The Armenian invited me to have tea. Sitting down to the table, I glanced at the girl, who was handing me a glass of tea, and felt all at once as though a wind were blowing over my soul and blowing away all the impressions of the day with their dust and dreariness. I saw the bewitching features of the most beautiful face I have ever met in real life or in my dreams. Before me stood a beauty, and I recognized that at the first glance as I should have recognized lightning.
I am ready to swear that Masha—or, as her father called her, Mashya—was a real beauty, but I don’t know how to prove it. It sometimes happens that clouds are huddled together in disorder on the horizon, and the sun hiding behind them colors them and the sky with tints of every possible shade—crimson, orange, gold, lilac, muddy pink; one cloud is like a monk, another like a fish, a third like a Turk in a turban. The glow of sunset enveloping a third of the sky gleams on the cross on the church, flashes on the windows of the manor house, is reflected in the river and the puddles, quivers on the trees; far, far away against the background of the sunset, a flock of wild ducks is flying homewards.... And the boy herding the cows, and the surveyor driving in his chaise over the dam, and the gentleman out for a walk, all gaze at the sunset, and every one of them thinks it terribly beautiful, but no one knows or can say in what its beauty lies.
I was not the only one to think the Armenian girl beautiful. My grandfather, an old man of seventy, gruff and indifferent to women and the beauties of nature, looked caressingly at Masha for a full minute, and asked:
“Is that your daughter, Avert Nazaritch?”
“Yes, she is my daughter,” answered the Armenian.
“A fine young lady,” said my grandfather approvingly.
An artist would have called the Armenian girl’s beauty classical and severe, it was just that beauty, the contemplation of which—God knows why!—inspires in one the conviction that one is seeing correct features; that hair, eyes, nose, mouth, neck, bosom, and every movement of the young body all go together in one complete harmonious accord in which nature has not blundered over the smallest line. You fancy for some reason that the ideally beautiful woman must have such a nose as Masha’s, straight and slightly aquiline, just such great dark eyes, such long lashes, such a languid glance; you fancy that her black curly hair and eyebrows go with the soft white tint of her brow and cheeks as the green reeds go with the quiet stream. Masha’s white neck and her youthful bosom were not fully developed, but you fancy the sculptor would need a great creative genius to mold them. You gaze, and little by little the desire comes over you to say to Masha something extraordinarily pleasant, sincere, beautiful, as beautiful as she herself was.
At first I felt hurt and abashed that Masha took no notice of me, but was all the time looking down; it seemed to me as though a peculiar atmosphere, proud and happy, separated her from me and jealously screened her from my eyes.
“That’s because I am covered with dust,” I thought, “am sunburnt, and am still a boy.”
But little by little I forgot myself, and gave myself up entirely to the consciousness of beauty. I thought no more now of the dreary steppe, of the dust, no longer heard the buzzing of the flies, no longer tasted the tea, and felt nothing except that a beautiful girl was standing only the other side of the table.
I felt this beauty rather strangely. It was not desire, nor ecstacy, nor enjoyment that Masha excited in me, but a painful though pleasant sadness. It was a sadness vague and undefined as a dream. For some reason I felt sorry for myself, for my grandfather and for the Armenian, even for the girl herself, and I had a feeling as though we all four had lost something important and essential to life which we should never find again. My grandfather, too, grew melancholy; he talked no more about manure or about oats, but sat silent, looking pensively at Masha.
After tea my grandfather lay down for a nap while I went out of the house into the porch. The house, like all the houses in the Armenian village stood in the full sun; there was not a tree, not an awning, no shade. The Armenian’s great courtyard, overgrown with goosefoot and wild mallows, was lively and full of gaiety in spite of the great heat. Threshing was going on behind one of the low hurdles which intersected the big yard here and there. Round a post stuck into the middle of the threshing-floor ran a dozen horses harnessed side by side, so that they formed one long radius. A Little Russian in a long waistcoat and full trousers was walking beside them, cracking a whip and shouting in a tone that sounded as though he were jeering at the horses and showing off his power over them.
