it made. It reminded her mostly of a xylophone.
Carol stood at the table for several minutes. Eventually she played an entire verse of ‘Silent Night’ without making a single mistake. Carol smiled, pleased with herself, and relaxed momentarily. During this interlude the great organ in the distance (which she had heard briefly when she had entered the room and could now pinpoint as being somewhere in the upper reaches of the cathedral area) suddenly began to play. Carol felt goose-pimples rise on her arms, partially due to the beauty of the music and partially because it reminded her again of what a bizarre world she had entered. What is that organ playing? she thought to herself, it sounds like an overture. She listened for a few seconds. Why… that’s an introduction. To ‘Silent Night’! It’s very creative.
The organ sound was joined by several others, each emanating from somewhere in the ceiling. All the instruments together played a complex version of the ‘Silent Night’ that Carol had so painstakingly pounded out on the writing table a few moments before. The beautiful music swelled throughout the cathedral. Carol looked up and then closed her eyes. She spun her body around and around in a little dance. When she opened her eyes again, each of them confronted what appeared to be a tiny optical instrument no more than an inch away. Carol froze in terror.
The thing had noiselessly come up behind her while she was playing music at the writing table and had waited patiently, while deploying its appendages, until she was ready to turn around. It was about her height now and the closest part of the translucent main body was only an arm’s length away. As Carol stood there motionless, barely daring to breathe, five or six of the thing’s attachments came forward to touch her. A small digging instrument scraped some skin off her bare shoulder. The sword cut off some of her hair. A tiny cord attached to one of the long rods wrapped around her wrist. A set of bristles the size of the head of a toothbrush travelled across her chest, tickling her nipples through her bathing suit and crossing over the camera that was draped around her neck. She was experiencing so many feelings simultaneously that she had lost track of all the stimuli. Carol closed her eyes and tried to concentrate on something else. She felt a needle prick her forehead.
It was over very fast, less than a minute altogether. The thing retracted its appendages, backed up a couple of feet, and stood there, observing her from a distance. Carol waited. After another twenty seconds, the attachments were stowed, as they had been when the thing had gone after Troy, and it left the room.
Carol listened for sounds. It was totally quiet again. She backed up from the writing table and tried to organize her thoughts. After about a minute, the purple and gold wall panels began to move to the side on their own accord. They folded upon themselves and formed small stacks. Then the corridors around the music room collapsed and automatically organized their partitions into neat piles. Carol found herself standing in one huge room under the cathedral ceilings. In the distance her weird antagonist with the flailing appendages passed through a side door about twenty-five yards away and disappeared quickly from view.
She looked around. There was no sign of Troy. The walls were creamy white and nondescript, somewhat boring after the coloured panels in the earlier rooms. There were two doors, opposite each other in the middle of the room. Except for the musical instruments, which now seemed completely out of place clustered together at one end of such a vast room, the only other object she could see was a small piece of carpet against the wall to the left. In front of her against the far wall, about fifty yards away, there was what appeared to be a larg
e window on the ocean. Even from a distance she could see and identify some of the fish swimming by.
At first Carol hurried toward the window. When she was about halfway there and level with the doors, she stopped a few seconds and took a few photographs of the rather bland room. Curiously, the small carpet was not where she remembered it. It had somehow been moved while she was walking. She approached the carpet very slowly. Her weird experiences since she and Troy had been sucked out of the ocean had made Carol understandably wary. As she drew closer, she saw that the flat object lying on the floor was definitely not a carpet. From above she could see an intricate internal design, like a complex network of sophisticated electronic chips. There were strange whorls and geometric patterns on its surface; they had no specific meaning to Carol but they reminded her of the fractal designs Dr. Dale had shown her one night in his apartment. The symmetries of the object were readily apparent. In fact, each of the four quadrants of the carpet was identical.
It was about six feet long, three feet wide, and two inches thick. The dominant colour was slate grey, although there were some significant colour variations. Some of the larger individual components must have been colour-coded according to some master plan. Carol could identify groupings of similar elements in red, yellow, blue, and white within the design. The overall harmony of the colours was striking, suggesting that some effort had been made by the designers to include aesthetic considerations.
Carol bent down on her knees beside the carpet and studied it more intently. Its surface was densely packed. The closer she looked, the more detail she found. Extraordinary, she thought. But what in the world is it? And how did it move? Or could I possibly have imagined it? She put her hand on the exposed top surface. She felt a soft tingle, like a gentle electric shock. She slid one hand under the edge and lifted slightly. It was heavy. She removed her hand.
Cradle Page 28
