The Complete Novels of George Orwell

by George Orwell

  I let the car run down the hill slowly. Queer! You can't imagine how queer! All the way down the hill I was seeing ghosts, chiefly the ghosts of hedges and trees and cows. It was as if I was looking at two worlds at once, a kind of thin bubble of the thing that used to be, with the thing that actually existed shining through it. There's the field where the bull chased Ginger Rodgers! And there's the place where the horse-mushrooms used to grow! But there weren't any fields or any bulls or any mushrooms. It was houses, houses everywhere, little raw red houses with their grubby window-curtains and their scraps of back-garden that hadn't anything in them except a patch of rank grass or a few larkspurs struggling among the weeds. And blokes walking up and down, and women shaking out mats, and snotty-nosed kids playing along the pavement. All strangers! They'd all come crowding in while my back was turned. And yet it was they who'd have looked on me as a stranger, they didn't know anything about the old Lower Binfield, they'd never heard of Shooter and Wetherall, or Mr Grimmett and Uncle Ezekiel, and cared less, you bet.

  It's funny how quickly one adjusts. I suppose it was five minutes since I'd halted at the top of the hill, actually a bit out of breath at the thought of seeing Lower Binfield again. And already I'd got used to the idea that Lower Binfield had been swallowed up and buried like the lost cities of Peru. I braced up and faced it. After all, what else do you expect? Towns have got to grow, people have got to live somewhere. Besides, the old town hadn't been annihilated. Somewhere or other it still existed, though it had houses round it instead of fields. In a few minutes I'd be seeing it again, the church and the brewery chimney and Father's shop-window and the horse-trough in the market-place. I got to the bottom of the hill, and the road forked. I took the left-hand turning, and a minute later I was lost.

  I could remember nothing. I couldn't even remember whether it was hereabouts that the town used to begin. All I knew was that in the old days this street hadn't existed. For hundreds of yards I was running along it-rather mean, shabby kind of street, with the houses giving straight on the pavement and here and there a corner grocery or a dingy little pub-and wondering where the hell it led to. Finally I pulled up beside a woman in a dirty apron and no hat who was walking down the pavement. I stuck my head out of the window.

  'Beg pardon-can you tell me the way to the market-place?'

  She 'couldn't tell'. Answered in an accent you could cut with a spade. Lancashire. There's lots of them in the south of England now. Overflow from the distressed areas. Then I saw a bloke in overalls with a bag of tools coming along and tried again. This time I got the answer in Cockney, but he had to think for a moment.

  'Market-place? Market-place? Lessee, now. Oh-you mean the Ole Market?'

  I supposed I did mean the Old Market.

  'Oh, well-you take the right 'and turning-'

  It was a long way. Miles, it seemed to me, though really it wasn't a mile. Houses, shops, cinemas, chapels, football grounds-new, all new. Again I had that feeling of a kind of enemy invasion having happened behind my back. All these people flooding in from Lancashire and the London suburbs, planting themselves down in this beastly chaos, not even bothering to know the chief landmarks of the town by name. But I grasped presently why what we used to call the market-place was now known as the Old Market. There was a big square, though you couldn't properly call it a square, because it was no particular shape, in the middle of the new town, with traffic-lights and a huge bronze statue of a lion worrying an eagle-the war-memorial, I suppose. And the newness of everything! The raw, mean look! Do you know the look of these new towns that have suddenly swelled up like balloons in the last few years, Hayes, Slough, Dagenham, and so forth? The kind of chilliness, the bright red brick-everywhere, the temporary-looking shop-windows full of cut-price chocolates and radio parts. It was just like that. But suddenly I swung into a street with older houses. Gosh! The High Street!

