In spite of Gordon's drunken state, Ravelston was scandalized. 'My dear old chap! You can't do that kind of thing.'
'Don't be so damned upper-class. Why not?'
'But how could you, dash it! After you've just said good night to Rosemary-a really charming girl like that!'
'At night all cats are grey,' said Gordon, with the feeling that he voiced a profound and cynical wisdom.
Ravelston decided to ignore this remark. 'We'd better walk up to Piccadilly Circus,' he said. 'There'll be plenty of taxis there.'
The theatres were emptying. Crowds of people and streams of cars flowed to and fro in the frightful corpse-light. Gordon's brain was marvellously clear. He knew what folly and evil he had committed and was about to commit. And yet after all it hardly seemed to matter. He saw as something far, far away, like something seen through the wrong end of the telescope, his thirty years, his wasted life, the blank future, Julia's five pounds, Rosemary. He said with a sort of philosophic interest: 'Look at the Neon lights! Look at those awful blue ones over the rubber shop. When I see those lights I know that I'm a damned soul.'
'Quite,' said Ravelston, who was not listening. 'Ah, there's a taxi!' He signalled. 'Damn! He didn't see me. Wait here a second.'
He left Gordon by the Tube station and hurried across the street. For a little while Gordon's mind receded into blankness. Then he was aware of two hard yet youthful faces, like the faces of young predatory animals, that had come close up to his own. They had blackened eyebrows and hats that were like vulgarer versions of Rosemary's. He was exchanging badinage with them. This seemed to him to have been going on for several minutes.
'Hullo, Dora! Hullo, Barbara! (He knew their names, it seemed.) And how are you? And how's old England's winding-sheet?'
'Oo-haven't you got a cheek, just!'
'And what are you up to at this time of night?'
'Oo-jes' strolling around.'
'Like a lion, seeking whom he may devour?'
'Oo-you haven't half got a cheek! Hasn't he got a cheek, Barbara? You have got a cheek!'
Ravelston had caught the taxi and brought it round to where Gordon was standing. He stepped out, saw Gordon between the two girls, and stood aghast.
'Gordon! Oh, my God! What the devil have you been doing?'
'Let me introduce you. Dora and Barbara,' said Gordon.
For a moment Ravelston looked almost angry. As a matter of fact, Ravelston was incapable of being properly angry. Upset, pained, embarrassed-yes; but not angry. He stepped forward with a miserable effort not to notice the two girls' existence. Once he noticed them the game was up. He took Gordon by the arm and would have bundled him into the taxi.
'Come on, Gordon, for God's sake! Here's the taxi. We'll go straight home and put you to bed.'
Dora caught Gordon's other arm and hauled him out of reach as though he had been a stolen handbag.
'What bloody business is it of yours?' she cried ferociously.
'You don't want to insult these two ladies, I hope?' said Gordon.
Ravelston faltered, stepped back, rubbed his nose. It was a moment to be firm; but Ravelston had never in his life been firm. He looked from Dora to Gordon, from Gordon to Barbara. That was fatal. Once he had looked them in the face he was lost. Oh, God! What could he do? They were human beings-he couldn't insult them. The same instinct that sent his hand into his pocket at the very sight of a beggar made him helpless at this moment. The poor, wretched girls! He hadn't the heart to send them packing into the night. Suddenly he realized that he would have to go through with this abominable adventure into which Gordon had led him. For the first time in his life he was let in for going home with a tart.
'But dash it all!' he said feebly.
'Allons-y,' said Gordon.
The taximan had taken his direction at a nod from Dora. Gordon slumped into the corner seat and seemed immediately to sink into some immense abyss from which he rose again more gradually and with only partial consciousness of what he had been doing. He was gliding smoothly through darkness starred with lights. Or were the lights moving and he stationary? It was like being on the ocean bottom, among the luminous, gliding fishes. The fancy returned to him that he was a damned soul in hell. The landscape in hell would be just like this. Ravines of cold evil-coloured fire, with darkness all above. But in hell there would be torment. Was this torment? He strove to classify his sensations. The momentary lapse into unconsciousness had left him weak, sick, shaken; his forehead seemed to be splitting. He put out a hand. It encountered a knee, a garter, and a small soft hand which sought mechanically for his. He became aware that Ravelston, sitting opposite, was tapping his toe urgently and nervously.
