I looked in at McKern, who had thrown down the coat and taken off his drawers. The parboiled face, the short nose pointed sharply, the life signs in the throat, the broken look of his neck, the black hair of his belly, the short cylinder between his legs ending in a spiral of loose skin, the white shine of the shins, the tragic expression of his feet. There was a stack of pennies on his bedside table. I helped myself to carfare but had no pocket for the coins. I opened the hall closet feeling quickly for a coat I might borrow, a pair of slacks. Whatever I took, Philip could return to the Greek barman tomorrow. I pulled a trench coat from a hanger, and a pair of trousers. For the third time I put on stranger's clothing—this is no time to mention stripes or checks or make exquisite notations. Escaping, desperate, I struggled into the pants on the landing, tucking in the dress, and pulled on the coat as I jumped down the stairs, knotting tight the belt and sticking the pennies, a fistful of them, into my pocket.
But still I went back to the alley under the woman's window to see if her light was on, and also to look for pages. The thief or pimp perhaps had chucked them away, or maybe they had dropped out when he snatched the sheepskin. Her window was dark. I found nothing on the ground. You may think this obsessive crankiness, a crazy dependency on words, on printed matter. But remember, there were no redeemers in the streets, no guides, no confessors, comforters, enlighteners, communicants to turn to. You had to take teaching wherever you could find it. Under the library dome downtown, in mosaic letters, there was a message from Milton, so moving but perhaps of no utility, perhaps aggravating difficulties:
A GOOD BOOK, it said, IS THE PRECIOUS LIFE'S BLOOD OF A MASTER SPIRIT.
These are the plain facts, they have to be uttered. This, remember, is the New World, and here one of its mysterious cities. I should have hurried directly, to catch a car. Instead I was in a back alley hunting pages that would in any case have blown away.
I went back to Broadway—it was very broad—and waited on a safety island. Then the car came clanging, red, swaying on its tracks, a piece of Iron Age technology, double cane seats framed in brass. Bush hour was long past. I sat by a window, homebound, with flashes of thought like tracer bullets slanting into distant darkness. Like London in wartime. At home, what story would I tell? I wouldn't tell any. I never did. It was assumed anyway that I was lying. While I believed in honor, I did often lie. Is a life without lying conceivable? It was easier to lie than to explain myself. My father had one set of assumptions, I had another. Corresponding premises were not to be found.
I owed five dollars to Behrens. But I knew where my mother secretly hid her savings. Because I looked into all books, I had found the money in her Mahzor, the prayer book for the High Holidays, the days of awe. As yet I hadn't taken anything. She had hoped until this final illness to buy passage to Europe to see her mother and her sister. When she died I would turn the money over to my father, except for ten dollars, five for the florist and the rest for Von Hugel's Eternal Life and The World as Will and Idea.
The after-dinner guests and cousins would be gone when I reached home. My father would be on the lookout for me. It was the rear porch door that was locked after dark. The kitchen door was generally off the latch. I could climb over the wooden partition between the stairs and the porch. I often did that. Once you got your foot on the doorknob you could pull yourself over the partition and drop to the porch without noise. Then I could see into the kitchen and slip in as soon as my patrolling father had left it. The bedroom shared by all three brothers was just off the kitchen. I could borrow my brother Len's cast-off winter coat tomorrow. I knew which closet it hung in. If my father should catch me I could expect hard blows on my shoulders, on the top of my head, on my face. But if my mother had, tonight, just died, he wouldn't hit me.
This was when the measured, reassuring, sleep-inducing turntable of days became a whirlpool, a vortex darkening toward the bottom. I had had only the anonymous pages in the pocket of my lost sheepskin to interpret it to me. They told me that the truth of the universe was inscribed into our very bones. That the human skeleton was itself a hieroglyph. That everything we had ever known on earth was shown to us in the first days after death. That our experience of the world was desired by the cosmos, and needed by it for its own renewal.
I do not think that these pages, if I hadn't lost them, would have persuaded me forever or made the life I led a different one.
I am writing this account, or statement, in response to an eccentric urge swelling toward me from the earth itself.
Failed my mother! That may mean, will mean, little or nothing to you, my only child, reading this document.