  After all my memory hadn't played tricks on me. I knew every inch of it now. Another couple of hundred yards and I'd be in the market-place. The old shop was down the other end of the High Street. I'd go there after lunch-I was going to put up at the George. And every inch a memory! I knew all the shops, though all the names had changed, and the stuff they dealt in had mostly changed as well. There's Lovegrove's! And there's Todd's! And a big dark shop with beams and dormer windows. Used to be Lilywhite's the draper's, where Elsie used to work. And Grimmett's! Still a grocer's apparently. Now for the horse-trough in the market-place. There was another car ahead of me and I couldn't see.

  It turned aside as we got into the market-place. The horse-trough was gone.

  There was an A.A. man on traffic-duty where it used to stand. He gave a glance at the car, saw that it hadn't the A.A. sign, and decided not to salute.

  I turned the corner and ran down to the George. The horse-trough being gone had thrown me out to such an extent that I hadn't even looked to see whether the brewery chimney was still standing. The George had altered too, all except the name. The front had been dolled up till it looked like one of those riverside hotels, and the sign was different. It was curious that although till that moment I hadn't thought of it once in twenty years, I suddenly found that I could remember every detail of the old sign, which had swung there ever since I could remember. It was a crude kind of picture, with St George on a very thin horse trampling on a very fat dragon, and in the corner, though it was cracked and faded, you could read the little signature, 'Wm. Sandford, Painter & Carpenter'. The new sign was kind of artistic-looking. You could see it had been painted by a real artist. St George looked a regular pansy. The cobbled yard, where the farmers' traps used to stand and the drunks used to puke on Saturday nights, had been enlarged to about three times its size and concreted over, with garages all round it. I backed the car into one of the garages and got out.

  One thing I've noticed about the human mind is that it goes in jerks. There's no emotion that stays by you for any length of time. During the last quarter of an hour I'd had what you could fairly describe as a shock. I'd felt it almost like a sock in the guts when I stopped at the top of Chamford Hill and suddenly realized that Lower Binfield had vanished, and there'd been another little stab when I saw the horse-trough was gone. I'd driven through the streets with a gloomy, Ichabod kind of feeling. But as I stepped out of the car and hitched my trilby hat on to my head I suddenly felt that it didn't matter a damn. It was such a lovely sunny day, and the hotel yard had a kind of summery look, with its flowers in green tubs and what-not. Besides, I was hungry and looking forward to a spot of lunch.

  I strolled into the hotel with a consequential kind of air, with the boots, who'd already nipped out to meet me, following with the suitcase. I felt pretty prosperous, and probably I looked it. A solid business man, you'd have said, at any rate if you hadn't seen the car. I was glad I'd come in my new suit-blue flannel with a thin white stripe, which suits my style. It has what the tailor calls a 'reducing effect'. I believe that day I could have passed for a stockbroker. And say what you like it's a very pleasant thing, on a June day when the sun's shining on the pink geraniums in the window-boxes, to walk into a nice country hotel with roast lamb and mint sauce ahead of you. Not that it's any treat to me to stay in hotels, Lord knows I see all too much of them-but ninety-nine times out of a hundred it's those godless 'family and commercial' hotels, like Rowbottom's, where I was supposed to be staying at present, the kind of places where you pay five bob for bed and breakfast, and the sheets are always damp and the bath taps never work. The George had got so smart I wouldn't have known it. In the old days it had hardly been a hotel, only a pub, though it had a room or two to let and used to do a farmers' lunch (roast beef and Yorkshire, suet dumpling and Stilton cheese) on market days. It all seemed different except for the public bar, which I got a glimpse of as I went past, and which looked the same as ever. I went up a passage with a soft carpet, and hunting prints and copper warming-pans and such-like junk hanging on the walls. And dimly I could remember the passage as it used to be,
the hollowed-out flags underfoot, and the smell of plaster mixed up with the smell of beer. A smart-looking young woman, with frizzed hair and a black dress, who I suppose was the clerk or something, took my name at the office.

  'You wish for a room, sir? Certainly, sir. What name shall I put down, sir?'

  I paused. After all, this was my big moment. She'd be pretty sure to know the name. It isn't common, and there are a lot of us in the churchyard. We were one of the old Lower Binfield families, the Bowlings of Lower Binfield. And though in a way it's painful to be recognized, I'd been rather looking forward to it.