'Gordon! Gordon! Wake up!'
'What?'
'Gordon! Oh, damn! Causons enfrancais. Qu'est-ce que tu as fait? Crois-tu que je veux coucher avec une sale-oh, damnation!'
'Oo-parley-voo francey!' squealed the girls.
Gordon was mildly amused. Do Ravelston good, he thought. A parlour Socialist going home with a tart! The first genuinely proletarian action of his life. As though aware of this thought, Ravelston subsided into his corner in silent misery, sitting as far away from Barbara as possible. The taxi drew up at a hotel in a side-street; a dreadful, shoddy, low place it was. The 'hotel' sign over the door looked skew-eyed. The windows were almost dark, but the sound of singing, boozy and dreary, trickled from within. Gordon staggered out of the taxi and felt for Dora's arm. Give us a hand, Dora. Mind the step. What ho!
A smallish, darkish, smelly hallway, lino-carpeted, mean, uncared-for, and somehow impermanent. From a room somewhere on the left the singing swelled, mournful as a church organ. A cross-eyed, evil-looking chambermaid appeared from nowhere. She and Dora seemed to know one another. What a mug! No competition there. From the room on the left a single voice took up the song with would-be facetious emphasis: 'The man that kisses a pretty girl
And goes and tells his mother,
Ought to have his lips cut off,
Ought to-'
It tailed away, full of the ineffable, undisguisable sadness of debauchery. A very young voice it sounded. The voice of some poor boy who in his heart only wanted to be at home with his mother and sisters, playing hunt-the-slipper. There was a party of young fools in there, on the razzle with whisky and girls. The tune reminded Gordon. He turned to Ravelston as he came in, Barbara following.
'Where's my Chianti?' he said.
Ravelston gave him the bottle. His face looked pale, harassed, hunted, almost. With guilty restless movements he kept himself apart from Barbara. He could not touch her or even look at her, and yet to escape was beyond him. His eyes sought Gordon's. 'For the love of God can't we get out of it somehow?' they signalled. Gordon frowned at him. Stick it out! No flinching! He took Dora's arm again. Come on, Dora! Now for those stairs. Ah! Wait a moment.
Her arm round his waist, supporting him, Dora drew him aside. Down the darkish, smelly stairs a young woman came mincingly, buttoning on a glove; after her a bald, middle-aged man in evening clothes, black overcoat, and white silk muffler, his opera hat in his hand. He walked past them with small mean mouth tightened, pretending not to see them. A family man, by the guilty look in his eye. Gordon watched the gaslight gleam on the back of his bald head. His predecessor. In the same bed, probably. The mantle of Elisha. Now then, Dora, up we go! Ah, these stairs! Difficilis ascensus Averni. That's right, here we are! 'Mind the step,' said Dora. They were on the landing. Black and white lino like a chessboard. White-painted doors. A smell of slops and a fainter smell of stale linen.
We this way, you that. At the other door Ravelston halted, his fingers on the handle. He could not-no, he could not do it. He could not enter that dreadful room. For the last time his eyes, like those of a dog about to be whipped, turned upon Gordon. 'Must I, must I?' his eyes said. Gordon eyed him sternly. Stick it out, Regulus! March to your doom! Atqui sciebat quae sibi Barbara. It is a far, far more proletarian thing that you do. And then with star
tling suddenness Ravelston's face cleared. An expression of relief, almost of joy, stole over it. A wonderful thought had occurred to him. After all, you could always pay the girl without actually doing anything! Thank God! He set his shoulders, plucked up courage, went in. The door shut.
So here we are. A mean, dreadful room. Lino on the floor, gas-fire, huge double bed with sheets vaguely dingy. Over the bed a framed coloured picture from La Vie Parisienne. A mistake, that. Sometimes the originals don't compare so well. And, by Jove! on the bamboo table by the window, positively an aspidistra! Hast thou found me, O mine enemy? But come here, Dora. Let's have a look at you.
He seemed to be lying on the bed. He could not see very well. Her youthful, rapacious face, with blackened eyebrows, leaned over him as he sprawled there.
'How about my present?' she demanded, half wheedling, half menacing.
Never mind that now. To work! Come here. Not a bad mouth. Come here. Come closer. Ah!