I myself know the power of nonpathos, in these low, devious days.
On the streetcar, heading home, I braced myself, but all my preparations caved in like sand diggings. I got down at the North Avenue stop, avoiding my reflection in the shop-windows. After a death, mirrors were immediately covered. I can't say what this pious superstition means. Will the soul of your dead be reflected in a looking glass, or is this custom a check to the vanity of the living?
I ran home, approached by the back alley, made no noise on the wooden backstairs, reached for the top of the partition, placed my foot on the white porcelain doorknob, went over the top without noise, and dropped down on our porch. I didn't follow the plan I had laid for avoiding my father. There were people sitting at the kitchen table. I went straight in. My father rose from his chair and hurried toward me. His fist was ready. I took off my tam or woolen beret and when he hit me on the head the blow filled me with gratitude. If my mother had already died, he would have embraced me instead.
Well, they're all gone now, and I have made my preparations. I haven't left a large estate, and this is why I have written this memoir, a sort of addition to your legacy.
JOHN CHEEVER (1912-1981)
John Cheever is our fantasist of the close-at-hand; our "realist" touched with his own, and inimitable, species of magic. In such frequently anthologized stories of his as "The Enormous Radio" and "The Swimmer," fantasy elements seep into seemingly normal and ordinary lives, with dramatic effects; yet the fantasizing imagination, the distinctive Cheever tone, is everywhere present in his fiction, like a moon shining just a little too brightly for comfort. Such illuminations are most effective in short works, and Cheever was arguably always a writer of short stories, to whom the form of the novel remained elusive, or willed.
Born in Quincy, Massachusetts, John Cheever was educated at the nearby Thayer Academy. He took for his subject a white, middle-and upper-middle-class suburban world, viewed both sympathetically and cynically. His major titles are the story collections The Way Some People Live (1943), The Enormous Radio (1953), The Housebreaker of Shady Hill (1958), The World of Apples (1973), and The Stories of John Cheever (1978); and the novels The Wapshot Chronicle (1957), The Wapshot Scandal (1964), Bullet Park (1969), and Falconer (1977).
Though rarely anthologized, "The Death of Justina" was a favorite story of John Cheever s to present at readings, because he could end by a recitation of the Twenty-third Psalm. And how dramatic, how apt, that ending, to this quintessentially Cheever-esque tale.
The Death of Justina
SO help me God, it gets more and more preposterous, it corresponds less and less to what I remember and what I expect, as if the force of life were centrifugal and threw one further and further away from one's purest memories and ambitions, and I can barely recall the old house where I was raised, where in midwinter Parma violets bloomed in a cold frame near the kitchen door and down the long corridor, past the seven views of Rome—up two steps and down three—one entered the library where all the books were in order, the lamps were bright, where there was a fire and a dozen bottles of good bourbon, locked in a cabinet with a veneer of tortoise shell whose silver key my father wore on his watch chain. Just let me give you one example and if you disbelieve me look honestly into your own past and see if you can't find a comparable experience. On Saturday the doctor told me to s
top smoking and drinking and I did. I won't go into the commonplace symptoms of withdrawal, but I would like to point out that, standing at my window in the evening, watching the brilliant afterlight and the spread of darkness, I felt, through the lack of these humble stimulants, the force of some primitive memory in which the coming of night with its stars and its moon was apocalyptic. I thought suddenly of the neglected graves of my three brothers on the mountainside and that death is a loneliness much crueler than any loneliness hinted at in life. The soul (I thought) does not leave the body, but lingers with it through every degrading stage of decomposition and neglect, through heat, through cold, through the long winter nights when no one comes with a wreath or a plant and no one says a prayer. This unpleasant premonition was followed by anxiety. We were going out for dinner and I thought that the oil burner would explode in our absence and burn the house. The cook would get drunk and attack my daughter with a carving knife, or my wife and I would be killed in a collision on the main highway, leaving our children bewildered orphans with nothing in life to look forward to but sadness. I was able to observe, along with these foolish and terrifying anxieties, a definite impairment to my discretionary poles. I felt as if I were being lowered by ropes into the atmosphere of my childhood. I told my wife—when she passed through the living room—that I had stopped smoking and drinking but she didn't seem to care and who would reward me for my privations? Who cared about the bitter taste in my mouth and that my head seemed to be leaving my shoulders? It seemed to me that men had honored one another with medals, statuary and cups for much less and that abstinence is a social matter. When I abstain from sin it is more often a fear of scandal than a private resolve to improve on the purity of my heart, but here was a call for abstinence without the worldly enforcement of society, and death is not the threat that scandal is. When it was time for us to go out I was so light-headed that I had to ask my wife to drive the car. On Sunday I sneaked seven cigarettes in various hiding places and drank two Martinis in the downstairs coat closet. At breakfast on Monday my English muffin stared up at me from the plate. I mean I saw a face there in the rough, toasted surface. The moment of recognition was fleeting, but it was deep, and I wondered who it had been. Was it a friend, an aunt, a sailor, a ski instructor, a bartender or a conductor on a train? The smile faded off the muffin, but it had been there for a second—the sense of a person, a life, a pure force of gentleness and censure, and I am convinced that the muffin had contained the presence of some spirit. As you can see, I was nervous.