  'Bowling,' I said very distinctly. 'Mr George Bowling.'

  'Bowling, sir. B-O-A-oh! B-O-W? Yes, sir. And you are coming from London, sir?'

  No response. Nothing registered. She'd never heard of me. Never heard of George Bowling, son of Samuel Bowling-Samuel Bowling who, damn it! had had his half-pint in this same pub every Saturday for over thirty years.

  2

  The dining-room had changed, too.

  I could remember the old room, though I'd never had a meal there, with its brown mantelpiece and its bronzy-yellow wallpaper-I never knew whether it was meant to be that colour, or had just got like that from age and smoke-and the oil-painting, also by Wm. Sandford, Painter & Carpenter, of the battle of Tel-el-Kebir. Now they'd got the place up in a kind of medieval style. Brick fireplace with inglenooks, a huge beam across the ceiling, oak panelling on the walls, and every bit of it a fake that you could have spotted fifty yards away. The beam was genuine oak, came out of some old sailing-ship, probably, but it didn't hold anything up, and I had my suspicions of the panels as soon as I set eyes on them. As I sat down at my table, and the slick young waiter came towards me fiddling with his napkin, I tapped the wall behind me. Yes! Thought so! Not even wood. They fake it up with some kind of composition and then paint it over.

  But the lunch wasn't bad. I had my lamb and mint sauce, and I had a bottle of some white wine or other with a French name which made me belch a bit but made me feel happy. There was one other person lunching there, a woman of about thirty with fair hair, looked like a widow. I wondered whether she was staying at the George, and made vague plans to get off with her. It's funny how your feelings get mixed up. Half the time I was seeing ghosts. The past was sticking out into the present. Market day, and the great solid farmers throwing their legs under the long table, with their hobnails grating on the stone floor, and working their way through a quantity of beef and dumpling you wouldn't believe the human frame could hold. And then the little tables with their shiny white cloths and wine-glasses and folded napkins, and the faked-up decorations and the general expensiveness would blot it out again. And I'd think, 'I've got twelve quid and a new suit. I'm little Georgie Bowling, and who'd have believed I'd ever come back to Lower Binfield in my own motorcar?' And then the wine would send a kind of warm feeling upwards from my stomach, and I'd run an eye over the woman with fair hair and mentally take her clothes off.

  It was the same in the afternoon as I lay about in the lounge-fake-medieval again, but it had streamlined leather armchairs and glass-topped tables-with some brandy and a cigar. I was seeing ghosts, but on the whole I was enjoying it. As a matter of fact I was a tiny bit boozed and hoping that the woman with fair hair would come in so that I could scrape acquaintance. She never showed up, however. It wasn't till nearly tea-time that I went out.

  I strolled up to the market-place and turned to the left. The shop! It was funny. Twenty-one years ago, the day of Mother's funeral, I'd passed it in the station fly, and seen it all shut up and dusty, with the sign burnt off with a plumber's blowflame, and I hadn't cared a damn. And now, when I was so much further away from it, when there were actually details about the inside of the house that I couldn't remember, the thought of seeing it again did things to my heart and guts. I passed the barber's shop. Still a barber's, though the name was different. A warm, soapy, almondy smell came out of the door. Not quite so good as the old smell of bay rum and latakia. The shop-our shop-was twenty yards farther down. Ah!

  An arty-looking sign-painted by the same chap as did the one at the George, I shouldn't wonder-hanging out over the pavement:

  WENDY'S TEASHOP

  MORNING COFFEE

  HOME-MADE CAKES

  A tea-shop!

  I suppose if it had been a butcher's or an ironmonger's, or anything else except a seedsman's, it would have given me the same kind of jolt. It's absurd that because you happen to have been born in a certain house you should feel that you've got rights over it for the rest of your life, but so you do. The place lived up to its name, all right. Blue curtains in the window, and a cake or two standing about, the kind of cake that's covered with chocolate and has just one walnut stuck somewhere on the top. I went in. I didn't really want any tea, but I had to see the inside.