No. No use. Impossible. The will but not the way. The spirit is willing but the flesh is weak. Try again. No. The booze, it must be. See Macbeth. One last try. No, no use. Not this evening, I'm afraid.
All right, Dora, don't you worry. You'll get your two quid all right. We aren't paying by results.
He made a clumsy gesture. 'Here, give us that bottle. That bottle off the dressing-table.'
Dora brought it. Ah, that's better. That at least doesn't fail. With hands that had swollen to monstrous size he up-ended the Chianti bottle. The wine flowed down his throat, bitter and choking, and some of it went up his nose. It overwhelmed him. He was slipping, sliding, falling off the bed. His head met the floor. His legs were still on the bed. For a while he lay in this position. Is this the way to live? Down below the youthful voices were still mournfully singing: 'For tonight we'll merry be,
For tonight we'll merry be,
For tonight we'll merry be-e-e-
Tomorrow we'll be so-ober!'
9
And, by Jove, tomorrow we were sober!
Gordon emerged from some long, sickly dream to the consciousness that the books in the lending library were the wrong way up. They were all lying on their sides. Moreover, for some reason their backs had turned white-white and shiny, like porcelain.
He opened his eyes a little wider and moved an arm. Small rivulets of pain, seemingly touched off by the movement, shot through his body at unexpected places-down the calves of his legs, for instance, and up both sides of his head. He perceived that he was lying on his side, with a hard smooth pillow under his cheek and a coarse blanket scratching his chin and pushing its hairs into his mouth. Apart from the minor pains that stabbed him every time he moved, there was a large, dull sort of pain which was not localized but which seemed to hover all over him.
Suddenly he flung off the blanket and sat up. He was in a police cell. At this moment a frightful spasm of nausea overcame him. Dimly perceiving a w.c. in the corner, he crept towards it and was violently sick, three or four times.
After that, for several minutes, he was in agonizing pain. He could scarcely stand on his feet, his head throbbed as though it were going to burst, and the light seemed like some scalding white liquid pouring into his brain through the sockets of his eyes. He sat on the bed holding his head between his hands. Presently, when some of the throbbing had died down, he had another look about him. The cell measured about twelve feet long by six wide and was very high. The walls were all of white porcelain bricks, horribly white and clean. He wondered dully how they cleaned as high up as the ceiling. Perhaps with a hose, he reflected. At one end there was a little barred window, very high up, and at the other end, over the door, an electric bulb let into the wall and protected by a stout grating. The thing he was sitting on was not actually a bed, but a shelf with one blanket and a canvas pillow. The door was of steel, painted green. In the door there was a little round hole with a flap on the outside.
Having seen this much he lay down and pulled the blanket over him again. He had no further curiosity about his surroundings. As to what had happened last night, he remembered everything-at least, he remembered everything up to the time when he had gone with Dora into the room with the aspidistra. God knew what had happened after that. There had been some kind of bust-up and he had landed in the clink. He had no notion of what he had done; it might be murder for all he knew. In any case he did not care. He turned his face to the wall and pulled the blanket over his head to shut out the light.
After a long time the spyhole in the door was pushed aside. Gordon managed to turn his head round. His neck-muscles seemed to creak. Through the spyhole he could see a blue eye and a semi-circle of pink chubby cheek.
''Ja do with a cup of tea?' a voice said.
Gordon sat up and instantly felt very sick again. He took his head between his hands and groaned. The thought of a cup of hot tea appealed to him, but he knew it would make him sick if it had sugar in it.
'Please,' he said.
The police constable opened a partition in the top half of the door and passed in a thick white mug of tea. It had sugar in it. The constable was a solid rosy young man of about twenty-five, with a kind face, white eyelashes, and a tremendous chest. It reminded Gordon of the chest of a carthorse. He spoke with a good accent but with vulgar turns of speech. For a minute or so he stood regarding Gordon.
'You weren't half bad last night,' he said finally.
'I'm bad now.'
'You was worse last night, though. What you go and hit the sergeant for?'
'Did I hit the sergeant?'
'Did you? Coo! He wasn't half wild. He turns to me and he says-holding his ear he was, like this-he says, "Now, if that man wasn't too drunk to stand, I'd knock his block off." It's all gone down on your charge sheet. Drunk and disorderly. You'd only ha' bin drunk and incapable if you hadn't of hit the sergeant.'
'Do you know what I shall get for this?'