On Monday my wife's old cousin, Justina, came to visit her. Justina was a lively guest, although she must have been crowding eighty. On Tuesday my wife gave her a lunch party. The last guest left at three and a few minutes later, Cousin Justina, sitting on the living-room sofa with a glass of brandy, breathed her last. My wife called me at the office and I said that I would be right out. I was clearing my desk when my boss, MacPherson, came in.
"Spare me a minute," he asked. "I've been bird-dogging all over the place, trying to track you down. Pierson had to leave early and I want you to write the last Elixircol commercial."
"Oh, I can't, Mac," I said. "My wife just called. Cousin Justina is dead."
"You write that commercial," he said. His smile was satanic. "Pierson had to leave early because his grandmother fell off a step-ladder. "
Now I don't like fictional accounts of office life. It seems to me that if you're going to write fiction you should write about mountain-climbing and tempests at sea and I will go over my predicament with MacPherson briefly, aggravated as it was by his refusal to respect and honor the death of dear old Justina. It was like MacPherson. It was a good example of the way I've been treated. He is, I might say, a tall, splendidly groomed man of about sixty who changes his shirt three times a day, romances his secretary every afternoon between two and two-thirty and makes the habit of continuously chewing gum seem hygienic and elegant. I write his speeches for him and it has not been a happy arrangement for me. If the speeches are successful, MacPherson takes all the credit. I can see that his presence, his tailor and his fine voice are all a part of the performance, but it makes me angry never to be given credit for what was said. On the other hand, if the speeches are unsuccessful—if his presence and his voice can't carry the hour— his threatening and sarcastic manner is surgical and I am obliged to contain myself in the role of a man who can do no good in spite of the piles of congratulatory mail that my eloquence sometimes brings in. I must pretend, I must, like an actor, study and improve on my pretension, to have nothing to do with his triumphs and I must bow my head gracefully in shame when we have both failed. I am forced to appear grateful for injuries, to lie, to smile falsely and to play out a role as asinine and as unrelated to the facts as a minor prince in an operetta, but if I speak the truth it will be my wife and my children who will pay in hardships for my outspokenness. Now he refused to respect or even to admit the solemn fact of a death in our family and if I couldn't rebel it seemed as if I could at least hint at it.
The commercial he wanted me to write was for a tonic called Elixircol and was to be spoken on television by an actress who was neither young nor beautiful, but who had an appearance of ready abandon and who was anyhow the mistress of one of the sponsor's uncles. Are you growing old? I wrote. Are you falling out of love with your image in the looking glass? Does your face in the morning seem racked and seamed with alcoholic and sexual excesses and does the rest of you appear to be a greyish-pink lump, covered all over with brindle hair? Walking in the autumn woods, do you feel that subtle distance has come between you and the smell of wood smoke? Have you drafted your obituary? Are you easily winded? Do you wear a girdle? Is your sense of smell fading, is your interest in gardening waning, is your fear of height increasing and are your sexual drives as ravening and intense as ever and does your wife look more and more to you like a stranger with sunken cheeks who has wandered into your bedroom by mistake? If this or any of this is true you need Elixircol, the true juice of youth. The small economy size (business with the bottle) costs seventy-five dollars and the giant family bottle comes at two hundred and fifty. It's a lot of scratch, God knows, but these are inflationary times and who can put a price on youth? If you don't have the cash, borrow it from your neighborhood loan shark or hold up the local bank. The odds are three to one that with a ten-cent water pistol and a slip of paper you can shake ten thousand out of any fainthearted teller. Everybody's doing it. (Music up and out.)