“A—a—a, you damned brutes!... A—a—a, plague take you! Are you frightened?”
The horses, sorrel, white, and piebald, not understanding why they were made to run round in one place and to crush the wheat straw, ran unwillingly as though with effort, swinging their tails with an offended air. The wind raised up perfect clouds of golden chaff from under their hoofs and carried it away far beyond the hurdle. Near the tall fresh stacks peasant women were swarming with rakes, and carts were moving, and beyond the stacks in another yard another dozen similar horses were running round a post, and a similar Little Russian was cracking his whip and jeering at the horses.
The steps on which I was sitting were hot; on the thin rails and here and there on the window-frames sap was oozing out of the wood from the heat; red ladybirds were huddling together in the streaks of shadow under the steps and under the shutters. The sun was baking me on my head, on my chest, and on my back, but I did not notice it, and was conscious only of the thud of bare feet on the uneven floor in the passage and in the rooms behind me. After clearing away the tea-things, Masha ran down the steps, fluttering the air as she passed, and like a bird flew into a little grimy outhouse—I suppose the kitchen—from which came the smell of roast mutton and the sound of angry talk in Armenian. She vanished into the dark doorway, and in her place there appeared on the threshold an old bent, red-faced Armenian woman wearing green trousers. The old woman was angry and was scolding someone. Soon afterwards Masha appeared in the doorway, flushed with the heat of the kitchen and carrying a big black loaf on her shoulder; swaying gracefully under the weight of the bread, she ran across the yard to the threshing-floor, darted over the hurdle, and, wrapt in a cloud of golden chaff, vanished behind the carts. The Little Russian who was driving the horses lowered his whip, sank into silence, and gazed for a minute in the direction of the carts. Then when the Armenian girl darted again by the horses and leaped over the hurdle, he followed her with his eyes, and shouted to the horses in a tone as though he were greatly disappointed:
“Plague take you, unclean devils!”
And all the while I was unceasingly hearing her bare feet, and seeing how she walked across the yard with a grave, preoccupied face. She ran now down the steps, swishing the air about me, now into the kitchen, now to the threshing-floor, now through the gate, and I could hardly turn my head quickly enough to watch her.
And the oftener she fluttered by me with her beauty, the more acute became my sadness. I felt sorry both for her and for myself and for the Little Russian, who mournfully watched her every time she ran through the cloud of chaff to the carts. Whether it was envy of her beauty, or that I was regretting that the girl was not mine, and never would be, or that I was a stranger to her; or whether I vaguely felt that her rare beauty was accidental, unnecessary, and, like everything on earth, of short duration; or whether, perhaps, my sadness was that peculiar feeling which is excited in man by the contemplation of real beauty, God only knows.
The three hours of waiting passed unnoticed. It seemed to me that I had not had time to look properly at Masha when Karpo drove up to the river, bathed the horse, and began to put it in the shafts. The wet horse snorted with pleasure and kicked his hoofs against the shafts. Karpo shouted to it: “Ba—ack!” My grandfather woke up. Masha opened the creaking gates for us, we got into the chaise and drove out of the yard. We drove in silence as though we were angry with one another.
When, two or three hours later, Ros
tov and Nahitchevan appeared in the distance, Karpo, who had been silent the whole time, looked round quickly, and said:
“A fine wench, that at the Armenian’s.”
And he lashed his horses.
II
Another time, after I had become a student, I was traveling by rail to the south. It was May. At one of the stations, I believe it was between Byelgorod and Harkov, I got out of the tram to walk about the platform.
The shades of evening were already lying on the station garden, on the platform, and on the fields; the station screened off the sunset, but on the topmost clouds of smoke from the engine, which were tinged with rosy light, one could see the sun had not yet quite vanished.
As I walked up and down the platform I noticed that the greater number of the passengers were standing or walking near a second-class compartment, and that they looked as though some celebrated person were in that compartment. Among the curious whom I met near this compartment I saw, however, an artillery officer who had been my fellow-traveler, an intelligent, cordial, and sympathetic fellow—as people mostly are whom we meet on our travels by chance and with whom we are not long acquainted.