  They'd evidently turned both the shop and what used to be the parlour into tea-rooms. As for the yard at the back where the dustbin used to stand and Father's little patch of weeds used to grow, they'd paved it all over and dolled it up with rustic tables and hydrangeas and things. I went through into the parlour. More ghosts! The piano and the texts on the wall, and the two lumpy old red armchairs where Father and Mother used to sit on opposite sides of the fireplace, reading the People and the News of the World on Sunday afternoons! They'd got the place up in an even more antique style than the George, with gateleg tables and a hammered-iron chandelier and pewter plates hanging on the wall and what-not. Do you notice how dark they always manage to make it in these arty tea-rooms? It's part of the antiqueness, I suppose. And instead of an ordinary waitress there was a young woman in a kind of print wrapper who met me with a sour expression. I asked her for tea, and she was ten minutes getting it. You know the kind of tea-China tea, so weak that you could think it's water till you put the milk in. I was sitting almost exactly where Father's armchair used to stand. I could almost hear his voice, reading out a 'piece', as he used to call it, from the People, about the new flying machines, or the chap who was swallowed by a whale, or something. It gave me a most peculiar feeling that I was there on false pretences and they could kick me out if they discovered who I was, and yet simultaneously I had a kind of longing to tell somebody that I'd been born here, that I belonged to this house, or rather (what I really felt) that the house belonged to me. There was nobody else having tea. The girl in the print wrapper was hanging about by the window, and I could see that if I hadn't been there she'd have been picking her teeth. I bit into one of the slices of cake she'd brought me. Home-made cakes! You bet they were. Home-made with margarine and egg-substitute. But in the end I had to speak. I said:

  'Have you been in Lower Binfield long?'

  She started, looked surprised, and didn't answer. I tried again:

  'I used to live in Lower Binfield myself, a good while ago.'

  Again no answer, or only something that I couldn't hear. She gave me a kind of frigid look and then gazed out of the window again. I saw how it was. Too much of a lady to go in for back-chat with customers. Besides, she probably thought I was trying to get off with her. What was the good of telling her I'd been born in the house? Even if she believed it, it wouldn't interest her. She'd never heard of Samuel Bowling, Corn & Seed Merchant. I paid the bill and cleared out.

  I wandered up to the church. One thing that I'd been half afraid of, and half looking forward to, was being recognized by people I used to know. But I needn't have worried, there wasn't a face I knew anywhere in the streets. It seemed as if the whole town had got a new population.

  When I got to the church I saw why they'd had to have a new cemetery. The churchyard was full to the brim, and half the graves had names on them that I didn't know. But the names I did know were easy enough to find. I wandered round among the graves. The sexton had just scythed the grass and there was a smell of summer even there. They were all alone, all the older folks I'd known. Gravitt the butcher, and Winkle the other seedsman, and Trew, who used to keep the George,
and Mrs Wheeler from the sweet-shop-they were all lying there. Shooter and Wetherall were opposite one another on either side of the path, just as if they were still singing at each other across the aisle. So Wetherall hadn't got his hundred after all. Born in '43 and 'departed his life' in 1928. But he'd beaten Shooter, as usual. Shooter died in '26. What a time old Wetherall must have had those last two years when there was nobody to sing against him! And old Grimmett under a huge marble thing shaped rather like a veal-and-ham pie, with an iron railing round it, and in the corner a whole batch of Simmonses under cheap little crosses. All gone to dust. Old Hodges with his tobacco-coloured teeth, and Lovegrove with his big brown beard, and Lady Rampling with the coachman and the tiger, and Harry Barnes's aunt who had a glass eye, and Brewer of the Mill Farm with his wicked old face like something carved out of a nut-nothing left of any of them except a slab of stone and God knows what underneath.