by E. G. Swain
A sudden blaze of fierce lightning, the last now of the fleeting trail of storm, leaped around us, and in the vivid light I saw the white face turned again with the look of overwhelming desire, of beseeching pathos, that had choked my throat with an involuntary sob when first I saw Sister Maddelena. In the brief interval that ensued after the flash, and before the roaring thunder burst like the crash of battle over the trembling convent, I heard again the sorrowful words, “I cannot sleep,” come from the impenetrable darkness. And when the lightning came again, the white figure was gone.
I wandered around the courtyard, searching in vain for Sister Maddelena, even until the moonlight broke through the torn and sweeping fringes of the storm. I tried the door where the white figure vanished: it was locked; but I had found what I sought, and, carefully noting its location, went back to my room, but not to sleep.
In the morning the Cavaliere asked Rendel and me which of us had seen the ghost, and I told him my story; then I asked him to grant me permission to sift the thing to the bottom; and he courteously gave the whole matter into my charge, promising that he would consent to anything.
I could hardly wait to finish breakfast; but no sooner was this done than, forgetting my morning pipe, I started with Rendel and the Cavaliere to investigate.
“I am sure there is nothing in that cell,” said Valguanera, when we came in front of the door I had marked. “It is curious that you should have chosen the door of the very cell that tradition assigns to Sister Maddelena; but I have often examined that room myself, and I am sure that there is no chance for anything to be concealed. In fact, I had the floor taken up once, soon after I came here, knowing the room was that of the mysterious Sister, and thinking that there, if anywhere, the monastic crime would have taken place; still, we will go in, if you like.”
He unlocked the door, and we entered, one of us, at all events, with a beating heart. The cell was very small, hardly eight feet square. There certainly seemed no opportunity for concealing a body in the tiny place; and although I sounded the floor and walls, all gave a solid, heavy answer,—the unmistakable sound of masonry.
For the innocence of the floor the Cavaliere answered. He had, he said, had it all removed, even to the curving surfaces of the vault below; yet somewhere in this room the body of the murdered girl was concealed,—of this I was certain. But where? There seemed no answer; and I was compelled to give up the search for the moment, somewhat to the amusement of Valguanera, who had watched curiously to see if I could solve the mystery.
But I could not forget the subject, and towards noon started on another tour of investigation. I procured the keys from the Cavaliere, and examined the cells adjoining; they were apparently the same, each with its window opposite the door, and nothing—Stay, were they the same? I hastened into the suspected cell; it was as I thought: this cell, being on the corner, could have had two windows, yet only one was visible, and that to the left, at right angles with the doorway. Was it imagination? As I sounded the wall opposite the door, where the other window should be, I fancied that the sound was a trifle less solid and dull. I was becoming excited. I dashed back to the cell on the right, and, forcing open the little window, thrust my head out.
It was found at last! In the smooth surface of the yellow wall was a rough space, following approximately the shape of the other cell windows, not plastered like the rest of the wall, but showing the shapes of bricks through its thick coatings of whitewash. I turned with a gasp of excitement and satisfaction: yes, the embrasure of the wall was deep enough; what a wall it was! —four feet at least, and the opening of the window reached to the floor, though the window itself was hardly three feet square. I felt absolutely certain that the secret was solved, and called the Cavaliere and Rendel, too excited to give them an explanation of my theories.
They must have thought me mad when I suddenly began scraping away at the solid wall in front of the door; but in a few minutes they understood what I was about, for under the coatings of paint and plaster appeared the original bricks; and as my architectural knowledge had led me rightly, the space I had cleared was directly over a vertical joint between firm, workmanlike masonry on one hand, and rough amateurish work on the other, bricks laid anyway, and without order or science.
Rendel seized a pick, and was about to assail the rude wall, when I stopped him.
“Let us be careful,” I said; “who knows what we may find?” So we set to work digging out the mortar around a brick at about the level of our eyes.
