by Morris, Jacy
People will need to know, not so much the people that are still alive, but the people of the future. The people still alive already know about The Drop. They're so tired of thinking about it that they don't actually want to know the truth of the situation. They can't help but see The Drop around them. Examining it further is just poking at a poorly stitched together wound with a razorblade. Sooner or later it's going to open up. Sooner or later, it's going to bleed. They don't want to know how the knife that stabbed them in the chest was forged. They don't want to know where the steel came from, how the ivory handle was carved from the tusk of a poached elephant. None of that will help them. But for the people of the future, that's a different story altogether. The Drop was our Black Plague, and just as our knowledge of the spread of the plague prevents it from happening again, this article is vital to preventing another Drop.
I'm in the Big Apple. They call it the Big Rotten Core now. As I walk down Broadway, I'm struck by its similarity to the post-apocalyptic movies I over-consumed as a teenager. The emptiness of the streets, very I Am Legend. The newspaper tumbling through the intersection, unchecked like a tumbleweed through a western town, very The Road. The sad motherfucker leaning up against the wall, smoking a cigarette, and staring at the cracked and crumbling concrete, very Book of Eli.
The street ends at Times Square, once a mega-hub of awesomeness where cowboys played guitar in their underwear and an unceasing cavalcade of electric, sex-themed ads assaulted wayward tourists. It was now just a scene from The Postman. There weren't enough people to provide upkeep for the cities. Those that stayed did so because they had become ghosts themselves, haunted by the losses of The Drop. They stuck around, though no more food was coming, except for that which they grew themselves. Though the children didn't play hopscotch on the streets and the stoplights had been turned off, the ghosts remained, remembering the glory of New York and its eight-and-a-half-million residents.
Glass crunches under my boots as I turn and look inside the Disney Store... all those toys just sitting there, no one left to play with them. I step inside. The cash register was busted open a long time ago, but the toys sit waiting. And I can't help but wonder who will actually benefit from the story that I am going to tell.
The next generation, I suppose, the ones that will grow up without music. The ones that will grow up without the internet, they'll want these dolls. They'll want something to play with.
I exit the Disney Store, sick of looking at clownish, Dory plush dolls. I am in time for the show. The man at the end of the street puts a gun in his mouth and pulls the trigger. Blood sprays the wall behind him. I scream like a maniac, but somehow, no one in Times Square hears me... because I'm the only person left alive in a place that was once called "The Crossroads of the World." And I wonder, was that man just waiting for someone to stumble along? Was he waiting for an audience before he killed himself? Or were his sixty days up?
I shudder and call the police. "Hello?... Yeah, there's been a suicide in Times Square... What do you mean three hours?"
I hang up. I go back inside the Disney store, and I grab myself a Dory plushy, and I hold onto it for dear life as the man's blood and brains run down the wall. This was probably the worst vacation idea I had ever had.
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The Abbey
By Jacy Morris
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THE ABBEY
PROLOGUE
He would make him scream. So far they had all screamed, their unused voices quaking and cracking with pain that was made even worse by the fact that they were breaking their vows to their Lord, their sole reason for existence. Shattering their vows was their last act on earth, and then they were gone. Now there was only one left. A lone monk had taken flight into the abbey's lower regions, a labyrinthine winding of corridors and catacombs lined with the boxed up remains of the dead and their trinkets.
Brenley Denman's boots clanked off of the rough-hewn, blue stone as he trounced through the abbey's crypts, following the whiff of smoke from the monk's torch and the echo of his harried footsteps. His men were spread out through the underworks, funneling the monk ahead of them, driving him the way hounds drove a fox. The monk would lead them to his den, and then the prize would be theirs. And then the world.
He held his torch up high, watching the flames glimmer off of golden urns and silver swords, ancient relics of a nobility that had long since gone extinct, their glory only known by faded etchings in marble sarcophagi, the remaining glint of their once-prized possessions, and the spiders who built their webs in the darkness. Once they were done with the monk, they would take anything that glittered, but first they needed the talisman, the fabled bauble that resided at the bottom of the mountain the abbey was built on.
Throughout the land, legends of the talisman had been told for decades around hearthfires and inns throughout the isles. Then the tellers had begun to vanish, until the talisman of Inchorgrath and its stories had all but been forgotten. But Denman knew. He remembered the stories his father had told him while they sat around the fire of their stone house, built less than ten yards from the cemetery. His father's knuckles were cracked and dried from hours in the elements digging graves and rifling pockets when no one was looking. He knew secrets when he saw them. His father had first heard the story from the old Celts, the remains of the land's indigenous population, reduced to poverty and begging in the streets. His father said the old Celts' stories were two-thirds bullshit and one-third truth. They told of a relic, a key to the Celts' uprising and reclamation of the land, buried in the deepest part of the tallest mountain on the Isles. Of course, they spoke of regeneration and the return of Gods among men as well, but the relic... that was the important part. That was the part that was worth money. And now, he was here, with his men, ready to make his fortune.