'Five quid or fourteen days. You'll go up before Mr Croom. Lucky for you it wasn't Mr Walker. He'd give you a month without the option, Mr Walker would. Very severe on the drunks he is. Teetotaller.'
Gordon had drunk some of the tea. It was nauseatingly sweet but its warmth made him feel stronger. He gulped it down. At this moment a nasty, snarling sort of voice-the sergeant whom Gordon had hit, no doubt-yelped from somewhere outside:
'Take that man out and get him washed. Black Maria leaves at half past nine.'
The constable hastened to open the cell door. As soon as Gordon stepped outside he felt worse then ever. This was partly because it was much colder in the passage than in the cell. He walked a step or two, and then suddenly his head was going round and round. 'I'm going to be sick!' he cried. He was falling-he flung out a hand and stopped himself against the wall. The constable's strong arm went round him. Across the arm, as over a rail, Gordon sagged, doubled up and limp. A jet of vomit burst from him. It was the tea, of course. There was a gutter running along the stone floor. At the end of the passage the moustachio'd sergeant, in tunic without a belt, stood with his hand on his hip, looking on disgustedly.
'Dirty little tyke,' he muttered, and turned away.
'Come on, old chap,' said the constable. 'You'll be better in half a mo'.'
He half led, half dragged Gordon to a big stone sink at the end of the passage and helped him to strip to the waist. His gentleness was astonishing. He handled Gordon almost like a nurse handling a child. Gordon had recovered enough strength to sluice himself with the ice-cold water and rinse his mouth out. The constable gave him a torn towel to dry himself with and then led him back to the cell.
'Now you sit quiet till the Black Maria comes. And take my tip-when you go up to the court, you plead guilty and say you won't do it again. Mr Croom won't be hard on you.'
'Where are my collar and tie?' said Gordon.
'We took 'em away last night. You'll get 'em back before you go up to court. We had a bloke hung himself with his tie, once.'
Gordon sat down on the bed. For a little while he o
ccupied himself by calculating the number of porcelain bricks in the walls, then sat with his elbows on his knees, his head between his hands. He was still aching all over; he felt weak, cold, jaded, and, above all, bored. He wished that boring business of going up to the court could be avoided somehow. The thought of being put into some jolting vehicle and taken across London to hang about in chilly cells and passages, and of having to answer questions and be lectured by magistrates, bored him indescribably. All he wanted was to be left alone. But presently there was the sound of several voices farther down the passage, and then of feet approaching. The partition in the door was opened.
'Couple of visitors for you,' the constable said.
Gordon was bored by the very thought of visitors. Unwillingly he looked up, and saw Flaxman and Ravelston looking in upon him. How they had got there together was a mystery, but Gordon felt not the faintest curiosity about it. They bored him. He wished they would go away.
'Hullo, chappie!' said Flaxman.
'You here?' said Gordon with a sort of weary offensiveness.
Ravelston looked miserable. He had been up since the very early morning, looking for Gordon. This was the first time he had seen the interior of a police cell. His face shrank with disgust as he looked at the chilly white-tiled place with its shameless w.c. in the corner. But Flaxman was more accustomed to this kind of thing. He cocked a practised eye at Gordon.
'I've seen 'em worse,' he said cheerfully. 'Give him a prairie oyster and he'd buck up something wonderful. D'you know what your eyes look like, chappie?' he added to Gordon. 'They look as if they'd been taken out and poached.'
'I was drunk last night,' said Gordon, his head between his hands.
'I gathered something of the kind, old chappie.'
'Look here, Gordon,' said Ravelston, 'we came to bail you out, but it seems we're too late. They're taking you up to court in a few minutes' time. This is a bloody show. It's a pity you didn't give them a false name when they brought you here last night.'
'Did I tell them my name?'
'You told them everything. I wish to God I hadn't let you out of my sight. You slipped out of that house somehow and into the street.'
'Wandering up and down Shaftesbury Avenue, drinking out of a bottle,' said Flaxman appreciatively. 'But you oughtn't to have hit the sergeant, old chappie! That was a bit of bloody foolishness. And I don't mind telling you Mother Wisbeach is on your track. When your pal here came round this morning and told her you'd been for a night on the tiles, she took on as if you'd done a bloody murder.'
The Complete Novels of George Orwell Page 106