How hard the mortar had become! But a brick yielded at last, and with trembling fingers I detached it. Darkness within, yet beyond question there was a cavity there, not a solid wall; and with infinite care we removed another brick. Still the hole was too small to admit enough light from the dimly illuminated cell. With a chisel we pried at the sides of a large block of masonry, perhaps eight bricks in size. It moved, and we softly slid it from its bed.
Valguanera, who was standing watching us as we lowered the bricks to the floor, gave a sudden cry, a cry like that of a frightened woman,—terrible, coming from him. Yet there was cause. Framed by the ragged opening of the bricks, hardly seen in the dim light, was a face, an ivory image, more beautiful than any antique bust, but drawn and distorted by unspeakable agony: the lovely mouth half open, as though gasping for breath; the eyes cast upward; and below, slim chiselled hands crossed on the breast, but clutching the folds of the white Carmelite habit, torture and agony visible in every tense muscle, fighting against the determination of the rigid pose.
We stood there breathless, staring at the pitiful sight, fascinated, bewitched. So this was the secret. With fiendish ingenuity, the rigid ecclesiastics had blocked up the window, then forced the beautiful creature to stand in the alcove, while with remorseless hands and iron hearts they had shut her into a living tomb. I had read of such things in romance; but to find the verity here, before my eyes—
Steps came down the cloister, and with a simultaneous thought we sprang to the door and closed it behind us. The room was sacred; that awful sight was not for curious eyes. The gardener was coming to ask some trivial question of Valguanera. The Cavaliere cut him short. “Pietro, go down to Parco and ask Padre Stefano to come here at once.” (I thanked him with a glance.) “Stay! ” He turned to me: “Signore, it is already two o’clock and too late for mass, is it not?”
I nodded.
Valguanera thought a moment, then he said, “Bring two horses; the Signor Americano will go with you,—do you understand?” Then, turning to me, “You will go, will you not? I think you can explain matters to Padre Stefano better than I.”
“Of course I will go, more than gladly.” So it happened that after a hasty luncheon I wound down the mountain to Parco, found Padre Stefano, explained my errand to him, found him intensely eager and sympathetic, and by five o’clock had him back at the convent with all that was necessary for the resting of the soul of the dead girl.
In the warm twilight, with the last light of the sunset pouring into the little cell through the window where almost a century ago Rosalia had for the last time said farewell to her lover, we gathered together to speed her tortured soul on its journey, so long delayed. Nothing was omitted; all the needful offices of the church were said by Padre Stefano, while the light in the window died away, and the flickering flames of the candles carried by two of the acolytes from San Francesco threw fitful flashes of pallid light into the dark recess where the white face had prayed to Heaven for a hundred years.
Finally, the Padre took the asperge from the hands of one of the acolytes, and with a sign of the cross in benediction while he chanted the Asperges, gently sprinkled the holy water on the upturned face. Instantly the whole vision crumbled to dust, the face was gone, and where once the candlelight had flickered on the perfect semblance of the girl dead so very long, it now fell only on the rough bricks which closed the window, bricks laid with frozen hearts by pitiless hands.
But our task was not done yet. It had been arr
anged that Padre Stefano should remain at the convent all night, and that as soon as midnight made it possible he should say the first mass for the repose of the girl’s soul. We sat on the terrace talking over the strange events of the last crowded hours, and I noted with satisfaction that the Cavaliere no longer spoke of the church with that hardness, which had hurt me so often. It is true that the Padre was with us nearly all the time; but not only was Valguanera courteous, he was almost sympathetic; and I wondered if it might not prove that more than one soul benefited by the untoward events of the day.
With the aid of the astonished and delighted servants, and no little help as well from Signora Valguanera, I fitted up the long cold Altar in the chapel, and by midnight we had the gloomy sanctuary beautiful with flowers and candles. It was a curiously solemn service, in the first hour of the new day, in the midst of blazing candles and the thick incense, the odour of the opening orange-blooms drifting up in the fresh morning air, and mingling with the incense smoke and the perfume of flowers within.