He heard shouts, but it was impossible to tell where they were coming from. Sound echoed and bounced off of the blue, quartzite stone blocks, warping reality. He chose the corridor to his right, quickening his pace, his long legs eating up the distance. His men knew not to start without him, but you never knew when a monk would lash out, going against their discipline and training and earning a sword through the throat for their duplicity. That would be unacceptable to Denman. The monk must scream before he died.
His breathing quickened along with his pace, and he could feel the warmth of anticipation spread through his limbs as his breath puffed into the cold crypt air. Miles... they had come miles through these crypts, twisting and turning, burrowing into the secret heart of the earth, chasing the last monk who skittered through the hallways like a spider. The other monks had all known the secret of the abbey, the power it harbored, the relic it hid in its bowels. To a man, they had sat on their knees, their robes collecting condensation in the green grass of the morning, refusing to divulge the abbey's mysteries.
They had died, twisted, mangled and beaten. But still, all he could pull from them were the screams, musical expulsions of the throat that he ended with a smile as he dragged the razor-fine edge of his knife across their throats. Their blood had bubbled out, vivid against the morning sun, to splash on the grass.
When there was only one left, they had let him go. The youngest monk in the abbey, grown to manhood, but still soft about the face, his intelligent eyes filled with horror, stood and ran, his robe stained with the pooled blood of the monks that had died to his left and right. He was like one of the homing pigeons they used in the lowlands, leading them to home... to the relic. They had chased him, hooting and hollering the whole way, their voices and taunts driving the monk before them like a fox. The chase would end at his burrow; it always did.
Ahead, he heard laughing, and with that Denman knew that the chase was at an end. He rounded one last corner to see the monk being worked over by his men, savage pieces of stupidity who were good for two things, lifting heavy objects and killing people. Denman waved his hand and they let
the suffering monk go. The monk sagged to the ground, his head bent over, his eyes leaking tears. He sobbed in silence.
Denman stood in the secret of the crypt, a room at the heart of the mountain, the place where legends hid. How deep had they gone? At first there had been stairs, but then they had reached a deeper part of the crypt where the corridors twisted and turned, the floor pitched ever downward. Time and distance had lost all meaning in the breast of the world. How long had it taken them to carve this place, the monks working in silence to protect their treasure? Hundreds of years? A thousand?
The room was simple and small, as the order's aesthetics demanded, filled by Denman and the nine men that he had brought to take the abbey's secrets. Wait, one was missing. He looked at his men, brutal pieces of humanity, covered in dirt, mud and blood. The boy wasn't there. Denman shrugged. He would find his way down eventually.
The walls of the room were blue-gray, stone blocks stacked one on top of the other without the benefit of mortar, the weight of the mountain providing the only glue that was needed. The only other features of the room were an alcove with two thick, tallow candles in cheap tin holders and an ancient oak table.
The smoke from his men's torches hung in the air, creating a stinging miasma that stung his eyes. Brenley Denman squatted next to the monk and used his weathered hand to raise the monk's head by his chin. He looked into the monk's eyes, and instead of the fear that he expected to see, there was something else.
"What is this? Defiance?" he asked, amused by the monk's bravado. Denman stood and kicked the monk in the mouth with his boot, a shit-covered piece of leather that was harder than his heart; teeth and blood decorated the stones.
"Where is it?" he asked the monk. There was no answer. Denman had expected none. Say what you will about the Lord's terrestrial servants, but they were loyal... which made everything more difficult... more exhilarating. Denman was a man that loved a challenge.
He handed his torch to one of his men, a broken-faced simpleton whose only gifts were strength and the ability to do what he was told. Denman knew that he would need both hands to make the monk sing his secrets.
"Hand me the Tearmaker," he said to another of his men. Radan, built like a rat with stubby arms and powerful legs, reached to his belt and produced a knife, skinny and flexible, designed not so much for murder as it was for removing savory meat from skin and fat. It made excellent work of fish, and it would most likely prove delightfully deft at making a tight-lipped monk break his vows.
As he reached out to take the proffered knife from his man, the monk scrambled to his feet and dove for the alcove. Before they could stop him, the monk grasped both of the candle sticks and yanked on them. The candlesticks rose into the air. Rusted, metal chains were affixed to their bases, and they clanked against the surrounding stone of the alcove as the monk pulled on them.
The distant sound of stones grinding upon stones reverberated throughout the crypt. Somewhere, something was moving. Denman glared at the monk. The robed figure dropped the candlesticks and turned to face them. With his head cast downward, he reached into the folds of his robe and produced a rosary. He folded his hands and began to pray, beads moving through his fingers, his lips moving without making sound.
The crypt shook as an unseen weight clattered through the halls of the crypt. Dust fell from the ceiling, hanging in the air, buoyed upwards by the tumbling smoke of their torches.
"What have you done?" Denman asked.
The monk did not respond. Instead, he reached into the hanging sleeve of one of his robes and produced a small stone thimble, roughly-made and ancient. It was shiny and black, the type of black that seemed to steal the light from the room. The monk put it up to his mouth, hesitated for a second and then swallowed it, grimacing in pain as the object slid down his throat.