I sent this into MacPherson via Ralphie, the messenger boy, and took the 4:16 home, traveling through a landscape of utter desolation.
Now my journey is a digression and has no real connection to Justina's death, but what followed could only have happened in my country and in my time and since I was an American traveling across an American landscape, the trip may be part of the sum. There are some Americans who, although their fathers emigrated from the old world three centuries ago, never seem to have quite completed the voyage, and I am one of these. I stand, figuratively, with one wet foot on Plymouth Rock, looking with some delicacy, not into a formidable and challenging wilderness but onto a half-finished civilization embracing glass towers, oil derricks, suburban continents and abandoned movie houses and wondering why, in this most prosperous, equitable and accomplished world—where even the cleaning women practice the Chopin preludes in their spare time—everyone should seem to be so disappointed?
At Proxmire Manor I was the only passenger to get off the random, meandering and profitless local that carried its shabby lights off into the dusk like some game-legged watchman or beadle, making his appointed rounds. I went around to the front of the station to wait for my wife and to enjoy the traveler's fine sense of crises. Above me on the hill was my home and the homes of my friends, all lighted and smelling of fragrant wood smoke like the temples in a sacred grove, dedicated to monogamy, feckless childhood and domestic bliss, but so like a dream that I felt the lack of viscera with much more than poignance—the absence of that inn
er dynamism we respond to in some European landscapes. In short, I was disappointed. It was my country, my beloved country and there have been mornings when I could have kissed the earth that covers its many provinces and states. There was a hint of bliss—romantic and domestic bliss. I seemed to hear the jingle bells of the sleigh that would carry me to grandmother's house, although in fact grandmother spent the last years of her life working as a hostess on an ocean liner and was lost in the tragic sinking of the S.S. Lorelei and I was responding to a memory that I had not experienced. But the hill of light rose like an answer to some primitive dream of home-coming. On one of the highest lawns I saw the remains of a snow man who still smoked a pipe and wore a scarf and cap, but whose form was wasting away and whose anthracite eyes stared out at the view with terrifying bitterness. I sensed some disappointing greenness of spirit in the scene, although I knew in my bones, no less, how like yesterday it was that my father left the old world to found a new; and I thought of the forces that had brought stamina to the image: the cruel towns of Calabria with their cruel princes, the badlands northwest of Dublin, ghettos, despots, whorehouses, bread lines, the graves of children. Intolerable hunger, corruption, persecution and despair had generated these faint and mellow lights and wasn't it all a part of the great migration that is the life of man?
My wife's cheeks were wet with tears when I kissed her. She was distressed, of course, and really quite sad. She had been attached to Justina. She drove me home where Justina was still sitting on the sofa. I would like to spare you the unpleasant details, but I will say that both her mouth and her eyes were wide open. I went into the pantry to telephone Dr. Hunter. His line was busy. I poured myself a drink—the first since Sunday—and lighted a cigarette. When I called the doctor again he answered and I told him what had happened. "Well, I'm awfully sorry to hear about it, Moses," he said. "I can't get over until after six and there isn't much that I can do. This sort of thing has come up before and I'll tell you all I know. You see you live in a B zone—two-acre lots, no commercial enterprises, and so forth. A couple of years ago some stranger bought the old Plewett mansion and it turned out that he was planning to operate it as a funeral home. We didn't have any zoning provision at the time that would protect us and one was rushed through the village council at midnight and they overdid it. It seems that you not only can't have a funeral home in zone B—you can't bury anything there and you can't die there. Of course it's absurd, but we all make mistakes, don't we?
The Oxford Book of American Short Stories Page 63