Many prayers were said that night for the soul of the dead girl, and I think many afterwards; for after the benediction I remained for a little time in my place, and when I rose from my knees and went towards the chapel door, I saw a figure kneeling still, and, with a start, recognised the form of the Cavaliere. I smiled with quiet satisfaction and gratitude, and went away softly, content with the chain of events that now seemed finished.
The next day the alcove was again walled up, for the precious dust could not be gathered together for transportation to consecrated ground; so I went down to the little cemetery at Parco for a basket of earth, which we cast in over the ashes of Sister Maddelena.
By and by, when Rendel and I went away, with great regret, Valguanera came down to Palermo with us; and the last act that we performed in Sicily was assisting him to order a tablet of marble, whereon was carved this simple inscription: —
Here Lies The Body Of
Rosalia Di Castiglioni,
Called
Sister Maddelena.
Her Soul
Is With Him
Who Gave It.
To this I added in thought:—
Let him that is without sin among you cast the first stone.
Notre Dame des Eaux
West of St. Pol de Leon, on the sea-cliffs of Finisterre, stands the ancient church of Notre Dame des Eaux. Five centuries of beating winds and sweeping rains have moulded its angles, and worn its carvings and sculpture down to the very semblance of the ragged cliffs themselves, until even the Breton fisherman, looking lovingly from his boat as he makes for the harbour of Morlaix, hardly can say where the crags end, and where the church begins.
The teeth of the winds of the sea have devoured, bit by bit, the fine sculpture of the doorway and the thin cusps of the window tracery; gray moss creeps caressingly over the worn walls in ineffectual protection; gentle vines, turned crabbed by the harsh beating of the fierce winds, clutch the crumbling buttresses, climb up over the sinking roof, reach in even at the louvres of the belfry, holding the little sanctuary safe in desperate arms against the savage warfare of the sea and sky.
Many a time you may follow the rocky highway from St. Pol even around the last land of France, and so to Brest, yet never see sign of Notre Dame des Eaux; for it clings to a cliff somewhat lower than the road, and between grows a stunted thicket of harsh and ragged trees, their skeleton white branches, tortured and contorted, thrusting sorrowfully out of the hard, dark foliage that still grows below, where the rise of land below the highway gives some protection. You must leave the wood by the two cottages of yellow stone, about twenty miles beyond St. Pol, and go down to the right, around the old stone quarry; then, bearing to the left by the little cliff path, you will, in a moment, see the pointed roof of the tower of Notre Dame, and, later, come down to the side porch among the crosses of the arid little graveyard. It is worth the walk, for though the church has outwardly little but its sad picturesqueness to repay the artist, within it is a dream and a delight. A Norman nave of round, red stone piers and arches, a delicate choir of the richest flamboyant, a High Altar of the time of Francis I. , form only the mellow background and frame for carven tombs and dark old pictures, hanging lamps of iron and brass, and black, heavily carved choir-stalls of the Renaissance.
So has the little church lain unnoticed for many centuries; for the horrors and follies of the Revolution have never come near, and the hardy and faithful people of Finisterre have feared God and loved Our Lady too well to harm her church. For many years it was the church of the Comtes de Jarleuc; and these are their tombs that mellow year by year under the warm light of the painted windows, given long ago by Comte Robert de Jarleuc, when the heir of Poullaouen came safely to shore in the harbour of Morlaix, having escaped from the Isle of Wight, where he had lain captive after the awful defeat of the fleet of Charles of Valois at Sluys. And now the heir of Poullaouen lies in a carven tomb, forgetful of the world where he fought so nobly: the dynasty he fought to establish, only a memory; the family he made glorious, a name; the Château Poullaouen a single crag of riven masonry in the fields of M. du Bois, mayor of Morlaix.