“What are you looking at there?” I asked.
He made no answer, but only indicated with his eyes a feminine figure. It was a young girl of seventeen or eighteen, wearing a Russian dress, with her head bare and a little shawl flung carelessly on one shoulder; not a passenger, but I suppose a sister or daughter of the station-master. She was standing near the carriage window, talking to an elderly woman who was in the train. Before I had time to realize what I was seeing, I was suddenly overwhelmed by the feeling I had once experienced in the Armenian village.
The girl was remarkably beautiful, and that was unmistakable to me and to those who were looking at her as I was.
If one is to describe her appearance feature by feature, as the practice is, the only really lovely thing was her thick wavy fair hair, which hung loose with a black ribbon tied round her head; all the other features were either irregular or very ordinary. Either from a peculiar form of coquettishness, or from short-sightedness, her eyes were screwed up, her nose had an undecided tilt, her mouth was small, her profile was feebly and insipidly drawn, her shoulders were narrow and undeveloped for her age—and yet the girl made the impression of being really beautiful, and looking at her, I was able to feel convinced that the Russian face does not need strict regularity in order to be lovely; what is more, that if instead of her turn-up nose the girl had been given a different one, correct and plastically irreproachable like the Armenian girl’s, I fancy her face would have lost all its charm from the change.
Standing at the window talking, the girl, shrugging at the evening damp, continually looking round at us, at one moment put her arms akimbo, at the next raised her hands to her head to straighten her hair, talked, laughed, while her face at one moment wore an expression of wonder, the next of horror, and I don’t remember a moment when her face and body were at rest. The whole secret and magic of her beauty lay just in these tiny, infinitely elegant movements, in her smile, in the play of her face, in her rapid glances at us, in the combination of the subtle grace of her movements with her youth, her freshness, the purity of her soul that sounded in her laugh and voice, and with the weakness we love so much in children, in birds, in fawns, and in young trees.
It was that butterfly’s beauty so in keeping with waltzing, darting about the garden, laughter and gaiety, and incongruous with serious thought, grief, and repose; and it seemed as though a gust of wind blowing over the platform, or a fall of rain, would be enough to wither the fragile body and scatter the capricious beauty like the pollen of a flower.
“So—o!...” the officer muttered with a sigh when, after the second bell, we went back to our compartment.
And what that “So—o” meant I will not undertake to decide.
Perhaps he was sad, and did not want to go away from the beauty and the spring evening into the stuffy train; or perhaps he, like me, was unaccountably sorry for the beauty, for himself, and for me, and for all the passengers, who were listlessly and reluctantly sauntering back to their compartments. As we passed the station window, at which a pale, red-haired telegraphist with upstanding curls and a faded, broad-cheeked face was sitting beside his apparatus, the officer heaved a sigh and said:
“I bet that telegraphist is in love with that pretty girl. To live out in the wilds under one roof with that ethereal creature and not fall in love is beyond the power of man. And what a calamity, my friend! what an ironical fate, to be stooping, unkempt, gray, a decent fellow and not a fool, and to be in love with that pretty, stupid little girl who would never take a scrap of notice of you! Or worse still: imagine that telegraphist is in love, and at the same time married, and that his wife is as stooping, as unkempt, and as decent a person as himself.”
On the platform between our carriage and the next the guard was standing with his elbows on the railing, looking in the direction of the beautiful girl, and his battered, wrinkled, unpleasantly beefy face, exhausted by sleepless nights and the jolting of the train, wore a look of tenderness and of the deepest sadness, as though in that girl he saw happiness, his own youth, soberness, purity, wife, children; as though he were repenting and feeling in his whole being that that girl was not his, and that for him, with his premature old age, his uncouthness, and his beefy face, the ordinary happiness of a man and a passenger was as far away as heaven....
The third bell rang, the whistles sounded, and the train slowly moved off. First the guard, the station-master, then the garden, the beautiful girl with her exquisitely sly smile, passed before our windows....