In the hallway behind them, the grinding had stopped. The crypt was silent, but for the guttering of the torches and their own breathing. "Go see what happened," he said to the oaf and the rat. The other men followed them, leaving Denman alone with the monk and his unceasing, silent supplications to the Lord above.
Denman forced the monk onto the oak table. He offered little resistance. With Tearmaker in his hand, Denman began to carve the skin lovingly off of the monk's fingers. First, he carved a circle around the man's fingers, then a line. With the edge of his knife, he prodded a corner of the skin up, and then, grasping tightly, he ripped the skin away from the muscle and bone, dropping the wet flesh onto the ground. He did this to each finger, one by one. Sweat stood out on Denman's brow, and the monk had yet to scream. He hadn't so much as gasped or hissed in pain. He was turning out to be more work than he was worth. Except for the blood pulsing from his skinned fingers, he appeared to be asleep, his eyes softly closed.
"Where is it, you bastard?" There was no response but for the bleeding.
Denman pulled the monk's robe up around his waist. It was a quick jump, but he was eager to be done with the man on the table. Usually, he would take his time with a challenge like the monk, savoring the sensation of skin ripping from muscle and bone, but he could feel the weight of the mountain about him, its walls shrinking with every minute. Sweat covered his body, and the monk's calm demeanor was unnerving.
Radan rounded the corner at a run, his body dripping with sweat and panic on his face. He skidded to a stop, his boots grinding dust into the blue stones. "We're sealed in here," he said.
Denman looked at the monk lying on the table. His hand gripped Tearmaker tight. "What have you done?" The monk lay there, his eyes closed, a look of peace on his face. "What have you done!" he screamed, jabbing the knife into the monk's ribs. Then Denman saw the monk's hands. Where before his index and pointer finger had been reduced to skinless chunks of muscle and bone dripping blood on the table, there was now skin. "Impossible," Denman whispered.
The monk's eyes snapped open, and finally, Denman got the scream that he had been waiting for.
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THE PIED
PIPER
OF HAMELIN
By Jacy Morris
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The Pied Piper of Hamelin
Prologue: The River Weser
The boat captain sailed down the river, the wind ruffling his long, salt-and-pepper locks. It was a fine day. His ship was laden with goods, and he was relishing the prospect of turning a nice profit for himself and his crew. He should have been happy, ecstatic, singing shanties that would turn a barmaid's face red, but he wasn't.
The captain sniffed inward, pulling a grimy film of mucus into the back of his throat. He hacked up a thick glob and deposited it into the Weser River. He could taste the blood in it. His men were no better. Though they were ill, they still did their jobs. After all, a boatswain who couldn't earn his keep wouldn't receive his full share. On top of that, as an example to his men, the captain continued to work, stalking the decks and shouting out orders, though all he wanted to do was go down below and curl up in his cabin. He felt as if his head was trying to split in half, and he had an uncomfortable swelling in his groin that sent sharp pains through his entire body every time he moved.
Out of the corner of his eye, he spied furtive movement. Goddamn rats, he thought to himself. He would have to see if he could find some sort of boat cat in the next town. He consulted his charts, hand-drawn, passed down from captain to captain, and saw that the next village would be Hamelin.
It was an uppity berg; the mayor was trying to turn it into Rome from what the goodfolk at the pier told him. They had no need of Rome in this part of the world. What they needed was good strong ale, women with weak morals, and more good strong ale. Or maybe that's just what he needed.
A chilly breeze washed over the river, and the captain pulled his jacket tighter, gritting his teeth at the sharp pain the movement caused him. Underneath his arms, there were more swellings, unnatural lumps that seemed as if they were nothing but bundles o
f nerves. Pulling the jacket tighter had been like jabbing a flame-heated knife, point first, into each of his armpits.
Without warning, he began to cough like he had never coughed before. Black spots swam in front of his eyes, and for a brief moment, he thought, This is it. This is how I die. But then the coughing passed, and he was able to grab a raspy breath of air. The muscles in his back felt worse for wear, and he spat a wad of red-flecked phlegm into the river.
The breeze kicked up again, but this time, he didn't bother to readjust his jacket. Instead, he let the wind wash over him, evaporating the fever sweat from his brow.
"Captain," his first mate said, "Old Gert is dead."
It took a while for the words to sink into his fever-addled mind, but when they did, he did the only thing he could do. "Pitch him over the side, lad. It's a water-burial for him."
Normally, they would keep the body in the cold hull of the ship so that his family could bury him proper, but with all of the rats on board, it would be more dignified to give him to the river than to let those furry bastards make a meal out of him.
The first mate scuttled off to do his bidding without question. That was good. It meant that the crew didn't think he was responsible for the plague that had descended upon them. Sailors were a superstitious lot, but the captain had never held stock with the ridiculous notions of superstition. But that didn't mean that his crew wouldn't turn on him if more started to die.