It was Julien, Comte de Bergerac, who rediscovered Notre Dame des Eaux, and by his picture of its dreamy interior in the Salon of ’86 brought once more into notice this forgotten corner of the world. The next year a party of painters settled themselves nearby, roughing it as best they could, and in the year following, Mme. de Bergerac and her daughter Héloïse came with Julien, and, buying the old farm of Pontivy, on the highway over Notre Dame, turned it into a summer house that almost made amends for their lost château on the Dordogne, stolen from them as virulent Royalists by the triumphant Republic in 1794. Little by little a summer colony of painters gathered around Pontivy, and it was not until the spring of 1890 that the peace of the colony was broken. It was a sorrowful tragedy. Jean d’Yriex, the youngest and merriest devil of all the jolly crew, became suddenly moody and morose. At first this was attributed to his undisguised admiration for Mlle. Héloïse, and was looked on as one of the vagaries of boyish passion; but one day, while riding with M. de Bergerac, he suddenly seized the bridle of Julien’s horse, wrenched it from his hand, and, turning his own horse’s head towards the cliffs, lashed the terrified animals into a gallop straight towards the brink.
He was only thwarted in his mad object by Julien, who with a quick blow sent him headlong in the dry grass, and reined in the terrified animals hardly a yard from the cliffs. When this happened, and no word of explanation was granted, only a sullen silence that lasted for days, it became clear that poor Jean’s brain was wrong in some way. Héloïse devoted herself to him with infinite patience,—though she felt no special affection for him, only pity,—and while he was with her he seemed sane and quiet. But at night some strange mania took possession of him. If he had worked on his Prix de Rome picture in the daytime, while Héloïse sat by him, reading aloud or singing a little, no matter how good the work, it would have vanished in the morning, and he would again begin, only to erase his labour during the night.
At last his growing insanity reached its climax; and one day in Notre Dame, when he had painted better than usual, he suddenly stopped, seized a palette knife, and slashed the great canvas in strips. Héloïse sprang forward to stop him, and in crazy fury he turned on her, striking at her throat with the palette knife. The thin steel snapped, and the white throat showed only a scarlet scratch. Héloïse, without that ordinary terror that would crush most women, grasped the thin wrists of the madman, and, though he could easily have wrenched his hands away, d’Yriex sank on his knees in a passion of tears.
He shut himself in his room at Pontivy, refusing to see any one, walking for hours up and down, fighting against growing madness. Soon Dr. Charpentier came from Paris, summoned by Mme. de Bergerac; and after one short, forced interview, left at once for Paris, taking M. d’Yriex with him.
A few days later came a letter for Mme. de Bergerac, in which Dr. Charpen
tier confessed that Jean had disappeared, that he had allowed him too much liberty, owing to his apparent calmness, and that when the train stopped at Le Mans he had slipped from him and utterly vanished.
During the summer, word came occasionally that no trace had been found of the unhappy man, and at last the Pontivy colony realised that the merry boy was dead. Had he lived he must have been found, for the exertions of the police were perfect; yet not the slightest trace was discovered, and his lamentable death was acknowledged, not only by Mme. de Bergerac and Jean’s family,—sorrowing for the death of their first-born, away in the warm hills of Lozère,—but by Dr. Charpentier as well.
So the summer passed, and the autumn came, and at last the cold rains of November—the skirmish line of the advancing army of winter—drove the colony back to Paris.
It was the last day at Pontivy, and Mlle. Héloïse had come down to Notre Dame for a last look at the beautiful shrine, a last prayer for the repose of the tortured soul of poor Jean d’Yriex. The rains had ceased for a time, and a warm stillness lay over the cliffs and on the creeping sea, swaying and lapping around the ragged shore. Héloïse knelt very long before the Altar of Our Lady of the Waters; and when she finally rose, could not bring herself to leave as yet that place of sorrowful beauty, all warm and golden with the last light of the declining sun. She watched the old verger, Pierre Polou, stumping softly around the darkening building, and spoke to him once, asking the hour; but he was very deaf, as well as nearly blind, and he did not answer.