Putting my head out and looking back, I saw how, looking after the train, she walked along the platform by the window where the telegraph clerk was sitting, smoothed her hair, and ran into the garden. The station no longer screened off the sunset, the plain lay open before us, but the sun had already set and the smoke lay in black clouds over the green, velvety young corn. It was melancholy in the spring air, and in the darkening sky, and in the railway carriage.
The familiar figure of the guard came into the carriage, and he began lighting the candles.
The Shoemaker And The Devil
I
t was Christmas Eve. Marya had long been snoring on the stove; all the paraffin in the little lamp had burnt out, but Fyodor Nilov still sat at work. He would long ago have flung aside his work and gone out into the street, but a customer from Kolokolny Lane, who had a fortnight before ordered some boots, had been in the previous day, had abused him roundly, and had ordered him to finish the boots at once before the morning service.
“It’s a convict’s life!” Fyodor grumbled as he worked. “Some people have been asleep long ago, others are enjoying themselves, while you sit here like some Cain and sew for the devil knows whom....”
To save himself from accidentally falling asleep, he kept taking a bottle from under the table and drinking out of it, and after every pull at it he twisted his head and said aloud:
“What is the reason, kindly tell me, that customers enjoy themselves while I am forced to sit and work for them? Because they have money and I am a beggar?”
He hated all his customers, especially the one who lived in Kolokolny Lane. He was a gentleman of gloomy appearance, with long hair, a yellow face, blue spectacles, and a husky voice. He had a German name which one could not pronounce. It was impossible to tell what was his calling and what he did. When, a fortnight before, Fyodor had gone to take his measure, he, the customer, was sitting on the floor pounding something in a mortar. Before Fyodor had time to say good-morning the contents of the mortar suddenly flared up and burned with a bright red flame; there was a stink of sulphur and burnt feathers, and the room was filled with a thick pink smoke, so that Fyodor sneezed five times; and as he returned home afterwards, he thought: “Anyone who feared God would not have anything to do with things like that.”
When there was nothing left in the b
ottle Fyodor put the boots on the table and sank into thought. He leaned his heavy head on his fist and began thinking of his poverty, of his hard life with no glimmer of light in it. Then he thought of the rich, of their big houses and their carriages, of their hundred-rouble notes.... How nice it would be if the houses of these rich men—the devil flay them!—were smashed, if their horses died, if their fur coats and sable caps got shabby! How splendid it would be if the rich, little by little, changed into beggars having nothing, and he, a poor shoemaker, were to become rich, and were to lord it over some other poor shoemaker on Christmas Eve.
Dreaming like this, Fyodor suddenly thought of his work, and opened his eyes.
“Here’s a go,” he thought, looking at the boots. “The job has been finished ever so long ago, and I go on sitting here. I must take the boots to the gentleman.”
He wrapped up the work in a red handkerchief, put on his things, and went out into the street. A fine hard snow was falling, pricking the face as though with needles. It was cold, slippery, dark, the gas-lamps burned dimly, and for some reason there was a smell of paraffin in the street, so that Fyodor coughed and cleared his throat. Rich men were driving to and fro on the road, and every rich man had a ham and a bottle of vodka in his hands. Rich young ladies peeped at Fyodor out of the carriages and sledges, put out their tongues and shouted, laughing:
“Beggar! Beggar!”
Students, officers, and merchants walked behind Fyodor, jeering at him and crying:
“Drunkard! Drunkard! Infidel cobbler! Soul of a boot-leg! Beggar!”
All this was insulting, but Fyodor held his tongue and only spat in disgust. But when Kuzma Lebyodkin from Warsaw, a master-bootmaker, met him and said: “I’ve married a rich woman and I have men working under me, while you are a beggar and have nothing to eat,” Fyodor could not refrain from running after him. He pursued him till he found himself in Kolokolny Lane. His customer lived in the fourth house from the corner on the very top floor. To reach him one had to go through a long, dark courtyard, and then to climb up a very high slippery stair-case which tottered under one’s feet. When Fyodor went in to him he was sitting on the floor pounding something in a mortar, just as he had been the fortnight before.
The Tales of Chekhov Page 192
